It feels like it’s been cloudy all the time.

Since it becomes more heavily built in the middle if it follows the original artwork.

It’s okay to be in tatters, right?

I have a very cloudy memory that feels somewhat effeminate.

I wanted you to try cross-dressing infiltration at least once.

I didn’t dislike this anime; it’s quite a dark fantasy.

If I have one complaint about the new anime, it’s that the identity of the mysterious cat in the ending is never revealed until the very end.

“Older brother who has lost his virginity.”

I think they changed the ending for Nina’s episode, right?
Putting too much effort into clouding over.

Although it is quite far from what Hiromu Arakawa wants to draw or her style, old anime that is age-appropriate and emotionally fragile, to the point of being breakable, is also nice, isn’t it?

Well, I’m often clouded over…

The setting of Homunculus is just the epitome of dark fantasy…

It’s nice that Barry has become traumatized.

By lowering the age, they are using a rough tactic to silence the criticism that “Nissan is not this weak.”

It makes me feel like I’m going crazy that a character based on original work looks like an anime original character.

I remember that the master’s coughing up blood wasn’t really portrayed as a gag either.

The character design has a strong sense of physicality, and the alchemical destruction goes with a bang.

Watching until the end and thinking “Ah, that was great” is refreshing.
The feeling of wanting to gradually replay the old game comes from reminiscing about the momentum in the final phase, the original character’s BGM, the movie, and the bonus footage of the grandson going to meet Ed.

In order for the two of us to return to our daily lives once again, it’s about not trying to bear any more sins while not killing, whereas on this side, we are burdened with sins to the point that we can’t go back, all the way until the movie adaptation.

If you want, even those who travel to Shambhala are heavy! Dark!!

A work that is only allowed in an era where it is impossible to adapt it into an anime, no matter how hard one tries.

From the point where Shin’s crew appears, the overall squareness of the faces increases, or rather, they become more rugged.

Blacha is a song that embodies steel.

Based on the story of Nina’s episode.
This has become an anime.

Because Loied was the hegemony…
Looking back now, it really was a face cap…

It’s amazing how the outcome for the child who was told they have magnificent legs to stand up is completely different.

The bittersweet ending that is unique to that old era is irresistible.

Wasn’t it overly clouded in the game version too?

But in the movie, Lieutenant Colonel rushing to Ed’s side is really cool.

It’s great to have both the old and the new, isn’t it?
If it’s just the old, I want salvation, and if it’s just the new, I miss the atmosphere of the beginning.

Isn’t it that Niisan gets the girl pregnant in episode 1?

It’s good to kick once and cry out when Greed dies…

Mr. Maruko is easily killed.

I love the sense of hopelessness in the scene where they are firing a machine gun attached to their arm in the final part of the factory.

I like all the old versions of the OP.

I liked more songs from the old version of the OP.

It’s an incredibly luxurious anime adaptation.
I finished the original development, so now I’ll do it again according to the original story! That’s why.

I liked the atmosphere from the time when it was like King Thief JING, so I wanted it to be more casually referenced in various works.

The former Colonel is withered because he killed Winry’s parents, right?

I thought the story about Scar, Scar’s brother, and the woman who became Last was a bit too much.

Did you rewrite it?

I was surprised to learn that the voice actor for the original anime cyborg is actually voicing their own character.

To the usual system!

It’s nice to be an angel that can’t fly.

It was really damp towards the end, but I guess it was able to be created because of the atmosphere of that era.

Despite having obtained the longed-for Philosopher’s Stone, the title doesn’t show even a hint of a smile…

I don’t know about FA, but I love the direction at the end of episode 1 where Melissa plays; it’s absolutely insane.

Reading the original work first, it’s surprising to find the heroine in such a powerful position at the end, right?

By the way, in the original, the ending kind of turned into something with the heroine halfway through.
In the original work, they drop out early.

I like Colonel voiced by Tōru Ōkawa.

He may not be stronger than in the original, but this Nii-san has a higher kill score.

Rather, it became suddenly brighter around the point where the people of Shin’s country began to get involved in the original work.
The original work was quite suspicious and gloomy for a long time right from the beginning.

There are definitely parts that worked out because this is really interesting in its own right.
Usually, it tends to get all messy like in Zatch Bell.

Now, there are plenty of unreasonable things I can’t do, which are interesting in both good and bad ways.

The sense of casting Tōru Ōkawa, who was doing Armada Convoy and UZUMI from Seed at the same time, as a handsome man in his thirties.

Around the time the people from Shin appeared, the fighting began to intensify and the atmosphere changed, right?

It’s a work that sold incredibly well and is getting a lot of attention, but it’s also rare for a work to be this blessed with media mix opportunities.

They were able to create a monster with their mother’s memories through human transmutation.

People say that compared to the original, she’s weak mentally, but if she had gone through so much at the age of 12 and was still strong, that would be strange in itself.

I think the homunculus was a fitting setting as a punishment for what happened here.

Honestly, I think the original version of Sloth from the manga feels more like an anime-original character than the old anime version of Lars.

Are you jerking off to Pakuro?

The underground city sacrificed for the Philosopher’s Stone is nice, isn’t it?

The sins of Master Las and Ed’s sins of Slough are great, right?

I love big-breasted older brothers on the bulletin board.

It seems it’s made by a super sadist… the settings and descriptions everywhere are irresistible.

I think it’s nice that the National Alchemist exam is depicted quite thoroughly.

In the original work, the designs with the six-pointed star have been changed uniformly in the anime, right?

I like that Selim, who is purely devoted to his father, becomes the key factor in the Führer battle.
But Selim is just too pitiful…

I think “Munich 1921” is the coolest subtitle in anime history.

I was surprised when I started watching Full Metal and suddenly a character that felt like an original anime character appeared.

The differences from the original are so extreme that the intricacies of those different parts are perverse.

When I used to read mangas and watch anime, I didn’t think anything of it, but now I find myself wanting to suck on my brother’s dick, and it’s troubling.

What I’m most concerned about is what the Archer was all about.

“Fullmetal Alchemist is really a massive hit to the extent that saying it’s unprecedented and unparalleled is not an exaggeration at all, that’s probably why…”
If you say it has been adapted into an anime twice from Jump until completion, it’s easily understood as a standard with Dragon Ball.

I remember that the old anime started right around the time when the original story was about to merge with the Shin group.
The first time I saw the Shin group, even though it was based on the original work, it felt incredibly original to the anime…

I still like the past, but my master’s ending could have involved a bit more of a human touch…
Also, I liked the original episode of Hoenheim, so I prefer the original in this part.

I was getting excited because it felt kind of like a lesbian thing.

I started with the first anime, but it’s so difficult that I’m hesitant to rewatch it.

Until becoming the country’s dog, the careful filling of the lines and the anime-oriented episodes make it seem strange to lead in such a dark direction, just like a phantom thief.

Why is the thread progressing normally with knee socks…?

This damn old man over here is really a damn old man, so it’s frustrating.

I really love the scene where the master silently beats up Ed and the others after they confess to human transmutation.

What is up with Toshiki Inoue writing a subscript even though it’s overlapping with the end of 555!

The incident with Nina happened right after she became a 12-year-old State Alchemist, and at that time she was almost killed by the human form of Barry the Chopper, so she’s been deeply traumatized since childhood…

When I see the text about the Elric brothers and the Toden siblings, I feel a strong mob-like presence that appears in the middle of the story.

It’s nice to see how Barry is used like this while he’s alive.

Scar liked my brother’s girlfriend, and that became the end. It was too much to skip over…

In FA, the voice actors who continued were the brothers, Hiroshi, and… was it the Grand Leader too?

It’s half an accident, but it’s funny how they casually rack up kill scores in an original anime.

Isn’t the old Fullmetal Alchemist too much of a dark fantasy, almost too faithful to the original?

It’s kind of surprising that something this dark can be such a hit… it feels like a realization step.

I like Chimera Tacker because it’s so bad it’s good.

I really like raising questions about this equivalent exchange.

You can only see the legendary Super Dad in FA!

I feel that the obscuration of this era was tough because the concept of obscuration was not clearly defined.

Even though they have a missing limb, they can still move actively thanks to their basic automail, so the story about the prosthetic being stolen was quite impressive.

Isn’t it too much for the first game when Nanako Mizuki tries to help but can’t, and ends up exploding everywhere?

I like both the old and the new, but I prefer the old one because of the Bracha.

It’s amazing to have Tucker say something like, “Don’t act like a mother to Nii-san who’s trying to do something with Nina in the original anime!”

The original story gradually became brighter, but the style of humor has consistently remained the same.

I like Konrevo and I like UNGO too.
I might like Akigawa Noboru’s dark atmosphere.

I like the scene where I wonder when this guy’s back got this big…

Nii-san, the Colonel, and Scar are just too hopeless…

There’s no way we can have an equivalent exchange!

If Master had a kid, they wouldn’t have been that much younger than Ed…

Honestly, it feels like Nisan is making money over here.

For now, it is undeniable that many of the creators were into sadistic shotacons.

Sergeant Fury has become Gluttony.

I was shocked to realize that the former General Gran, whom I thought was completely a villain, was actually a really good person in the original work.

I think the background music also highlights a sense of melancholy.

Where did Nina and Alexander go? I wonder if letters still reach his ex-wife? I really like that original line.

There is no such thing as equivalent exchange.
To gain something, a price is necessary.

The weekly opening is just too cool, both the music and the visuals.

The gap between the imposing armor and the cute voice was great.

I love the Shambhala OP because it’s just full of style.

It’s amazing how the position of the homunculus, who can use alchemy, resonates in the movie.

In the first place, the director is creating it by listening to everything from the original author to change the ending based on the requests.
In the first place, when the decision to adapt it into an anime was made, it was still in the early single digits, and even during the anime’s broadcast, Rin and others had just started appearing.

It’s nice how the fake brothers in the novel version are properly utilized in the later stages…

“What exactly is considered equivalent in an equivalent exchange, because that’s a serious question I’m throwing out there.”

I like it because it has an acceptable darkness that makes sense as an adaptation of the early part of the original work without becoming too overtly malicious.

The original Nii-san feels reliable and is definitely erotic, especially the old anime, and Envy too.

The original work is Ikemen Niisan.
The old anime has a widow-like atmosphere with an older brother.

Being turned into a bomb or the Philosopher’s Stone, Al is quite miserable as well.

I thought it was understandable that Kimberly turned Al into a bomb with her last breath.
It can be done because it’s an inorganic substance.