So what is Kirara manga?

If it’s a slice-of-life series with moe elements, it seems to be a brand like Kirara four-panel manga, which is relatively likely to be adapted into anime.

I realized that Kill Me Baby is amazing.

I don’t think it’s been mentioned, but since the basic readership of Kirara is female, it would be better to approach it with the mindset of drawing shoujo manga rather than trying to draw the moe four-panel comics of the 2000s.

Nurumeta has the scent reminiscent of the old Kirara.
I can’t express how things have changed from the past to the present.

I feel like what I seek changes when I watch Kirara anime compared to when I read a work in a magazine filled with four-panel comics.

Indeed, the expression with Shimeji felt fresh and didn’t seem like a four-panel comic.

If you try looking at a page of Bozaro, I think you’ll forget about theories and such.

The production cost for the starry telepath’s illustrations isn’t meant for a 4-panel comic.

As someone who started reading a lot of four-panel comics after falling in love with the dense and high-calorie parts while reading manga, it’s sad that the good parts are exactly the reason why there are so few readers.
On the other hand, it seems to be one of the reasons for the recent increase in university Kirara clubs.

It seems that Nurumeta might get adapted into an anime someday.

Are zip ties selling this well right now?!
I didn’t know because I prefer physical books…

Whoa, there are a lot of characters.

I was surprised to see the author of SUN directly in the comments on Hatena Bookmark.

After reading the article, I was surprised to find a reference to “Kuro the Coffin Bearer.”

But if we’re talking about Kirara, we can’t avoid Kiyuzuki Satoko…

The early days when it was lukewarm were a bit uncertain.
I feel like I started to grasp various things from around volume 3, and it got really much better.
It’s interesting to think that what I’ve grasped is like this.

Indeed, the first volume of “Nurume” is somewhat difficult to read in parts.

I feel resentment over the cancellation of Matzoro again.

In fact, I still read GA and Kuro even now…

I haven’t touched on the topic of money thoroughly.
I don’t feel like I can make a living with an 8-page monthly serialization and a volume published once a year.

I feel that it has improved significantly since the story of Sakina skipping school in volume 2, chapter 1.

GA started serialization in the same year as Hidamari Sketch, but at that time it was quite condensed.
That’s when it resumed serialization after being picked up by the Kirara editorial department following its suspension.

The person from the dark side said they have a side job.

As the person themselves said, it’s quite rare and honestly amazing that it has released up to volume 5 in Kirara without being adapted into an anime or getting canceled.

I remembered Tricolor after a long time.

It’s quite common for novelists to be housewives as a hobby.

There are some stories like Anemone that have up to 9 volumes but haven’t even been adapted into an anime, let alone a vocal comic…

It’s not Kirara, but when it comes to ideals or perfection, it really does have an essence of Azumanga Daioh.

The author of Star Dust Telepath is too sturdy.
Usually, it feels like I might suddenly die someday.

The reason why the author still continues without an anime adaptation is a mystery…

I love manga with a lot of text.
The variation in the artwork’s strength is skillful, making it feel quite easy to read (this is just my opinion since I didn’t find volume 1 of Nuu that difficult to read, so it might not be reliable).

It was an interesting article, but in the end, it just comes down to luck, doesn’t it?

It was a manga that started in 2020 and is now roughly in its fifth year of serialization.
I thought it was an older work.

I liked it after watching GA in the anime, so I bought a bunch during the sale and read it.
It was tough for me to even read through GA.
If it had ended in a 2-page spread while following the series, it probably wouldn’t have felt that way.
Even though the character is cute, it was tough.

In the case of a single volume, just being four-panel comics makes the calories heavier.
If it’s something like surrealism, it’s easy to read.

I’m reading a 4-panel comic little by little on my e-reader during bath time.
Even if the number of pages is small, when you think about the number of panels, it’s a lot.

I would like to hear opinions from people like Arai Cherry.

It was an interesting article.
I understand that Gochiusa is king.

Even though there are supposed to be few pages, I realized that it’s taking time to read because of that.

A medium that is truly appreciated by people like me who savor every single panel.

The love for Kirara is amazing.
If you’re aiming to be a Kirara manga artist, it seems like that’s a prerequisite.

It’s amazing that you can write such engaging notes and draw erotic manga.

I like this person’s erotic drawings.

There are still a decent number of people interested in Kirara 4-koma, so when I try to draw it, it still has that Kirara flavor, which is nice for now.
The lineage of family 4-panel comics is seriously at risk of ending.
Only veterans can draw, and new series have been significantly encroached upon by Kirara.

I was surprised to see that they were kissing normally when I checked. I didn’t realize Kirara was this erotic.

Since it resembles odyk, when both names are in the PV, it becomes unclear which is which.

I read somewhere that it’s often easier to invite people who were illustrators to a series, as they don’t have to divide panels, which lowers the hurdle for serialization.

It feels like Kirara’s 4-panel comics have done everything they can with the slice-of-life genre, and even though it seems like nothing has changed, there are actually quite a few transformations happening.

In other words, one of the roots of this story called “Kirara 4-koma” is probably Torikoro.

It feels like Gochiusa has completed the perfect slice of life genre.

The concept of Kirara may have been developed later in history, but it is not an exaggeration to say that Gochiusa completed it.
To be precise, it’s the anime Gochiusa.
That is the standard Kirara style.

So, what is it?
Are you saying that Doujin Work and Kanamemo aren’t the standard?

Is “Killing Bites” divine?

Looking at volume 1 of Gochiusa, the art has improved too much.

The character growth, the abundance of characters, and the readability as a four-panel comic make it a one-of-a-kind king.

I am surprised that it has been six years since Nuru Meta.

Gochiusa is really easy to read.
It’s high quality, so there should be a lot of writing and many characters talking in that moment, yet it feels refreshing.

I really like the beginning of Volume 2 of Nurumeta with Sakina and Chiaki.

I think it’s impossible for other long-running series to go viral just by introducing new named characters.

I like how Nurumeta presents themes related to family and classmates with each volume.

The fixed size of the frames is noted as a commonality with video media, but due to the small size of the frames, the composition is almost never the same when animated.
I feel that the ability to freely reorganize the composition for the anime adaptation, rather than being bound to other manga originals, is a significant advantage.

To be honest, I think 4-koma doesn’t need paneling, and it’s easier than thinking up drama in slice-of-life, so unless you deceive people, it’s a genre of manga that really only attracts weirdos.

Is the new Kirara work that was announced for anime adaptation in Summer Bad Girls already over?

It’s strange that even though it’s been serialized for quite a long time, there’s no sign of it being adapted into an anime.

Is it okay to rub one out with a walnut?!

What year is “Akita Land Gothic” from, anyway?

3. Standardize the placement of characters.It feels reassuring as a reader to have a “familiar screen from that manga.”I understand.

There are too many things I want to see animated right now.

It seems that Nuru Meta has a high barrier for the elements required in animation when it gets adapted into anime.

Nurumeita’s Volume 1 might be a bit difficult in various ways…

The new Abyssal vibe is nice, and the renewed Blue Knight (publication) is super stylish, so I recommend it.

Nurumeta, even with an anime adaptation, would not sell at all like Kill Me and will later become a topic of jokes about its failure to sell.
The person’s situation will end up the same as the anime “Nichijou” (by Keiichi Arawi) that they are referencing.

Kyokai is skilled and innovative, but I just don’t feel like it’s going to be widely accepted at all…

It feels like MAX is eternally in second place in terms of the Kirara rankings, but for now, MAX is the most interesting magazine.

Please release another erotic manga.

It was an incredibly informative article, just as expected from an analysis by a long-term serialized writer.

Speaking of which, there used to be a site where you could chat with walnuts as part of a campaign, and it had elements where kids could communicate with it in secret and send selfies, which was incredibly thrilling. I wish it would make a comeback.

Nurumeta has many anti-fans.
Unusually high.
It seems like the editorial department is having trouble handling it too.

I thought it was amazing that other than Houbunsha, they couldn’t continue publishing magazines specializing in 4-panel comics, but it seems that the internal know-how hadn’t been passed down all this time.
How on earth is it continuing?

The first volume of Nurumetai has a pretty strong archetype vibe, so it’s unique, but starting from around the second volume, the story stabilizes and becomes quite interesting, so it’s good.

Is kokamu’s Odyk a different person?

I didn’t realize that I couldn’t tell Kurumi and Yuki apart…
I understood that it turned out that way when the color manga was converted to black and white.

I think Nurumeta would be popular if it were made into a regular anime.
I want anime to be aired at the same time as (it).

I feel like it’s become more interesting since we deviated from the template of modifying the walnut and showing it to Yuki.