
Isn’t it a world where individuality games are not the case?
In terms of mental strength, Koichi and this old man are the top two in that world.
Don’t post my master’s picture.
People who become incredibly slim when they put on a hero suit.
The experience and logical reasoning are amazing.
It feels like a combination of the Punisher and Rorschach.
Strong
This old man is also using some questionable drugs, so it’s not entirely true that muscle and logic are everything.
Even in a world where the upper limit of physical training is high, if you don’t have an evasion specialization like Ire-saki, you can’t withstand high firepower quirks.
It feels like a combination of Batman and Flash divided by two.
Her usual voice was surprisingly calm.
The bee is too dangerous.
I like Bee-chan’s voice more than I expected; it has a unique charm.
Both parents and children are in a good mood.
Where did you buy that painkiller, Master?
The purpose is to hit people.
I don’t like it, but I enjoy hitting people.
When my beard is all bushy, that’s when I’m the sexiest.
Hitting a villain feels great!
It’s great that even with this appearance, I still respect All Might.
I told you I would make you a hero.
That’s a lie.
There is absolutely no way; it’s just that I don’t hesitate to hit a little based on that premise…
“I really love the part where you say, ‘Don’t you have something to tell me? You’ve released the hardening, right, Yoshi!'”
It’s a work that you can’t skip the opening for, right?
An old man who quite often does sniping.
It’s faster and more certain to just hit it.
It’s refreshing above all.
When the voice comes out, the father-son relationship is quite pop and impressive.
At first, I thought it felt a bit like a dub… but gradually I think it started to feel more natural.
Isn’t tights more H than bare skin…?
It feels like I’m having a conversation with a daughter around that age.
Why can this old man calmly pull off wire action like it’s nothing?
A top hero who beats the hell out of terror victims and an old man who knocks out junkies or suspected junkies.
There is no difference there.
Kōichi’s house is…
Koichi climbs up the side of the building by sliding, and Pop can come right away because of his jumps.
I just realized that the master uses the stairs every time.
After finishing the original work of this, I watched BOYS, and I wonder if it was influenced by it.
Breaking the window to get in is a robber’s method.
“To stop or move the heart.”
“I understand, you should reduce the amount of medication a bit more.”
It’s not All Might, it’s All Right, that’s Vigilante.
The police officer who saw the villain that the old man took down was saying something like, “If you go too far, the association will step in,” and even though there was no mention of such topics in the main story, it made me think there are indeed those kinds of things.
I was relieved to see that the special edition I read for the first time in a while still featured a proper criminal.
Eh
A vigilante is going to insert dynamite into a hero’s A**hole?!
Looking at it again, I realized that Pop-chan has no combat ability at all.
You could do things like reconnaissance or diversion, though.
The anime really dives into the live scene, doesn’t it?
In the latter half of the story, with brainless criminals and escaped convicts being the minimum level, there’s no leeway to spare in holding back since we won’t be killing them!
Butcher and knuckle duster…
I don’t like either!
But without Pop-chan, we can’t gather external information and have conversations!
I want to hear Makoto’s voice soon.
The kind man was somewhat famous too.
The recognition of pop steps in that area is quite significant, or rather, should not be underestimated.
It’s a lifeline for the activities in the early stages.
Their physical abilities are amazing, but they are also strong because they possess the veteran-like mindset for crime prevention.
Because I know how things work, everything I do and prepare is terrible, and it’s also terrible that the opponent is someone you have to fight that way against.
The one who has grown the most in the story is Soga-kun.
There’s no doubt that Koichi is a good person, but he tends to forget the people he helps right away.
Nehoyan
So it’s already been adapted into an anime?
The old man seems crazy, but he’s actually calm at his core, while Koichi is fundamentally messed up.
When I see it again in the anime, it’s kind of scary how someone like Hashisuka-chan, who seems to blend into the crowd like a regular high school girl, is secretly scheming behind the scenes.
It’s still easier to be flashy and go wild like in the main story.
This person also had a pretty cheat-like ability, didn’t they?
Using Giran to procure medicines and tools is really great, isn’t it?
To be irritable.
So I’ll make full use of my illegal individuality to engage in kind activities!
Koichi often makes quite a few inappropriate comments, and I frequently get reactions like, “What is this guy…?”
Vigilantes are not the overtly violent villains, but rather those who engage in guerrilla warfare, making it tough for both the police and heroes to keep up.
It’s funny how that old man who goes all out with his countermeasures is just being his true self.
It’s scary that Rock was able to forge a hero license in Vigilante, considering the social authority of heroes.
A manga that makes you think “All Might and Endeavor are awesome!”
Don’t expect too much from middle school students.
An anime where Pop-chan is constantly in erotic situations.
O’clock was doing hero activities with a provisional license, that’s crazy.
Underground heroes are amazing.
Saying that gouging out eyes and rape is crazy.
It seems that this old man with a fist was supposed to become the protagonist of My Hero Academia.
The lineup that responds to simultaneous villain incidents was overly powerful.
A professional can also be a flying stallion, right?
My hero is too much of a bundle of goodness!
A manga where you end up thinking “Die, Narutter Stekas.”
When I mentioned that the main storyline is in a boys’ magazine and that we should tone down the hardness a bit, the author of the main story encouraged me to go for it and push beyond the limits.
Since the old man disappeared, he basically hasn’t shown his face in front of the two, but it feels strange as if we’ve always been a three-person team during the main story.
I like that the Best Jeanist brings a dedicated truck loaded with fabric to urban areas.
Mr. Stendhal is nice, isn’t he…?
I think it’s amazing that they turned Sōga, who was just a thug, into such a remarkable person.
Koichi has incredible potential as a raw hero from the very beginning, so it’s understandable that they would want to nurture him…
In the end, Koichi’s consciousness during the Vigilante era never changed…
It seems that in China, they are given a nickname or something like that.
I don’t really care, but I thought Ingenium was slower than Koichi’s speed during the time I was reading the manga.
I thought it would be even faster…
The individual eel should definitely be written as “yasume eel.”
To be honest, mass destruction quirks aren’t really that much of a threat.
I can really understand how brainwashing and disguise personas are extremely wicked.
I really dislike Stain because he would selfishly try to kill the captain as well.
I am enhancing my physical abilities and also using drug boosts.
I was much smarter back when I was a hero.
Koichi has no malice at all during battles, which is really amazing.
I didn’t go to that hospital until the end with Rock.
Pop was already head over heels for Koichi before episode 1.
My hero (the low-income group that hates Wall Street)
The Ingenium has a higher top speed than the crawler, but it runs out of gas and is specialized for straight lines…
It’s probably true that back then, AFO was a major villain who could easily take away the quirk of a relatively famous hero like O’Clock, unlike now.
Being able to hit even women and children without hesitation is strength.
What’s insane about Koichi is that he can move while being agile in three-dimensional space…
Stendhal is so harmless that he even eliminates presumed villains.
But I just crossed a line…
Collaboration investigations between heroes and the police are great, aren’t they?
It’s nice that there are also threads and illustrations moving through their own unique routes separately from that.
After all, I’m a villain.
It’s great that it’s not the hero Koichi who wraps up the story, but the master who is a vigilante.
The crawler’s sliding movement allows it to stick to walls and overcome them, and it can navigate curves without drifting, making it quite a terrifying ability for pursuits or escapes even before awakening.
When I take another look, I realize there are so many garbage dumps…
I wonder how “I came” and “I am here” are translated differently.
It feels like there are mandatory trash disposal scenes inserted in anime.
Also, it seems that it reaches top speed really quickly after growth, huh, Troublesome Man.
There may have been an advantage due to the terrain, and the other party might have hesitated a bit.
The ability to escape without easily getting caught by multiple pro heroes, including the one in front of me.
The ability to lift an airplane solo is simply a crazy output.
Chao Pinsa Chen is nice, isn’t it?
The thoroughbred that got affected by the sushi will have its turn around next week.
Because it will turn Manhattan into vacant land.
Oh yes she is!
Here comes a problematic comment…
The feelings towards Koichi are heavy for this old man.
Gero-sucking is just too Plus Ultra, isn’t it?
“I’m coming” is something All Might would say.
Koichi’s parents’ personalities are a bit creepy, aren’t they?
A mysterious ability called “flyswatter” that hits its target without any time lag as long as it’s within sight of a slap.
From the perspective of a fallen hero, Koichi, who embodies pure goodness without any returns like a professional hero, is surely dazzling.
The stance of “I’ll be here until the hero arrives” is really cool, Koichi…
The old man is drinking beer at quite a fast pace.
Look… my hero.
It might be because Pop is using the extremely talented Ikumi Hasegawa for singing.
“The phrase ‘not good at singing’ was changed to ‘not impressive at singing’.”
I guess it’s a tight compromise from the production side.
The feelings Deku has towards All Might are not so heavy because they don’t change.
Isn’t it super heavy?
I feel a bit sorry for the scarred man because of the cheat-like behavior in the second half.
When I read it again, the duration of the three-person set doesn’t feel very long, but it makes me feel like we’ve been together forever.
Even though I thought I was strong in CC too, when All Might showed up, I thought he’s too strong!
Even though there are no face reveals, compared to Deku’s dad, Koichi’s dad is being too much of a great father.
Even while decelerating, it’s the one that catches up to the airplane and supports it as is.
AFO is telling you to run away and never meet again…
Despite leaving physical scars, they probably won’t remember much at all… such is the sorrowful villain.
It would be amazing if Koichi’s personality is fully expressed through this artwork.
Ultimately, because I can fly, use homing long-range techniques, and also employ techniques with tremendous power at close range…
Even though he just grew up normally, Koichi has completed his mental heroism. What is he?
Ah, the sticky gestures are coming out more and more, it’s really interesting.
Koichi’s father contacted him via LINE when his son was in a difficult situation, telling him to get in touch with his mother as well, which feels pretty normal and like a decent parent.
Deku’s father is not even a shadow or a trace, regardless of whether he is respectable or not…