Depending on the genre, even if it’s ranked high, if it has only tens of thousands of views, what am I supposed to do about this!

I need more lewd dreams! I need more lewd dreams!

>>3

Mufufu… The era of erotic dreams is over. From now on, there will be device restrictions because I’m afraid of overseas credit card suspensions.

>>5

It was a abandoned place that had long ago been reproduced around 2010.

It’s too late to talk about universal appeal now, especially when you’re neglecting other genres that have been burned out.

It seems that when you erase it, it increases, so it’s better to erase it for more excitement.

It can only be rightly called the desert planet.

What do you mean by strengthening regulations! Complaining idiots should just scream at the wall in the corner of the room!

They say that this was no good and that was no good, but there are too many factors to narrow it down.

>>18

Considering the current situation, it seems that putting it on YouTube would be more profitable…

It’s now stricter than YouTube.

Aren’t you scared?

>>19

Since regulation organizations can’t win against YouTube, they don’t complain.

It’s not like YouTube is a comfortable environment either.

In the end, it’s just a difference in how many creators one can surround, and this is merely the consequence of continued evasion.

During the Marime incident, viewers were attacking streamers who made money from videos, saying they wouldn’t allow it.

YouTube’s ads are garbage in both quantity and content, but when TikTok became popular, they quickly implemented YouTube Shorts, realizing that this was what was missing from Nico Nico.

In the first place, Nico Nico is lacking resources, so it’s a problem if a lot of videos are uploaded quickly.

It’s already over as a video site, isn’t it?

I was properly doing things like earning through the community and streaming, you know, even on Nico Nico.

Once the comment streaming patent expires, other sites will definitely implement it.

Excluding the ones I’ve been ignoring from the start.

>>32

Huh?

When I pulled that thing from NicoNico…

From the perspective of the poster, there are probably hardly any areas where it surpasses YouTube.

>>36

There was a poster who mentioned that since there aren’t many kids on YouTube, it’s quite useful for casually sharing videos about customs and traditions from various countries.

>>36

Rather, I’ve heard from the poster that the golden pattern was to initially gain viewers on Nico Nico, then move to YouTube to increase view counts and make it rise in the recommendation feature.

YouTube is incredibly strict about small channels.

>>41

If it’s parallel, it’s questionable whether to migrate, and if it’s a complete transition, it’ll get criticized, I’ve seen that recently… that’s the situation.

>>41

Seriously, the entire search function, including the memo feature, is complete trash.

>>47

“Are you including those from a different company!?” I thought.

It seems that some people from overseas have a misunderstanding that search results are supposed to show “what I want to show.”

>>41

Right now, the situation on Nico Nico is simply because there are not many people, so the initial movement is also tough…

I think it’s significant that Kiyo and Retort have moved their activities to YouTube in the early stages.

The peak period was when Eastern fan creations and Idolmaster were thriving.

Personally

Whether good or bad, it doesn’t have much influence on erotic dreams.

They say it’s the heyday.

Whether it was when there was the most momentum, when there were the most people, or just before the number of people started to decline.

It is quite common for the assumed timing to differ slightly.

The peak views were in 2016, and I believe that particular thing had the most views around that time.

>>43

The decrease in posts and increase in people just means that the “inmu kids” are multiplying while the ones on the streaming side are decreasing, and it’s clearly in a decline…

I’ve been on a premium account for a while, but it seems there probably won’t be any updates next time.

What’s the current situation with the payment delay issue with VISA?

There was an announcement saying that they would bill us once it becomes usable, but that’s probably not possible anymore.

>>30

Originally, only those who have a lax awareness of copyright and human rights live here.

I can’t believe you can get a premium account for a site like this.

Are they holding onto your weakness?

>>48

I can watch anime…

Clearly, there are still diligent people who post on both, even though YouTube has far more views than Desman.

Well, it feels like this has completely become a duty or obligation.

>>49

If the content is mediocre and the deathmatch is just okay, I wonder if I won’t be able to attract viewers… and I start to feel uneasy.

I’m following the people who are posting on YouTube as well, just in case.

I’m basically watching with a smile, and since I’m a difficult person who can only live with a smile, it would be a problem if I died here.

I have the same feelings for the bulletin board.

Just a few years ago, there were a huge number of kids gathering! It’s scary that the absence of kids is now linked to its appeal.

I allow the posting of categories like “Homo” as usual, but seriously stop fixing tags like “dreams of lust” and “intense karate club.”

>>58

Understood!

Even without regulating erotic dreams, there weren’t many people, right?

Isn’t it because of the lewd dream after all…?

Things like erotic dreams, MAD videos, and erotic MMDs have the worst ethics and decency.

Even if it’s regulated, I can’t really complain about anything.

Well then, if it’s content that has the power to spread to other places that is unique to Niconico…

>>61

Places where illegal viewing of movies and dramas can still be done…

>>63

No way…?

>>61

As expected, it’s the Super Conference…

>>61

Many YouTubers used to be Nico Nama streamers…

I was surprised that, even though Desuman had been able to make money through paid community-exclusive live broadcasts and videos from the very beginning, a lot of anti-money sentiment had settled in.

>>62

In the past, it felt like we had to pay the management to use the playground…

It wasn’t the atmosphere to send tips to the poster or streamer to say thank you for the excitement.

Regardless of the erotic dreams, sound MADs are still being published on YouTube without any issue, and viewers are watching them without any problem…

I still can’t forgive you, Death Man, for the fact that the chaos from last year led to an increase in the number of lewd fantasy videos popping up everywhere!

>>70

There is a problem on the hacker side if they don’t assume that hacking a site that is severely violating human rights will lead to dirty things leaking out.

At first, I also felt a sense of discomfort like, “Are we really making money off hobby videos?!”

But when full-time people started appearing, I kind of got used to that.

>>72

There is still a sense of discomfort that feels like being a full-time doujin creator of fan works.

YouTube is also quite lax when it comes to copyright and human rights.

It’s such a hassle to act like a grown-up…

I laughed because there were too many leftover Commandos from this year’s New Year’s.

Well, it was a time when they were using licensed BGM and voices extensively, so it’s not unusual to think they might profit from that…

In the beginning, when doing live commentary videos, if you played the latest game, it would often be subject to copyright removal.

I don’t think that NicoNico only has “Inmu,” but the reason I watch NicoNico is solely because of “Inmu,” so if it gets removed, I’ll be troubled, and I am troubled.

When I see someone using “tette tette” as background music while they’re monetizing on YouTube, I can’t help but think, are they serious!?

It has been said for a long time that if even erotic dreams stop growing, it will be over, but we’ve already entered that phase.

I thought many posters would quietly leave after the hacking incident… but while most of the people watching have come back, it’s me who’s feeling confused.

The management should be more grateful to those posters instead of imposing regulations.

>>85

It was frustrating that even people who shouldn’t have come back did.

>>85

The scale of the damage is large, but cyber attacks themselves are quite common.

The poster has returned, but the viewers didn’t come back.

Even now, pretending to be clean but not deleting the Commando, huh?

>>89

I have to clean up.

Because KADOKAWA sought help from SONY and AWS.

I thought it was interesting how once someone starts something like PlaZma, the number of videos suddenly increases, which is a fascinating aspect of Desuman.

It’s becoming difficult for me to visually follow the flowing comments on Nico Nico.

I can’t hide the decline of my motion vision.

>>92

Couldn’t we change the flow speed in the settings?

>>127

Even if it was late, the exhaustion didn’t change…

Those that are well-made in music-related content usually get uploaded on both.

I simply want to go back to the previous UI quickly.

A pitiable video site where illegal uploads with only dream comments have become the mainstream after going full circle.

I don’t like having comments overlayed on important parts of the video.

I’m basically keeping it hidden.

>>96

It creates a feeling of everyone getting excited, so it’s not all bad, but basically, the most exciting moments make it hard to see the screen, which shows that videos and comments don’t really match well.

I’m happy to see a silly flow after a long time.

If we follow the spirit of the law, we should also eliminate the PlaZma series, right?

Upon closer consideration, there haven’t been many comments on recent videos or almost any videos to be bothersome.

>>99

You can only see a completely screen-covering amount of comments in very old videos.

No matter how much a video has grown now, it doesn’t get comments like that.

Will there even be a flow to go elsewhere after doing my groundwork on Niconico…?

>>100

The ones that don’t get five-digit views on Niko won’t make a difference even if they go to YouTube, right…

In the Reiwa era, a lustful dream…

>>101

I find it hard to understand what kind of people are enjoying this.

It’s good and welcome to have regulations, but it’s unsettling that the line is vague and unclear.

>>102

Most sites do that on purpose.

To prevent a chicken race.

I like videos where the Vocaloids explain things calmly and individually without interacting with each other, but on YouTube, those types of videos rarely come up in search results, and instead, an endless stream of videos I’m not interested in appears as recommendations, which is annoying.

It’s natural that videos with high view counts tend to have similar themes, but I’m more suited to niche content like NicoNico, where it’s easy to search and I feel more secure in my place.

>>109

It’s only natural for people to stay away if Niconico is dirty, so it’s really the same for YouTube, but reality isn’t like that.

It’s clear that it’s not the main cause, so I wonder what those people who keep talking about that are thinking.

>>123

Is it really not decreasing…?

They said they wanted to get rid of shunga to go along with the trend of society, but they probably just want to save on server costs.

Do you think removing shunga will save on server costs?

There were very few users over there.

>>112

I think it would have been better to set up an R-18 corner specifically for credit card users.

Well, my parents probably won’t allow it.

When I look back at scenes that are like battles, I think it’s amazing animation, but there are few comments.

The failure to address the vandalism in the spring paintings is painful.

Well, if we talk about the bulletin board, I feel the same way here.

It’s because Sony didn’t allow it.

>>116

That place has a style where no erotic content is allowed without the jokes.

You’ve probably experienced losing in competition a few times because of that.

>>118

Either way, copyright-infringing content is definitely not acceptable.

There are no replies at all, but is it okay like this…?

Rather than saying that erotic dreams are interesting,

It is recognized as a user-friendly template collection.

>>121

In other words, I think even “Inmu” is no longer primarily on Niconico and has become centered around being used as an internet meme on other social media platforms.

I thought, “They must be making a profit with their lax screening.”

I saw that Kaya’s videos are being monetarily blocked quite a bit, and I thought to myself that she’s really putting in the effort.

If we’re arguing about the dirtiness of video sites, TikTok is number one.

>>125

TikTok is out of the question because it has a level of political instability rather than just being dirty.

Making the comments translucent has made them quite easier to read.

To be honest, it’s obvious that more people will come if there’s no morality.

They’re saying it’s an innuendo, but the “death man” was like that even before the innuendo became popular.

>>131

So the story is that the ending flag has become unchanged from there.

>>134

It’s because a morality called “inmu” has been established.

I don’t know, though.

I laughed at the tough self-performance.

In terms of copyright infringement, YouTube is more of a lawless zone…

>>133

Reposting videos is scary.

Has the bug where videos with many fixed patterns of erotic dreams have better comment integrity been fixed?

>>135

Nnyapi…

I hope that this nice feeling of a ditch manages to survive somehow.

>>140

I simply want to ask for forgiveness for the entire video site to disappear because I have memories there.

It’s a very valuable site as an archive of the internet.

It’s just heartbreaking that even the hand-drawn videos that were so common during the peak of the death man era have now been taken over by YouTube.

The current Nico Nico is just the right comfort for tired otaku.

>>145

I think the technical and historical sections have a perfectly comfortable atmosphere.

It’s a no-name thread, isn’t it, Dream Kids?

No, it’s a money mob.

It seems that the group using tough language everywhere is indeed the same as the “inmu kids.”

It’s really interesting when someone who knows the history of Paradox games makes a video.

There isn’t anything like that on YouTube.