It seems you are perceiving magical power as energy.

Well, I think it has that flavor from around the time of Melty Blood, or rather when it was released by Atlus, so it’s been over 20 years.

Since the strongest ones like Cephalu and ORT don’t listen to concepts, they’re the strongest in physical terms.

The consumption civilization is also about the consumption of the energy of the stars.

I don’t think about that kind of stuff; I’m just enjoying the female characters.

The Slash Emperor Knights are great, aren’t they?

When you start to understand the Type-Moon universe, discussions about energy levels come up from time to time.

The name given to the nervous system of magic is the magic circuit.

When you think about magic as a scholarly subject, it’s completely opposite to Type-Moon’s mythology setting.

The way of thinking around the soul and the Akashic records is computer-like.

The clock tower from the year A.D. has declined, but it remains as a thought to preserve it as an academic pursuit.
Whether that awareness extends to the very end or not is another matter.

Super strong people are usually robots.

Well, there have been a few beings from space like ORT since ancient times in the Type Moon world.

The collective consciousness or shared illusion of people seems to have a very strong influence, to the point where it can even alter the past.
Is it because of the primates around here…?

Type-Moon’s play with allegorical concepts is interesting.
The red jewel has a meaning related to observing parallel worlds, and a dragon with a red jewel is the same, right?
Like that

I assume that those who have Type-Moon installed in their brain’s otaku area also have Xenoblade installed.

I like the part where the fundamental fear, combined with the darkness of night, is intertwined with a middle school setting and cool music.
I honestly think that the episodes set during bright times don’t really utilize the appeal.

I feel the flavor of the Gaia theory.

The reason I am anti-mystical is because I affirm the development of humanity, but what is popular is the mystical part.

The magician is a stuck existence, isn’t he…?

The recent AI discourse on archetype inception felt fresh, like a mushroom-style latest Type-Moon world theory from the Reiwa era.

When I first saw the setting of Steel Land, I thought it would be tough to read if this came up…

Greek mythology has a particularly high number of references to the starry sky → A robot god that came from outer space!
I really like the idea of connecting things to myths like that.

Naturally, humans need to venture into space!
It’s like sharing a worldview similar to the end of childhood…

In the end, how are four-character phrases treated?

It’s cool to mix a bit of programming terminology with magic.
Is there an original source for this?

Rather, the setting of “Steel Earth” seems interesting, so I want to give it a read.
There were also some things that didn’t really fit, like magic, servants, and classes.

I think it’s just because it’s related to the Extra series of Space something.
From the perspective of a magician, what we aim for is the inside of the world.

Sometimes the collective illusion, or deterrence, becomes physically too strong.
Why do you always side with the enemy!?

Is it common in science fiction to think that life began from bacteria that arrived on a meteorite from outside?

When the spear becomes the wedge of the texture, does it feel like Christ, who was pierced, is the starting point of the current texture?

The world that mushrooms often create is one where a texture is applied to the base and held in place with something like a wedge, similar to Longominia.
I think it’s interesting, but is there a theory of texture or an original source for it?

It’s nice that the contradictions in various myths can be explained through texture theory.
In short, it’s about setting rules, right?

Is it discrimination not to stage the texture of Islam much?

Mushrooms themselves don’t really have any solid knowledge based on that aspect.
That said, it’s quite difficult to delve deeper into the flow of old occult knowledge that people today might not really understand.
The magical power of life, in terms of “od” for the natural world and “mana,” originally comes from completely different words, and it’s not really defined in that way.
There is a historical background that connects the od to the power of living organisms.

If you share the mental landscape of the king’s army, the unique barrier becomes stronger, and when you combine this with the setting of the collective unconscious that connects to human subconsciousness, it’s no surprise that it’s strong. Araya’s unique barrier = texture.

If FGO were to hypothetically proceed with the third part, haven’t they already covered most of the major myths?

It seems that area was quite dangerous even at the time of the Assassin Brotherhood.

I think the four characters are like a special interpretation of humanity…
Without details about the Cathedral Church, I can’t say much.

Islam’s controversies go beyond just the internet, so I don’t want to get involved.

The Olympian 12 gods being a giant robot army is just too much like Shin Mazinger.
I like you.

[It’s a hobby horse…]

It’s more like a four-letter thing or a cross… Christianity is just one religion, but it feels like it’s trying to eliminate others and unify mysticism.