This mysterious enemy… actually used to be human…!

>>2

Back when the representative work was posted in the thread, it was like that, but is this all you have even now?

>>2

It’s funny that this has been pointed out as a setting that has been around for a while, even done in Kamen Rider Gaim…

>>28

Isn’t it rather respect…?

>>28

Rather, the enemies in Showa Rider are mostly former humans…

There is a Switch, but there is no PS4 support…

>>3

The PS4 is already 9 years old, and the PS5 is 5 years old.

The PS5 is from the same generation as the Switch.

Someone is selling out their own family to carnivores.

The enemy must be completely insane…

There is also a possibility of ending fresh and clear, understanding that we are incompatible…

However, it seems that there is a struggle with love and hatred between flesh and blood relatives.

Just because that kind is famous doesn’t mean there aren’t other things too!

(It seems I can’t win against Godzilla again…)

There might actually be a possibility that the omakusa is an uncle character.

It’s a story about amazing women just doing foolish things.

I know that this rabbit uses the Shiden Shō, you know.

This is a serious remake of what Violette created as a pastime using Unity.

This rabbit voice is from Kiryu-chan…

(It’s that butt-exposing pilot again…)

I’m glad it doesn’t just end with the rough draft but goes all the way to the script.

(This is just someone who stole ideas from a sci-fi novel again…)

I tried the trial version, and it felt quite good.

I thought, this old rabbit talks to himself a lot!

I wanted to at least try a boss battle in the trial version.

The complete uselessness in the early stages was a bit fun, but…

The trial version is a bit too short to say anything definitive.

Before Madoka Magica, there were only works that felt like homages to movies.

They weren’t the type of person who only creates hopeless developments or bad endings.

>>25

Paradise Lost is mostly ignored with topics like this.

(It’s another ending where the protagonist takes on everything…)

The event scenario of Last Origin was really good…

Kyōbuchi-kun, you know… why not try to trust people more?

I have a strong image of someone who lamented, “I can’t draw Precure…!”

What do you want to say?

The “Tōri Ken’yūki,” which I worked on from planning to script, was a classic story.

The girl was going through a difficult time.

I haven’t played much yet, but I feel like something unfortunate has happened to my daughter.

Is it something like a martial arts story at its core?

It seems that no matter what I write, it ends in a bad ending, except for the times when I feel like putting down my pen; I generally have the impression that I twist out old movies or martial arts stories.

Hmm, you know…

The PS4 is a retro hardware that’s been out for about 12 years since its release.

I’m not good at Metroidvania; I wonder if I’ll be okay.

I didn’t know the manufacturer was making the game part.

Is it a fist?

It is clear that I love Osamu Tezuka too much.

In FGO, it feels like there’s a happy story every time…

>>42

It was not good to form a victims’ group with Kawasumi and Y. Aoi.

Is this the one where Gen Urobuchi played too much during testing and broke the controller?

Are you gay? Or not gay?

(So they’re going to appear as a voice actor in the final part…)

In the first place, my impression of Urobuchi is strongly tied to his era of eroge, so I can’t really relate to this topic.

What comes out when you do whatever you want is Django…

The protagonist rabbit might also have been a former human, which seems possible.

Make East Pigeon → Image of Vedgonia

(While it’s important to have the will to stay true to oneself, that is intrinsically linked to living selfishly, and can easily waver or slip away unexpectedly, so it’s also important to control one’s own will…)

The bad end syndrome was cured by around Fate/Zero, right?

I can’t save you.

(That martial arts uncle drawing the short straw again, taking care of everyone and ending up winning…)

>>57

Surely you wouldn’t abandon these pitiful things… would you?

Perhaps the enemy’s true identity is a former human, and in the end, the protagonist will become a god or a conceptual being.