The legend that becomes a topic of conversation every time a jump movie becomes a big hit.

A man with a box office revenue of 180 million.

Gourmet explosion

Look at the PV too.

It’s like a ruby annotation in a Conan movie.

I wonder if this is when I unexpectedly put out the back course for the Acacia full course.

I didn’t know there was a movie like this…

I want to see it.

It will probably surpass Roboco.

What was wrong, I wonder?

When it comes to the three major stars of Jump, it’s Goku, Luffy, and Toriko, right?

Is this the second movie?

The first movie was packaged together with One Piece…

The preview is nice.

Feels like a summer jump movie.

The movie “Dai (Heisei)” that features the six great leaders of the underworld shows off the bad parts of Toei to a similar extent.

It seems like it would be fun to play them at the same time.

Execute Toriko!

The secret menu of Acacia is such that it doesn’t feel out of place even when you watch the main story.

The result is, well…

Every time my junior’s jump movie flops.

But it was better than the Toriko movie… so it goes.

I’m putting myself on the line to protect my juniors.

I only want the gigantic puffer whale that grows in water…

An 80-minute runtime? That’s just like the early Pokémon movies!

Dark Trico

Looking back, it’s strange that three sous chefs had such a hard time with an opponent who could be defeated with just a 100-hole punch.

The popularity of Toriko these days is…

I have a puffer whale.

I feel like Toriko has become more popular or is talked about more after the series ended than it was during its run.

I thought it was just a fake movie that someone made up, but it actually exists, the Toriko movie.

Which is more obscure, the Yu Yu Hakusho movie or this?

It didn’t sell, but it was interesting → That’s common.

Sold well but wasn’t interesting → That’s common.

It didn’t sell and it wasn’t interesting → Unusual…

I watched the PV, and it has all the elements that were parodied in old Jump movies crammed in too much.

Until relatively recently, we had been putting out things like this, so when it was announced that a remake of Daida would be made by Toei again, it felt like a wake back then.

I never expected to finish at such a high quality…

Toei frequently adds strange elements for children, leading to their disinterest.

In Toriko, it’s the announcers and so on.

The Toriko anime made me feel like, regardless of its quality, is this really coming out in this era…

The style feels like something from the ’90s, like this is about right.

Toei is a long-established company, but because it’s long-established, it seems to have been slow to realize that the world of anime is changing.

It’s okay now.

If it’s being streamed, I might give it a watch.

By the way, how was the Hunter movie?

Since the theme is cooking, it’s a full course of the bad points of jump movies.

As a BLEACH fan, I really appreciate being able to rest until the high-quality era of the anime resumes halfway through.

By the way, isn’t the original source of “Execute ○○” the movie Bleach?

The PV is amazing for doing all the developments like an original anime movie of imagined jumps.

This strange color scheme is characteristic of Toei.

I thought I was no longer able to experience the unique atmosphere of these kinds of original anime films, but then Dark Might shows up, so it’s hard to know.

Well, there are works that are no good no matter how many times they’re made, regardless of the era.

I think the impression of Toei has improved in recent years.

Before it was Toei, but I think it became Toei! around the middle of Dragon Ball Super.

When it’s time to shine, the animation is on point, and they deliver a long season.

Hinomaruzumō…

There is certainly stamina to run long distances.

Since the management is strict about it, they only allow drawing to be released occasionally.

It feels like that was the impression a few years ago.

Back then, One Piece was the same; it basically slacked off except for the highlights.

It will have a quality similar to that of Ice Hell vs Tommy in a localized manner.

Regarding Toei’s 3D animation department, the fact that Popping Q died led to a significant connection with Slam Dunk, Superhero, and Gal Class.

It was simply a bad time for Toei, and for some reason, there was a mysterious momentum to try and position it alongside One Piece as a flagship, which made it quite terrible in various ways.

I think Toriko is interesting, but trying to place it alongside One Piece and Naruto was completely a case of standing out for the wrong reasons.

Was there no distribution of the admission special toy?

It’s nice that dresses are being used cheaply during this time of year.

There used to be a special anime that could be seen on Fuji TV, and at that time, it featured a collaboration video of Goku, Luffy, and Ryo-san.

I wonder why I was supporting Toriko.

Of course, it’s impossible to compare it to Dragon Ball and One Piece.

Since the old BLEACH was confirmed to have ended, they were able to invest resources into it, so the quality of the Lost Agent arc was really high.

The hand flapping and the intense camera crawl in this ED were originally still images that had to be animated at the last minute, so they were forced to be created like this.

As a result, it ended up becoming such a mad ending.

I have the impression that One Piece had a lot of padding even after the animation quality improved, but now that they’ve started airing reruns in the middle, maybe that’s not the case anymore.

It can’t be helped that except for Toriko, the original works that could be available year-round, like Naruto and BLEACH, are not part of the Fuji network.

Not just this, but it feels like Toei Animation was slower than others in adapting to digital drawing.

With garish color schemes that never fade and an obviously unnatural way of moving like a computer.

At that time, the one-piece dress had a lot to do with various things related to Fuji TV…

The opening and ending songs of the Toriko anime were good.

The voice acting was mostly fitting except for Coco.

I felt the power of the major companies around here.

I saw a story on Twitter at the time about the cinema staff calling out to people who came to see Gintama for a stage greeting of Toriko.

I felt a sense of déjà vu from the PV, but this is something I’d see in Doraemon.

The phrase “Movie original enhanced form ‘Sunshine Trico’ alone makes me excited.”

It’s such a clichéd theatrical version PV…

Thanks to the success of Demon Slayer, it’s great that there’s a trend where putting in more effort tends to yield better results.

Is this not part of a three-part series, but standalone instead…?

There was also a Toriko movie that was screened simultaneously with the One Piece 3D anime, right?

Toei has already stopped producing Jump anime.

It seems like I can only create One Piece, Dragon Ball, and Bobobo.

I guess the last work that became a year-round release was Black Clover.

Even Demon Slayer has been stretched out with original episodes in modern times!

I’m incredibly grateful to the person who suggested doing a special commemorative program for Toriko on ABEMA.

I feel that Toriko is a casually entertaining manga, so it doesn’t seem suitable for a movie’s length.

I think that BLEACH was quite loved in terms of its production.

Even though there were times when the coordination with my master wasn’t going well,

Before the television anime, the Trigun OVA was produced by ufotable, so if they had made the television anime as well, there might have been a different future in various ways.

I saw the movie trailer, and while it has some movement, it’s not very beautiful.

If you want to stretch it out, you could cut the execution of the last quarter moon and have each fight separately.

I wanted to shoot a scene with all the audience gathering for a big hit in the commercial, but since there were too few people, there’s a rumor that we gathered people who were there to see a different movie.

I think Kakashi-sensei was also about to be executed, right?

The seasonal system can’t be implemented unless the target age is somewhat higher, but well, there aren’t many jump works that appeal to younger age groups, except for something like One Piece.

In the end, Toriko, who turned into Sunshine Toriko, defeats the movie boss and it concludes.

I think Toei, Fuji, Bandai, and Shueisha were all working hard to create products featuring One Piece and Dragon Ball together.

Is it because of the bad reputation of the anime?

I honestly feel like the Demon Slayer anime is dragging on too long, and I wonder if it’s okay.

But if it’s the last one, everyone will go to see it, right?

Later, Fuji started to tag along and began to act like Demon Slayer is a Fuji Television content!

When I saw TBS aggressively pushing this manga, saying that after Demon Slayer, Jujutsu Kaisen is coming, I honestly thought it was really ugly.

The original work is selling normally, but the way it’s being marketed feels too out of place compared to how it’s handled like One Piece or Dragon Ball.

I believe that Demon Slayer’s Infinity Train will definitely be the strongest in terms of box office performance.

It will probably end up being a huge profit anyway in relative terms.

After seeing that the merchandise and collaborations for Bleach drastically decreased once the evening anime ended, I felt the need to continue it year-round, so the current break seems sufficient to me, which is something I find somewhat unsettling.

Most works are truly dead when the original source has lost popularity and the anime has finished.