
I felt that having about 3 episodes was excessive.
The self-contained library and survival episodes were well-paced and enjoyable.
The recent episode of Haihara’s pants was well-drawn and sexy, which was nice.
It seems like a story that’s unrelated to the main plot, but I don’t understand why characters like Amuro or the freeloader are brought up.
Well, even the early films should have been made with special care.
How about starting with a movie?
You can just watch the anime original.
Well, that’s because they make it lengthy with story arcs like the incident arc, pursuit arc, and resolution arc to avoid catching up to the original work.
It’s no different from powering up in Dragon Ball to get through an episode.
>>3In the last three years, there has only been one instance where three episodes were used for an original story arc, so what is this guy talking about?
Well, regardless of the original work or anime original, a one-episode conclusion has a good pace, doesn’t it?
A recent movie that I liked is “Submarine.”
Rather than that, to prevent the main story from progressing too much with the black organization people.
There are murder cases and detective work in everyday life.
How many years ago was Haibara’s panties…?
In the movie, the Boy Detective Club doesn’t really shine, but in the anime, the episodes where they do get to shine are usually pretty good.
>>8Well, this is a famous original episode.
Murder in episode 1! Pursuit! Resolution! It has a certain charm to it, doesn’t it?
You can just read the manga instead of watching the anime.
I might like the episodes where the boy detective team seems to be in life-threatening situations when I think about it.
The part where Conan is fully utilizing his knowledge not for deduction but for survival strategy.
It’s true that the purpose is different, but…
>>13A life-or-death revival, maybe?
>>13I see… a whiteout, huh…
In the first place, if the original work had been adapted into an anime for about 20 years, I think it would have almost always had a structure of more than two episodes.
The blue old castle has a thrill because the number of companions is decreasing.
I don’t really understand how Akai and Amuro are appearing but it has nothing to do with the main story.
If it’s an adventure story related to the Boy Detective Club, there are also standalone episodes.
Since reasoning requires a case and suspects will also come up.
It’s a bit tough to wrap it up in one episode.
The organization arc is about confirming the answers and is gradually picking up the foreshadowing laid out in the everyday murder arc, so I think people who just want to follow the main story won’t really understand the fun of it.
It’s called a terrible work, but I actually like “Konpeki no Kan” quite a bit.
I want a stage with a sense of flamboyance, not in Yonehanamachi.
There aren’t any cult villages deep in the mountains that seem to lack a spirit of compliance with the law, right?
>>21That’s only being harshly criticized because it’s a movie version; if it were a TV special, I think it would be more appreciated.
There is no main storyline like Doraemon, Crayon Shin-chan, or Sazae-san.
Even though it’s the same time and space, Conan’s main storyline is unusual.
In the early OP, Conan uses a voice changer to talk on a public phone.
It’s somewhat like a trademark.
I can understand that doing it on a smartphone feels a bit lacking in flavor.
Even if it’s long, having about three episodes is still a good thing.
Isn’t there a main theme where Doraemon goes back once Nobita can stand on his own?
Isn’t it a joke that you’ve been chasing the Black Organization for decades with no particular progress?
Isn’t it fine not to chase the Black Organization?
If I’m plotting world domination, I have to occasionally disrupt things; otherwise, I won’t be taken down even in Mabepe Town.
>>27Even if those guys perish, public security can easily become enemies.
Are you watching Zero-Sico right now?
>>28It’s hard to say this because it’s sold really well, but I think it’s boring…
>>30I think this place (or rather, the Tsuji thread) is evaluating Zero Shiko fairly calmly.
The original anime story cannot cut a single line of dialogue, so it becomes redundant.
>>31It’s great when the early story cuts out the vigorous direction, making it difficult to pick up on foreshadowing later.
No, tempo is the most important thing.
I feel that there are episodes that seem deliberately dragging on to avoid catching up to the original work.
The movie is definitely well-made up to the fifth installment.
Ero-guro is an easily understandable hook that can excite even a superficial person.
It’s a work that values the reality line.
I feel like the limitations of that setting are becoming apparent in the long-running series.
Well, the story isn’t progressing because of the hiatus, after all.
>>38The story I’m currently posting seems to be progressing quite a bit!
>>38That statement is like saying you haven’t been following the original work.
I think it’s not scary at all unless around ten super big-time criminals join the Black Organization from here, given that the character development on our side is too thick.
>>40The additional members of the Black Organization have a sense of importance as guest characters each time, but the added characters aren’t that significant…
I remember that there were many standalone episodes in the past, which made it easy to watch.
Even though it was long, it was totally watchable as two parts, part one and part two.
On the other hand, I remember Kindaichi was doing episodes 3 and 4.
Well, the stretching of the labyrinth cocktail and the antique tray was somewhat different…