It’s one of the best scenes in the work.

“I don’t care if I’m not sane…”
It’s just a dream anyway…

Is this scene enough?

Are you possibly going to Shin Nihon House?

Did you go?

In the CD version, the lyrics there that say “if you feel happy, today is the day to embark on your journey” are nice, aren’t they?

Seriously good scene.

Well, that’s certainly the house of New Japan…

The song “Seiun” sometimes makes unexpectedly great choices, and it fits perfectly.

The scene has been great since the curry was poured in.

Compared to going all the way to Shin Nihon House, how proper “Seizen, that light you saw, the hope I saw” is.

It’s a great scene when everyone puts their all into playing in the melon field.

As a subtitle, I think “You like Wabi-Ski, don’t you?” is also the work of a genius.

Compared to this, it’s serious, isn’t it, Nostalgia?

It’s such a good scene, yet…
Immediately after, it depicts the various generals who were raised by the Taiko going to fetch their tabi (traditional Japanese socks).

It’s an incredibly good scene, but it’s just too insane.

Scenes that were not made into anime.

“Sheera wall eh! Whether it’s fake dried persimmons or the poison of phlegm, being able to laugh at the time of death gives off a sense of strength, and I think this work is one of the few that does that.”

It was so natural that I looked twice at New Japan House.

There were various things, but seeing His Highness, who was always tense, smile genuinely from the bottom of his heart is what makes me happy…

It’s gone in the paperback version, though.
When Date Masamune parted ways with Okuni to pick dandelions or something.
The editing hype really made me think, “I am Date Masamune!” ♪

While I will engage in schemes for survival, I will, nonetheless, pay my respects at the end of the ruler’s life.

It’s great to have a performance that fulfills the fantasy of striking down an enemy general with a single blow, like something out of a middle schooler’s fantasy set in the Sengoku period…

I’m grateful for a work that nicely portrays the end of the great ruler, Toyotomi Hideyoshi, in Sengoku.

I doubt the sanity of things like Rocket Punch Kiyomasa more than here.

Historical fact historical fact
The depiction in “Hyouge Mono” is all based on historical facts.

The most unfathomable Toshiie Maeda in fiction.

No matter how you think about it, Gujiken Kiyomasa is a character that feels like a minor role, yet he is too much of a main character in the middle of the story.

The farewell poem is so perfect that it gets quoted everywhere.

Kanamori and Kobori, the two drag queens, are pretty strong in hand-to-hand combat.

I thought the Distorted Fortress Ugyaa was based on historical facts!

The heroine is best being turned into a black gal.

The impact of Nobunaga being split in two was amazing, so a thread was created here.
I was able to learn about the work.

Rikyū’s character is so strong that every time a whiskey commercial airs, it pops into my head.

I think it was probably a topic that they decided to treat as a gag from the beginning.
However, by the time it was actually drawn, Hideyoshi had become too heavy.

It’s a gag, but it’s also a memorable scene where one can depart joyfully.

Since the anime has been made, I’m sure someday there will also be a big river.

Even the restrained Hashisaka!

In the scene with Yodo-dono, where Ieyasu, who was a super salty radish actor, properly plays the role of Mitsuhide.
There was a certain level of respect for Hideyoshi, you know.

(Yokozuna Yoko Gushiken for no particular reason)

In “Heugemono,” the Oribe preference is similar to what the AC group is doing, isn’t it?
It’s like pursuing the interesting aspects of something unrefined.

Basically, I like it, but the climax with pooping and ejaculation was a bit much for me.