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What’s good about it?
I’m so frustrated…
The worst original story in Jump history: the Feng Shui arc.
>>3
In recent years, the FUNATO arc in BORUTO was also intense.
>>9
Seriously, the non-existent FUNATO was amazing.
Original characters take the spotlight and overshadow the protagonist.
It’s not interesting in the first place.
It falls into the worst category as an original anime, but it didn’t affect the main story at all, so that’s the only good thing about it.
Nothing is going well at all…!
I’m so irritated…!
Feng Shui was the strongest during the Meiji era…
The episodes are short, though…
Many people who go by the name “Nameless” are hoping that it will be remade in the current new anime.
>>11
There are too many crazy people like that.
Was there really an element of struggle against a knight who just charges on horseback?
I think it’s fine to just go ahead and create this thread for now.
I’ve never seen it.
I only saw the promotional video for Animax.
It seems that only the evaluation of the “breast ninja” is high.
The thread image and the enemy onmyoji leader > subordinate onmyojis > subordinate onmyojis’ shikigami > Kenshin
If we had lost to the onmyoji, Japan might have been conquered.
I was watching the anime Rurouni Kenshin, but I have no memory at all after the Kyoto arc.
Even if it was ruined at night games…
>>19
September 17, 62 Kyoto… Departing with engraved memories and cherished thoughts.
October 14: The Legend of the Fireflies and the Girl Who Awaited a Swordsman
Is it because there’s about a month break at a good stopping point that you thought it was over?
As expected, it is a Chimpudo!
Even the warriors who can endure crappy original anime because the breasts shake.
When Kaoru falls ill and exits the scene in the early stages, it becomes unbearable all at once.
I think the old anime version where Kenshin’s special technique was turned into “Dorogon-sen” is amazing.
>>22
In the new anime, there are parts that disappear even in places where they are used in the original work, and that makes me think.
From here on is the domain of the feng shui master… Please step back, Himuro-dono…
>>23
I’m so frustrated…!!
Act 91: The Writhing Power of Feng Shui – The Targeted Kamiya Dojo! Kenshin and the others were saved from danger by the feng shui master from the “Feng Shui Clan.” It was revealed that the samurai monk’s true identity is Yusui from the “Water Clan.” Meanwhile, a member of the Water Clan appeared at the Kamiya Dojo and forced them to practice a deadly curse. Script: Seiji Tokawa Storyboard: Takeshi Mutataguchi Direction: Akira Shimizu Chief Animation Director: Toshimitsu Kobayashi
Act 92: The State of Emergency in Tokyo! The Rampaging Dragon Vein of Deadly Weapons. The Eastern Ro army led by Kenshin breaks the malicious law used, but on the Musashi side, the magic barrier set by Yusui of the Water Clan has already been destroyed, making the Tokyo side dangerous! Script: Seiji Tokawa Storyboard: Junji Nishimura Direction: Toshiyuki Yoshida Chief Animation Director: Masaaki Kanahara
Act 93: The Enemy is at Battlefield Field! In Search of the Crest of Dominance. The goal of the Water Clan is to bury the high-ranking officials of the government completed by striking the dragon vein. Yusui has already laid a feng shui barrier at Battlefield Field, moving the dragon vein westward and mobilizing the military forces. Kenshin hurries to Battlefield Field! Script: Seiji Tokawa Storyboard: Kiyoichi Itou Direction: Makoto Norisawa Chief Animation Director: Akira Matsushima
Act 94: The Dirge of Wind and Water – Here and Now, Exhausting All Efforts! Feng shui masters from opposing positions of wind and water clash with ultimate techniques at the risk of their lives. With Kenshin’s help, Jinpu successfully unleashes a powerful skill to seize the dragon vein, preventing the Tokyo side from being on the brink of annihilation. Script: Seiji Tokawa Storyboard: Kiyoichi Itou Direction: Akira Shimizu Chief Animation Director: Toshimitsu Kobayashi
(Huh!? Was this kind of work…?)
If you have a heart wide enough to forgive this, then you can enjoy whatever comes your way.
In the 90s, when you think of Fuji TV’s golden time, it’s the Yomiuri Giants games sponsored by Yakult.
Just because it’s feng shui, saying it’s the clan of wind and water is too simplistic and careless.
The Earth Dragon Flash has been broken…
I am finished now…
It’s crazy that this is how the anime ends.
The final technique of the Hiten Mitsurugi-ryu in the old anime Rurouni Kenshin is…
It is the Wind, Water, Earth, Dragon Flash!
>>34
When it comes to feng shui and earth, one might even wish for fire as well.
>>38
The fire is like Shishio…
What’s the worst is that this is the last one.
Watsuki seems to be angry.
blast
The Feng Shui Earth Dragon Flash is so powerful that other techniques and secret arts are worthless.
>>39
Shishio’s hideout can be taken down with a single shot of the Wind-Soil-Dragon Flash, and that’s it.
Oh dear~ As expected of Lord Chinpū~
We must blast.
I didn’t know that these original characters have character songs until I saw this thread.
The Teutonic Knights and Amakusa do have original element aspects to them, after all.
The feng shui chapter is too hilarious.
…Why does an original character have a character song?
>>44
Not only Lord Chinpū, but also…
Even the enemy’s original characters have character songs, you know.
>>47
The world has come to an end, hasn’t it…
The final technique of the original work is also the Dragon Roar Flash.
It seems this is the final chapter of the old anime.
>>48
The OP featured characters from the Revenge arc.
>>50
Well then, it continued to the Jin-chū arc, didn’t it?
>>85
I’m sorry, but I need the text you want me to translate. Please provide the Japanese text, and I’ll translate it for you.
>>85
There are talk that they inserted original anime content to buy time since the human punishment arc has just begun, but it was so awful that it ended up being a failure.
>>85
The episode focusing only on Tsubasa and the Seiso chapter has been completed.
There are of course good original anime adaptations, but there are also quite a few terrible ones in NARUTO and BORUTO.
>>49
In the first place, BORUTO itself is almost 100% original animation, you know.
I heard that the original Naruto had a pretty bad power arc, but I don’t know what it was like.
I know that Infinite Tsukuyomi was terrible.
I understand that you tried to do something like Hiromata.
Could it be repurposed from a rejected project?
The new anime is also diving into the original characters like the chief and Shishio’s subordinates, which is dragging on.
>>55
Isn’t the deepening of the Kyoto Great Fire itself natural and good?
The first battle with the reverse-blade sword was honestly boring, but…
Demon Slayer also had a one-cour arc with the Hashira training, you know~ Oh no~
>>56
I don’t want you to compare it with the Hashira Training Arc, which properly delves into the original characters.
It’s amazing that a month can pass just like that…
>>58
After this, we aired about 30 episodes over the course of a year until we reached episode 94…
Huh… magic…?
At that time, if we let the powerful Koyasu play an original character and sing character songs, it would be a great success, Kaoru-dono.
(Tama only appears in the ED)
When it comes to patterns that couldn’t return via the detour route, this and Kinnikuman come to mind.
>>64
Kinnikuman properly did the Royal Race Arc, right!!
While there were some original anime elements,
>>72
The royal title arc was a different program that was done a few years later.
I have no memory of the thread image at all…
>>65
Maybe after the Kyoto edition is over, I’ll be part of the group that watched “Waratte Koraete” behind the scenes.
The more original content is added, the longer Rengoku’s lifespan will be, you see…
Character songs were produced cheaply, so there was a time not long ago when they were being released rampantly.
At that time, it was extremely boring, but I thought that original anime content was just part of Jump anime, so I didn’t feel like it was a big deal!
Most of the viewers had already left before reaching this point.
It’s amazing that Kenshin is rendered unable to act by the barrier of a weak character’s feng shui.
>>71
The genre of the program is different, you know.
>>71
I have memories of everyone being defeated without even using a barrier, except for Kenshin.
The night game was being broadcasted at the time it was canceled due to rain.
There are stories that children at that time grew to dislike baseball.
Beyond here, there is a barrier that only feng shui masters can enter.
Is that really a fantasy…?
I feel like it’s not unusual for Niko Yasu-kun to appear in the new anime.
It will become the only voice actor to continue.
There is a possibility that they might be stronger than the master.
>>79
There’s a setting that a feng shui master can’t break the feng shui barrier unless they are a feng shui master…
It’s okay to cast a curse from far away towards Kaoru-den.
Blast has another somewhat subtle character song… I like it, but…
I only know the character song “Sanosuke’s Bakumatsu Love Phantom.”
The earth dragon flash, which is unleashed by pouring spiritual water on a metal sword, has three attributes and is very powerful, so it will destroy the Feng Shui tower.
Baseball is a total bust, and beyond Amakusa, it’s usually boring.
>>83
I heard that the story featuring Katsu Kaishū in the anime original was based on a novel.
I wonder if Watsuki wasn’t angry…
>>84
I think at this point, I’m not expecting much from the anime anymore, to the extent that I’m annoyed by the original content they came up with because there’s no source material.
I’ve never seen a decent original long anime.
>>88
The Nordic Saga of Saint Seiya is not bad.
>>97
The Poseidon arc ends in a hasty and counterproductive manner.
>>102
I felt like I liked the Poseidon arc, but it’s mostly because of the pachislot…
>>121
The spin-off manga featuring Poseidon is currently being serialized, so Poseidon is a popular character…
>>133
I also did an external spin-off manga where a standalone boss appears in the theater version, so well…
>>97
The Steel Saints and the Ghost Saints were nice too, right?
It’s incredible that even at a mob level, Kenshin can’t keep up and becomes a hindrance in the power balance.
The unnamed ones who went to see it laughing, thinking they were too irritated, all come back as Muneyoshi in the feng shui edition.
Once this original anime hell is over, the main story of the original work will begin again…!
I was a kid who endured it.
Somehow, it’s over and I’m in a daze.
After praising the Kyoto arc, Watsuki has hardly made any statements about the anime.
In later years, I mentioned that I acknowledge the work of the anime staff who put in a lot of effort into the Seisōhen.
It seems that the director himself thought it was boring to include original content that he didn’t want to add early on, but it seems that Watsuki understood that as well.
At the time, I definitely felt like I was just enduring it as a bridge until the Bounty chapter… or something like that.
It’s over.
Since the main characters in the Feng Shui chapter are Koyasu-kun and Hirō Yūki, I think it’s essentially a prequel to Weiβ.
In the beginning, Watsuki complained about Kenshin’s voice and the incomprehensible original anime, but during the Kyoto arc, he praised it a lot.
>>99
The battles from the executives to the final boss in the Kyoto chapter were all wonderfully done.
The battle between Tensonryushen and Kagutsuchi in Shishiou’s fight is the best.
The upcoming OVA’s “Memoir” episode is unexpectedly a masterpiece.
Did you dislike Kenshin’s voice?
>>104
The drama CD version of Megumi Ogata was perfect, I tell you.
>>104
I remember seeing quite a few people who prefer drama CDs, not just Watsuki fans.
>>104
In the drama CD released before the anime, it was Ms. Megumi Ogata.
So I thought anime would be the same…
Could this be the final episode?
There’s also an original character song for the anime-only characters in Tennis no Ouji-sama, which is also involved with the same Nelke.
Moreover, they are fighting in place of the middle school that confronted them in the original work.
The “Seisou-hen” (Chronicles of the Stars) is well… I totally understand that there are people who dislike it, but personally, I really like it…
>>111
It looks like Kenshin is having a hard time.
Let’s get syphilis together!
It feels right now, but…
When you think about it calmly, it’s too much to have someone who’s not in the profession do it, so I understand.
I’ve heard that Tohryu Sen had many opportunities to shine, not just in the Feng Shui edition.
>>114
The original anime had a sense of despair in the scene where the main attack, Doryuusen, was ineffective.
Masayo Suzukaze was doing her best, and I don’t think it’s a bad thing.
The comparison is with Megumi Ogata, after all.
Kenshin also rushes to the battlefield.
Kenshin’s activities also helped.
>>116
The treatment is secondary, you know.
The old Rurouni Kenshin is not bad, but in comparison to Megumi Ogata, it’s really no contest.
I had never heard a drama CD before, so Ryōfū-dono’s Kenshin was indeed Kenshin.
Rather than not liking the voice, I was quite dissatisfied that the cast from the drama CD could not continue.
It means that the original author’s authority did not extend to this…
Moreover, I think it’s quite strange that they wrote all of that in the paperback and that the editor didn’t stop them.
The drama CD mostly follows the original author’s requests.
I often hear that anime won’t be continued… I don’t know why that is.
Due to the length of the OVA, all the dark parts were erased, and I really like how Green came alone for revenge against her sister and how Kenshin simply accepted it and was willing to die.
There are various things like the budget, schedule, and office arrangements, you see, Kaoru-dono.
Even if the Poseidon arc is rushed, I think it feels just right since the original anime had a slow tempo.
There was a chapter where Kenshin was blind for a long time…
>>129
A guy like Amakusa Shirou uses the Hiten Mitsurugi-ryū.
That’s where my memories of the anime Rurouni Kenshin have cut off…
>>129
Amakusa Shirou is going to blind you using the original Hiten Mitsurugi style with the Tenkenten sword technique!
>>129
Hey! Are you forgetting about the Amakusa chapter featuring the super popular character Sayaka Magudaria, who is the beloved of Sanosuke and has her own character song?
>>155
I don’t know… scary…
I feel like it’s natural for the drama CD and the anime to be different due to scheduling and other factors.
It’s common for anime to not turn out exactly as the creator intended, but I think it’s normal to have at least the authority to choose the voice actors.
Rather, it’s normally difficult to appoint Mayou Suzukaze, so who on earth made that decision?
However, since Ryouka’s voice also matched quite well, it’s hard to complain.
>>131
Even if you say you think so, it’s not true.
>>131
It’s similar to Kochikame, but that kind of thing was being cast by a company that often does that sort of thing.
There are many cases, not just this one, where people who are not professionals play the main role, like in Tar-chan.
Seiya didn’t dislike original anime so much as he hated that all the original anime Saints’ armors were utterly uncool.
It seems that the demon accompanying Koenma in Yu Yu Hakusho is an original character.
In preparation for the original story’s convergence, Sanosuke’s bandages can’t be removed anytime soon.
Zhang didn’t expect to reappear and got seriously injured as a result.
But since it doesn’t merge with the original story, there’s no problem at all.
I love how the original characters like the fake Battosai and the prince that looks just like Yahiko are so typical and cliché.
I think the production side may ask for requests and inquiries, but I don’t think they have the authority to make decisions.
>>143
If a solid contract is signed granting those rights when adapting it to anime, then it should be possible.
There’s no way that’s happening, right?
But you like Bardock, right?
The fact that the author felt pushed to the point of writing that this is not acceptable in the paperback edition is quite serious, and the readers were also able to strongly empathize with that.
The production side is ultimately just a subordinate, isn’t it, Mr. Anonymous?
There was also a theatrical version, but I wonder if it was interesting.
Not the thing from the Kyoto edition.
>>148
To be honest, it was questionable…
The content feels like an extension of the anime, for better or worse, and the opponent uses techniques that are similar to a knockoff of Hōkō…
I quite like the anime original where I give an engagement ring to Kaoru.
Looking at it now, the old version of Fullmetal Alchemist really doesn’t follow the original story at all…
>>150
First of all, the anime is adapted from the very early part of the original work, so there is way too little source material.
>>157
Oh dear~ Beyond the door of truth, it will send you to the real world, to the reality of the final chapter where the Nazis are scheming~
Wazuki is the type of person who speaks frankly without any consideration, whether good or bad…
However, I do not forget the achievements of MEMORIES OF NOBODY…!
In the past, drama CDs had shorter recording times for voice actors compared to anime.
I have heard that it is easier to respond to requests when the author says they want this person or that person.
I wonder if Rurouni Kenshin was popular with kids back then.
Isn’t it relatively plain for an action piece?
>>156
The kids were all playing around, pretending to stab each other with umbrellas.
>>156
Therefore, everyone is speaking here now, is it not so, Lord Nameless?
>>156
It’s more down-to-earth action than plain, so it’s very popular.
It had an appeal that resonated even with the innocent heart of a child.
What was that technique like Thunder Dragon Flash?
The originally created wrestler, Toramaru, who appeared early on.
This is a named role shortly after the debut of the now popular Tsudaken.
Since Sanozuke’s theme has become like Raijuta-sensei’s theme, it didn’t work out.