I really love the scene where the world goes silent during a time stop.

The voice…

I love the part where DIO suddenly disappears and only Jotaro can follow him with his eyes.

I came up with a method of execution that doesn’t matter how many seconds you can move! I love how quickly it accelerates!

It turns out they had the same voice actor as Rikyuu in “Hyouge Mono.”

It has a nice voice, but I feel it didn’t match the acting.

I really like it when it just disappears.

H (a slang term referring to sexual content or adult-themed).

It’s natural for the Joestar group to see Dio this way since they don’t know anything about his cowardly side.

From Jotaro’s perspective, which is still at the beginner level, moving during time stop feels almost like teleportation, and that’s scary.

The stopped knife that was thrown, trembling, is really scary.

To ordinary people, it’s no different from teleportation…

So, then.

I love the suddenness of the scene where Derby breaks his brother’s fingers.

>>18

It’s great to feel that while it usually looks visible in storytelling, they’re actually fighting at that kind of speed.

I like the part about entering the world where Star Platinum stopped even more than in the original.

Aono Cream and that voice are too strong.

The Joestar group, here, regrettably retires…

It has a sense of being a monster.

I can sense the mysterious charm that they were talking about when discussing what happened in the past with Abdul and others.

The sound is too good.

>>27

Poppy

To be honest, I still have this image.

I think it’s a perfect voice when viewed as the ultimate charismatic boss of the work.

It’s nice to see politicians getting in and out of taxis.

Kosugi is accepted, and Suzuhana Kyouin, Joseph Joestar, and Kiyoshi Abdul are also good.

Wakamoto Holhorse, Utsumi Barbie, Mugihito J. Geil, Nakata Ndul.

The voice is good.

It’s just vanilla ice cream…

The sound processing of the moment when time stops is truly one of a kind.

The figure emerging from the clock tower is too unrecognizable as the protagonist.

Something that has been quite ingrained at BMSA.

I love DIO throwing away the broken tower.

Thumbnail of the villainess reincarnation uncle.

The Derby match is almost faithful to the original work, including the artwork in the OVA.

The difference in the level of direction and video is incredibly noticeable.

Brushing off the bus passengers and treating them like insects was a good, DIO-like original.

If you think of it as being continuous from one part, it feels a bit too grand.

When thinking only within the three parts, it feels like it’s become a monster that has been alive since the time of our ancestors.

The best way to say a tanker truck in anime is

In other words, in manga expression, using a steamroller including its size is the perfect optimal solution.

Saying it could go either way is looking down on the original work.

Many of the OVA cast have already passed away…

“Welcome! 2000 and Hamtaro: Ham-Ham Adventures, created during the peak of MAD.”

I still remember it.

As DIO, a supernatural and unknown creature, I like the voice from the OVA the best.

If you look at it continuously from Part 1, it’s Dio Brando as seen in the anime.

Personally, my favorite that seems to have charisma is the Legacy of the Future DIO.

>>51

There is a strange sense of intimidation, a cunningness, and a vampire-like quality of living in a different time than others.

Take out Tanaka’s voice knife, and fast-talking DIO is good.

My favorite in the game is DIO’s WRYYYYY.

>>53

The effect on the voice when Shadow DIO shoots the Flesh Bud is the best, isn’t it?

It was originally something that Araki himself specifically requested.

The last battle has been modified to spectacularly destroy various things.

The one that emphasized charisma and had a significant impact was definitely the legacy to the future, DIO.

The image conveys both a sense of being a monster and a feeling of being trivial on the inside, with a somewhat charismatic yet subdued silver-like quality.

Corn

I love the scene where Jotaro goes “Ooooooo↑Uraaaaaa” with his voice cracking.

To Jotaro…

I…

To Jotaro…

Me…

To Jotaro…

>>60

(eardrum rupture)

I feel like there’s a sense of tension because there isn’t much background music flowing.

I don’t usually think about it, but there’s always some music playing in anime, isn’t there?

I feel like the blood was depicted as very thick.

>>63

The cut to the senator’s car window is really scary.

>>73

The sound of crushing a muffled person, “don…don…bichi,” is too unpleasant.

Pudding

The voice of the resurrected monster vampire from 100 years ago is incredibly persuasive.

Basically, it doesn’t match well and sounds somewhat robotic, but I think it’s interesting how it fits perfectly in certain scenes.

The knife stabbing Joseph’s throat looks so painful…

>>68

It’s intense because a series of movements isn’t just mixing in still images…

I like the feeling of having a little revenge when I have a headache and nausea, and my legs are shaking.

I love the Stand Proud technique in the N’Door battle.

I can definitely understand that DIO’s voice is good, but it also feels different from the image.

The director said he was pressed by Asari Yoshito, whom he met for the first time, asking, “Why did you make DIO’s voice sound like an old man?”

It’s the leftover pulp.

I love scenes where it turns out like that for you too…

Jotaro drinking juice.

The overall impression greatly increases with such detailed direction.

I think the sound is amazing, especially during the time stop expression.

DIO reading the Quran…

The local language and news have an Arabic vibe, which gives it a nice overseas feeling, don’t you think?

I like Kakyoin’s analysis that he might be able to teleport…

I also like how Joseph adds, “Don’t rush to conclusions” on top of that.

It feels like the sound design is unnecessarily detailed or has a sense of luxury.

>>82

The sound effects were created by Lucasfilm, so they are really detailed.

If you ask me which DIO voice I like, I would say this one, or I might hesitate between this and the voice from the third part fighting game; that’s how much I like DIO.

The OVA has names like Okubo-san and Satoshi Kon, which gave me a chill.

It’s not just that it looks strong; the combination of the animation direction and Tanaka’s voice makes it actually super strong.

I wonder if there’s a stream happening right now.

>>87

Na

na

a

>>87

Maybe a rental?

>>83

I really love the scene where the first knife suddenly falls.

I love that Polnareff, who had become like a useless worker, turned it into an opportunity for a comeback.

>>83

At first, it seems like a drawing mistake because it disappears so much…

The fact that there is no hesitation in the direction his eyes follow, despite suddenly disappearing, really skillfully indicates that Jotaro is on the verge of awakening.

The sense of a shonen manga from the original work and the relatively minor character of DIO are well reproduced in the new version, but this is the best interpretation as an alternative.

It’s impressive that you did the first half retroactively, but somehow the vibe feels different…

The sense of being an evil overlord is more pronounced in this one.

The television anime version is a continuation from part of the story.

It’s fine with Koyasu.

Jotaro’s voice is incredibly powerful.

There’s a sense of grandeur about the OVA Dio, isn’t there?

>>99

I won’t become a gay man.

The action in the Justice battle is amazing in this OVA.

Ndio!

All the drawn letters in the manga are really sound effects.

The indescribable sound that comes when the stand appears.

It blends in! That part where it truly fits in feels really good, and I love how it mixes well with the desire to provoke Jotaro.

I like the scene where Jotaro stops DIO’s punch with his bare body.

U-☆

After receiving a strike from DIO, it’s nice to see Jotaro resolve to honor Polnareff’s words, who had tears in his eyes.

If I were to say it in the image of a cold-blooded monster that has lived a long time, I feel like it would be this voice.

Koyasu is a bit too high-strung.

>>108

It’s like the anime version of the long-standing rivalry with the Joestar family and the demon king-like final boss in the OVA version, right?

The change to Polnareff in the DIO battle is great, isn’t it…?

>>109

It’s really great to take a shot back at Abdul and the others as a tribute.

Polnareff, unable to move, weeps in pity.

Jotaro who will assemble that.

>>109

I messed up, Vanilla Ice!

SE has a certain weight to it, doesn’t it?

🗡️🗡️🗡️🗡️<GYYYYYYYYY……！！！

🗡️🗡️🗡️

The TV version felt overly dramatic.

As mentioned above, it’s too brutal how people are just casually brushing away others while saying, “You’re in the way, you pests,” without paying any attention on the bus.

It’s terrifying how the streetcar, more frightening than being cold-hearted or cruel, brutally massacres passengers like tearing apart a slice of bread just because they are in the way.

It’s like a child who couldn’t ride a bike suddenly figuring it out and quickly riding around.

I really love that Tanaka DIO has a quiet way of speaking yet still exudes an impressive aura.

I thought they were helping the senator from the exploding car, but it was brutal how they dragged him around like trash and tossed him aside.

It’s a bit late to ask, but why did they animate the second half before the first for the OVA?

DIO as the charismatic villain is higher in quality in this version.

I really like the change where Polnareff’s surprise attack and Vanilla getting defeated truly shocked everyone, creating a chance for Jotaro’s counterattack.

I think that with the sound and visuals of television, if Koyasu doesn’t get hyped up and energize things like that, it won’t hold up.

Until DIO with his head cracked uses The World on the stairs.

I like that tension.

>>129

The world after being carefree is really cool, you know…

It’s like a child riding a bicycle for the first time suddenly getting the hang of it and starting to ride around.

I was surprised to hear that this line is original to the anime; it feels so natural.

The OVA has too strong sound effects.

The sound is surprisingly good, isn’t it? OVA.

>>132

Please turn up the volume of your voice.

It’s tough when someone mumbles so much during their part that it’s really hard to hear.

Did you follow it with your eyes?

The horror elements are wonderfully intense.

It’s clever how they keep spamming the time-stop during such moments to heighten the sense of fear while justifying where they got the knife from.

I felt that from the perspective of someone who doesn’t understand time stopping, it looks like teleportation.

The scene where only the knife from the pork station falls from the air

It was really a great production.

After being slammed into the butcher, I got up with a baffled expression, a knife sticking out of me.

>>136

This one scene is already amazing.

To be honest, it doesn’t really feel like JoJo’s in terms of tension.

The tension of a momentary misjudgment being fatal is intense, and I can understand why some people end up mentally exhausted from this.

The spinning kick while saying “useless, useless!” after getting high is just too cool!

There are also horror elements, right?

Time-stop mass knife is

The motion is more detailed and natural than the TV version that uses 3D.

I haven’t seen it properly, so I wonder if there are any streams or anything.

The TV version has a direction that’s closer to the original work, but I think this one has a more realistic and impactful direction.

>>145

Because it’s a work that predates JoJo becoming an internet meme.

You can feel the determination to make this something that can be appreciated like a movie on its own.

There’s a way to use Kenji Utsumi like that… in the Barbie battle.

Kicking manholes and Polnareff’s successful ambush are also great arrangements, right?

Aside from the fact that the changes to the Vanilla Ice fight were frankly terrible, I really like the OVA.

The derby match is the highlight.

I love the spinning camera effect in the Barbie battle.

It’s a tanker truck!

The performance revealing the time stop is just too wonderful.

Considering how incredible everything surrounding it was, I really wonder if the Vanilla Ice fight could have been done differently.

I hope it becomes available for streaming.

This and… Phantom Blood.

>>153

Huh……!?

>>155

Well, to be honest, it would be a lie to say that I don’t care, as I’ve seen it mentioned as a joke but have never actually seen it myself.

Abdul’s death is still bearable, but Iggy’s death is too cruel.

The derby has a long monologue in the final stage.

It’s impressive how they’re speaking and packing so much into that time without giving the impression of speaking too quickly.

In film works, there is always an explosion at the end.

The OVA followed a certain set of conventions for visual works.

Oh… you followed with your eyes, huh? I like that calm judgment.

I brought the original work and OVA that would definitely finish them off, but it’s funny that they were able to withstand it without any connection to time stopping.

Even though the explosion of the tank truck and the drop of the road roller should have hit him directly because Jotaro couldn’t stop time due to DIO’s interference, how is he still alive…?

>>159

You made me angry.

Well, the fully enraged Jotaro Kujo from Part 3 is an incredibly strong presence…

I want to properly listen to the voodoo kingdom during the end credits.

I wanted SOUL’d OUT to sing something for the TV version…

>>166

If SBR gets animated, I definitely want S.O to be involved.

Well then… your stand isn’t as impressive as your words suggest, huh?

I love how you confidently declare that you came up with an execution that has nothing to do with how many seconds you can stop time!

The camera work during the final car throwing scene is too perverted.

I love you.

Has anyone seen it outside of illegal uploads?

>>170

The first time I saw it was in a love hotel, and the next time was on Animax on Skyperfect.

>>170

TSUTAYA

The depiction of television, illegally parked cars, and streetlights being suddenly destroyed is also good.

It’s amazing because Satoshi Kon, who has now passed away, was involved.

The first Dio I saw was in a thread image, so when I mentally replay it, it turns into that thread image.

I feel like OVAs from this generation were all competing fiercely with stunning animation…

I wonder if the budget is different.

The animation of the scene where Emerald Splash is unleashed inside the car with DIO is amazing.

>>175

I heard it took a month to create that animation.

>>183

Naso

nin

I really love this DIO, but my favorite is definitely the fighting game DIO.

>>177

It’s nice to feel the charisma while also having an enchanting vibe…

I think the OVA Dio embodies the saying “a savior of evil for evil” mentioned by Doro, even though he is not “Dio Brando.”

Strongly embodies the essence of evil.

No matter how many decades pass, there’s always more to say about the OVA JoJo.

I’m not satisfied with vanilla ice cream either.

Polnareff’s bravo is honestly…

I want to see Midorikawa DIO! Hurry up and find a way for me to see it somehow!

Not just Chiba DIO, but the overall fitting of the voice actors in the third part fighting game is amazing.