Experience using a notebook.

I picked up a notebook.

The moment I was self-satisfied thinking I was superior.

The act of killing Lind L. Taylor.

Killing L emotionally in the first move.

Did you kill Taylor?

I killed Shibutaku.

It was discovered that I am someone who can access police information.

The fact that I was too easily provoked.

I felt a strange sense of guilt about Shibtaku and ended up going to extremes…

I wish I had just lost my memory after erasing it.

The existence of Jevanni

Super simply stupid.

The habit of not looking at pots.

Shibutaku → Otoharada → Various → The flow of Lindo is too quick.

If it weren’t for Souichirou’s position, I might have been able to escape more easily.

You really guessed that name well, Shibataku.

If Taylor could just hold on a little longer, he should be in Osaka! He was too weak to the bait.

The reason I got hit right away on the first try is because of my ability to withstand provocation.
I think if we had continued something similar to that operation, we would have had to confront each other at some point.

It’s where I ended up being treated like a toy by a grim reaper, a ridiculously troublesome being that can disregard any rules at any time.
The Kira from the one-shot was like that too.

After killing Taylor, it’s interesting that L would also go, “Seriously, you?”

That the ending was decided by the author.

I think I was too anxious to win at least.
In other words, declaring victory is the height of complacency, right?

There are various flaws, but the main issue is that if Shibutaku hadn’t killed the ordinary person, things wouldn’t have become so distorted; I think the fact that Shibutaku was able to kill is really what matters.

As long as Matsuda doesn’t mess around, it should be fine.

Originally, it was fine because the period for underhanded photos had ended and it was treated as white, but the fact that L persistently stuck to it based on intuition was, in a way, a dead end…

“I should have just lived normally and secretly done things like Kira without thinking about defeating L.”

In the end, the humans in the story can do nothing against the strongest and most evil grim reaper.
Just because it’s simply strong.

You don’t have any resistance to provocations, do you?

The fact that I didn’t get Shibutaku’s name wrong.

If it were to be revealed to the world that death gods exist and that humans are utterly powerless and treated quite casually…
It seems that the world is likely to become more decadent than the existence of Kira.

It seemed like we were almost guaranteed to win the second part, but there were always unavoidable irregularities coming in, so in the end, it felt like we were destined to lose…

L realized that the development of losing to Near and winning against Kira with Mello is like Mothra vs. Godzilla.

If only I could fix my competitive personality, I could have won 100%.

I couldn’t take care of Gebanni.

I like that it hasn’t been revealed that ShIBUTAKU was killed by KIRA because he died in a traffic accident.

If the ideal society achieved complete victory with light, I might already be bored by that point and want my book back.

I had to become Kira in order to justify killing Shibutaku.
Too serious.

Even if ShIBUTAKU wasn’t killed, I can definitely say that this guy would have continued to use the notebook.

In the anime, Shibutaku is too much of an outlaw, giving a little bit of legitimacy to Tsuki’s actions, which makes me uncomfortable.

I don’t know if it’s because of the stretch, but since they won in the first part, now they can only make fun of the moon due to the script’s convenience, which is a disappointing pattern.

I really like the ending where L becomes invalid because the live-action already has a name written in the notebook, resulting in a sort of mutual defeat.

It is probably the expected outcome that Tsuki will win once L and Misane appear in the first part.

It was a mistake to double-check at ShIBUTAKU when I should have just stopped being scared at Otoharada.

The fact that, even after spending several years in law school, I didn’t change my way of thinking at all.

If you set aside some time for reflection before writing in the Death Note,

I think the media mix for Death Note was quite fortunate.
There aren’t many cases where the adaptations significantly change the original story and are also quite interesting.

It’s nice that the light, which lost the memory of the note, is a good guy.

Tendency to provoke.

Everyone tends to forget, but this guy actually beats L.

For those in power or wealthy individuals who have not committed crimes, the world of the moon is more correct.
It’s strange that an anti-L organization was never born.

It’s Near’s fault for starting to discover Mikami while watching TV.

What Matsuda did was foolish.

Because you started doing strange things, like becoming a god by saying you would make the world better.
It is a notebook capable of perfect murder, yet it discarded its greatest advantage.

The moon has the position of a main character, but it’s not really about good or evil; I always wonder how to express that…
It’s not a character from Jump, but rather a character from a literary work.

You should be really smart, but you’re an idiot, aren’t you?

I don’t need to kill L; I’ll just do it in a way that he won’t find out… otherwise, the serialization will end.

If someone who calls themselves a god is provoked, they can’t just stay silent, can they?

The speedy arrest of Yotsubakira.

Using Rem’s condition of killing Light if he doesn’t follow the Mass is technically cheating in a battle of wits.

What happened to the miso…?!

Why did you trust the grim reaper?

Ultimately, the conclusion of the work is that before notebooks…
Humanity becomes a toy for the god of death, doesn’t it?
From what I can see of the latest one-shot.

It’s a cliché development to try out the power you accidentally acquired on some nearby delinquents after using it to get out of a pinch, but…
At that time, strangely enough, I didn’t think that way.