Mutsumi presents her cheek as if to say “Wipe it.” I gently wipe it with a handkerchief.

“Well… look, it’s come off.”

On the way back from the walk, I was sitting on a bench in the park, eating ice cream I bought from a vending machine with Mutsumi. Despite it being October, it was still hot, and the coldness of the ice cream was refreshing.

“It’s nice to have something like this every now and then.”

“Yeah…”

Recently, Mutsumi hasn’t returned to the way she used to be, but she has started to talk a little bit. Her expressions are still limited, but she has begun to smile.

But I no longer know who the current Mutsumi is, or if it is the real Mutsumi… I still can’t find an answer within me between the desire to know and the feelings I cannot accept right now.

So right now, I just want to be close to “Mutsuki.”

“Shou, what’s wrong?”

I seemed to have been staring intently at Mutsuki as she licked the ice cream.

“…It’s nothing.”

I shake my head slightly, forgetting the thoughts I had until just a moment ago. With a gentle smile, I gaze into Mutsumi’s eyes. I will never look away again.

“It’s still hot, so let’s take our time going home.”

“I understand.”

I hope for the day when Mutsumi can say “I am Mutsumi.”

Shoko seems to be okay as long as she can confront the idea that “Mutsumi-chan is nowhere to be found.”

By the time I met Mutsumi, who I knew when I was young, she was already gone when she appeared with the guitar.

Isn’t it difficult to face something when there’s nothing to face?

It’s really difficult to write anything if Shoko’s feelings aren’t revealed.

I don’t understand why Mutsumi, who stops worrying and doesn’t take any action on their own once things improve, behaves that way.

It seems that Mortis wasn’t entirely disliked either.

Since Shoko’s intense anti-fan activity stopped, I forget how quickly new troubles arose…

In any situation, my stance of not moving much on my own remains unchanged…

Because I explained things messily outside the main story, I can’t even understand Morty’s own theory in the main part.

Even after becoming a god, if Mutsumi becomes unbalanced again, I think Shoko will be pulled in as well, so I can say that the current stable situation is the best state.

Though it’s on thin ice.

It was indeed an unhealthy relationship, almost co-dependent, especially when Shoko switched her mindset in episode 7 and was in a mode of atonement.

To put it bluntly, it’s a character that just shut itself away in its shell without much of a reason.

The situation with complexes is quite mysterious.

Since Mortis didn’t have it, it might be better to look at the guitar’s unique traits.

I thought that the idea that personality integration is not necessarily good for dissociative identity disorder was hinted at in the comments, and it seems like there was some kind of vision behind arriving at that conclusion.

For now, what has recently come to light is

In episode 10, the story is about how Mutsumi was significantly shocked by the death and how it continued to affect her afterwards.

As for whether Mortis inherently despises Shoko, it’s more like he’s angry about the situation where Mutsumi is being burdened and it’s being left unattended.

When Mutsuki started acting crazy, I fought with Mutsuki, and it was tough, Mortis.

What Mortis is saying and what’s happening outside the board should be the same…

The current Mutsumi, who has no personality and responds with acting to what is demanded, is

As long as you do it without thinking about anything, Musica is the easiest and least troublesome existence.

What kind of story are you planning to take it in the sequel?

I haven’t been able to come up with a good way to deal with the characters that were the direct cause of the recent killing.

If you handle it roughly, you can’t help but touch it there.

In the commentary, it was said that Shoko was the only one who influenced Mutsumi’s spiritual world to such an extent, but if they have such strong feelings for each other, isn’t causing their relationship to dissipate a sign of a lack of humanity?

I don’t think the 14 light complex has been cured; it’s not something that can be cured.

I perceive that the complex from the parents, which Mortis was forced to deal with as an unpleasant thing for Mutsumi, was separated from Mortis.

It seems that the performance from a long time ago is different from the current situation, but I don’t quite understand the differences, which is troubling.

It seems like a character that hasn’t really considered whether all the twisting and turning is actually going to become a story or entertainment.

In the end, there’s nothing left to do but to chew it over in my own way, so here we go…

The scene where you’re approaching Nyamuchi, which should only leave a bad impression, and accompanying them in their performance is exactly the state of acting out the intimacy that those around you are seeking.

It seems that since childhood, Mutsumi and Mortis had personalities that were quite close.

It feels like that was helpful.

Despite being treated as a genius in acting, it’s somehow terrible that it’s Hatsune who displayed original acting in the work.

Isn’t it just that Mortis only did his serious acting in episode 3?

It was surprising that Mortis’s explanation during karaoke was true.

I thought it was an interpretation from the perspective of personality.

I thought that Mortis was the type of character who would start to neglect Mutsuki in order to survive, and that he would end up dying around that point, right?

It feels like you’re not acting according to the other person’s wishes, but rather reacting automatically to the situation.

For example, AI.

I still don’t understand why Mutsumi lost in the guitar battle in episode 9.

I was so excited that it seemed possible to do CRYCHIC…

There are two truths: Minami-chan’s truth and Mortis’s truth.

Each has its own cognitive bias, but the parts that have been combined into one explanation are facts and make for a good scene.

The one with a strong ego won.

“An interesting girl.”

It seems that Mutsumi’s weakness of self is somehow connected to everything.

Can’t make him sing the guitar, or he’s become a carrier pigeon, or can’t win against Mortis.

I think it’s made in such a way that you can’t say for sure that they haven’t thought that far.

There were so many things that weren’t conveyed to the audience that the viewers were all facing different directions while the story was progressing…

It’s a bit late now, but…

It seems like Raku-na has a sixth sense.

Was it really necessary…?

The absence of a surrogate personality indicates that treatment is progressing, so that’s a good thing.

The main personality has only experienced relying on other personalities to respond, so it makes sense that when the personality disappears, it can only act based on past experiences.

Well, just because I’ve realized “there are two people”

I didn’t really do anything in particular…

It was just a little nostalgic, and Soyoga was lightly jealous.

Rana plays the role of firmly establishing that policy in the narrative structure and moving the story forward.

I feel like it would definitely say it or not…

It seems like Gakuna-chan, who has few appearances in the script, is there to make an impact in a small role.

The genius type in BanG Dream! does things like this.

It’s about seeing the essence, not a spiritual expression.

At the same time, it makes sense that Rikana would say something like that.

If they do it again in the sequel, I would definitely be fed up.

To be completely blunt, it’s probably just going to come down to Pico or something bringing out Mortis, so I guess it’s not really something to think too deeply about.

There is a Mortis that has become useful, so it just doesn’t have the initiative; if you say there is a Mortis, then there is one.

Mora is cultivating a unique relationship with Mortis.

One of the reasons Mortis begins to cling to life is that this part is necessary in its own way.

For some reason, though.

It seems like even Raku’s grandmother would sense the same thing.

Just by looking at Mortis, I thought, “You have another person inside you, don’t you?”

Mortis is relying on those who acknowledge Mortis.

I am rebelling against those who do not recognize Mortis.

Well, I think that one was affectionate…

The reason I couldn’t feel at ease with Soyu was…

“I need to hurry and return Mutsumi-chan to her original self…” I think that’s what the other person is feeling…

What?

There is a moose (bass).

I have started cultivating bitter melons around this time.

I wonder what Mukuchan thinks of me?

“I wonder if she’s thinking, ‘I’m glad I returned to the original Mutsu-chan…'”

Soyo was affectionate and treated Mortis properly as Mortis…

From Den’s perspective, it’s already an abnormal situation since Mortis appeared, so I think it feels like it’s been resolved.

They might still think that Mutsumi-chan and Mortis-chan are still there.

I might think that something is a little different again.

But deep down, I think they might assume, “She might not be the same Mutsumi-chan as before.”

I saw Mortis crying in the café, saying, “Mutsumi-chan has died…”

The episode of the Soyo-saki card in Garupa is related to the feelings they have for each other… so I have a faint hope.

Please, just express your ego a little bit more.

Finally, Mutsumi-chan is what you would call dissociative.

Just like Mutsuki and the others who are now spectators.

Oh, that role is doing its best… It feels like I’m moving, but it’s as if it’s someone else’s matter.