The issue of labor shortage is…

Is it worth using Yonezu’s precious time for anime animation?

But if it’s Yonezu, I’m sure he can do it…

Even though it was announced, there’s a lack of manpower!?

It seems that the work requires an infinite amount of manpower.

>>10

Could it be that the more characters there are, the more work increases compared to other anime?

>>10

I started reading the original work because the anime has ended.

Is this scene not in the original…? Or is there only this scene in the manga? I’m noticing these things and getting nervous.

I really earnestly want all the meter folks to gather…

I wonder if people who want to draw lolis will gather…

I wonder if announcing a character type without CG will attract people who want to draw this child.

It had the impression of being tied to Kadokawa, but is there a lack of people at ENGI?

Severe labor shortage across the entire industry.

It seems like a work that would require manpower…

The first season was really good; it seems there was indeed a miraculous flow to it…

Urgent recruitment! An animator who can provide motion capture instruction, camera work, and animation creation for medalists!

Is Yamazaki going to be the CM song for the animator recruitment?

It might be busy, but I feel like I could manage one original illustration, Yonezu.

This is not a second phase that’s already factored in; it’s a three-year course.

>>27

The challenge between me and Teacher Tsukasa has just begun! It felt like a closing remark.

Maybe they decided to include it on short notice because it was more popular than they expected.

Let’s have Yuzuru Hanyu’s fans draw it.

Wanted: A capture model that can perform quadruple jumps.

A fan passing by around there! Hurry up and come!

The skating scene in the second term has a lot of dialogue in between, so it seems tough.

While we might need hand-drawn talent, the lack of personnel available for 3D production will impact the key moments, so I hope that aspect is properly secured…

To be honest, I think that since ENGI, which is usually regarded as a weaker lineup, has managed to produce a solid anime up to this point, they must have had no choice but to push themselves and find no escape.

It’s good that it was properly evaluated and the second season announcement came about.

The entire anime industry, including ENGI, is chronically short on people…

One specific concern of this work is that we need to secure the schedule for the motion capture team as well.

>>38

It seems really tough to do serious skate motion capture.

Rigid movements might be achievable in track performances or with hand techniques, but isn’t it impossible to do steps like that without renting out the skating rink?

At the time of the announcement, the fact that it was ENGI was the biggest source of concern…

>>40

If we don’t hurry, there could be accidents that lead to cancellations like Yuri’s, so it’s difficult.

If you’re going to use Yonezu for original art or videos, I’d rather have him draw illustrations and turn that into funds!

It seems like it would be nice to have a block tournament before the second season, like a theatrical version.

I feel like I saw a completely identical job posting for another anime just recently.

>>44

Animators are often treated poorly, so it’s like a conversation about hiring part-time workers.

It’s completely ordinary compared to the immediate needs for hiring mid-level management and above.

It’s great news that production has already begun.

There are more patterns that start with the seating arrangement.

I don’t know how it was at first, but…

If someone said that a wild Yonezu brought a song and would push the medalist with a PV featuring Yuzuru, I would think…

If I were involved, I would just sit and let it flow.

It’s fundamentally too much anime, but it’s not enough anime.

If I could be greedy, I want to see “Bet on Me, World” in theaters.

It’s better to take a few years than to become low quality.

Is it okay to start recruiting now!?

Is there no fairy-like creature that gathers around when making robot anime, like in skating anime?

>>51

With motion capture, you can only negotiate with professional skaters.

Could it be that we might fall to the previous ENGI quality!?

First of all, when it comes to skating anime, I can’t think of anything other than this.

>>54

I hesitated a bit about whether to include Pretty Rhythm.

>>54

There is a work called “Ginban Kaleidoscope”…

>>54

Well, before the medalists, all the skating anime just tried to look the part…

Asking for help from the Southern Technical Research Institute through Yonezu’s connections…

I love the original work, so I thought it couldn’t possibly end in just one season, and since it was really well done, I definitely thought a second season would be in the works.

The anime industry is tougher than I imagined.

Shall we gather and go help out as some free anonymous people?

Ah… I can’t figure out if it’s because of the exploitation of passion or if there are just too many anime being made, or whose fault it is; I don’t understand anything anymore.

Season 2 has more acting scenes, so the animation will be even tougher…

>>64

I feel like I’m doing my best!

I hate work… but it makes me feel better when I listen to it in the morning.

>>64

I love the part where Inori and Teacher Tsukasa are flying with smiles on their faces while riding a worm.

I thought it was natural for a compilation movie to be made for the theater version, and I was at a stage where I could finally announce the second season of Bozaro.

It must be tough, right?

Come again! Animator who loves loli and shota!

In the second season, the number of characters will more than double…

It seems that coming up with choreography for the performance is quite challenging.

A motion to Yoshiharu Habu…

>>82

The match against Ai-chan is one of the most famous scenes in the original work…

This is a job for the Dragon King!

It looks like they are going to do whatever it takes to make it in time for the Olympics.

The point is that it was reported that the second season is officially in production.

In terms of animation, it will be much more difficult than the first season, so I hope they secure enough staff and produce it properly…

Having a situation where there are always plenty of available engineers isn’t necessarily a good thing either…

If there are many free people, that means there is little work and the situation is idle.

>>74

So that means we have to rely completely on the director’s strength to pull this off?

Moreover, production has already started.

ENGI may not be able to get off at 2A…

The ideal is to synchronize with the Winter Olympics broadcast this winter…

It seems like they were willing to do a second season like Dungeon Meal, but maybe they were waiting to see the reaction to decide whether to go ahead or not.

What’s going on in the anime industry?

>>79

I can’t do anything about it anymore.

Preparing for just one season takes more than a year.

On the contrary, it would be good to align with the Olympics four years from now.

By that time, it seems like the original will be a better fit.

If we can secure the same staff, it would be a sure thing, but this is an industry where that isn’t possible…

Isn’t the shortage of manpower due to the low number of male workers?

>>87

On the contrary, that side has actually been improving.

Simply put, the number of animators is decreasing, so there’s competition.

>>87

It’s not that I don’t have enough money, but when other projects are taking away personnel, there’s nothing I can do about it…

>>87

Well, I can’t deny that.

As a result, more and more people who can no longer make a living are leaving.

The recent anime industry seems to be getting worse, doesn’t it?

It’s that the burden on animators is high, but their pay is low.

It’s at a level where you have to wonder what those who aim to be animators are thinking when they understand there’s low pay, intense work, and no opportunities to sell their own creations.

>>89

In the past, it was a job full of dreams and there were many hopeful applicants.

Maybe in the past, the salary and treatment were good, but the current situation is definitely representative of a job that nobody wants.

>>93

That said, it’s been quite improved compared to a while ago.

I hope we can quickly make anime production AI practical…

The somewhat tedious aspect of this anime is not just the characters, but the fact that they have to build an entire skating rink.

Perhaps because of the current anime bubble, the treatment of animators has greatly improved, yet there are still many people who speak with knowledge from over ten years ago.

Yonezu, take responsibility and procure personnel.

>>97

The only talented individuals that Yonezu can bring along are King Gnu’s Iguchi, Yojiro Noda, and Masaki Suda.

>>171

Let those guys draw the original pictures too.

>>171

Furthermore, from Noda to Shinkai.

From Suda to Kamiki Ryunosuke and R-Specified.

>>180

This reinforcements are strong…!

Why aren’t people coming to the industry… why…

>>100

Maybe it’s because the meal money for those who were managing just with enthusiasm has run out…

>>100

First of all, there are very few young people.

And not limited to anime, the number of young creators in doujin, illustrations, and manga is decreasing while the aging population is increasing.

Is it okay to say production is decided when the cast isn’t assembled yet!?

>>101

If we’re only talking about the decision to produce, most anime have been decided three years or more before airing.

>>101

There are plenty of anime that take even more time than the previous season, which is determined during the broadcast of the current season.

Is it possible to make it in time if we put all our efforts into delaying the release from now on?

In the past, it was only natural to have obligations and human feelings, and every job was generous.

>>103

If you trace back to the Showa era, it was common to be driven by human emotions, which is why the treatment was good.

At that time, there were no jobs that were like slavery, with so-called heavy workloads and low pay.

Well, it’s true that saying how good the old days were in this Reiwa era doesn’t really help, but…

Earthworm… I brought an earthworm, so please draw the original picture…

The skating scenes were well done, but honestly, the everyday scenes weren’t that great…

I can tell that they put effort into it when reading CG-related magazines, but…

Yonezu seems like he is going to do the second season’s opening for Kitani.

Look… I’m getting ready to do my Kitani…

The top box office films are all anime, and since the Demon Slayer shock, there’s a perception of an anime bubble, but I wonder how it is that those who are creating it are earning such low wages.

>>110

It’s just that the IP business is thriving.

So conversely, you could say that anime companies with UFO-like rights are properly investing money into the field.

Clover, directly under Aniplex, built a building.

>>128

In that case, I’m saying that other anime companies just need to invest money, so why can’t they? If it’s selling well, they should give it back to the production team, otherwise, motivation will disappear.

>>132

It’s still manageable, and even though the people on site complain, they haven’t taken any action.

>>132

It says you have the rights~

As long as you have the rights.

>>132

I don’t really understand what you’re saying…

>>152

It just means that you can simply mimic what the major players are doing exactly as it is.

There are hardly any people who will drop their current jobs and come just because you offer to pay a lot of money…

They’re using the same song in the Townwork commercial, so it’s just the right one.

Those who are evaluated should be given a tremendous amount of money.

I wonder if they want to do the second term around the Olympics as much as possible for the sake of the figure industry.

Hello, Russia?

A player who can do 5 rotations, please come.

>>116

Will you allow doping?

>>120

Even if you forgive, the world won’t forgive!

It’s not a money problem! I’m the one doing the opening song!

That person…

>>117

No, take the money.

It troubles others.

To be blunt, there’s nothing wrong with high-paying jobs like overseas in terms of industry.

By the way, it’s 200,000.

But don’t you want to see Zakitova skating in Hikari-chan’s outfit?

>>124

I want to see that regardless of the costume.

In the second season, we’ll have Hachi do some songs…

The content of the manga definitely gives off the feeling that they absolutely won’t allow a way to crush young players.

It seems that there are even fewer people who can do layouts.

Are you gathering people on X?

Animators are volunteers, huh?

>>130

The world of craftsmen is like that.

It will probably gather from Indeed.

>>145

BizReach…

The second season of the anime… is not a magic that can be created by the strength of one’s feelings…

ENGI needed the best animation for its medalists right now.

In order to move on to the second season where everyone can invest, I needed the badge of having the best first season animated right now.

If someone has a certain level of skill, I wonder if they can do a mo-cap quadruple and a half spin with some help.

>>136

Isn’t it possible to increase the rotation speed with motion…? I’m just a beginner, so I’m wondering if that’s not allowed.

Don’t let go of the serious female fan who depicted the entire skating scene without CGI in the final episode!

>>137

All

Don’t make me draw.

>>137

Uh…

Scary…

>>137

No, that’s CGI.

Just because the CG creator in charge liked it.

>>137

There are crazy people like Hideki Inoue who can handle an entire episode’s storyboard, direction, and key animation all by themselves in ARIA.

>>137

Look… my Rion…

Is it becoming like the first season of Attack on Titan?

Isn’t it because the work in the anime industry is tough that there are so few people?

I hope that suddenly Kenshi Yonezu appears and pulls Yuzuru Hanyu along again…

When there’s a lack of money and people, what should I do?

>>143

You should become an animator!

>>143

For now, let’s gather the skaters and do some motion capture.

In order for an anime company to inject money into the scene, those at the top need to throw some money as well…

I was really pushing myself to the limit, but I clearly ran out of steam in the second half.

The good reputation of this season has drawn attention, and I hope that many animators will continue to gather from now on.

>>149

Is it okay to draw Rio-kun in a lewd way!?

>>155

As long as it is a lewdness that arises from following the rules, there should be no problem.

>>155

Ah… If you can draw, the anime industry welcomes any kind of weirdo…

If it’s being valued, then that should generate enough money, and if it’s a hot topic, there should naturally be enough leeway to distribute it to the site.

I can only think that the problem lies with the company for not being able to do that. I’m not being spoiled at all.

If there aren’t enough laborers, hasn’t the pay relatively increased?

“Come on.”

If there is an animator who can slide, jump, and spin…

Hello, Ōbari?

Can’t you draw a skate?

>>161

Is it okay to turn Inori into a robot?

>>161

Mr. Tsukasa seeks the infinite possibilities that only humans possess.

>>161

The theme song will be by JAM Project…

I wonder if advancements in AI will solve this area as well.

>>163

Well, if we make more progress, it might become easier.

It seems like there used to be a lot of studios with names like Takuranke.

Has such a company already disappeared?

>>169

Nowadays, it seems like individuals can create anime even without a studio, making it too powerful for studios to absorb.

The number of anime music videos has really increased a lot.

I hope Yonezu will compose a song for the second season too.

Ugh… I really don’t want to be in the position of this director…

>>173

The fans didn’t have very high expectations because of the studio name…

The second season has skyrocketing expectations, so it’s going to be hell.

I wonder how much of a position I could be in if I could perform Hikari-chan’s acting in real life.

>>176

In the future, I might be able to become like Hanyu.

Even if they start gathering after announcing the second season…

I have to manage my schedule from now on…

Damn it… if only Kaneda Ikko were here right now…!

Bet on ENGI worldwide.

Yonezu… become an investor…

>>186

It’s actually a really good idea since we have the money…

>>186

Labor shortages are not just about money…

>>193

But the issue of money is quite significant.

>>193

Even just resolving part of the problem is enough.

With this, I was able to showcase my 3D skills, and I hope it can attract some people.

I became interested in the medalist’s skating scenes on YouTube and watched anime for the first time in a while.

That’s true, but first make it a broadcasting format that can attract the audience that became familiar with Yoasobi!!

If the stream is at the dead of night or delayed by almost a week, people will turn away just because of that!

I want to make it in time for the next Olympics…!

I’ve been seeing the name a lot recently, but where are the people, ENGI?

Isn’t it time to stop making things like pachislot LCD effects?

Mr. Yonezu made the theme song for a Ghibli movie, right?

>>198

It is said that Shun listened and cried his eyes out…

It would be nice if you could do it at a pace similar to JoJo…

Reading P’s interview, it seems they were quite honest about how difficult it is to adapt this work into an anime, as they were frequently turned down…

>>203

Well, movement is important, so of course…

In the second period, there are a lot of jumps in both practice and performances, so it’s tough, you know?

If Hanyu and Yonezu were to be the original illustrators, it seems like they could attract some independent otaku.

To be honest, the CG was quite lacking towards the end.

Well, there’s really nothing more to say about it.