For now, I have seen the old and new Iron Giant Corps and the Secret Tools Museum, and I will watch the Legend of the Green Giant somewhere someday, so besides those…

The one where Gian becomes a man.

Doraemon: Nobita’s Dinosaur Remake

New Demon World

There are various arrangements from the original.

“Since it’s ‘Nobita’s’ New Demon World Adventure, I think that’s fine.”

The best part was the thread image.

The Iron Giant Brigade watches both the old and new and cries.

Nankai

Well then, the old demon world.

Both the old and new versions of “Nihon Tanjou” are recommended.

Especially new

The Mugen Three Swordsmen is really interesting up to a certain point.

It’s a shame that the second half loses momentum.

Kingdom of Clouds

Recommended for stiffness.

There are surprisingly many works that are hard to recommend because tastes seem to vary.

Arabian Nights

Animal Planet

I want to see “Earth Symphony” in its uncut version even when watching it on terrestrial TV.

If possible, prepare the best audio environment available at hand.

I recommend the Genesis Diary!

>>18

Nobita-kun in this worldline has such a nice voice…

>>20

Inoue’s voice as Nobita.

Hayami’s voice is truly exceptional.

>>18

So, yeah…

If I’m going to watch both the old and the new versions of Nihon Tanjou, I feel like it’s better to watch them in the order of old to new. I like both, though.

Lunar Exploration Record

The new iron man has started to cry just by listening to his friend’s song.

I saw the ideal paradise in the sky the other day, and it was quite good.

There are various points of dissatisfaction, but I was really drawn to Sonya’s character.

It’s surprising that it hasn’t generated much discussion.

I love Galaxy Express 999 because it’s entertaining.

Did you not watch it when you were a child?

Earth Symphony

Space War

Underwater Demon Rock Castle

>>29

This guy, huh?

Shizuka-san wo

Nakaserno Wa

After watching the one until ’98, I saw Space Wanderers.

In terms of being a comprehensive conclusion of the Nobuyo Yamamoto era of Doraemon, “One-Nyan” is well worth watching.

>>32

The waving scene is nice, isn’t it…?

Remake of Space Micro-War.

I think “Wan Nyan” is at a disadvantage because of its name.

>>34

I never imagined that the old and new Suneo would shake hands firmly in the story.

Great Demon Realm

Both the old and the new have their own unique scenes, and that’s great.

I rewatched it recently, and I found Treasure Island to be more interesting than before.

Honestly, I wasn’t keen on the talk about Silver, but the guys’ adventure part is still enjoyable, and it seems like people who want to work with supervisor Kameda gathered because it’s always in motion, so it’s not boring to watch.

>>37

It can be said about the new dramas in general.

Isn’t the guest character’s design too floaty?

>>45

It doesn’t seem like there would be any discomfort if the heroines from the Doraemon universe were mixed in, even in a bad way.

The Tale of the Green Giant

🔩

The works that haven’t risen at all up to this point are, conversely, worth seeing.

>>41

The Robot Kingdom, huh?

>>41

A mermaid and the island of miracles…

The parallel Journey to the West that features the Ox Demon King has somehow become a standard in the Emodoran thread, and that in itself is enjoyable.

Abema should be streaming the movie for free for a little longer, so let’s watch it as much as we can.

The Great Abyss… is indeed quite old in various ways.

>>49

There is an anonymous entity that is seven times seven times seven.

If it’s Wasa-Dora

Antarctica is frozen solid.

Lunar Exploration Diary

Birth of New Japan

New Wilderness

New Space Small War

Earth Symphony

I recommend it.

Nobita’s Serious Space Drift Diary

I want Dreaming Three Swordsmen to be remade with a fairy as the new heroine.

I think it’s better to look at the old before seeing the new in the context of the birth of Japan.

There are pros and cons, you know.

If I were to recommend a work that hasn’t been released until now, it would be “Parallel Journey to the West.”

Since the symphony is such a good piece, I especially wanted to see it in the theater.

It also depends on whether you prefer a peak that is lively or one that is nicely organized.

The assessment of the Three Illusory Swordsmen would likely be completely divided.

Look at the tin maze.

>>57

Yes, ton ton ton.

I like the Kingdom of Clouds because it feels like a kind of final verdict, but it’s hard to recommend.

When I think of the winding-up as the last story, there are too many implications.

>>60

Those who sow seeds in the screw of life…

I’ve been here for the past few months.

I’m living a life where I have elaborate tanmen while watching a Doraemon movie once a week.

This week I watched Animal Planet.

The Great Dungeon can be seen as a work that has fully organized its adventure route.

An extraordinary stage! Enemies! One of the five to be the main focus! And food!

If we simply consider the quality of the work, I really want to focus on the new aspects of the new Dragon, but there are various factors such as the sense of the times, nostalgia, and being able to feel the staff’s struggles.

>>64

Whether to see the looseness of the settings as part of the charm.

I love Arabian Nights, but I’m still not convinced.

>>64

It’s been a battle against the original source, the old dragon…

It seems you’re enjoying it, but I’m curious about the ramen information.

It’s a typical case of the three swordsmen where, when Teacher F is feeling unwell, the usual tendency is to rush the developments with a flashy display.

There are many things I like, but…

I think “Arabian Nights” is a masterpiece as a story of resurgence.

>>68

I see… It seems I have unwittingly grown old in my heart as well…

https://dora-world.com/reading_manga

It’s the release of the original work related to the movie.

A criminal record with 100 offenses, all completed except for murder.

The Earth Symphony cried.

The quality of a work and personal liking are not necessarily equal.

When I watch Nobu-dora, I can’t help but think (while drawing this, F-sensei must have been struggling with the ending and feeling like a manga artist during the Oishi Kamen episode…).

If you’re talking about how impressive it is to get this far without Mr. F’s presence… then the following year’s “Nankai Great Adventure” in “Nejimaki City” is also hard to pass up.

Rewatching “Drabian” made me think that it was really great.

So you can go help!? That’s such a trivial matter!

>>78

I feel that somehow, our approach of intervening and diverting from the original story of the picture book, which we tried to make milder for children, ended up making it more complicated instead.

I have memories of feeling like the quality of the Iron Man remake suddenly increased tremendously…

The way of making things in Professor F’s era is too outrageous…

In a remaster or something like that.

The old Dura has been unexpectedly improved in a good way.

The first old Doraemon I saw after about 20 years was “Doraemon: Nobita’s Great Adventure in the South Seas.”

At first, I thought I made a mistake by watching it in English, but it turns out the line about the pirate not eating konjac was actually in English.

It’s not a movie, but this week’s Doraemon had a story that was truly fitting for a finale.

It has often been said since the time of the original work.

>>82

Me 45 years later!

The preview of “Arabian Nights” shows completely different scenes, doesn’t it?

I wonder if there were various things.

>>83

That!

Run away!!

I have a memory of laughing at that part in the trailer.

“Drabian has a depth that children cannot understand.”

>>84

I understand.

Slave fetishism is still too early, isn’t it?

The old one has some rough spots in the punchlines.

>>85

Is it just the punchline…?

Nobita fans should definitely watch it…

Parallel Journey to the West is

During the time when Professor F was alive, it’s clear that Nobita’s worthlessness was high, right?

The cheap CG of Dreamland in Galaxy Express 999.

I couldn’t help but laugh because it was still cheap even with the HD remaster.

The talent guests are all skilled and have a nice flavor, which makes for a subtle but impressive and mysterious atmosphere.

Before that, there were almost no such frameworks, so I remember it feeling like a change in taste as a result.

See it all.

It feels timely that environmental issues continue to be a sub-theme, as if something was said from above by Animal Planet for a while.

>>100

Soraemon-go!

The Kingdom of Clouds is often talked about in relation to celestial beings, but even so, they push environmental issues to the extent that it makes me feel, “Wow, this is it!”

A common trope in creations from that era!

Well, it’s not like during Professor F’s time…

Because there aren’t specific opportunities for each member to shine.

Sunoe dominates with his remote control car!

Shizuka is a character who plays a role of a woman whose allegiance is ambiguous, either as an enemy or an ally!

As I keep repeating roles that are like being cast in a mold in movies, it starts to feel like déjà vu.

Drabian Night has a mascot from the future called the Shota Mesugaki Guide Robot.

>>101

Is that guy a female!?

It’s a “Wasadora.”

New Japan

New Demon World

Rock solid

Treasure Island

Moon surface

is recommended

The development from the world of this drawing to the reality of the past is actually…

It evoked the Arabian Nights.

When watching movies, these guys regularly become gods…

In Professor F’s time, there was a bad habit of focusing too much on the introduction, resulting in a lackluster ending, but Galaxy Express 999 manages to keep that in check and is entertaining; above all, the ending is great.

The dragon knight is low-key but interesting…! Low-key but…!

>>107

The underground people are too normal.

>>107

I wonder if it’s plain…

The moon surface is too erotic for the heroine…

>>110

That’s good, right Luka?

>>110

It’s sexy to have serious tentacle play in this kind of era, isn’t it?

A movie where Nobita takes a bath with a guest heroine.

Anyway, the Time Patrol has come! And Dorami-chan has arrived! If it’s not a resolution that gets solved that way, there are good points.

Nobita-kun is also hitting on the guest character who is staying up all night…

>>115

There were occasional instances during the Nobu-era, but in the Wasa-era, it’s been systematically established as a requirement…

Isn’t it that there are fewer times when we don’t do it when we have guest personalities?

>>115

Night conversations are probably about half of all the works.

>>115

The night of the thread has come, it’s time for Nobita’s guest character seduction time.

Since the director is the same, the situation is similar to the Secret Tool Museum.

The dragon knight has a service scene where Shizuka-chan and the others start stripping while drenched in sweat.

The new Kukuru is quite something.

>>119

Despite being at the same level in every way except for appearance, he transformed from an ordinary boy into an astonishingly beautiful young man.

The moon’s surface is great for posters…

Since the new Iron Man Army was interesting, I decided to check out the new space exploration as well.

…Well, adding new characters that weren’t in the original has its pros and cons.

The Iron Man Corps can be chosen based on preference, but both the new and old versions of the Pioneer History are disappointingly lacking.

This kind of new remake doesn’t become a topic of conversation, a new dinosaur.

The new development is Yeah…

I really think the miracle of the giant new development mermaid (new iron man) was seriously amazing.

>>128

It was tough to watch in the theater around here every year.

I don’t know if things will get better like they are now.

>>128

Recently, Crayon Shin-chan has also been terrible, and I can only think that something must have happened to Shin-Ei Animation…

The new Kukulu has also had a role in the original development towards the end, and their treatment has improved, right?

Show me more of Nobi Dora!

>>130

No way!

No way!

>>130

The secret museum and paintings are a sure thing.

The Antarctic Nobidra is also great.

>>137

I was like, huh?

Isn’t what Nobita is saying totally absurd?

>>144

Fake response

Mairo’s nighttime conversations had a great vibe as they mixed in discussions about the art materials of the time, which was a high point.

On the contrary, the members are not fulfilling any roles.

When discussing environmental issues or introducing a tyrannical character like a celestial being…

You might be able to regain the feeling of watching a Doraemon movie.

The new dinosaur might be lower than Treasure Island with the same director, huh?

The scene I want to do is clear and exciting, but compared to Treasure Island, there was something that just didn’t feel right.

Mutually Assured Destruction Learned Through Environmental Issues

If you lower the hurdle significantly and watch “Space Hero Chronicle”

It wasn’t as bad as I said.

So far, the worst is probably the mermaid.

The gap from expectations is tougher than a miracle for a mermaid.

It’s a movie that’s been completely turned into a background character pattern, except for the recent works like “Kachikochi” and “Nobi Dora.”

>>139

Guest Kugimiya doesn’t have many appearances, but she’s cute.

Milo not only has to flirt simply, but there’s also a necessity for Nobita to finish the work with a consistent set of values as the artist.

I understand.

Even though I know I’m going to get a zero.

Like when taking a test.

The ending theme of the Dragon Knight is absolutely amazing.

It’s rare that Nobuyo sings in a voice quality similar to her later years.

>>142

When I heard about Nobuyo-san’s passing, I cried…

>>145

Although we part ways on different paths,

Because we will meet again someday somewhere.

In a way, there is a part of “Space Hero Chronicle” that remains consistent in how it was created.

It might be close to not being too serious or too lighthearted about the Secret Tools Museum.

The mermaid has a flavor of relay novel.

How ugly Doraemi is…!

The scene where the weapon dropped from the hand is retrieved in a sluggish manner is quite profound.

It’s quite common for the face to become a mob character during the Nobu-Dora era, and there are issues with the distribution in that regard.

I don’t remember what I did with the winding toy or what it was.

>>147

The winding man was properly conducting an undercover investigation, wasn’t he?

>>150

Isn’t it tin?

>>155

I made a mistake naturally.

I’m sorry.

I believe there is a notion that those who sow the seeds are the teachers.

The author of the drag base who took over midway.

Karla leaves a strong impression as an individual character.

It’s significant that there aren’t many guests with overlapping attributes that have a lively and friendly distance.

The new dinosaur has made it even more unclear what the story was trying to convey because of P-Suke.

I wanted one more pinch of something crunchy.

Whether it’s horror elements or mystery elements, it’s fine.

>>157

It’s quite an atmospheric movie, isn’t it?

There is a feeling of breaking through at one point with that atmosphere.

Who is the strongest?

I mean, every time Nobita forms bonds with guest characters…

Doesn’t Suneo realize that it’s one-dimensional if he shines with his remote-controlled car?

Gian is truly a mentally unstable person with nothing to praise about the Genesis Diary.

I thought it was amazing how Wan-Nyan managed to maintain the old-fashioned character design of Nobu-Dora while brushing it up in a modern style.

Shinkaitaku overall has a safe quality, but it feels like it’s being disliked for missing crucial elements at critical moments.

All the scenes feel unusually rushed, don’t they?

I like how “Nijimaki” casually uses tools from the previous work.

The power of the upgraded air cannon from Animal Planet is incredible, right?

Since I get caught and end up doing nothing like a creation diary, huh, Jason?

Why did you shift that again when Shintakuto hasn’t had a one-on-one with Nobita and Giramin?

I’ll send the package later!

Aren’t there a lot of guest voice actors in the early Wasadora who are really bad?

>>172

Don’t expect acting skills from guest voice actors.

I’ll come to see you again tomorrow!

>>173

It was said on Animal Planet, and it didn’t go well.

The one where the opening starts with “Doraemon!” is said to be a masterpiece.

>>174

It’s quicker to give something that doesn’t exist.

>>174

Is it the Dragon Knight or the Iron Soldiers that is the first?

>>174

Nobita-kun! The opening of the “One-Nan Jikuu Den” is also a masterpiece, right?

I am aware that I am receiving high marks just for the stiff atmosphere, the background music, and the setting of the ancient Hyōgahyōga civilization.

You don’t have to have a good punchline or make an impact every time.

I don’t need a theme or anything like that.

It’s okay if the school building grows on the mountain.

>>176

Adults sometimes make unreasonable demands.

I love the scene where the badge is handed over and the ending, Shin Kaitaku.

I can understand the overall reputation, but I definitely have the desire to emphasize certain aspects like this.

I definitely want the opening to start with “Doraemon!!!”

I absolutely love the scene where we all continue to walk through the flames of battle, starting with Giant from the Great Demon Realm… no, starting with Gou-san.

>>184

Of course, the long epic “Shin no Nagare” is good too, but since this is the old one, I like it best when everyone is together + all lines are silent.

The story of the picture world is nice, isn’t it…

I feel like Dinosaur 2006 is breaking through with the power of my notebook’s masterpiece!

The scene of flying with the take-copter while using my notebook’s BGM is good no matter how many times I see it.

When I think about Osaru Mukai, this year’s PAL has been used well, it’s fitting.

As I thought, it’s just too dynamic, Mukai Osaru.

Oh, come on!

Kachikochi has few characters, but the setting is causing a traffic jam.

Aliens (before human history) in Antarctica

I like it because it’s more serious compared to screenwriters who can only create stories by lining up characters.

Even though he’s a guest voice actor, he’s really skilled and stands out as a character… that was the case with Captain Kid from Nankai.

>>194

The reason for participating in stopping Cash’s actions, including those of other pirates, is exceptional.

It’s good to incorporate themes and all, but it’s also nice to have something that is purely focused on entertainment! In that sense, the latter tends to leave a stronger impression.

That’s the end of it if you say that!

Ah, it’s the end.

I like exchanges like those in Tora-san.

It seems it wasn’t a requirement since it wasn’t done every time.

I really love the hard ending.

>>199

I think there are quite a few people giving high ratings just based on that and the poster.

It simply feels like a movie to have a protagonist using powers from the 22nd century and an enemy using powers from the 23rd century.

Huh, that tool is used in that way!? That’s a great use!

There are really very few quotas or standardized patterns for teachers.

The later script is trapped…

Was there a civilization in Antarctica 100,000 years ago!?

If I flew back 100,000 years ago, I would find that the underground city was already abandoned and turned into ruins at that time.

It is said to be one of the ruins left by ancient people who traveled from one end of the galaxy to the other, and I personally really like the way the scale expands.

I like Takekabe’s “I’ll take charge!”

Nankai is normally skilled at acting, just like Machi Bunshu.

>>208

I was surprised when I checked again.

Why does that boy with a somewhat awkward speech come out so well?

For now, a Taketombo (bamboo copter) that runs out of battery.

It seems like the Crayon Shin-chan movie and the Doraemon movie…

It feels quite ordinary that they’re converging in the same place.

The Crayon Shin-chan movie doesn’t talk about environmental issues.

Doraemon movies should focus on adventure rather than character.