
With everyone’s colors, the world becomes vibrant. Movie: Doraemon: Nobita’s Picture Book World Story Original work: Fujiko F. Fujio Script: Shiraishi Toshiaki Director: Imai Katsuharu Music: Hattori Takayuki Theme song: Hirai Dai doraeiga.com NOT FOR SALE 40TH 3.7 FRI ROADSHOW
Targeting lolicons for two consecutive years.
The TV broadcast of “Earth Symphony” that I watched before its release really struck a chord with me, so this time, after about 20 years, I went to see the film in theaters, and it really hit home once again…
I’m glad it ended happily… but more than that, the father’s line at the end was really…
>>2
What other areas do you like?
>>5
Overall, I really feel that the way the secret tools are utilized in storytelling is very well done.
I had an inkling that using a water tower would be inevitable after hearing that water was a weakness, but I never expected there to be such turmoil before it was carried out…
>>13
When building a house, even though I put out things that I would use later, the scenery after the “Hirari Mant” has lost its color.
I was skillfully shaken by the rhythm and ended up putting my consciousness just outside of it.
Since Dad aimed to be a painter, it’s a convincing line.
At the time of the OP, this is really fun.
It’s somehow heartwarming, isn’t it?
It must have been drawn with great effort.
It’s something universal that can be received from various things in this world.
Because I’m not a real human, I can do physical gags as much as I want!
The script level is just a bit too high.
Fantasy elements inevitably arise from future tools, so there’s no point for the realism critic to criticize.
This demon is definitely the final boss!
It was just a pink bat…
Next year looks like the sea, but I wonder what I’ll do.
Many people will say, “Why didn’t you tell me this during the terrestrial broadcast next year?”
Giant Suneo’s moves are moderately flashy and quite nice.
When it comes to doing things like that, it falls into the category of doing things.
The execution was more serious than I expected.
You should definitely check it out for two years in a row… This year’s movie is…! It became like that.
Gouki Cats!
It’s too cruel to perish at a level where not even evidence of the nation’s existence remains.
In the fourth movie adaptation of Doraemon, it has a packing style that is nothing but persuasive craftsmanship.
It feels like a way of cutting things down that doesn’t insist too much, and you can understand it in a good way.
>>19
It’s often said, but I like that they don’t mention at all that Dad aspired to be a painter.
It has the same style of not providing detailed explanations about each secret tool in the Secret Tool Museum.
I really like the endings that leave both the painted Claire and the real Claire with happy endings.
Well, I think many people who escaped and relocated must have had their paintings stored in the country.
Nobita’s drawn Doraemon is really kind to Nobita, so I was shedding tears.
The painting of the Forest of Confusion was actually created by the king and queen who mourned for Claire, who was swallowed by a distortion in time and space, which makes it quite painful to think about…
>>23
But thanks to having drawn this picture, I was able to reunite with my daughter across time and space, which is nice…
I’ll go check it out in an hour, but is there anything I should know before then?
I’ve seen the Secret Gadget Museum and the Tale of the Green Giant, which are both past movies.
>>25
Isn’t it just that Dad wanted to be a painter?
Aside from that, if you know the outline of the work “Doraemon,” then you pretty much finish explaining the preliminary knowledge, it’s really impressive, isn’t it?
It’s amazing how Director Teramoto closed it with the original artwork after showcasing plenty of masterpieces in the opening.
I wondered if the history depicted by Nobita and the others in the drawing had changed.
A painting falls into Nobita’s house through a space-time hole → Nobita takes the painting to the past in Artoria → They add Nobita and his friends to the restored painting → It is discovered in the present day.
So it’s the kind of Doraemon movie that has been one continuous line from the very beginning.
For preparation.
After going to the forest and being missing for four years, we can only assume that they have died.
I understood the interpretation that it’s a picture meant to comfort, saying that even if I’m lost in the forest and can’t return, I’m still living happily.
Izeal has picked the wrong work to appear in, right?
>>31
It’s good that you can pseudo-kill Gian and the others by bringing that out…
Honestly, even Dad’s background doesn’t feel necessary, and it just deepens my appreciation.
Just the fact that Dad says that without realizing it makes it valid.
The painting embodies the artist’s thoughts and creates a world.
That’s precisely why we’ve talked about it so much.
The strength of the feelings contained in the legendary demon that could destroy the world, and the resulting strength of Izell, is really convincing.
It can’t be said that the excavated Nobita’s doodles have no value at all.
The OP anime’s Shizuka-chan has a bit of a mature and older sister vibe, which is nice, isn’t it?
It’s great that when trying to take down a dragon with a Moses stick, it shoots beams from its entire body like Shin Godzilla.
I think this version of Shizuka-chan had a more mature vibe, both in the artwork and the atmosphere.
I wonder if it was adjusted to match Claire’s existence.
The most loli and erotic was Little War 2021.
>>38
In the final battle, it feels like there was a conscious effort to have Claire grabbing the hem while walking on the edge of the bridge and teaming up.
Shizuka-chan is so strong!
I really think it’s something else that it’s full of jokes but still maintains a serious atmosphere.
In the beginning, Shizuka-chan’s bottom looked strangely erotic while she was sitting down.
It’s not like the artwork is extremely flashy, but it’s pretty fascinating.
The way to pull into a bath camp is like when you see a monster.
The museum and this time, the character’s behavior has just the right atmosphere of humor and mischievousness.
It became clear later that the bath camp and the refusal of nagashi somen were setups, which made sense.
With the use of many minor secret tools, I realized this is the museum director.
>>46
I think it’s good to include that secret tool as an entry bonus and follow up with the original work.
>>49
But did I ever use a magic dictionary… a spell, huh!!!!
I interpret Shizuka-chan using the non-living hypnotic megaphone as a homage to South Sea Adventure.
>>47
I think there are also elements of the original magical girl Shizu-chan.
>>53
There must have been a staff member who wanted to fly the magical girl Shizuka-chan freely with theater-quality!
Even though it’s unavoidable after the Hillary Mant, there’s that feeling of having messed up along with that sensation of, oh, this is basically similar to after an eruption…
Mirai-jin is really stupid.
“It’s a country that will perish and be forgotten, so it’s fine to take the paintings to the future.”
Even so, I like the way the arrogance in viewing the past from the present is portrayed so naturally that it makes me think, even if just for a moment, that it might indeed be true.
I couldn’t help but think of Kinnikuman when it came to the part about hypnotizing a broom and making it float in the air, which was a bit disappointing.
I wonder what Pal was thinking when he saw Doraemon, which clearly doesn’t fit the times, for the first time…
I wonder if I blurted out something about Alice in Wonderland in a panic.
>>55
Well, they have a tendency to blurt things out without thinking.
They said it has no value as an artwork, but with a painting that old, even if it’s just graffiti, it seems like it would have a significant historical value, doesn’t it, Nobidra?
I was surprised to see Sandwichman in the end roll…
If I bring it up, it might give rise to value, but there’s no time for that, and it’s not the main point of the scene I want to express right now.
If you try to find only value, it becomes that guy.
Even though the critic uncle says that it has no value as an art piece, he is definitely acknowledging that it is a heartfelt and good painting, which is nice.
The coffee that has become associated with the unlikable character in director Teramoto’s film.
Because she’s clumsy, I don’t know how much Pal is aiming and acting.
I wondered if Pal had the intention to match this with Netflix, recalling TP here and there…
I heard that the characters are quite different in the novelization according to art critics.