Ah, Akimoto-sensei!

Ah, where did Akimoto-sensei go!?

>>2

It hurts, it hurts.

Oh, I like this!

That’s good.

Teacher Akimoto seems like the type who will show up for something like this, even if they get angry at first.

That’s good!

It seems that the one who really got angry was Mitsuo Senda’s version, but the truth of that is also uncertain.

>>10

If you Google it, you’ll find out that Mr. Akimoto is really angry.

Since Mitsuo Senda knows that too, there are interview articles where he responds to that.

A certain story…

>>188

I know that, but haven’t you answered clearly that you were enraged?

The portable shrine is close, I’m telling you it hurts!

>>13

I love this because it’s so incomprehensible.

>>59

It’s good that it’s short.

It was just that you couldn’t say “mi.”

The version praised by the author of Gunslinger is not as interesting…

It seems that they wanted to make it a nationally beloved long-running drama like Tora-san.

>>18

Apologize to Yoji Yamada.

>>18

After the Torasan movies, Tsuribaka Nisshi was doing well, but the third generation of Tsukiji Uogashi, which was supposed to take over next, failed and came to an end.

>>18

That’s the movie side.

Although a movie following the human emotion theme was planned first, for some reason, a prank-like drama was aired first.

Looking at the comments on YouTube, it seems that it was popular with kids at the time.

>>22

Honestly, in older works, there are certainly varying degrees of that kind of thing, so it’s not reliable…

This Ryozu is terrible, but he’s better than Tamamo who looks like a dog.

>>25

Both of them are made by the same staff…

>>42

Is Momoko Michi out here too?

Wasn’t there some drama like Tora-san?

I think it had a title like “The Man Who Crosses the Rainbow,” but I also remember it didn’t continue for long.

I think longevity could have definitely been achieved depending on how the subject matter was handled.

This method was completely wrong.

Mr. Akimoto, who is watching this, had a really convinced expression on his face.

Well, I guess it’s fine…

It’s a drama, yet it’s live broadcasted from Katsushika Ward!

Ryotsu has a strong sense of compassion, but he can also commit crimes for money.

Anyway, they are energetic and receive more than their fair share of punishment, so they are the kind of character you end up forgiving.

I think it wasn’t meant for live-action.

The fact that almost all of the avans have been transcribed makes me laugh.

I think the biggest influence was on Shingo’s career.

As soon as the office correction was removed, I fell to a level where I can’t get called for leading roles for a decade.

I was part of the generation that was somewhat popular, but to be honest, nobody around me was watching it in elementary school.

It was right after Gokusen and Rookies, if I remember correctly… Everyone was talking about it around that time.

>>37

Shingo Ryotsu looked to the children like just some brother trying too hard.

Well, if you want to experience Kochikame, you could have just watched the anime that was airing.

>>47

I’ve been rewatching the Kochikame anime lately, and there are so many things that seem crazy if done now, it’s really entertaining.

>>37

When watching manga and anime, I couldn’t associate Shingo Katori’s visuals with Ryotsu; as a child, I felt like they were trying to make Ryotsu look like a handsome guy, which made me lose interest.

I’m glad to see that Akimoto-sensei looks happy.

The Kochikame Museum opens tomorrow, but I wonder if Shingo-chan will come.

You were the lead in this season’s drama, but it flopped badly.

All 8 episodes are laughably quick to cut losses.

I heard that during the days off, they went for a location shoot in the Australian desert and spent their free time digging holes without talking to anyone.

The failures of Kochikame are all due to Shingo Katori!! I wonder if that got through.

>>52

If Mr. Akimoto is going to adapt it live-action, I would request that Ryotsu be played by Lasalle.

The bureau approached La Salle in response, but was turned down.

In the end, it turned out to be Shingo, right?

These days, live-action dramas that children watch are still quite strong, so it doesn’t necessarily have to be Kochikame.

It was the following year for Kaibutsu-kun, right?

The pictures drawn by Shingo are overflowing with darkness and are scary.

Even without this, Shingo’s promotional route would be the same.

Isn’t it the case that the person who originally made this decision was the former manager who left Johnny’s and followed along?

Even as a child, I seriously wondered why dramas suddenly joined the ranks of manga and anime, which are considered national treasures…?

>>54

It’s okay to link arms, right? (right?)

It’s even worse that the other cast members were able to perform at about 80 points without overdoing it.

I think kids were all talking about the drama on Sunday nights back then.

What did you want to do by adding a weird catchphrase?

>>61

Well, I think it was probably the higher-ups rather than the staff who were really foolish about that.

I think the generation that grew up watching “Everyone Gather at 8” tried to do something like that.

I heard that the higher-ups had the intention of making it a long-term content like Fishing Fool’s Diary and turning it into Katori’s representative work.

>>66

Is your head messed up?

>>66

The direction and acting guidance are something that should get you expelled from the industry…

There are powerful people who want to force a live-action adaptation of Johnny’s.

>>70

It exists as a separate event, but this was properly communicated to Lasalle, yet the person declined and the role was passed on to Shingo.

I have always thought that the logo doesn’t look like Kochikame.

You could understand it immediately if you tried the opposite.

If you cast Issei Ishii as a tall, slender, handsome character, you’d think they’ve gone mad, right?

Money

Is it a rumor that since everyone turned it down, Shingo Katori is the one who accepted the job?

>>76

They’re doing various things like Hattori-kun and such, so I think this was originally a project meant for Shingo…

>>83

There was Hattori-kun…

>>83

The plan for Kochikame was requested from Lasalle while keeping the original author’s intentions, but after being declined, it has become Shingo.

It may seem like it’s being turned down or that you might want to wrap yourself in aluminum foil, but if that’s the case, Lasalle would probably expose everything by going crazy and saying whatever he wants, so the fact that there hasn’t been any mention means that for now, it’s safe to trust that story.

It’s clear that the theme song wasn’t made seriously.

It’s not funny at all that it was made with a boring vibe and, as expected, it flopped.

Watching the video, it really looks painful when it hits.

>>80

It’s a joyous thing that the portable shrine is coming together, so it’s purely goodwill…

Looking at Shingo’s background, it feels like there are a certain number of industry people whose hobby is to destroy Shingo’s dignity.

>>84

The person in charge of the live-action adaptation might have wanted to assert themselves forcefully.

It was an era when projects were coming out that seemed to have nothing left but their names after undergoing a complete transformation.

I really like it when the camera pulls back and the mikoshi is close.

First of all, it’s strange to decide to adapt Kochikame in this direction, and it’s also strange to cast Shingo in it.

Even though it’s a drama, it’s live broadcasting~~~~~~~!!!!!!!1 (whisper)

>>95

It doesn’t matter which one (it’s fine).

>>95

Huh? I’m sorry, because the anime was on Fuji…

The movie version is said to have a surprisingly good human element similar to Torasan or Fishing Fool, but I don’t have the courage to verify it.

Shingo, who wasn’t angry doing this, is amazing.

I like this.

This makes me feel energized.

I was wondering if Shingo-chan was going through a rough patch around the time of things like Namaka and Hattori-kun.

>>99

Well, I guess they were feeling the burden in a normal way…

>>99

It seems like they plan to sell that character as someone who used to do things like mayo-chu with Shingo Mama…

I’ve never watched a drama.

Within SMAP, it was completely in the quirky category, wasn’t it?

>>107

So, in the Columbo Ninzaburo special featuring SMAP, I make him perform a role where he gets to act out being upset about playing a colorful character.

I have a memory of watching it, but I don’t remember the content at all.

It is certain that there was someone who desperately wanted to have Shingo Katori act like a fool and make a big fuss.

It’s for commentary.

It’s true.

>>110

With the current bulletin board, there is potential to create a live commentary thread every week.

The industry people definitely wanted to make Shingo-chan a character who would cause a commotion.

Maybe the person isn’t that type…

I was part of the real-time crowd, but I enjoyed it more than I expected.

The only one that still sticks with me is Uchiyan’s Honda Hayato.

The anime could have seriously aimed for longevity…

The background music was also excellent.

When I look at this, it feels like the Invisible Man during a time with almost no acting experience.

I focused on impact, like being completely nude, but it seems I was trying hard to bring out Shingo Katori’s charms while compensating for my low acting skills…

Shingo Katori seems a bit downcast normally, but when he opens his mouth, he appears quite talkative and throws out unique jokes.

>>118

It comes across that Tsuyoshi is a good guy when I hear various things about him…

It was probably Johnny’s who decided how to market it, rather than industry insiders…

The restructured content for kids is fine even if it deviates from the original character like Ryo-san, but this direction seems to underestimate kids too much.

>>120

It seems they wanted to go in the direction of “It’s 8 o’clock, everyone gather.”

For TBS, it is undoubtedly a great success experience in children’s content.

It was supposed to be Shingo’s life work until his death…

It feels like those around have misunderstood the popularity gained by Shingo Mama among children.

Someone who confuses children’s content with deceptive content for children.

I wonder why there were so many colorful characters.

The Journey to the West was pitifully overshadowed by the differences in caliber compared to its predecessor…

Well, Machiaki is not just a full-time actor; he also came up from a band.

Although they are often lined up together, it seems that “Namaka” was a regular hit.

>>130

At that time, I was in the upper grades of elementary school, but this was just something that was trending in class.

Kochikame has never even come up in conversation.

>>134

Although the push for “Namaka” didn’t become popular, it was quite interesting when viewed just as a drama.

The live-action Ryotsu by Lasalle was done once in a skit or something.

Chubby boy “Money”

Nakama was quite well made when seen as a comedy.

This season’s drama was pretty good.

There were also things like Hexagon, and there was a time when being stupid was overly promoted, right?

I didn’t like it at all, as it felt like a childish trick from back then.

The group made the theme of the 27-hour television special, and Fuji was fully involved, but whaling…

Mephilas’s communication skills are amazing for being able to become friends with Shingo.

>>138

Shingo was honestly an outsider, as his ability was too different from the level of the supporting players.

I found out about the handling of whaling on the internet after I got a smartphone in later years.

When I was a kid, I barely remembered it, but now that I see it, it’s just too terrible.

It delivered a shock that it is okay to toy with human dignity to this extent.

I’ve heard that the movie is a proper live-action version of KochiKame, but I have no basis for judgment.

Wasn’t there a movie or a long drama?

I wonder if Kochikame was popular among children even from the original work…

>>145

You probably wouldn’t wonder about that…

The Katori version of Saiyuki is hard to watch unless it’s on FOD, which is a drawback.

Is there anything that was distributed in Johnny’s dramas during the internet NG era?

This is the author’s own way of following up.

It’s common to create a drama for the promotion of a movie.

Galileo was like that.

A new anime for the promotion of the movie Gatchaman…!

>>152

I don’t hear much about movies, but Clouds has a cult following, right?

Katori was treated as having messed up with whaling, which was not good.

>>156

First of all, the nickname “whaling” is terrible.

>>158

I was trying really hard, but this is just terrible.

>>156

The sin of not being refused by oneself.

Which came first, the Banana Man or the live-action version of KochiKame?

If the result is due to an intention to push Johnny’s aggressively, that might be better; it would be unbearable if it was seen as just throwing it to Johnny’s for now.

If I had to say who benefited, it would be the scriptwriter.

There were only dramas that became topics of conversation.

>>163

Is it still a plus even if it’s a scandal as long as it becomes a topic of conversation?

What a terrible industry.

I wonder why “hoge” became the catchphrase.

>>164

Creating a catchy catchphrase that doesn’t exist in the original work and making it a symbol of the entire piece is something often seen in poorly adapted dramas.

There’s no trace of the guy with the chopsticks ready to strike like in the original.

I saw the expression of a mysterious life form that is neither Shingo Katori nor Kankichi Ryotsu, and it was exactly right.

I want to have a conversation with Ohno-kun, who was made to dress up as Monster-kun at his age, about how tough it was at that time.

I’ve never seen Tora-san, but is it like the amazing stuff in the thread?

>>167

It tells a story about an uncle who is bad at performing and living life, but can still act for others, getting muddy in the process, and the people around him who are affected by his antics.

I only watched a few episodes, but it was funny to see the commercial for the World Athletics Championships that was airing at the time shown to Higurashi Jukusui Otoko to wake him up forcefully.

The most wasteful way to use Shingo Katori in the world.

The greatest drama still talked about today.

It’s unfortunate for the person, but at least it’s better that they’re being consumed as a meme on the internet.

Personally, I think Hattori-kun is a waste.

I think Torasan would be considered a loser by modern values and would not be accepted.

During the period when Shingo Mama became a social phenomenon, it seems like they endured about ten times the amount of stress that an ordinary person would experience in a lifetime, and it’s terrible that they continued to be put in similar situations afterwards.

It was a good era when monsters like Kaibutsu-kun and Son Goku were in succession, as if the times were longing for monsters.

Was this that bad?

I might get scolded by fans for saying this, but Shingo Katori, who only shows his current self, looks relaxed and seems to be having fun…

Seeing Shingo act like this character because his inner darkness seems quite deep makes me feel a little painful too.

I think Rasaru became crazy because of whaling.

>>182

Don’t carry a cross.

>>182

It’s not a topic of conversation at all, so it’s no surprise, but I think it’s mostly because I failed the entrance exam for the University of Tokyo multiple times.

I love how they sprayed the wall renovation onto the tatami, and the kids are totally shocked.

Shitty live-action contractor

I think it’s amazing that, rather than wanting to do things like get completely drunk and do a forward roll naked, the person in the thread has experienced more of that kind of thing.

>>187

I like the theory that the two of them were using a potion to become invisible, and only Tsuyoshi’s ran out first.

I tried to go out, but I ran away because I screamed.

There is absolutely no connection between Ryo-san Kan-kichi and whaling.

>>23

Whaling

I wonder if this is after the drama.

Mitsuo Senda’s movie involves issues with rights, and there are also rumors about complaints from Akimoto, Yamamoto Tatsuhiro, and Shueisha.

It’s not just a matter of the work being bad.