Arrogance…

Regular characters are quite strong.

A former boxer who became a manga artist wanted to draw a manga about the son of the boxing god, but quickly got bored with it.

Itagaki gets bored quickly.

A1. No matter how strong you are, you cannot win a fight without determination.
A2. The validity of Muhammad Ali’s signature has expired.

It’s not good to progress the conversation with a sense of live performance.

The story of “Arai Jr. Edition” was just about Arai Jr. getting beaten up endlessly by regular characters, but I wonder what it was trying to convey.I just gave a little lesson to a cocky young guy who got carried away.

I want to draw boxing but quickly lose interest.

I wanted to write about Muhammad Ali, but
Indeed, the person model is from a different era, so I introduced the son.
But I realized halfway through that it wouldn’t make sense to write about my son…
I quickly folded it after boxing it.

I think the bottom of Baki is the two top figures, Keshin and Sura-gan.

I liked him until partway through, though, Arai Jr.

Saying “I just wasn’t trying my best” is a really lame excuse, no matter how you put it.

The Growth Story of Araijunior
Did you think so?

We might have completed it…

In Baki, the author draws from his own experiences, so boxing is regularly incorporated into the story, but the boxers themselves don’t seem to have a good time.

There’s no way it would end with one punch… we did that before…

Kekkun really doesn’t understand why he came out.

Thematically, it is also an extension of the death row inmate arc.
No matter how much you hurt someone, it’s not over until they acknowledge their defeat, and you cannot take down your opponent without the determination to do so yourself.

It’s tough that Doppō-chan and Shibukawa-sensei are so uncool, of all people.
It’s better to let someone like Igari gloat over winning against the injured.

I can’t defend the scene where Dappe-chan and Shibukawa thank a battered Arai Jr.
I understand that it’s important to be prepared to fight anytime when going outside, but…

In the anime, due to Arai’s voice being voiced by Hidenari Tanaka, the conversations with Yujiro were almost like Metal Gear.

That’s amazing! I love the human body. ♥

But isn’t Baki not about taking each other’s lives? The kill score is 0, right?

It’s not that Jr. is bad, but rather that the surrounding environment was just lowering the stock price.

I will never forgive you♡

Draw Koie as a well-behaved character, like a proper protagonist from a traditional shonen manga.
To challenge Yujiro Hanma, that’s not enough; the aim to highlight Baki after the death row inmate arc is twofold.
The live feeling is eighty percent.

Jack was the only one who looked cool throughout that chapter.

He’s one of the few characters who can really make Yu-chan angry.

Seeing Kozue tired of the “I’m stronger than you” aliens, I didn’t find any different kind of strength in that.

My dad is seriously like a raccoon and has a good character.
It’s not the appearance of a noble man that made Yu-chan even say she respects him.

Mr. Oriba has also been downgraded from a nice uncle to a pee uncle, and when the spotlight is on, everyone becomes useless.

Thinking about it again, it’s strange that Professor Itagaki has such a unique career as a manga artist…

It became meaningless because Baki-chan was instantly killed.

It was a total disaster when I did it in reverse with Sukkun, and there was nothing I could do about it.

Baki, who easily defeats Duppo, Jatsu, and Jack, is now at the level of Yujiro.
It was probably just a pawn for the sake of the performance, but there was a part where he lost to Jack and got completely beaten up.

It was clearly a mere opening act, but Gebaru has a kind of cool impression.

Is this something that actually happened?

From this time on, Baki’s fights can only be depicted as instant kills.
No, it was earlier than this.

Mr. Shibukawa was super cool up until the Jack fight and the hot water scene with Yanagi… and I wondered why it was like this around here.

Ultimately, no matter how many years pass, the gap in strength between Baki and Ogre cannot be closed, and that’s at the core of it, so they were wandering aimlessly trying to make it convincing enough for someone to defeat the Ogre…

I thought at the time that you were getting a little bored.

Gebaru’s exit scene ends with him surrounded by his friends, talking about how he lost, which leaves a good aftertaste.

Kaku Shunsei’s one-punch had an impressive feeling to it.
How many times are you going to repeat the instant kill pattern…?

The taekwondo person who fought Iron Michael in the major tournament said that as long as you avoid certain spaces, it’s fine, but that’s a method akin to extremism.
If you are asleep, the other party cannot do anything.

It was a generally boring time, but I like the kanji usage for “magical destruction.”
It’s definitely a powerful magic.

Baki was actually getting really upset internally because Jr. was trying to NTR his girlfriend, so I mentally stored that he treated him so badly…

Since around the late chapters, I thought up characters and settings and tried drawing them.
After getting bored or being unable to come up with developments, it ended up getting processed carelessly and coming to a close.
It has become full of patterns like that, hasn’t it?

Isn’t it a bit too bland to just lie down and wait to face such a boxer?

With this, Baki is on a different level, so it would have been better to jump straight into the father-son fight.

The ending of that Gebar chapter shows that it gained something more important than winning or losing.
It’s one answer to breaking away from the strong alien that Koie talks about, right?

I don’t even know what Pickle wanted to draw so badly…

We ended up with the same outcome for both people in sumo.
Isn’t it the case that, like Musashi or Pickle, you want to establish a new character tradition, Mr. Itagaki?

The voice actor for Arai, Hoshi, was clearly a mismatch.

Itagaki: “I want to make famous historical figures fight against Baki…”
Itagaki: “Che Guevara, ants, primitive humans, Musashi…”
Itagaki: “I’m kind of bored… I guess I’ll just hit it randomly and be done with it.”

It’s fine if there isn’t a specific theme, but I’ve been thinking since around the death row inmate arc that you should show us something interesting.

If we try to seriously discuss the Inoki vs. Ali match, we have to touch on various aspects like the rules and background.
I think it’s enough to just understand that there was such a battle once.

The primitive humans were on the edge, but Musashi was in a situation completely on par with the Gargoyle arc.

Isn’t it too much of an impact that characters like Kaki and Retsu, who I just randomly thought of and started with, are missing or dead?

It’s frustrating that even after lifting Baki, from here on out with Pickle, Yu, and Musashi, it’s going to be a series of not knowing why we could win or not winning.

I don’t know how much longer the teacher can draw.
For now, since the rivalry between the Hanma father and son has been settled, is it correct to assume that it can end at any time?

Even though Pickle doesn’t feel a thing from the punches of the other characters.
I have a memory of thinking, “That’s not right,” at the hasty depiction where only Baki’s punch inflicts damage.

I feel that Gebal might have been able to showcase his true value in an unrestricted street fight, like a death row inmate.

I don’t really understand the old ogre who respects the god of boxing.
Hoping to be a playmate for my son.

But I personally don’t dislike the Musashi arc too much.

The Musashi arc was originally supposed to end with the headquarters being protected, but I think it became strange after they recklessly let someone die.

It was shocking that the guy being interviewed in the Musashi chapter was killed by Musashi in his recollection.

I don’t really dislike the current Jack arc.
There have been quite a few hiatuses this year, but the flow of the story itself is not slow.

I love the interactions between Araï and Yūjirō.
Upon closer consideration, it makes me think that Yu-chan is still passionate despite having that character in the timeline.

Even though the attack imagined like a whip with a skeletal structure doesn’t affect me at all in the scorching time.
I thought someone must have lost their memory when they started saying that whipping works.

Yuu-chan’s character changes depending on the day, the place, and the situation.

The sumo chapter also started a while after the author passed away.
I feel like there are quite a few things that make me think, “Is that what it is?” when I read this magazine.

If anything, the sumo section wasn’t so boring when it came to battles with the regular rikishi.
I really want to ask Sukune and Keihatsu what they wanted to do beyond Araijr.

Mahomed Alai Style Kenpo!

It’s said that the Inoki-Ali match was a mediocre fight, but I think there was something only they could understand, especially considering that Ali took the trouble to give Inoki his own theme song as a gift.

I was trying to treat him well until I realized I couldn’t win against Jack…

It’s pretty clear what Pickle and Musashi wanted to do.
It’s the loneliness of an overwhelming strong person with values that no one can understand.
If you include Yujiro, it’s three times.

The Musashi arc looks like a masterpiece when you watch key points in videos posted by the Baki official account, but…
If you do it all at once in the original work…

The Musashi chapter is still readable up until Musashi goes around killing police officers.

Pickle’s story about Kakuki was good, but…

I don’t get what’s so funny, it’s just crap, crap.
Even in situations like that, the allure of being drawn in to read it is quite frustratingly interesting.
If it were completely uninteresting, I wouldn’t have to be disappointed.

Since Musashi started killing people, it feels different, doesn’t it?
I understand the reasoning that you’re killing because it’s being demanded, but there is no heart in it.

It’s become a habit to get bored just as much as I have a habit of starting with respect for peers and certain models.
Since the start of Baki, there hasn’t been anything like that, so it’s stable.

There are hardly any characters that are treated as well as Hanayama.
Well, it’s just that compared to the others, I’m treated better, but it’s still worse than in my heyday…

Netflix’s anime has an intense fighting scene between the Arai and Baki in the opening!

Pickle is unfortunate because a twist like “Pickle is your delusion” in a fake trailer would definitely be more interesting.

I feel like I was treated as a sad monster with different values, but I don’t think that in the age of Musashi, people were killing each other without any laws to such an extent.

There probably isn’t anyone who thought the police could win against Musashi; it’s really absurd.
The specs are doing the same thing in a shorter and flashier way.

“Retsu Kaiou, who absolutely won’t let go of his martial arts, was great, right!”

I think it was a mistake to revert Jack to a doping and biting character after all.

Everyone sought too much of an image of Musashi as a swordsman.
Although he dreams of success.

It was really pointless that the old man died and came back to life only to win in martial arts.

The style is something the person cannot control, so there’s nothing that can be done about it.
The otherworldly realm of the Gondo people is stable because there are examples from its peak period.

It was disappointing at the time that it wasn’t Nomura, but just a regular Gaia who was the master at the headquarters.
It’s strange how, considering the treatment and strength shown in the childhood arc, it feels like Shikolsky was just unusually strong when he was getting beaten up.

I truly don’t know what I wanted to do; that’s the fierce boxing chapter.
Isn’t that the only one where the punchline was completely skipped, even though it’s a sub-episode that isn’t about the main character?
Well, I do quite like Smoky Joe, but…

It was tough to see a newly introduced character with a smug smile defeating regulars.
I thought it might be a simple thank-you visit, but when considering the total, no one benefited.
Baki-chan’s girlfriend was kind of tough too, so we faded out.

Boxing, as a martial art, is easily understood as an indicator of strength and is therefore often utilized next to Muay Thai.

I think Musashi has a better ending than Pickle, despite everything.
There is definitely a proper story.

Muay Thai is treated particularly poorly in the strongest tournament, and it’s laughable.
Even a world champion who just suddenly appears (a passerby who didn’t participate in the tournament) gets toyed with by Yujiro, which makes me skeptical about whether something happened between the author and Muay Thai.

I think it’s a style where you can create fatal wounds with bites, so you can make them guard against strikes and then use arm grabs or counter grabs to the face with kicks.

I used to think that characters like Garen and others with original inspirations were pretty carelessly used and discarded, but Tough was on a whole different level.

In other words, the headquarters told Musashi and everyone that this is not an era where murder is acceptable, so they demonstrated a modern way of fighting with weapons, and Musashi agreed to it.
It’s bad that everyone around is pushing Musashi to kill like in the Warring States period!!

The basic personality is filled with worthless people, so if we lose, the follow-up won’t work and our charm will be halved…
In that sense, they have a strong backbone and a good personality.
The popularity of Hanazawa, with his unparalleled grip attack, continues to grow stronger.

A person of character doesn’t derive joy from beating others down, which is why they don’t appear in fighting manga.

I remember feeling disappointed by the drop in quality from the relatively interesting Daikai-sai arc to the Arai Jr. arc.

I think the concept of a battlefield being ever-present is one that can lead to injury when touched in a martial arts manga.

Jack was seriously cool.

The part where Arai Jr. constantly gets beaten up until reaching there wasn’t particularly interesting either…

Katsumi seems to have started talking about the one-armed original after the scorching moment, and it feels like he is troubled by attaching or handling Retsu’s arm.

When the attacker says “the battlefield is always there,” it suddenly sounds lame, doesn’t it?

Doppo-chan was attacked while she was feeling elated herself, but just barely safe.

Oliva, who was treated like Mr. Unko Jiro, is gradually becoming weaker.
I liked that he loved his fat girlfriend.

Well, it’s fine because Yu-chan is Yu-chan, but what is this with Baki-chan…?

Did Arai-kun come out after this?

The whip strike works well, so if you had learned from Baki and used the Mach whip strike, you could have won, Katsumi.

It’s true that Duppo and the Master are lame, but I think if Arashi Jr. had awakened and had an amazing match with Baki afterwards, people wouldn’t have said that as much, so it’s Arashi Jr.’s fault.

If you’re going to go straight into a parent-child fight after easily defeating Arai, I can understand that, but if it takes 30 volumes in the end…
Isn’t it good to have a good match with Arai?

What was Arai Jr. has been debated continuously from that time until now.
The prevailing theory is that Itagaki lost interest.

There is also a theory that thought of a strong portrayal in boxing was not convincing.

I think it would have been a good question about strength if Kozue had ended up dating Jr.
Usually, if the heroine ends up with a rival who suddenly appears, it causes an uproar.
If it’s Kozue, then it’s fine.

The fight between Arai Jr. and various opponents wraps up easily against Baki, which is quite terrible.

The thread image shows someone just getting beaten up, but Musashi is being treated like a toy and it’s just too bleak.

It feels like after this, fighting without power that only results in a concussion is no longer valued.
Something revived in the Pickle vs. Baki battle, but…