There were many Z-series units, you know.

In F, the NPC federal soldiers also had that song, so there were many opportunities to hear it.

It’s strange to think that ZZ was Silent Voice.
It didn’t feel out of place because it was unified under A for the OP.

It once gave the impression of being either mobile suit battles, fleet battles, or traversing space.
Since the theatrical version Z became the default, it has been MS in the light.

I love the unusually fast tempo of the silent voice in the 4th generation.

Double Zeta rarely becomes background music.
As far as I remember, COMPACT3 was Judeau of the universe and OE was initiated, and it was around Double Zeta.

It’s rare for the theme song to play during Char’s Counterattack, right?

I was glad that the first HD had proper Gundam-themed BGM that flew in and out.

“When ‘Love to the Water Planet’ is a battle song, it’s a rare occurrence.”
The time beyond Z, enhanced by a circle, is rare.

The Super Robot Wars faction is the usual BGM.
The Eutytita faction has an image of fierce battles.

The reason there are more BGM than the theme song Z is due to copyright issues.

Recently, it’s a shame that I can’t change to the later opening because there’s a soundtrack now.
I want to hear the arrangement.

Mobile Suit Combat: Enemy Aircraft Attack (Not an Enemy Aircraft Attack)

A liked many things such as Char’s songs and “Water’s Star.”

There was a time when everything was about flying Gundams and the dashing Char, but wasn’t there no time when everything was to the Z’s BGM?
It’s simply that there were many units from Z in the 4th generation that could properly separate the BGM.

Now that I think about it, maybe because it was just after the release of the movie version, Z had various Z songs included.

I have a memory of Char being cool in the SFC Super Robot Wars series.
Then there are the main title, SALLY, and ν GUNDAM.

I think the battle theme from Z has been heard often enough that even if you haven’t seen the original Gundam, you’d still recognize that song.

Once in a while, let’s also use the ν GUNDAM in Char’s Counterattack.

I don’t really like the BGM of Z for some reason.
I think it’s because I’m using it wrong, but it feels like the same BGM is playing every time.

I was so happy when it was adopted in Super Robot Wars because I love fleet battles.

The world of Char’s Counterattack during the SFC era might not have been given much importance because it featured Amuro and Quattro from the First and Z eras riding the Nu Gundam and Sazabi in a strange setting.

I didn’t like the new ν Gundam because it felt heavy and oppressive.

It’s the first time Char has made a counterattack, isn’t it… Although Axsis hasn’t fallen.
Next, the 64 that counterattacked has become Devil Aksys.

It seems that the reason they played (the usual theme) during the psychic sortie of Zieg Ax was also influenced by Super Robot Wars.

Not only Gundam, but even Great Mazinger had the original Mazinger BGM in the 4th and EX versions.
Was the same true for Grendizer?

To be honest, I can’t tell the difference between the title and the content of the BGM for the ν Gundam.

The fourth Dizer has a proper theme song.

Great and Dizer had individual songs in the second series, but they were removed in the third series and EX.
Only the Dizer was revived in the 4th round.

Since the release of New Testament Z,
Well, I was a little hopeful that GACKT’s theme song would play in Super Robot Wars from now on, but that didn’t happen, particularly.

The fact that 0080 properly became the original soundtrack started from C2, so it’s relatively late to the game.
At that time, Alpha had not yet separated.

I like the cheap electronic sound from the second generation, “Burning up, burning up, burning up, Gundam.”

I quite like how the introduction of Daitetsujin 17 is significantly shortened in Zambot 3.
I thought your way of skipping parts is skillful.

I’d rather be beyond the dust cloud.

I think it’s amazing that Yazaan’s voice and that BGM come to mind together.

The water planet is nice, but it doesn’t suit the battle scenes.

I felt that GACKT’s song “Metamorphoze” fits quite well as battle background music.
But the MS in the flash is definitely stronger.

I want to hear a crazy arrangement that reaches the sky someday, just like the impact.

I quite like the “DEDEEN” that comes right at the beginning of the fourth Burning Love.

There was a time when Z couldn’t play the opening during the streaming, and there might have been some rights issues in Super Robot Wars as well.
So, is it a fleet battle? It often turns into that.

I really like how the BGM for the classic “Char’s Counterattack” in Super Robot Wars matches perfectly with the timing of the fade-in.

I think “Char is coming” was a rare song.

It depends on the case, but I often prefer when background music is played over the theme song arrangement.
Well, if it’s a cool-themed opening song, that would be fine too.

It’s sad that Iron-Blooded Orphans had an impressive background music in the show but the opening song was chosen instead, and I have a feeling that Mercenary will probably follow the same pattern.

For a time, it seemed that as a countermeasure against monotony, the majority of super robot songs had a slightly different selection.

What was the cover of Z・Beyond Time again?
I have a memory that the licensing issues around that were quite troublesome.

I wonder if it was a soul that was quite flamboyantly arranged in something like G Generation that reached the sky someday.

The sound of the low octave like the fourth is really good, isn’t it?

Love, Far Away is just a perfectly good song, so if you do a weird arrangement like the 30’s Ultimate Dunkuga, it will be too much and bad.

Of course there are exceptions, but it’s almost never the case that we fight while playing the theme song.
I feel like the battle BGM that actually played during the battles in the anime might be more familiar.

It’s a bit off-topic, but it’s too bad that in BATTLE UNIVERSE’s MEN OF DESTINY, the melody changed from saxophone to guitar.

G Gundam has two special move BGM tracks, so it’s a bargain.

I think it’s totally fine if it’s not anime but a Super Robot Wars.

I thought Neil Sedaka was almost half Japanese.

Fighting with the themes of “Cruel Angel’s Thesis” and “Active Heart” as background music seems like it would feel really out of place, but I kind of want to try it.

The reason I chose that is because of the UX variety’s “Life Goes On.”
It fit perfectly with the worldview.

“It’s a little minor, like staring at you.”
It seems this is what it would have been if the TV version of F91 had been created as planned.

I get bored when the opening song of Getter Robo keeps playing all the time.
It’s a different BGM than usual like in Z! I feel like it really hits when it’s unleashed at just the right moment.

I love Judau from the MX universe…

Personally, I like the Immortal Machine Getter Robo more than the OP.

I always had the image that the holy warriors were engaged in battle like in a fleet battle during the main story.

The impact has a good tempo.
It’s not an anime.

Even if I can finally flow like the Cruel Angel’s Thesis, it still feels different somehow.

I will look at you more and hire you ❤️

If I had to be greedy, G Gundam is…
Shining Finger = Fiery Fighting Spirit
Mirror Calm Mode = Ambition to Enlarge
God Finger & Ishikaba Tenkyo Ken = My heart is a clear mirror, calm water.
I think that’s the best.

Grendizer has such a great impact…

I don’t know the name of the intense battle music from the TV version of Nadesico that plays during critical moments, but it hasn’t been used in Super Robot Wars.

The main title and SALLY look similar, so I momentarily couldn’t tell them apart.
I remembered that “lowering” is the main title and “SALLY” is for “raising.”
By the way, the ν Gundam is also somewhat similar, which is a bit problematic.