
The narration of the tumultuous era at the beginning… the intro is really exciting.
The lyrics also say “It’s okay if someone laughs” and it’s fine to be in a one-piece.
Which one do you like, Anonymous?
Is it a map of the heart…?
Searching for the wind
I really love that part of the thread image…
There have been so many characters added that it might be difficult, but I hope you can give it another try.
It’s cool to see the enemy characters lined up and each using their techniques while the background video plays.
The ED that is probably the most popular is the very first one, Memories, but I prefer RUN! RUN! RUN!
Inherited Will
The ebb and flow of the era.
A person’s dream
These are things that cannot be stopped.
Is there anything other than Share The World?
I don’t like “We Are!” that much.
If you set aside various things, you should only be able to think of one day…
>>10I really love you, but…
I think “We Are” is one of the reasons for the bright image of One Piece.
I also like Hikari.
When Sanji is carrying the dishes and loses his balance, Robin helps him with her Hana Hana ability and smiles.
I’m from the generation around that time, so I also love Believe.
I keep watching the part in the intro where all the characters come flowing in.
I guess it’s DREAMIN’ ON.
I think the scene where Yamato’s mask comes off in DREAMIN’ON is really cool!!
The map of the heart and Brand New World, perhaps.
One reason I like the Water Seven arc.
>>15The impact of OP’s Kaku is too big.
I’ll end up with ED, but I love Shining Ray and memories.
“It’s a good impression that it includes words like ‘awakening the dawn’ which definitely feel reminiscent of a one-piece.”
It’s okay, let’s move forward; I like that lyric.
When I listen to “Memories” now, I think, “This is about Uta!”
Starting with lines at the beginning of the OP is really cool, isn’t it?
Is it okay to make this a chance run?
>>21It’s a feast!!!!!!
Ahhh! I love how the sound syncs and the individual matchups feel so good.
The part where the logo appears after the narration with an intense eurobeat sound is really great.
I liked the bright one that appeared around the time Brook showed up.
ED tends to leave a somewhat weaker impression than OP, but “Shouchi no Suke” had completely vanished from my memory until I saw Koi Pi.
>>25Doesn’t that leave a different impression? It feels kind of strange.
I think “We Are” is the best song, but “Believe” also feels quite popular as an opening with visuals.
I like it when it’s combined with video.
I love Bon Voyage.
>>28It’s nice that the past reminiscence of the rust isn’t funny at all.
>>50We should still be able to laugh even so.
>>51It gets overwhelming when they show intense footage at the most exciting moment!
Recently, I also like the highest point reached.
The buildup around the chorus is great, isn’t it?
>>29It was refreshing to see a circle in the center the whole time and almost no combat scenes.
I love the scene after the cannon overlaps with Shanks’ eye during the second chorus.
My favorite theme song, including everything from the movie, is “Sailing Day.”
I also like OVER THE TOP, don’t I?
>>32The animation quality has clearly improved, and the music is good, so I like it.
>>32I really love the flow during the Nika vs. Kaido fight.
I’m re-listening to songs I had forgotten, and they all still sound great…
I also like the Believe video, but I always get anxious that I won’t make it in time to cut it.
All the theme songs for the Wano Country arc were great.
The increased video quality from that point is significant.
The slight pause before the narration of the intro heightens the excitement.
Doesn’t just imagining it make you happy?
Let’s feel the wind…
Personally, I think the thread image is one of the representative songs of One Piece alongside “We Are,” so I wonder if they could use it again, even as a cover…
>>40It’s already a cover at the time of the thread image, so it’s difficult…
I like Dear sunrise.
The song is an answer song to “Memories,” and the visuals are focused on the crew to the point where it could almost serve as the final ED.
I love how the straw hat from We Go is inherited from Roger to Shanks to Luffy.
There’s a line in the song that says “Even if someone laughs,” but that was before Teach appeared in the original work, right?
Ahhhh! The video is so stylish!
I just started looking now.
When I look at what I like, I generally think that Kidatani Hiroshi is amazing.
Ah! I love the soaring chorus that makes me completely forget about what the title could be, even though it seems like it might be nothing interesting at first glance.
Under the flag of my own beliefs!!! Yay yay yay yay yay yay!
I feel like it was originally a cover illustration, but I love the part where all four of the crew members rush to catch the straw hat when it’s blown away in the video from the thread.
If you don’t drink breast milk, you’re missing out, chu chu~
It’s great when the music breaks right after “There is no staying put!” I love it too!
When binge-watching One Piece, it’s really annoying that I have to skip Shin-Suke Shimada’s terrible opening.
>>54I find this tougher than One Day.
Because of the bread video, I can’t help but laugh at Believe, so it’s no good.
After all, I want to feel excited about the opening.
That generation has something to do with it, but I vividly remember up until around the fifth one.
Everything was good.
Kaku likes guys who are like comrades.
I am excited without any tricks.
There are various circumstances surrounding tie-ups, but of all times, I can’t feel the wind during the war arc!
Nami-san has become quite solid lately, hasn’t she?
It’s great that the pirate king doesn’t grasp his own part.
OVER THE TOP and Aah-su, when Fujibayashi properly wrote lyrics that match the song, something amazing came out, right?
I laughed because I was told to go search for the ace faster than the wind, so it’s no good.
>>69The subsequent guitar retrieval chapter is also not good.
“One day” has really good music and visuals…
D51
It’s okay to search for the wind…
The straw hat version of the We Are captain part is too good!
Stop being a pirate.
This group sings well, doesn’t it?
>>76The captain who seems the least skilled is surprisingly good.
Tohoshinki “N Harittake no O~ Yume u O~~♪”
Me: “Huh? Who are these annoying people?”
Tohoshinki “Until it reaches that vast sky~♪”
I say, “I Believe!!!!!!!!!!! To one tomorrow~~~~~~~~~~~~!!!!!!”
Yay! Yay! Yay! Yay! Yay!
– = ≡ ∩ ㌀⌒㌀ ∩
-=≡ .ヽ(´・ω・`) /
-=≡ ( /
– = ≡ ( ⌒)
– = ≡ do do’
>>77I came to see this.
Let’s see the light beyond that (cool jumping scene)
You’ll think that we might become friends, right?
>>78I loved that during a certain period, I was doing drawing stuff that was so popular that I never made mistakes.
I like Share The World.
The lyrics should have a One Piece vibe, right?
It’s a movie, but BUMP really knows how to tie in with “Of course!!!” – these guys are really good at it.
>>80It seems like they forced it in because it was a scene they originally loved.
From this point on, they are refraining as much as possible from including words from the original work in the tie-up lyrics.
If the fragmented contexts connect with intention, it would be good to represent the Straw Hat Pirates with a single sentence.
Not resembling anyone.
There haven’t been any responses regarding Super Powers up to this point, but…
Tohoshinki is one of the most successful artists in history, right?
It’s a prejudice, but I have the impression that it’s not as high of a batting average as Naruto or Bleach.
>>87I think there are also time zones and broadcasting stations.
I initially underestimated Tohoshinki, but “Share The World” is really good.
Lyrically, it seems that Sky Island is closer to the theme, but it’s really emotional that it’s celebrating the team during the time when Luffy is solo and separated from his crew.
The world is… that’s right.
A world that should be chosen in pursuit of freedom lies wide open before us.
If the never-ending dream is your guide, then move forward! Under the banner of your own conviction!
I thought Hyadain was great back then.
I quite like the current one, GReeeeN.
I will continue to stand up against it many times.
It’s a bit unrelated to the dress, but…
I love Pecorandom Brain.
Why didn’t you all do a live commentary for the final season of Enipi?
I love how the captain’s part in “WE ARE!” has a vocal stretch that’s referred to as the Gum Gum vibrato.
It’s really nice that the music is good, but the opening visuals were often terrible, so I’m happy about the recent trend.
My favorite opening personally.
The lyrics are just how a theme song for an anime should be, fitting for One Piece.
>>100Please rewind it.
At the end of the ridiculously long Wano Country arc, when the highest point comes, everything will somehow feel refreshing.
>>101To be honest, I was quite sad that it was changed immediately even though it’s one of my top favorites.
Luffy sings too well.
I was really impressed by Hope, so I was let down by Super Powers.
It’s amusing how the story shifts to a bloody and gruesome main plot as if giving up on feeling the wind.
The combination of Kohei Tanaka and Shirou Hamaguchi doing music for the anime is a bit too strong.
I love BON VOYAGE! the most, but I wonder if it’s not very popular.
I hardly see it being talked about.
>>108It’s a bias, but I have the impression that many people seem to have a preference for their second or third favorite.
I love traveling across the seas around the world.
I hope Asami Tano, who sang “Kokoro no Chizu,” will appear in an anime with a dress.
Share the World has cool visuals and lyrics.
I guess it’s the next most well-known song after “We Are!”
Is it the new era with overly strong movie effects?
>>114Memories
>>114I wonder if it’s because I’m in my thirties that I just think it’s a normal thread image…
I first heard WANIMA’s song, which is often referenced here, in the movie “One Piece,” and I thought it was pretty good.
>>115WANIMA-san
Stampede and Gamera both write really great songs.
Can I talk about snow peas?
The lyrics that feel like they’re from Merry’s perspective are nice for the map of the heart.
I like the part where they do a digest of famous scenes from throughout history.
Even if you say “Masato Oba,” I can’t quite picture it, but if you mention “Wealth! Fame! Power!” then anyone over 30 will definitely know.
Compared to NARUTO’s opening, I think there are very few widely known songs in One Piece’s openings.
It feels like it’s only treated as a song from the One Piece series, after all.
>>124We are! We’re too strong.
I love the OP of Water Seven the most.
The lyrics of “Kokoro no Chizu” have a gap between their positive message and the development that suggests a crisis of disbandment.
>>127The main story during this time is generally dark…
>>127It was a time with quite a bit of original anime content…
I think it’s hard to choose between any of the songs.
However, Super Powers, you’re no good.
>>128The final battle between Katakuri and Boundman is generally forgivable, right?
>>129The foolish and beloved world of ours, shining brightly, is personally just impossible for me.
>>128The music is one thing, but the visuals also have a top-class sense of laziness.
Hikasei’s We Go! It was great…
>>130I dislike it because Luffy gets in the way.
Everyone seems to like that Gear 2 scene from BRANDNEWWORLD.
What I like is mostly based on nostalgia, but for the ending, my favorite is “Shining Ray.”
I like Jungle P.
The image of the map of the heart falling from the first sky island is also great.
>>136The water landing that became Merry’s finishing blow.
I like Hikari.
I dislike videos.
“Zehahahaha! Be swallowed by the darkness, Straw Hat!!”
>>139People have been saying that it’s impossible for Luffy to fight Akainu in this OP, but recently it seems like it might be possible.
>>147I wonder if Zoro and Sanji are okay.
>>159Well, in the end, I hope you can be at a level where you can compete with the captain.
Wano Country has great openings and endings.
I forgot the title of the song, but the one that goes “In that vast sky~” is quite good.
Honestly, there are quite a few that I can’t recall just from the title.
The videos I’m watching are bad, but the thread image makes me see unpleasant hallucinations.
of Memories
Since I was small, I have been singing.
Nurturing a heart full of dreams.
The secret melody that everyone imitated.
This time, I want it to sound good.
This place is really amazing.
The peak moment is the incredible sense of openness in the chorus with Nika.
>>149This is the warrior of liberation.
It’s okay, let’s move forward (frozen).
Ho… Ho… Holo…
The lively eurobeat feels nostalgic but is enjoyable.
Simply put, the openings that are considered great songs in NARUTO and BLEACH often have quite elaborate visuals.
It’s not that One Piece is slacking off on the opening visuals, but rather that the direction of the previous two is impressive.
>>154The often mentioned silhouette and the melody of the dance are great not only for the song itself but also for the production.
>>154The charge lock has awful timing, but the visuals are amazing, right?
>>154The visuals and direction have really improved recently in One Piece.
>>154In terms of One Piece, it’s like the four divisions of Believe.
Introducing the worst generation of Tohoshinki.
It feels like Naruto and Bleach are good at creating videos that make everyone love this place, right?
I like Bibi-chan who is having fun running around in “BEFORE DAWN” because she looks cute.
>>155It’s rare because I’m not easily scared by images…
I think many people remember Shouchi no Suke as quite unique among the EDs of that time.
There are probably more people who have forgotten that I exist.
The sense of speed when Kaku jumps down in the OP of “Kokoro no Chizu” is just too good.
The worst OP is We Can, right?
Jack appearing as the enemy is making Captain Amano Jack feel like he’s going crazy.
Already out, but D-51’s BRAND NEW WORLD.
I love how the Straw Hat crew is all chaotic together with the lyrics of “Run out, run out.”
>>163The scene where Sanji and Kalifa are kicking each other makes me laugh weirdly.
Let’s look for hope ahead.
The very first OP of NARUTO tends to be forgotten.
It’s unfair that when talking about OP, the topic of Kaku comes up so often.
>>169Jumping down and looking over here really shows the composure of a true comrade.
NARUTO’s first opening is too cool, and the ending is dark and too edgy.
In that big sky-
I think it’s not as bad as what people honestly say on the internet when looking for the wind.
>>174The timing is just too bad.
That song is not in the execution arc!
>>174Impel Down – It doesn’t fit with the war arc.
Also, the Hexagon family is just generally disliked.
>>178Well, yes…
I think the part “But look, there’s an important you waiting ahead” fits well with the Ace Retrieval Arc.
“I only like the ‘Let’s Feel the Wind’ series with the moving cover illustrations.”
I hate everything else.
Even in video form, “Believe” has a great momentum and feels good, doesn’t it?
NARUTO has too much flair in the animation of signs, silhouettes, and key moments.
I like the recent “Aaaah!” and such!
Give me more anger 😡
I like the ones where Kaku becomes an ally.
The current OP and ED really understand the Bonnie and Kuma hype.
In NARUTO, it might be far away.
It’s great when characters appear with the music beat.
I like the part where Lee appears in “Seishun Kyosokyoku.”
>>183I’m getting hit hard for the new song, but I actually don’t dislike it that much.
I love the excitement for Jungle P and Hikari.
We go! It’s great, right…
I love how they recreate the opening color pages and cover illustrations from the original work.
What is that subtly slippery sensation of WeGo?
>>187I’m the type that gets really turned off when the lyrics subtitles lower my IQ too much.
Just imagining it.
Won’t it be fun?
Shankar is cute.
What really sucks is not that I’m looking for the wind, but that I realized this with Enipi, and it’s totally super power.