The country girl, who perfectly played the drums as a professional without stumbling in her performance, is quietly impressive.

The fact that the music of Musica has a really heavy drum burden only accelerates its greatness even more.

I’m glad you were able to become a master.

The person inside is really moving their arms skillfully even in the real live performance.

It’s crazy how this has nothing to do with my original aspirations.

The setting of being a hard worker has almost collapsed due to the circumstances of the story.

The bankruptcy of Mujika – if we include the times I’ve only played it for a change of pace until the revival, it’s really on the genius side.

I heard that you bought a drum set during MYGO, so you should definitely still be a beginner…

I think there was a strong feeling that it deviated quite a bit from the initial concept, but particularly that there was no significant trajectory correction.

>>8

It seems that Nyamuchi was originally supposed to be somewhat experienced.

I might have been a famous drummer in my hometown during my middle school days…

I bought a drum set~ I’m a beginner~ It might be a story for going viral…

>>10

I explicitly stated that it was a makeshift solution around episode 9.

I wonder why Nyamuchi started playing the drums.

>>11

Continue in Garupa!

>>11

It seems like there’s a connection between Reiya and Maski, but the details are unclear, so I don’t know.

A YouTuber with 300,000 subscribers

I tried to become a pro-class drummer on the side, but…

The greatest weapon is an exceptionally high level of insight.

I want to be an actress.

>>13

For that reason, I’m not really seeing reality… especially when it comes to myself.

It’s not like Shoko would want just a beginner, so Tomoris’ persuasive power increases, right?

It’s quite bizarre to aim for a fast pro debut at Budokan by picking up almost complete amateurs, isn’t it, Sho-chan?

It was an unusually strong drum unit, though.

A woman with a pretty face and good numbers is also good at playing the drums.

Before it started, they were saying it would have an image like Fujiko Mine, but recently they’ve started saying that the initial plan was to have an image like Aiko. It feels like they’re changing their story on the spot.

>>20

Don’t trust what the director says.

Insight has consistently been high since the time of the scouting.

Basically, it’s just that I don’t get along with Shoko, who has a belly that she doesn’t want anyone to probe.

>>21

Insight in face-to-face situations is high.

I can’t really see the big board.

>>24

I mean, I can’t even see the human itself…

If anything, the valuation move over there (which was explained as such) too

Where did you pick that up?

I see…

>>22

Because I come from a rural area with many siblings, I know a lot about cheap clothes from places like Uniqlo and Shimamura.

On the contrary, someone like Mutsumi, who is sheltered, probably doesn’t care about the price of clothes at all.

>>23

I think casual clothes are bad.

It seems they’re dressed like that in a way that suggests they’ll do any kind of work or anything.

“Either way, it just looks like age fraud.”

Even if I estimate very low, it’s about 22 years old.

Although they were originally quite popular,

Meeting Mutsumi-chan has totally messed up my life, hasn’t it?

I have not given up on Nyamusaki yet.

Even though there were quite a few hints in mygo…

I think Nyamuch is plenty of a monster too.

>>32

Minami-chan also has a talent close to that of acting.

Drums go without saying, and they’re quite on the side of monsters, right?

>>32

Since Mujeena is just about Mutsumi and Shouko not being able to call themselves human.

A temporary fix that is worthy of praise for its masking.

Nyanmusaki is relaxed.

A woman completely enclosed by the Wakaba family.

I guess it’s because it’s my own style that it’s called open hand.

It’s rare for an anime director to secure the cast personally.

First, I think Bushiroad was creating a character design similar to Fujiko.

At the beginning of the celestial sphere, there’s some incredible stick handling going on.

Mutsunyan is a bit too sexual.

The real monsters are Yoshiko and Hatsune; Muku is more like ChatGPT.

>>43

Everyone except Nyamu is a monster.

I accidentally released the seal on the monsters with the mask removal.

>>43

It’s clear from the flow of episodes 1 to 4 that both Shoko and Hatsune are ordinary people compared to Mutsuki.

Sumimi’s Hatsuhana exudes a presence that overshadows the music of Mujika, with her performance being more highly regarded than the music itself, a truly powerful talent.

>>48

It hasn’t been particularly noticed after its revival…

>>51

In the final stages, there was simply no time, so it’s obvious that there was no discussion about the outfield at all.

At least watch the anime before you talk about it.

>>51

Could it be seen that the other four have caught up?

In the realm of Musica, she may be ordinary, but there is no doubt that she had the potential for Shoko to scout her.

It’s a bit strange that you ultimately fit into the “common-sense” category.

It’s pretty insane that your face was captured a bit at your feet, but it looks like you’re stepping on the pedal with heels.

Was the dance with Mutsumi in the final episode a spontaneous improvisation?

I thought it was pretty dumb, but since Mutsuki just fainted, it’s a level of reaction that’s amazing!

>>53

It’s crazy how just fainting makes Mutsumi’s talent level exceptional.

It’s nonsensical to think that the customer is surprised by trivial things.

One day, suddenly got together with Mutsumi-chan.

I can see that I’m being looked at by those around me with eyes that say, “You’ve had your spirit broken by the difference in talent…”

During the temporary revival, I centered around Mutsuki from the beginning, but in the end, I quit, so I guess it’s not particularly noticeable anymore.

Isn’t it a bit of a tragedy that, despite having talent in many areas, they became captivated by performance monsters and became deeply entrenched in a band simply due to a lack of ability?

>>57

Mujika is a tragedy for everyone.

I just became defiant.

From the viewer’s perspective, the vocals after the comeback are too strong…

Since the resurrection, it seems that fans are thinking there’s a lot of interaction between Mortis and Amoris, right?

The previous Mutsu was uncontrollable and stood out badly, breaking the Musica, but the current Mutsu is doing it for the fans.

It’s sad, but if told it’s a different persona, all I can say is yeah…

There is not a single depiction of the customers’ reactions after the revival.

Isn’t it a bit surprising that Mutsumi isn’t getting any attention?

The moment when the audience got most excited during the play was when the goddess Oblivion descended, so the popularity of Mutsu probably calmed down.

Well, there might be some reasons related to storytelling.

>>64

I wonder why it spawns with obfuscation.

>>68

It was originally bubbling up with code KiLLKiSS.

>>68

Shoko is someone who can handle the direction in that area properly…

The final episode featured many fan interactions, and I think it stood out.

I feel like overall, fan service is increasing.

Mutsumi has one card with a value of 100 for acting, but Shoko has a lot of cards that are around 90.

You are a university student, right?

Unlike MyGO, the stage and audience are far apart.

There’s no production value like zooming in on the audience during MyGO, just the cheers.

Fans who are attracted to the atmosphere and production of Mujika would probably like Mr. Obu.

I think the issue of Mutsumi’s level of attention won’t change even after returning, but if we don’t ignore that, it will affect things moving forward.

>>74

I think it will be after Shoko controls it (or has already done so) so that it doesn’t become a repeat of the last time.

Oblivionis is playing with celebrities like dolls and making them kneel before him, but I wonder if there’s any backlash from their fans.

>>75

Even so, I think only someone like Shoka has enough fans to generate that kind of backlash.

>>75

If you worry about stuff like this, you’ll become a hollow mob that can’t engage with any content.

>>75

If it’s the current deity, they’ll use the power of my family, so it will be alright.

There are probably a lot of haters for Ob.

Sumimi fans are definitely anti-OB.

The mythological-themed Musica play was honestly quite interesting.

Because we were exposed to the media excessively, both our worldview and the band have fallen apart.

It seems like they are keeping the exposure to a minimum.

It seems like the setting of becoming a goddess and having knights at your service is giving rise to reverse anti-fans.