It was funny starting from the second season, so the first season was weird.

What happened in season 3?

It’s been a long time since I’ve worked more than the thread name, hasn’t it?

I had a huge failure in the third season, so I probably won’t watch it anymore…

It has been a great success in both the movie and Singre routes.

The discussion about the third term is prohibited by the rules, right?

Don’t post those guys who are cluttered with G1 horses.

Central training has stopped doing even a single thing that is normally done in local training.

It’s probably arrogance.

Maybe a character from Cowboy Bebop.

>>13

Historical facts are important, after all…

It seems like from the second season, rather than increasing the trainer’s appearances, they’re focusing on increasing the appearances of the Uma Musume for promotional purposes.

The first period might have been quite affected since it was before the game distribution.

The place where they make it has changed, so it’s inevitable that it won’t suit my skin anymore.

Even though everyone left the team during the old Spica era, only one person continues to stay by the trainer’s side—Gulsh’s maiden.

I mean, in the second season, they were really working hard for Teio, right?

>>20

I think it’s about the second season, but I like the first season.

Let’s think in the opposite way.

Now that the horse daughters that can win G1 without any guidance have started coming in on their own, it’s like having a fan in my left hand.

The comedy part of the second season is thanks to the first season’s Spica, so if we take care to consider everything, it will just become more and more constricted.

Even if there are four seasons, they probably won’t do a Spica world championship.

Even if there were four terms, there’s no point in putting it on Spica.

The scene that the thread image wanted to see is concluded at the end of the first season, so it’s only natural to feel that there’s some unnecessary addition.

If they had properly supported Teio during the second season, there wouldn’t have been any talk about retirement or anything like that.

It was probably necessary to talk about the turbo.

If we’re doing a fourth season, it would probably be easier to completely change the characters.

The next time you appear somewhere, it would be nice if you paired up with Hanako.

I’ve been burning my brain over the pair of the thread image and Suzuka.

Since I’m also appearing as a rookie trainer in the singles group, there might be a chance for me to have a role.

>>36

One approach is to avoid introducing characters that contradict the era.

Some people might not like it if existing characters are not around.

I’m curious about this character’s backstory since it wasn’t revealed in the end.

>>38

It seems like you guys were the only ones who deepened your bond from the 2nd to the 3rd season…

Watching the incompetence of anime trainers makes me realize the excellence of app trainers.

Certainly, the horse girls are infatuated.

The person in the image petted Suzuka’s friend, didn’t they?

I feel that Singre’s setting of joining the team and participating in the debut match is not being fully utilized…

When Kitahara passed the central exam in Shingure, Ohana-san was also featured as a fellow trainee.

>>44

Shut up, you yuri cancer.

>>138

The one that should die the most is the lily cancer, right?

Garbage that wants to talk despite not even training.

Since I’m steering towards a hardcore athlete route, Winning Live has become a tough constraint.

>>46

From the start, running in races could lead to injuries, yet the fact that we had a winning live event right after every race is quite a fantasy element…

>>46

Enjoy the delightful live performance of Miruwakabaoguricap and Yaenomuteki!!

>>52

My stomach hurts…

>>47

The appeal of the structure of quoting the original work also comes with the dilemma of creating constraints on specific characters or storylines.

>>47

It seems that breakdowns are just part of aUma Musume’s fate, so I don’t think anyone is to blame.

>>54

If I had to say, the original work is to blame.

I do like that Bourbon, but it seems like a comeback was just impossible after all… that’s the first thought that comes to mind.

In the first place, the desire to avoid historical troubles aside from death clashes with viewers who want to see arrangements that follow the basic historical facts.

I like Nature, who is Suzuka’s friend, comes to visit and casually talks with us during the races…

I don’t know if the changes in the first season were criticized, but there seems to be a mood that they have to adhere to historical facts…

More people seem to be particular about that than I imagined.

>>57

Well, that’s where it follows historical fact in the manga and anime.

A game version that transcends historical facts and features “what if” battles.

I don’t dislike that way of thinking.

>>61

That’s just something you guys are deciding on your own.

The official does not define anything.

>>57

If there’s an original source, you have to take care of that.

If that’s not the case, you should make Makibaō.

In a way, the game is parallel for each main character.

Let’s study the history of that horse.

Isn’t it just that no one else is discussing the Uma Musume story that requires changes like Suzuka’s?

I feel that it’s especially difficult to create stories in the third season when there are more people who insist on treating even the mob characters with respect, as if we should honor the original horses.

I think it’s kind of sad to blame the director, considering that in the third season, various factors like the cast and race direction seem to be determined by Cygames.

The second season, which inherited the setting of the first season while fulfilling the above requests, had a miraculous balance.

I love the final episode of Season 1 so much that I still watch it.

>>69

I’m troubled because I can only bet in a way that’s like a donation.

If we prioritize historical facts, then Suzuka…

>>71

Everyone was watching in real-time, feeling anxious…

I can’t really get into things like RTT from Saipiku or the New Era; they seem too rigid for my taste.

It’s too strong a color aimed at existing fans.

>>73

Is that so…?

The trainer became a sacrifice…

The inconvenience that horses that were injured in historical events must also be injured in this world.

That sacrifice.

>>75

It is a role to support, instruct, and guide the Uma Musume, but the existence of the original story development stands as a barrier.

It’s not a role that opens up fate…

The characters are divided into those who mostly ignore historical fate from the original app and those who are overtly obstructed by historical fate.

Everything is up to the official’s judgment.

If you’re going to talk about historical facts, do Rascal Suzuka and Oguri Roman just sprout out from places I’ve never heard of? That’s what I can’t help but think.

>>79

I think it’s great that Kitasan is the final boss-type protagonist.

No one knows the results of the future race yet…!

It’s like a malfunction caused by the intervention of a creator god, so it’s not something you can handle with just one character…

This so-called death of the creator god, which is predicted to have a poor outcome, can be avoided for now, so it’s a mixed blessing.

>>82

It’s strange that the world is so blatantly trying to erase things like merchants…

If we are too faithful to historical facts, we can’t have horses from different generations appear together and race, so I think we shouldn’t worry about that too much.

>>85

If it’s a real story, it can be ended with “that’s understandable,” but it’s not something that can just be wrapped up like that.

Even if it became anime or manga, reality was like this… there’s a limit to how far you can push that, right?

I want you to provide the process and a sense of understanding.

>>98

On the contrary, as long as there is a process and a sense of understanding, it can be altered as much as needed.

>>98

I wonder how to justifiably provide a sense of understanding to the parties involved in a breakdown that occurred inevitably.

>>98

Reality and historical facts sound like they should be quite strict, but…

In reality, it’s far more outrageous than fiction.

I think that even a scenario where Linecraft ends satisfactorily while looking at contrails could normally make me cry.

I don’t want people to use an app that can win about three times more G1 races than reality as a standard for judging competence or incompetence.

Because it’s nothing but noise.

I feel like it’s a bit too much to play silentstar after Suzuka’s autumn sky.

In the third season, I felt like I saw the negative aspects of media mix when only information about Orfe Donna came out.

Because it wasn’t that famous in the first season, there were parts that we could push through.

Even so, there were some people wondering if a dead heat in the Derby was really okay.

I like the BNW oath too.

I don’t know why Gold Ship and Shakala were arguing at the gate and got a late start in the Osaka Cup.

If we’re going to focus on the thread image again, there isn’t much else besides a romantic comedy route, right?

I think the reason the members of Spica are winning according to historical facts is simply due to the achievements of the image in the thread.

It’s taken for granted that they would win since it’s historical fact.

>>94

It’s hard to avoid just the bad parts standing out, isn’t it…

>>94

From that perspective, breakdowns and accidents are part of the historical flow.

Because there is drama and the actions and feelings of each character, including the trainer, are added, it inevitably becomes psychological.

It might feel like a loss that could be taken as if it could have been handled better by a trainer.

>>94

In that sense, I felt good watching the first season.

It feels like it turned out that way because it’s a historical fact.

It’s probably because I enjoyed watching the second season first, but I have a strong impression of the first season’s visuals being focused on comedic sexual harassment and quirky training, which makes it a bit hard for me to like.

It’s understandable that characters are more likely to become incompetent because they can’t avoid historical facts, but I also think it was a problem that the increase in characters made the trainer’s role less significant.

If anything, I would want the main story to be made with the same vibe as the BNW OVA.

>>107

Well, I don’t like the idea of the BNW story being treated as resolved just like that, so I want them to properly create an anime for the protagonist.

>>107

I am Narita Taishin…

I liked the first season the most and wanted them to continue along that line.

Are the storylines of the first and second seasons of the anime connected in the first place?

I thought it was a story about a parallel world because there are contradictions in the characters, timeline, and events.

>>109

I think the staff mentioned that it’s connected in some way, but it’s not strictly the same world.

Being too faithful to historical facts makes it too troublesome to handle even minor characters with the same care as named ones…

>>110

Indeed, the world needs Norn Ace.

It’s better not to worry too much about the timeline in the Uma Musume world.

>>114

I’ve been told many times, but I wonder why I went to consult someone outside instead of talking to my teammates or trainers…

Whether being able to predict the development regardless of the subject is a strength or a weakness.

>>115

Even if you know the outcome, I think you can’t predict the development.

>>115

That place belongs to the genre of period dramas, so I don’t think there is any particular problem with it…

“This old guy is acting all tough, but we all know he’s going to die in the Incident at Honno-ji…” So it doesn’t become boring because we already know that.

>>131

It seems that there are indeed types of people who feel that way, so that person is probably one of them…

I want to hear this person’s voice again…

You have an incredibly dependable and great voice as a voice actor…

>>116

This person is too busy with their main job…

Since Spica, Vodka, and Daisuke all debuted around the same time in the first term, it makes me wonder what they were doing during Spica’s Classics…

Knowing that the race results will end up being exactly the same as historical facts makes it a bit less exciting, or rather, it makes me step back a little.

>>120

There are several Uma Musume on the party’s side who clearly recognize the fate around that area…

>>120

I understood that even if the race results remain the same, there can be various developments in the story, like in movies.

>>135

Teio’s revival story or something like that.

I want to see more of that kind of thing.

It’s being made into a joke, but I like the atmosphere between the thread image and Suzuka.

Given the current level of recognition, prioritizing risk avoidance seems necessary, so the planning appears to be quite challenging.

I thought that the way Nature presents it should be done by the Spica members.

I wonder what connection there was between Kitasan Black and Nice Nature in terms of historical facts having a yokozuna-style sumo.

>>124

The first consultation is fine since the opponent I was most concerned about in the Kikuka Prize has disappeared, so that’s that.

Being overly rough is a bit much.

The story of the thread image and Suzuka is so beautiful that if I help other Uma Musume too much, it turns into cheating no matter what I do, which is terrible.

>>126

Isn’t the story with Supe-chan the main focus?!?

>>126

Honestly, I think that even if I tell a story about being one with Suzuka-san and Supe-chan, it would just be a rehash of those beautiful conversations.

I prefer the character design from the first season.

>>128

That story feels like it was completely overshadowed by the names Gentildonna and Orfevre.

I really liked the relationship in Specuz.

If you didn’t stuff it full, it could have worked out for Durand and Kitasan to run after their return.

In the first season, it felt like there were still various adventures to be had.

If it gets this big, then running in Elle’s Derby is impossible, right?

I like that clear feeling that something happened between Golshi and the thread image.

I want a zero episode in the anime timeline.

I’m curious about the fact that there were only hints about the relationship with Hana-san, but it wasn’t followed up.

>>137

It’s just a normal ex-boyfriend and ex-girlfriend relationship with Hana.

It was clearly reminiscent of an ex-lover.

I really thought the way they intertwined the twin turbos in the second season was impressive.

The combinations of 7-9-11 were treated as a three-way win, and they were able to depict Trainer-san and Suzuka-san, while, on the contrary, they were mainly able to depict Space-chan with everything else…

Watching Donna and Orphe in the app, I wish there were a few more moments for Golshi.

Realize that the element of a trainer is not necessary for Uma Musume…!

>>148

However, we can’t pack all the trainer elements and jockey elements into one Uma Musume…

If we are sticking to the original work, it might be safest to focus on the generation and go for a total replacement format.

>>149

The amount of depth that can be explored when writing lines for 20 people compared to 5 people is completely different…

If other trainers are incompetent, it makes the game’s trainers look better, right?

Even with historical facts like Teio and Turbo, it all depends on the skill of the scriptwriter to weave them together well.

How about blaming history for things not going well?

There are many opinions about the second term, but the constitution can’t be helped, and retirement is also the individual’s decision.

I like the development where all I can do as a fan is to convey my feelings of wanting you not to give up.

Wasn’t it okay to just have a new character trainer modeled after Saburo Kitajima in the third season?

It seems there are no rules that say a trainer has to be a young man.

>>153

They said this in the second season too, but I wonder if resetting the relationships between the characters made it a hassle to start all over again from scratch…

I wish that nobody knew how the unpleasant aspects of historical facts are in this world.

It’s fine not to mention that Bourbon couldn’t make a comeback…

>>156

Are you going against historical facts?

>>161

Do you have a problem with Suzuka’s return?

>>156

Duramente has also been in rehabilitation for a long time, so the third phase seems quite tough.

At the end of the first season, it was confusing that I admired Spe-chan and entered in the third season with people of the same age…

Is it the setting that Uma Musume grows up so quickly? Is their lifespan short?

>>159

Teio, who entered school aspiring to be the president, is it good?

Currently, “the future race results are still unknown to anyone” has completely become a big lie.

Well, it’s not like it’s okay to just lazily let Shaka win three crowns or to let Orfevre win the Prix de l’Arc de Triomphe for the second time.

In the first season, Suzuka was criticized a lot for not being dead.

You really have to stick to the historical facts.

I thought the concept was that you would realize the outcome of the if race in that area through the game… but is that not the case?

>>167

There was none regarding the first term.

The exchange between Ohana-san and Glass after their return in the first season was great, wasn’t it?

Rudolph and Brian must have been well taken care of.

Rice will die from a heart explosion.

I don’t understand the connection to the anime that’s currently airing.

I feel like that girl was in the main story, but should I see it as a sort of side story until the local Uma Musume comes to the central area?

>>172

I’ve never seen anyone talk about anime and manga together before.

>>175

No, seriously, I think it looks like a different place in the same world if you don’t have knowledge…

>>182

Shut up, you casuals.

>>184

Noisy fan

>>182

Isn’t it strange to be concerned about that if you have no knowledge?

>>172

None

Completely parallel.

>>172

You can think of it as a separate dimension that only shares the worldview.

>>172

Shing Ray is completely parallel.

In the worldview, only the base of trainers and similar elements are common.

>>172

Basically, media mix is all parallel worlds, regardless of whether it’s anime or manga.

I’m picking my favorite era in each parallel world.

Masterpieces and failures of historical works are all about the process, after all.

Even if the result is the same, how you depict the process leading to it is important.

I want them to make better use of the prologue that always appears at the beginning of the first episode.

Even in the Singre anime, it says at the beginning that no one knows how the races of the Uma Musume in this world will turn out…!

It’s empty, even though everyone understands that it doesn’t change historical facts.

Changing historical facts makes the fans the most noisy.

>>183

It’s a historical fact that everyone just read on Wikipedia without any attachment…

>>179

I hate the third season because it feels like a lazy approach of just tying in popular characters.

The story of Uma Musume becoming difficult is not a problem as long as it focuses on Special Week as the protagonist and depicts the surrounding generations.

Changing historical facts is going to be difficult in anime unless it’s exceptionally interesting, even more so than in games.

>>179

You simply don’t recognize that what you’ve built up is actually something normal.

In the third term, the ones who purely gained were Vivlos and Vilshina.