Glasses that look like a collaboration.

I never really understood what it meant to be strong or what exactly needed to happen until the end.
In this manga, it was something trivial…

I wonder if we really need something like a command center and the operators.

The glasses are too big.

In regular manga, there tends to be some explanation or reasoning, large or small, that emphasizes the atmosphere.
The setting in this manga is really just for ambiance.

A person with a disc depicting eyes stuck to their face.

I think expressing it as a percentage refers to the original performance standards of the monster.
I don’t really know the original monster to begin with.

Is it a character from Gash?

Isn’t it amazing how beautiful someone can look when they take off their glasses?

These glasses are a joke, right?

This guy is always surprised.

Why do they wear a Pichi-Suu derived from a monster in the first place, and why did it take the form of Pichi-Suu?
Why is the head unguarded, and why does it have to go through a tight suit to ride the giant robot that appeared for just a moment?
I don’t understand anything.

I’m worried about my glasses and can’t focus on anything else.
You have a foolish-looking face.

I thought My Hero Academia is too cut up.
I thought this was too uncarved.

It’s a manga that teaches you that the properly written explanations, which you might skip in other comics, are surprisingly important.

If the girl in the thread were a little more beautiful, it wouldn’t bother me as much, but she has an exquisitely annoying face…

The expression of glasses is always uniquely distinctive, no matter when I see it.

What even is a mass-produced suit…?
What is that named suit…?
I don’t understand anything…

When fully unleashed, it may be able to exert about 2% of the original monster’s power.

Despite being a group of monster experts, you don’t even know their ecology? What is your role?

I thought it was something like the weapons from Tokyo Ghoul, but the mass-produced suits seem to have a uniform design, so why?

In reality, if the setting for the defense team had been well thought out from the beginning, it would be a different story than eliminating the demolition contractor route.
I wonder what’s making this so incredibly fluffy over here.

In the side story, these glasses also have a distinct character…

Even in a suit, the monster’s consciousness remains, so I guess it’s something like a reinforced exoskeleton…

The atmosphere of the work is clearly different between episodes 1-2 and the ones that follow.

I wonder if they thought, “Do I have to think about the story too…!?” considering the sloppiness after their identity was revealed.

The theory of Kaibatsu Taipaku is pretty convincing, and that’s just terrible…

Jump+ has several works that seem to be edited or structured by the original creators.

First of all, it’s amazing how it’s wavering between liberation and opening.

The development is a bit too rushed.
Yet the battles are long.

I should have given up as soon as I realized it was a special parody manga…

“The episode from above was amazing… Isn’t it the job to inform us in advance that something is coming from above?”

I wonder why only these glasses feel uncomfortable.
It’s not that the drawing style has a particularly strong quirk, but there’s something about these glasses that is just unpleasant.

Did you say you were made to read Teppei Sasaki’s Kaiju No. 8!?

If the defense organization that was created in an emergency still has shaky knowledge, I can still understand that.
The setting of fighting monsters since the Muromachi period is getting in the way.

It was better to be more secretive about revealing my true identity.

The enemy is too strong, no matter how you look at it.

If you’re going to make it a lifelong enemy, couldn’t you have made it a little cooler, Eringi?

You think only the junior who knows the true identity will enter and provide support, right?

I don’t understand anything about the settings.

First of all, the strength of the original monsters varies, and it’s hard to tell whether each monster’s 100% is really strong or not.
Is it really the same strength as the monster it was originally based on at 100%?

It would have been nice to have at least one character in a commanding role who could collaborate with the operators to truly showcase their abilities.

I don’t understand what has changed with the increase in percentage.
At most, the commentators will be given a bit of attention.

I thought the situation where only Ichikawa and Kikoru know would continue for a while.

I had been taking it in with that kind of setting, though.
I don’t really understand why the thirty-something girl is considered the strongest just for shooting from a distance…
It only looks like anyone can do it if I teach them how.

I don’t think I was just using up my cards one after another in a hurry because I couldn’t come up with a strategy.

I don’t understand at all how liberation and opening are mixed up and how they are different.

Is it necessary to set that close-range weapons are outdated?

I guess filling in the pieces with the operator is really easy, huh…

If the output of the special shooting weapon made from monster materials increases, that makes sense, but what was it that raised the power of just a regular handgun? Ah.

Glasses that can’t focus on the conversation.

I thought we could finish in two episodes, but thinking about it, there’s not much to do in two episodes.

I wonder why they stubbornly refuse to draw parts overlapping with glasses.
Even if it’s just hair, it doesn’t even have a contour drawn, so it really just looks like party goods.

I think it’s okay to have entertainment works where all the settings are vague and can be enjoyed for the atmosphere alone.
Reading it from that perspective, the development is slow and lacks exhilaration, so I start to notice the little details…

I liked it in the beginning…

Even if interpreted very favorably, in order to increase the firing rate and enhance the power of the gun, the bullets would have to be energy-based rather than actual ammunition…
Um, this is World Trigger…

From above!? It seems that the established pattern will survive.

If everyone’s suit has the same performance and can bring out the monster’s unique abilities once it exceeds 90%, then the captain must have been really capable.

There’s no bridge, so this guy has the lenses stuck to his face.
Are you sticking it on like a New Year’s fortune doll?

If you’re going to insist it’s a monster, I think it could have had a body shape more like a lizard man.

While considering the expectations, Volume 1 was undoubtedly a masterpiece.
You don’t need to read any further.
I read it again and thought about it anew.

It’s difficult to quantify strength with percentages in battle manga, isn’t it?
Since there is a limit of 100%, it can be frustrating when you can’t reach 100% for a long time, and it feels odd to quickly reach 100% and then have numbers that exceed 100% due to inflation or something similar.
It seems that concrete figures like those in Dragon Ball and Kinnikuman would be easier to handle.

Even though there were quite a few soldiers against the monsters, there were many one-on-one fights.

Why was that monster attached to the old man over there? A grudge from the past?

While having various battles with all kinds of monsters, such things might have seemed trivial.
But the enemy in this manga was just one king oyster mushroom, and this story ends here.

Monster in the thumbnail.
What is that pair of glasses?

The setting of the Defense Force’s liberation capabilities is quite loose, though.
Was there a detailed explanation about the monster side’s Fortitude?

When I read the final part of Zao Saga, the first thing that came to mind was this manga.

From above!?

It felt like in D.Gray-man, where a similar compatibility rate exists, if it exceeds 90%, the ability changes form and becomes a special existence, so I wonder if it couldn’t be done that way.

Rather than just being an operator, I think I had become more like an audience member.

The glasses are too gross.

When the old man wasn’t moving much, both fans and haters united in saying, “Hurry up and go!”
I think it was a precious experience that I will never be able to have again.

Power release 100 million%…!?
Still rising…!?

In the end, if we’re going to showcase a monster suit, it doesn’t necessarily have to be just an old man as a pure monster (human size), right?
They might be exceptionally strong within the story, though.

I have a reason I can’t lose, uooooo!! That dramatic turnaround is a staple in shonen manga, but…
I realized that it becomes dull when the same thing is done to any character.

The setting of this manga has been analyzed by internet commentators quite early on.
It’s at such a level that I feel it’s pointless to think about this and just want to give up…

A master and disciple with a strong trust relationship, calling each other foolish disciple and foolish master.
The relationship is depicted like a monster, similar to Venom, who can fight with an unspoken understanding while throwing insults at each other.
The journey to why it ended up that way has nothing, so there’s really no charm.

From above!?
Are these the lines of these people?

This pair of glasses often has a silly surprised face with its mouth open.

If the glasses suddenly die in the last 2 episodes, I will buy all the volumes.

When flipped left and right, it’s distorted, so it’s easy to fall into the mindset that it needs correction.
It’s a manga that teaches amateurs that a slightly warped front face looks more natural when viewed in manga.

When I see the words “foolish master,” I start to feel embarrassed.

It’s a bit funny that a major enemy tied to the main characters suddenly appeared in the final chapter, just because there were only nine enemies.

In the end, it’s just a single illustration, so I can’t tell the difference in techniques…

The mystery book of this guy who jumped the gun on early buying is irresistible.

Upon closer inspection, this round object is not even glasses.

I can only hit old men, so I have no choice but to prolong the fight until it starts!

This is just a commentary on these glasses.

A comic that only has a formula that feels like nothingness.

The final episode could end with Kafka returning to a human and marrying Mina.
At this rate, you have no heroine qualities at all, around your thirties.

For some reason, the anime’s ending is solely focused on these glasses, leading to a theory that the author has a favorite.

It seems like the strongest character might end up being a poorly behaved incompetent; is that okay?

I was thinking that the messiness of the Saikawa’s room and the gaming addiction would lead to a clean room and no gaming after the director’s death, resulting in intense training, but it turned out to be just as it was, and I was like, no way…

You’re probably saying “Go for it, vice captain!” in your heart too!

I feel like the phrase about how the author’s personality is not reflected in the manga, as said in “Taipaku,” really applies to “Kaiji” quite directly.
It’s just a cliché and seemingly typical development thrown in carelessly, but thanks to that, it’s become extremely easy to read, so it appeals to everyone.

Every time they come out, the Yankee who loudly claims unknown relationships as if they are important stands out as a character.

The ending is the monster number ∞ with release ∞% fortitude ∞.

No one among the readers remembered the name of Saikawa until the end.

Prepare the funeral gun!

I understand that you want to support Kikoru instead of having a childhood friend who has no role, no weapon, and no charm.

Stupid-looking glasses.

I dislike surprise glasses.

It’s strange for an operator not to know that the support troops are coming.

An operator who doesn’t even know their ally’s specs.

It feels like the appearance rate of glasses is really high because I keep noticing all the places where people are surprised.

Isn’t the term “operator” in the world of Kaiba8 different from what we know as an operator?

The visuals are really terrible, with just muscular guys beating each other up or weird effects popping up…

I only like the spin-off gag manga.

When the old man puts in some effort, the numbers go up just a little bit.

I’ve prepared these elements that seem like they will be interesting.
I wonder why it turns into a thin salty broth…

But this is selling, so this is the current standard of shonen manga.
It is hoped that all shonen manga will become Kaikai.

I don’t think anyone would consider Saikawa to be the strongest character unless it is explained that he is the strongest.

In fact, information about monsters in this world is a cognitive disaster, so you must not know it.
This theory can explain why neither the crew nor the operator knows anything.

I think Captain Levi is actually a character who has been handled really well.

There are scenes that feel like highlights every time, but if you keep doing stories that release a catharsis without any buildup…

This is said to be Teppei Sasaki’s ideal transparent manga, but it didn’t work out.

I think that using percentages against the enemy feels like a benchmark that the protagonist can surpass.
He is only using half of Frieza’s power.

Do you want to talk about the one minute enhancement that didn’t have a particular role?
Shall we talk about the reconciliation form with the bugs that didn’t have much of a role?

I think the initial release value of the strong ones was too high, don’t you think?
It’s not something that can be spread out too much.

Sam 8
Monster 8

If anything, the strength of the identification weapon, which is the greatest advantage, could be used in conjunction with another identification weapon inherited from Kikoru’s mother.

It seems like we could make more use of the individual differences, such as being low in release value but high in output, like a childhood friend.

I think there are probably many anonymous readers who only read the air readers or the pages that are posted.
I want you to read and understand that Masukawa is actually far more pathetic than he seems, and that he is truly incompetent without any accompanying achievements.
Yeah, it’s really a waste of time, so I don’t need to read it.

Is it the release rate? Is it the release rate? Tell me, naughty person.

The fact that Narumi and Kikoru can share the use of monster weapons was probably a heartfelt direction from the author.
The way it’s being presented feels too abrupt and seems like a convenient afterthought.

It was cool how the suit glowed in the anime.
That’s about all I get praised for.

Why is it that there are so many characters like Gojo to learn from, yet it’s Masakawa who gets prioritized?

Masukawa is being used as a pseudonym, but Masukawa Kouhei is a character from a different manga, right!

I’m still surprised by Eringi, but I’m even more shocked that they’re still talking about Kikoru’s family.
Aren’t you lacking in conversation topics?

To be honest, I quite liked this spin-off.
My favorite story is about playing with my grandpa’s figurines.

In the first place, I’m not really sure what standards are set for the percentage or what effects it has, while I am hovering around the ambiguous range of 90 to the high 90s.
I don’t want you to compare this manga, which has annoying interruptions with the operator making a surprised face and monopolizing the scene, to other mangas.

In My Hero Academia, only Deku is evaluated using a percentage metric.
Over here, even the monster made of suit material is completely different from the squad leader rank and standard gear.
I don’t really understand why the release rate is used as an absolute metric for output.
They might just have wanted to clearly represent the strength index on a scale from 0 to 100.

This guy’s background is all sent to the side stories, and in the main story, he’s not that strong; he’s just got a bad attitude, yet he’s impressive.

The development of “What the hell is that guy Matsukawa?” just keeps going on and on.

It seems that the game also tells the story of a family that is not related by blood, so you can rest assured.