I really love the winner, the winner, the winner.

What are you thinking…?

>>2

It’s been said that it’s a victory declaration against Mahoshika, but I think that’s probably completely out of my mind.

Even worse? Yeah.

It feels like the past self who was a fraudster is laughing at the current self who has stopped being a fraud and become a winner.

>>7

The cute kid behind the school building is forgiven.

The night is cute and cool, you know.

>>8

💛

Mr. Tachiki is creepy in front of Mr. Takamatsu, but he looks handsome in front of the intelligent Timoris.

The onomatopoeia “ninmari” is just perfect for this face…

When you only look at this face, it shows a very gentle smile…

Even including this exquisite weirdness, I end up thinking the face is good-looking.

Throughout the main story, there is a rich variety of expressions, encompassing all emotions of joy, anger, sorrow, and pleasure, so I can confidently say that no matter what expression Hatsune makes in the future, I will love her face.

A scene of a girl who is giddy about being able to take home her favorite person and a girl who is nervous about climbing the adult staircase.

I think the light purple eye color really matches Hatsune’s face.

Of course a good face is important, but it’s the rich expressions that drive otaku crazy.

It has a flavor when paired with the dazed Shoko next to me.

A girl who is among the top class in beauty among Bandori characters.

The angle of the lower eyelid creates a wonderfully unsettling feeling.

>>22

Cute

>>22

🐶Voo…

>>26

>>22

(Back then… I suddenly picked a fight… and made you feel bad, didn’t I…)

(I have to apologize properly…!)

>>27

Is it cheating? Are you going to confront it?

Sometimes I think Hatsune and Mutsumi are so beautiful that they seem to be glowing.

Dororis identifies herself as a mob lewd attack.

If you walk around with a face like that, the mob lesbians are going to faint.

Hatsune is very touchy-feely, but I feel like she doesn’t often invite direct actions.

>>31

Because my personality is quite passive, if I can’t hold back until I take the initiative, I might start comforting myself on my own.

A type of dog that doesn’t bark much.

The expressions are so rich that they seem to have infinite flavor.

I was impressed by the voice actor who can perform creepy female voices.

Good-looking, great performance, skilled at guitar.

Because it’s too perfect as an idol, the inside is messy, just about balanced.

Anyway, they have a good-looking face.

I wonder if I could become that little star.

>>39

It must be like watching a performance of the celestial sphere.

The direction in the second half is overly focused on the voice actors’ performance skills!

>>41

I think it’s a very good thing.

Honestly, I don’t like it because it’s overloaded with too many features.

The acting and vocals are just too perfectly in sync with that.

>>42

There are times when I think everyone in Musica has a lot of attributes, right?

The shine of the outfit that emphasizes Dororis’s chest is really fetishistic.

I think the color scheme of Hatsune’s character design is truly exquisite.

A handsome man who looks good being stepped on by Sayoko, feeling pathetic.

As for Hatsune’s performance, I still like Imprisoned XII the most.

Mutsuki’s impression changes dramatically with Mortisification.

The elements that make up a character’s expression are quite significant, right?

When thinking about the gap from ordinary times, I feel that their acting ability is of a genius level.

Since Hoshika is just a mask, she can easily take it off without hesitation in the first episode…

>>53

Shoko, who removes the mask of Hoshika and makes her true face her own.

>>53

I know that taking it off will generate more buzz and make it more popular.

I wonder why they come all the way to the Budokan and don’t take it off; it’s just that they don’t say it out loud.

If you exclude the angry expression I was imagining in my mind, the face that showed the most anger was probably when Nyamu sent me lyrics without permission, right?

Even after the music ended, Hatsune’s face is still etched in my mind.

Addictive pitifulness

Those who showcase their genius on stage without a backbone can’t say anything because they’ve been completely burned out by the mad dog of Kawasaki.

After discussing performances and audience demands with Mutsu and Nyamu,

It’s strange that this guy, with this personality, rarely tells stories like a cool band member who suddenly gets serious on stage.

>>61

I mean, isn’t it all Hatsune whether it’s real acting or performances?

It’s been about 7 to 8 years since the first summer, so it’s rather a strong foundation.

The protagonist is a pervert and unreliable, but becomes handsome when it’s the real deal.

The direction in episode 11 is exactly what a character aspiring to be an actor would do.

>>68

It may be because it’s my own story, but the script is so well done that the talent is amazing.

It’s just like Sayoko’s aunt.

>>68

In a sense, those guys are not really actors, you know?

Mutsuki and Hatsune are characters with enough depth to create around 13 standalone spin-off episodes.

>>69

It feels like Umiyamu got the short end of the stick because it’s too intense, but as expected, Umisuzu has established her character as a credit union.

Even though it’s a band-related thing, there is no explanation for being a genius.

It’s amazing that there is no sense of pride on their part…

>>72

A band composed of four monsters and one actual monster who can keep up, resulting in too few obstacles on the musical front.

The fact that they have the vocal ability to make you believe that “I’ll give you my whole life” followed by a revealing face and “imprisonedXII” is simply terrifying.

>>75

That gap has Shoko head over heels.

To be honest, at first, he was a character with no impression, but every time his unpleasantness and weakness were revealed, I liked him more and more.

>>78

There are scenes where anger comes to the surface, and it’s at its peak.

>>78

Something round…

>>78

Isn’t your gaze sharper than when you stare, Riki-chan??

>>83

“I’m going to do Musica! It’s kind of like a declaration of battle, saying that I won’t lose to classical.”

What the hell have you done over here!?!? That’s why…

I like it when good-looking women do slightly weird things!

It’s too much of a jack-of-all-trades, whether it’s getting clouded over or being pushed down in my mind. 💛

I also like the youthful look of the final live performance.

It’s okay to be weak in online debates too.

>>87

Getting immediately defeated by Nyamu has made the direction clearer…

>>89

I think they just couldn’t say the truth…

In short, it leads to the discussion that there is a difference in the workload among the members.

Until around the dissolution of Musica, I thought they were the only person with a sense of morals and common sense.

It wasn’t like that…

He is a kind kid…

She’s just a really crazy woman who has no hesitation in sacrificing others just to seek Shoko…

The expression on Shoko’s face when she said “we’re in this together” in episode 1 of Mujika was like wow…/// Too much.

As a result of living together in agreement, I became the only Hatsune for Sayoko.

This is the real winner winner winner hahaha!

became

>>94

The lyrics are too grotesque when I think of the real Hatsuhana…

I think the old man should sincerely apologize to Hatsune again…

>>95

As a result of being terrified by the existence of Hatsune, the god awakens, and the weak old man is even more scared.

I don’t particularly have a desire to be welcomed as a member of Toyokawa, so if I had been made a direct servant of Shoko, I would have been about 200% satisfied.

The physical strength is weak, and this is… a fragile creature…

The inner self may be weaker than the light.

The first sound of “face” is really too good.

I was drawn in with a tongue click at the opening.

Perhaps the winner was whispered to by God, “It’s Hatsune…”

It was pitiful that they were made to dress like a Round One employee on the remote island.

It might be said that there’s an even stronger sense of dual personality than with Mutsumi.

On stage, they are like a completely different person…

>>103

I wonder if Hatsune doesn’t have any attachment to individuals.

Tch.

Isn’t Hatsune also mysteriously good at guitar, apart from Mutsuki?

>>106

Because she’s Shoko’s aunt, you know?

The singing ability, guitar skills, and songwriting talent have nothing to do with being born, and it’s scary, Hatsune.

Shoko’s keyboard composition, screenplay, direction, and production are unrelated to her birth…

I wonder if it’s been happening since the beginning of the lies…