It’s tough to apply that kind of logic to the entire world, let alone just having characters around the protagonist operate that way.

If anything, the line just before this says that if you’re truly planning to carry the banner of the world sword without pretending, then make it known.

The culprit that destroyed the world is the sword of this world, so who would acknowledge that it’s necessary no matter what is done?

The one who broke it has long since croaked, but the root cause is my father.

Astro is saying hope, but how is it that ordinary citizens are being treated well by the punk Astro?

It’s all the ninja’s fault.

Is my dad like that because it’s a victim of a cancelled storyline, or was he always like that even in a smooth progression?

They pushed the role of the final boss onto a random old man.

The hawk that announced that one of them would die when they meet next never actually met, which is rather interesting.

It would have been better if the story had developed into a confrontation where the righteous extreme swordsmen decisively defeat the extreme villains with a bold attitude.

Why are all the people around me so useless?

Although the protagonist didn’t know at all, it’s still way too much of a self-created problem.

It’s impossible to give legitimacy to organized crime, so it’s better to stop trying!

If we’re going to go all out with a world setting where order has completely fallen apart, then it might still work.

Maybe the world of Sakamoto Days needs yakuza the most right now.

I understand the aesthetics of the yakuza, but the yakuza who are righteous is absolutely impossible for me.

No, it could have been done in any way if it was just to give legitimacy to anti-social forces.

In extreme terms, I might as well have just become a righteous yakuza who hasn’t really done anything bad at all.

Why did it turn into a family dispute?

It’s completely the fault of your gang that the world has become like this, isn’t it?

If it’s not the Yakuza but rather the chivalrous way, it might be easier to understand…

I didn’t bring it here expecting the editorial team to do something like “Tokyo Revengers” in Jump, did I?

I wonder why they had me draw something that poorly focused on the jump.

It really felt like the end of the century, but it was more like a halfway vivid major disaster.

I think it was a bad move to cause damage on a global scale.

You’re all rambling, but in the end, it comes down to your sources of funding… That’s why being a righteous yakuza is really difficult.

If you release the Yakuza, you can hunt them down.

It felt like it was developing into a canceled manga with a sense of déjà vu, rather than focusing on the settings or anything else…

I don’t think it’s necessary to force an excuse that they’re justified as heroes, even though they are not set in the context of Morgana and Peacemain, but are considered villains by society.

It’s great to have a story where a character filled with compassion easily lets go of his adopted daughter, leading to a crazed yakuza who aims to destroy the world, and another yakuza trying to save it.

I don’t need the Japanese organized crime when One Piece covers everything about anti-social and chivalry.

That was the world sword! But instead of cooperating, you all were just fighting amongst yourselves, right?

During the post-war turmoil, the yakuza were seen as a necessary evil… I wonder if that was what they wanted to portray in modern times.

But in the end, it’s definitely not good that everything was blamed on them in the final episode.

Perhaps in the author’s own mind, gangsters and delinquents are basically a nuisance.

It seems there is a policy that says there really are no truly good outlaws.

As a result of splitting the daughter, the son’s heart was broken, which ended up breaking the world.

I felt like they were saying something about being clean, but they are just violating the firearms and swords law normally…

The yakuza who simply plunders lawlessly like here is the “Morga Yakuza.”

“Continuing the adventure while using those guys as bait is the ‘Peace Yakuza’.”

That was boring…

It’s tough how the author overly glamorizes the yakuza.

It’s definitely better to call evil evil.

Don’t let a thug speak of humanity.

Glorification of outlaws is quite a popular genre in creative works around the world!

Well, it’s really difficult to strike a balance so that it doesn’t come off as “Sure, you’re acting all righteous, but…”

This author knows too much about anti-social groups.

The yakuza probably shaped society that way to exert their influence.

I thought so, but it wasn’t like that.

The conflict between outlaws and outlaws themselves is fine.

Therefore, it’s perfectly fine for the protagonists to value chivalry and righteousness.

It’s impossible to make the world affirm its existence…

If anything, the elements of Astra were also quite ordinary.

I think the child who could become transparent had a good character that was properly explored.

It’s not enough to just have someone who can take the reins from scratch in editing, like in Tokyo Revengers and the others…

It’s a writer that Jump brought in, expecting popularity from Tokyo Revengers, even though it’s weakened.

I wonder who will be called next.

Even in One Piece, pirates are just a name and are completely just adventurers.

I’m picking fights with unpleasant people everywhere I go, but I’m not at all a yakuza-like presence.

When I think of the hit “Swan” and “Tokyo Revengers”

I think this author can only depict things that they have experienced or seen to some extent and are familiar with.

Tokyo Revengers has a strange rawness, aside from the time leap element.

The reason why One Piece and similar works are doing well is that they seek freedom without a larger cause.

A world where outlaws create order is something that cannot be accepted no matter how you look at it.

Even in Tokyo Revengers, it just happened to gain popularity among women, but its strong pull and weak plot twists, along with character development, were very much like a magazine series.

From the perspective of someone who was reading Tokyo Revengers, it feels like the battles were the worst part since then, so if they made that the main focus, it’s no surprise it would end poorly.

I don’t need that guy.

I had the feeling that there was no yakuza element to begin with.

I’m not using drugs or anything.

If anything, in One Piece, we are basically always aware that we are pirates, right?

I don’t think they believe they are a necessary presence; they just think they’re taking out the bad guys as a result.

The impression that the heroine felt somewhat outdated and difficult to watch is the strongest for me.

Luffy has said that the navy is a bad guy…

Wait a minute, a battle story with superpowers is indeed a classic, but a Yakuza protagonist praising the Yakuza is definitely not the classic route.

JoJo… Reborn… Nisekoi…

The World Sword Group was originally part of the yakuza, but now they’re clean and running a legitimate business! I thought it was interesting that they still had things like firearms and yakuza weapons appearing…

If you have your own sense of reason or aesthetics as an outlaw, that’s totally fine…

There was really nothing to see other than the character design.

Since “Tokyo Revengers,” which praises yankee culture, was a hit, it doesn’t mean that praising outlaws is necessarily bad.

However, creating a society where the yakuza are needed through a self-fulfilling prophecy may be typical of the yakuza.

Doswan

Yakuza stories have been extremely popular since ancient times…

I think the battle will continue, but I wonder why both sides feel the need to forcefully bring the protagonist’s image closer to Jump’s standards…

It was a good example of the difference in editing quality.

I think it’s concerning because it’s not beautification, but justification.

The yakuza is perhaps just the right kind of existence to be killed by a ninja.

I liked the part where Tora-san appeared and the wrestling at the offshore plant.

Tatsuhiko is foolish, but he is strong and weak against women.

Takemichi is weak and a crybaby, but he gets things done when it matters.

The protagonist’s character stood out like that, but I couldn’t like Hibaru at all because it felt like he was just looking at Hachimaru.

The magazine aside,

In Jump, the groundwork for Yakuza to be looked down upon is solid.

From Nisekoi to Chihayafuru.

It’s fine to make a yakuza the protagonist of a story about justice, or to assert that yakuza are a necessary existence, but…

Then let’s create a situation where we can properly depict the yakuza as justice and show that the yakuza is necessary.

There are a lot of ordinary yakuza losers, so this manga isn’t really necessary, to be honest.

There are many candidates for cancellation besides Astro.

I mean, the new series is already amazing.

Does this author not know that Ayashimon was cancelled?

It’s a common minimum line to not allow the flow of just medicine and to not forgive it.

After Tokyo Revengers ends, it would be safe to create spin-off short stories featuring popular characters whenever I feel like it.

I really think the vitality that came to Jump is amazing.

In a world where the law is broken, it’s alright to have a noble justice!

It feels less like a disaster than I expected, and while the crime rate isn’t as bad, the likelihood of shame within my circle is high for doing righteous gang activities.

Is this person going to draw in Jump again?

In JoJo’s Part 5, it’s common for characters to casually fight and not hesitate to kill each other, and the protagonist being part of the underworld is a typical reasoning, so why is it that the Yakuza is not acceptable?

Ayashimon was also a delinquent yōkai, but it ended up being cancelled anyway.

Did you think it was the same as Nurarihyon?

Yakuza stories in Jump are really popular, right?

No matter how much you say the magazine has a low level of culture.

Reborn, who kept making Tsuna deny the mafia, really handled things well.

I’m just relentlessly beating up delinquents and wicked yakuza to punish them.

The ones doing it are the original source of the great evil.

Nura: Rise of the Yokai Clan is more about the Yakuza than anything else.

It’s rather the side of order to manage lawless yokai.

I’m a righteous yakuza…

Reborn was also about the mafia, but…

It’s significant that they rejected it until the end.

Due to these guys from 1 to 99.

Ayashimon and Astro are boring before the protagonists, too.

I mean, just from the royalties of Tokyo Revengers, my life would be complete.

I guess I’ll just draw casually for about a year since the noisy editor from Jump piled up the cash.

In JoJo’s Bizarre Adventure Part 5, Bucciarati is an incredibly good guy, but he kept saying until the end that being a gangster is no good at all.

In a broad sense, the brigade might be considered yakuza… although they are not the protagonists.

If you’re going to be a yakuza, I think you should properly be a serious yakuza without mixing in weird things like yokai or post-apocalyptic scenarios.

It’s not like it was about something like Tokyo Revengers or a near-future delinquent racer group; it portrayed the gang as a gang.

It’s fine to have a righteous yakuza or a yakuza that crushes evil; after all, it’s fiction.

It’s about messing up in a different way than that.

A manga that was discontinued even though it’s not by a yakuza seems like absolute garbage.

If you could portray the police, politicians, and the forces of order as corrupted trash, then it seems like it would be cathartic to depict an outlaw who blows them away.

One Piece is also structured like that.

Luffy says, “I’m not going to be a hero! If I become a hero, I have to share the meat I got with everyone!”

Speaking of which, was the popular Jump serialized manga Dorito-Rai also about the yakuza?

Even with a drastic increase in manuscript fees that keeps others at bay, I haven’t produced anything that looks like a result…

I wonder if manga artists aren’t stupid after all and are actually picking up on the crazy situation.

JoJo is JoJo because it’s JoJo, and the overseas mafia is almost like a fantasy.

If we’re going to have a protagonist who’s part of an anti-social organization, then the only option left is to make the establishment utterly worthless…

In that case, it will become stronger in the colors of resistance or revolutionary armies rather than the yakuza or mafia.

Astro, the legitimate heir’s wish.

Be defeated by a ninja.

I think a young protagonist and a yakuza story don’t go well together.

It’s quite unusual that One Piece’s self-proclaimed evil is seen as a hero by those around him.

In the end, Ichi has to meet the conditions set by the magic.

I don’t think it’s good to just beat around the bush and increase the page count without actually listening to the story.

It’s often said that Attack on Titan is better because it’s not in Jump, but I feel like it has a strong sense of bringing those people to Jump.

In an environment where we avoid various unnecessary things like weekly series.

The phase of spending a lot of time on the motivations and explanations of the righteous yakuza may be quite wasteful…