Every morning at 06:30, premiere!

It’s hot! Let’s start the new semester with “Gaiking LEGEND OF DAIKU-MARYU” for our morning activities!

*No distribution on Saturdays, Sundays, and holidays.

It’s the first work produced by Toei in high definition, so the visuals are rich and flavorful.

It was still in 4:3 for other works, so it might have been an experimental piece as well.

I didn’t know Tomoko Kawakami was in it.

I feel like the animation has been consistently good.

>>5

I might be romanticizing it since I haven’t seen it since then… I’m sorry.

>>3

In about three days, memories tend to become beautiful, don’t they?

Well, from the middle onward, it’s stable.

Is the image from Dynamite Action?

I feel like there’s not enough volume for Giganter.

Considering that there were only three months from the start of planning to the broadcast, it adds even more depth!

It’s only after people gather that things get exciting.

Well, once it gets to that point, it’s always interesting…

Since it’s also a pilot version, it should start off nice and then get tough for a while.

“Are you planning to make a movie version?” is what was said.

True Dragon Hydro Blazer Chapter

The drawing becomes tough around the entry into the Darius realm.

I actually like the depiction of axes and shields that are only used around that area.

I heard that the software version has been modified since the broadcast, but I don’t really know the truth.

It wasn’t broadcasted in our area…

The treatment of Dai in his hometown was tougher than I remembered.

I remembered the part about the monster boy.

Was it episode 13 where they put a limiter on the face open?

It was decided suddenly, and I’m not even sure how many seasons are planned.

I have prepared several possible conclusions for the story.

I can hear Dad’s voice, and at that moment, the captain gets a close-up.

It’s not fraud because it’s one of the assumptions.

The animation was only good in the first episode, which is why it was criticized and called a tax evasion anime.

After a while, both the animation and the story suddenly opened up, and everyone flipped their opinions.

Bobobo caused an unusual situation with zero sponsors, and since that led to planning, it’s a work that doesn’t make much sense with no sponsors in the early stages.

In the second season, Bandai became a sponsor, and the planned two seasons were extended to three, so the rumors of cancellation that occasionally come up are false.

The character design is pretty cute.

Is that material that makes animators drool, or is it Gaiking?

They say they are making Gaiking.

Just based on the name value of Gaiking.

Talented staff gather even when not asked.

I wonder if I can wake up.

Until Norza appears, there are many episodes with really bad animation.

Because we couldn’t secure a time slot due to Bobobo and there were no sponsors, it wasn’t on national network.

It’s amazing that Daizoubu Maaryuu has received such recognition merely based on its name value and even made it into the Super Robot Wars series!

Bobobo, reflect on yourself.

Gaiking itself is just one of many super robot shows.

The staff joining from the middle, starting with Bali, are

Because I am part of the generation with formative experiences, I have strong feelings about it.

So, what is the distribution period for each episode?

>>27

You can watch it for two weeks after the broadcast.

>>30

That’s helpful… I would definitely miss it if it was every day for one day.

>>27

*Each episode is available for a limited time of two weeks.*

I heard that veteran artists who want to draw robots gathered even though nobody called for them.

I’ve heard that young people didn’t come near because they couldn’t draw robots with such fake joints.

I often hear that animators who want to draw robots gather for things like Super Robot Wars OG.

>>31

If you just want to draw hand-drawn robots, you can even gather in Dainmidala.

Honestly, there’s no special reason that exceeds my expectations, Robo Meter gathering!

>>55

I’m always hungry.

Hand-drawn robot.

>>60

I think that while there may not be enough stamina to create robot anime, robot-drawing animators must be starving for it.

The MODEROID LoD Gaiking is quite small, isn’t it?

Finally great enough to be placed alongside other models.

When you do hand-drawn robots without any attachment to specific works, those who want to draw gather around.

Is it already a problem of the generation itself?

>>34

It seems that everyone wanted to portray the original Iron Man in Iron Man FX as well…

Giga Puncher Grind!

I’ve lost one now!

Guuuh!!

I think I would probably laugh out loud even if I see the flow now.

There has never been a moment where I’ve felt such a power upgrade.

>>35

The rocket punch that doesn’t come back was a bit strange.

I never thought it would be resolved like that.

Daiya: “The one who never gives up will win!!”

Northa: “Grr…”

Noza: “Those who never give up will definitely win!!”

Proyst: “That can’t be true!!!”

I like this flow.

I thought that’s how the likking bulking would come.

I was curious about it, but I hadn’t had the chance to see it, so I’m grateful.

Haruna Ikeda was playing two dual personality characters at the same time in Proist and Touka.

I have a memory that towards the end, more and more animators who wanted to draw robots were gathering.

Members from the old works, like Yamagatake and Lee-san, are

It’s good that it has been redesigned and cleverly incorporated.

Who is Shizuka?

Ms. Midori is not like this.

I just found out that all episodes of Fresh Pretty Cure were available for free before I opened it… It’s a bit painful.

Thanks to the successful invitation of Ikko Kaneda, who was active in the old works, the viewer meter from that time also came together.

>>49

The final movement of the later OP is

This sense cannot be imitated by others.

Showed the greatness of the original.

>>54

The opening of SSSS.Gridman that copied that…

>>68

The feeling of love can’t be stopped, so it can’t be helped…

>>49

I can brag for a lifetime that I got to work with Kazuki Takahashi.

>>98

Because I joined the industry admiring people like Ohbari and him.

I was really excited that Kaneda-san was going to animate my content.

Since the work from that time, Futari wa Precure, started around then when 4:3 was still the mainstream, there might have been some experimental aspects in that regard too.

Having the great only appear three times also gives a sense of feast, which is nice.

It is said that the gathering of people was not just because they wanted to draw robots, but also because it seemed to become the last work of Ishikawa Kaneda.

The more I listen to the story, the more it is filled with a sense of live action.

A project that fell through once but for some reason has been revived.

The design of Gaiking has hardly changed from the Showa version.

It’s great to have a powered-up form that makes use of the combination gimmick, isn’t it?

There was a story like that in Gintama too.

The story of how stray robot artists gathered together without anyone noticing.

Well, for some reason, the Renho arc ends up being sealed off for a long time after that.

>>58

It’s not sealed.

>>63

It’s just been painted black a little, right?

The only complaint I have is that Nesser was turned into a crab tank.

Merging the Combat Force’s mecha with Gaiking is…

I thought it was a great arrangement.

>>61

The Great is also making use of the combining gimmick.

The scenario aspect is completely different from the previous work, but the robots are very well inherited.

It’s the protagonist’s voice, Luffy!

Even if there’s a project for a robot anime, the mechas might be in CG or something like that.

Sometimes the staff gets carried away and the ratio of hand-drawn work increases.

The Gundam references in Gintama’s original anime should have been sealed.

Hand-drawn robots are the best in the theatrical version.

The compilation of Gundam had noticeably great animation.

I like the part in episode 2 or 3 where Dia gets upset, saying what’s so funny about a child worrying about their parent.

The early part had a loose art style, but I didn’t dislike it.

>>70

It’s impressive to be able to respond to being ridiculed for being a daddy’s girl.

I thought the captain was definitely my dad, but I was denied, and it made me sad.

>>72

I considered the possibility of a cancellation, so I put out several estimated dad positions.

I’ve been feeling nostalgic lately about how there was a lot of Psychic Lover around.

But in this era, aren’t there only a few animators like Sunrise, Bones, Color, and Trigger who want to draw robots?

>>74

There are quite a few… TRIGGER has the strength to casually bring out mechs due to their style.

The first design I saw was the character design of Digimon, and the design of the mechas was different; it felt sudden, like that.

Until around episode 10, the quality is low, but it suddenly jumps up.

I can hear Dad’s voice~

To be honest, I think the lyrics of the OP song are good, but the melody doesn’t really stand out.

A relatively easy-going other world.

I believe that Dia’s father’s voice was also Tohru Okawa, so in a sense, it can be heard.

The PV of Gaiking NEO was long, wasn’t it?

It seems that many people were willing to participate just because it was Gaiking since it’s a robot.

There was a remake like this, right? It was about ten years ago, I think.

…20 years ago?!

The story was good. I don’t know the original Gaiking story, though.

In Super Robot Wars, the frequent appearance of liquid metal might be because Terada likes Gaiking and has a nostalgic attachment to it due to his generation.

The candidate for my father was Captain Saconproist (mask), right?

>>90

It’s hard to believe that the candidate for father is going to turn into that emotionally unstable monster, the masked general…

The battleship is used in conjunction with robots and a support team.

I think it’s an interesting setting that differentiates it from the previous Mazinger series and connects to the real robot genre that will start later.

I only have the memory that the face open was extremely cool.

Come to think of it, the original broadcast was also early in the morning, wasn’t it?

>>93

I feel like it was around 7 or 6:30 on Sunday.

>>96

It’s 6:30.

I will deliver it every morning at 6:30.

I heard that a group of people suffering from a robot-drawing obsession came together and made it incredibly extravagant.

I wonder if today’s viewers can endure the buildup and development around the Great.

It feels absolutely amazing.

>>95

It’s a daily distribution, so it should be fine.

The second half being intense has become a topic of discussion.

By the way, is the only one that appeared in Super Robot Wars that K?

I feel like it was already a sense of “Is Toei making robot anime now?!” at this time.

You can only hear Daisuke Kishio’s performance reminiscent of Norio Wakamoto in Gaiking LOD!

I started to get serious after becoming an early morning sender.

It felt like I was watching it as a bridge until Kaiketsu Zorori.

I like the balance of strength where you can barely win using the face open of bulking and liking.