The thickness of the neck is too different…

Mr. Kurita seems strong now.

For some reason, I want to read Oishinbo.

On the left is the one that Higashi from Shonen Tai likes.

Your neck is really thick!

Each character has generally become wider in appearance, right?

The right one is also bold in character.

It was cute with a tsundere-like feeling.
Yamaoka only gives me good food.

The neck, shoulders, and face were stretched out.
Besides the thread image.

Kurita on the left is cute.
The sparkle in the eyes is different.

On the right is a female politician in her 50s.

Yamaoka’s nihilistic vibe was good too.

Habits can be scary, can’t they?

The power of time is too great.

Strength…

The right is still a better time.
It’s been getting worse since the appearance of the pig.

It looks like someone on the right has killed a few people.

It’s interesting that even though the contours and thickness of the neck have become more pronounced, the facial features themselves haven’t changed that much.

I don’t want to talk because it seems like they’ll nitpick on everything I say.
The left one looks cute and seems to have fresh reactions.

In the early stages, it’s a loli, and in the later stages, it’s a wrestler.

I wonder how old Yuuzan is in the story’s timeline.

Three ways to choose from Mount Oyo.

As a result of continuing to eat delicious things

I can’t help but wonder how it feels to have your peak as a manga artist wrapped up with adaptations.

It seems that one’s personality resembles their facial features…

I can’t believe it was what Ms. Hanazaki wanted to do as a manga artist.

It’s amazing that, as far as I can see, there are only four works throughout his lifetime, including his debut.

Since Kariya is getting older, I guess they won’t be drawn anymore.

Even in the middle period, the girl was normally cute.

Isn’t it surprising how some people’s body shape changes so much in their 30s that it feels like their bone structure has changed?

Time is cruel…

I hardly know anything about the artist… Curry is too strong…

←Mr./Ms. Kurita
Chestnut

I don’t think it would have been received this well if it weren’t for this person’s artwork.
It’s too far for even the flower to bloom.

Eat delicious food, complain, and then eat even more delicious food.
I think the reason why the composition has a fair amount of persuasiveness is solely because the artist’s ability to draw manga is strong.

The design has changed, but so has the personality; it’s gotten worse…
In the second breath, they belittle something…

The anime version had the best art style of its time.

The early days were more than the modern times, huh.

If it were someone who speaks their mind, they probably wouldn’t get along well with Ganiya, so I think the editor introduced a good person.

The anime Kurita was somewhat clearly concerned about Yamaoka.

←Additive-free　Full of additives→

In the beginning, not just the faces but the movements of all the characters are really cartoonish and lively.

There are cases where the artwork overshadows the original work, and from that, masterpieces can emerge.
The artwork of Oishinbo probably does a great job respecting and assisting the original work.

I feel like there was an early fan site for Kurita.

It’s a work that is well-known even among those who don’t read manga, as it has been adapted into both a drama and an anime.
Considering that it may be the end, even if this took up the peak period, it is definitely a work without any regrets.

I’m currently reading Aoi Honoo, but isn’t it scary how suddenly Mr. Kariya starts talking about hitting people?