It’s old, isn’t it, teacher?

Please stop with the overly serious comments.

They did it in Bozaro too.

I love the sexy expression of the woman in the upper right corner of the third panel.

Isn’t that Asako, teacher?

The first episode was a bit lacking in catharsis and was somewhat disappointing, so I understand.

I see, I’ll take that, Fujita, replies Professor Shimamoto.
I feel various things about the length of time until the reply.

Everyone who is not interested in Takumi at that venue has gone to the fan meeting outside…

It has become interesting in a different direction than this kind of thing…

Generally, if you’re not a fan, you wouldn’t come to the live show, and if it’s a bad performance, you’d throw in some heckling.

I comment every week because I love Shimamoto too much.

I don’t think it’s typical for Shimamoto to go that far down the conventional path.

A development where the performer overcomes a pinch.
Still, satisfy the few who look at me.
Turn the anti-fans into fans.
It’s interesting how the division in assumptions reflects the author’s characteristics and humanity.

It’s a classic trope for the annoying guy to turn around, but in the Reiwa era, there seem to be fewer cases of annoying characters showing up in the first place.

I think if you try to do something like that, Professor Shimamoto would definitely get shy and make a joke or try to gloss over it.

It’s interesting if you start reading around volume 3! That’s what I’m hoping for.

In times like these, the heroine of Ushitora is Kagari.

Why did you skip one image in the thread?

It’s nice that you’re saying what you want to say.

The reason why Shimamoto’s manga doesn’t hit it big.

A familiar face…

The drama club is really something, isn’t it?

Well, this is a bit old, isn’t it?

Even if it’s old, it’s still the orthodox way.
It’s a difficult place.

I understand what Jubilo wants to say, but isn’t unreasonable trials part of Shimamoto’s charm?

I feel that once it’s actually drawn, the depiction might be a bit off.

I’ve only seen this image, but wouldn’t only fans come to a live show?

Wajirou’s hand-drawn mob character is not a mob character at all…

It’s excessive to the point of having no interest at all, but these kinds of things still happen often, right? That just means everyone likes it.

There is no reason for “this kind of customer” to exist in terms of development.

Jubilo, make the girl in my work this much of a beautiful girl too.
Sometimes you intentionally draw characters as mobs or unattractive people, right?

I couldn’t come this week, but…
I’m a bit worried that they were planning to elicit reactions like in the image from those who were expecting to see the vampire ballet on the Vampire Hunter channel next week.

I came as an accompaniment, but it’s not that great… I really wanted to go to the fan meeting… It would be nice if something like that happened in a lower capacity.

It’s super obvious, but instead of criticizing the strange parts of what exists…
It’s a professional skill to be able to point out that something is necessary for something that doesn’t exist.

If you’re going to complain, it’s important to also suggest an alternative.

I think the faces of the audience should have been depicted.

Yeah… I have nothing else to say.

It’s too nice that we’re sending each other illustrations with our thoughts on the first episode of the new series.

That’s a valid point, and professional wrestling is interesting, but…
I think it’s not okay to draw the things that are currently being serialized and talk about them in public.
Even if it was a bit awkward in the first half, perhaps they intentionally left it for the second half.
“It’s because Jubilo said it, and now I feel like I’m being watched.”

I was really convinced by Shimamoto that there are only good people in my head.

Why did you skip one page?

The theater club is way too relaxed…

Even with this rough writing, it’s impressive how easy to understand it is.

Well, this is already a name, isn’t it?

First of all, it’s an era where the reality of rude customers is being pointed out.

It’s professional honing and polishing.
Helpful

When I think about it, the crowds in Shimamoto’s manga don’t really have this type of poor manners.

The yellow cheers of Jubilo Hinohins are great, aren’t they…?

I have the impression that the audience for Mr. Shimamoto is the type that watches intently and even starts to offer explanations.

In BECK, there are scenes where the audience, who seem uninterested, suddenly gets excited in an overseas live house, which really feels like an away venue. That’s good, right?

The mobs in Shimamoto’s works are fundamentally the ones that question the readers with mysteries and issues.
Such an effect will not emerge unless the protagonist observes and explains it.
The style is different.

It seems that there are many people who come to see the main band and are not interested in the supporting acts, so it gives the impression that it’s easier to do things like this.

It’s probably a work without any disgusting evil.
There is a pressing and certain reason why it would be the same for the paparazzi.

In a world where there are mobs that are forced to do bad things for some reason, that’s somewhat endearing in its own way.

The theater club’s legs…

I really wanted to see a island like this, it’s giving off that vibe.

It seems that idol activities are not the main focus anymore with the recent trends.

It’s an interesting attempt that Jubilo is depicting isekai reincarnation while Shimamoto is drawing an idol manga.

Mr. Shimamoto has a weakness in that he cannot dream there, so he cannot be made to see them…

It’s just a matter of the two people’s styles and what is being asked of them being different, right?
Honestly, I want to read both.