
Doraemon Long Edition VOL. 15 Nobita’s Genesis Diary Fujiko F. Fujio TENTŌMUSI COMICS
It started to become a story about people from a different world halfway through.
I have a memory of thinking, “This is Doraemon, right?”
Skilful at tying up loose ends.
I wonder if this is resolved?
Insect people can transcend dimensions, right?
A work that I want you to watch until the Emodoran appears.
In the beginning, I feel like it’s too careful and won’t appeal to children.
Has Doraemon ever held an official movie popularity vote?
>>6In the recent theater revival, there was voting for the top three of Oyama Dora and Wasa Dora.
I understand what you want to do, but Nobita and the others are out of the loop.
I feel like I want it to be remade with today’s remake skills, but it might be better to base it on the original and think of a different story for better reception.
It’s not an adventure story, you know.
But I like the scale that even encompasses the formation of the Earth.
A doctor who resembles Dekisugi and a wealthy person who resembles Nobita appeared and were active.
I really love the ending visuals.
Teacher’s comments, etc.
The story is too dull.
I was rewatching some recent “Dragon Ball” movies, and I think the thread image is better than “The Tin Labyrinth.”
It’s too crazy that the evolution experiment Nobita and Doraemon were doing almost led to a world war.
>>15Stop selling that ridiculous tool called “evolution-devolution radiation source.”
Hey, Bitano-kun! You have to hurry and finish your thesis or you won’t graduate!
So, I’m Emodoran!
I helped a little too!
I helped too!!
Just leave the rest to me!
I think it’s generally a work that is larger in scale than the main story but oddly feels compact, often described as “more like a TV special than a theatrical version.”
Every time I’m told it’s a bad work or nonsense, it really gets to me… that’s the kind of story it is.
This is… a story about playing god and creating the world, which has been Mr. F’s lifelong work for many years.
During the process of evolution, foreign objects mixed in and branched off into another civilization, it’s a story that got intertwined…
I’m trying to take another shot at the territorial issues and reconciliation with the humans living in the underground world that became too casual during the time of the Dragon Knights…
In the first place, it’s far too unreasonable to finish this in six months.
If I added a элемент of Phoenix while I was at it, the brush just took off…
Although it’s a six-part series, the pace became quite sluggish, and it wasn’t until the end of the fourth installment that the Heian chapter finally concluded. However, it was a passionate work that I wanted to culminate.
>>18It’s about time you praised me.
The scale of what I’m doing is incredibly massive, but…
That is only something that can be done as an independent study.
Well, that’s the interesting part.
Don’t put in the Phoenix as an afterthought.
That guy.
I was still recommending the insect people to migrate to a world from the age of insects, but I wonder if they will be okay with future climate changes and meteors.
I think people who love making things will get really hooked.
I like the early crafting part more than the adventure, so this is one of my favorites.
Even as a child, I honestly thought that it was only when Nobita and the others got caught up in danger and fought that it made sense…
Gaining points with the nice theme song of the naval volunteer corps.
A work that reminds me of a man who came from the Galapagos.
Is the popularity low!?
It has been one of my favorite Dragon Ball movies since I was a child.
Thanks to the fact that the sun is smaller than it actually is, the ice ages have been prolonged, the Arctic and Antarctic have been larger, and abnormal weather occurs every 30 years, the sun is amazing.
It felt like if we expanded on Galapa star a bit, it could turn into a grand epic.
If I had immersed myself in the shared universe of learning manga, I surely would have become a genius.
Nobita from another world has such a cool voice…
In interviews and tribute articles from his last years, it’s mentioned that he had been in poor health for about ten years before he passed away and had been painting while managing his condition.
They have hardly appeared in public anymore, and their hobby of traveling has significantly decreased, with stories mostly revolving around them drawing Doraemon.
“I’m surprised that you passed away so soon, but I thought, ‘Ah… I was prepared for this, but it’s finally here…'”
It’s just a reaction, and it’s a story drawn during that time.
I can really sense that this is the culmination of a lifelong work in science fiction that he truly wanted to depict…
So, as a result, we had to wrap things up at an incredible speed in the last two episodes, and it ended up being an emotional drop.
I wanted you to keep drawing until you were satisfied with it… It’s so painful…
That guy…
It’s sad…
The mythology of insect people and the underworld is conveyed throughout the whole world, and the truth behind it… I love the fantasy and sci-fi atmosphere too.
Those who like this also enjoy things like Hello Space Alien and Nobita’s underground civilization theory.
Speaking of which, “Arabian Nights” was also a story that connected creation to reality.
“The Genesis Diary is an enjoyable work when viewed as an adult.”
It’s clear that it’s filled with a lot of things that Teacher F likes.
Although it is a movie where Dekisugi plays an active role, for some reason, those who keep saying “Dekisugi, Dekisugi” tend to overlook this.
Well, it is Dr. Dekimatsu…
It’s a world where gods exist.
It’s a somewhat cool ending where it’s suggested that God is no longer needed in this world.
I feel that the movies around here have a sort of culmination feeling.
When I see the Kingdom of Clouds now that I’m an adult, it feels different than I remember…
There’s no flashy adventure, and Nobita and the others are mostly in the position of observers.
Even with something like the Dream Three Swordsmen, in terms of theme, this is what a Doraemon movie is like.
It was fortunate to be able to see it when I was more flexible.
I guess you could say I was flexible, but I was probably lightly bored with the adventures involving the troubles of interacting with the guests.
It’s too subdued for a movie, so I understand why it’s called a TV special.
There are interesting elements, but I think it’s impossible for a movie that’s about an hour and a half long.
The scariest thing was the tin maze…
I think if I had seen it as a child, it would definitely have become a trauma for me.
If I reset the creation set, will the world inside disappear?
I see, the Dream Phantom Three Swordsmen and the Genesis Diary were connected.
These two works have quite a unique feel to them.
The next Galaxy Express was quite traditional.
>>51“I’ve given too many preachy and abstract talks, so this time I’m going to create a simple and visually clear entertainment work that everyone can enjoy.”
That’s a work that F-sensei also talked about, Galaxy Express.
“The concept grows endlessly, the theme of creation. Let’s have Nobita casually create something incredibly large, like space or the Earth, while being very busy. A tiny god in a small world can come out to play (with a watchful eye). The movie is about ‘the universe of the West’. There’s something about it having become a product, but this time it’s an expanded long story filled with various ideas, making the creation story the largest in terms of scale. However, the concept has no limits. But this is also a significant change in that ‘creation story’. If we analyze this in terms of the history of Earth, the mysteries of life, and what it means to be human, we can consider various aspects, but Nobita was unable to tackle such a big theme. The anime part is less than 100 pages, and there are examples like Crystal, who wrote lyrics for this story. As for this entry, the title is ‘The Foundation World’, a foundational story that reveals its base. The elements of ‘top’ and ‘earth’ are declared in an adaptive manner by Mr. Yang. God is said to reside among the adult Nobita. This proposal may also have its frames and barriers. Some renown from that time was certainly achieved. Then, on a morning when the primeval world finally resided, a figure emerged from the depths with ‘Ed Drive’, a body of humanity above, safeguarding the underground terrace. She was able to weave the name of light for assistance there. With such a setup, I initially thought of a story that half-baked itself; there were some anecdotes to protect and also external shadows depicted. Shizuka-chan’s grand science was unveiled, and there were marvelous states showcased, along with the next chapters about the burdens of natural disasters… but I can’t move forward. Rarely, June 29, 1985, Fujiko.”
Thank you, Emo-chan…
>>52I helped out a little too!
Actually, there are look-alikes of everyone, so it’s fine for the Doraemon over there to exist too! Haha.
I think it’s a sufficiently acceptable inspiration.
It’s quite an epic story, but since that’s the setting part, it lacks a bit of impact as a movie.
I think “Galaxy Express 999” is truly a casual work because there are scenes where Nobita shines exceptionally in shooting.
In F’s movies, it’s clear that he portrays what he loves, and that really comes across strongly…
It’s way too crazy that the creatures from the created world come to the real world with knowledge surpassing that of the time patrol!
The new Earth created with the creation set exists independently in another universe of a parallel world.
Nobita and the others are being interfered with by the universe and Earth.
The insect humans’ ship was being pursued by the time patrol, so they really must exist already…
The super express is just a super express, and I felt that the time spent on this fun journey is quite long and rather bold.
There are certainly stages leading up to the incident that are steadily being inserted, such as after the interview with Mr. Baum and the situation on Aston’s side.
Are Nobita and the others safe for creating insect humans like a time patrol?
If we’re talking about who’s to blame this time, it’s because of the god who distorted that star’s ecosystem out of their temper…
>>63I love the phrase “God’s prank” used in the context of paleontology in the underground world.
Doraemon Large Volume 13: Nobita and the Tin Maze It seems we’ve lost the way to return to the surface. Waaah, Mom! Help me! Yay, it’s Tin Island!! That volcano is the landmark of the island. It’s the entrance to the mothership!! Hurry, it’s quite far ahead. Now, while I hide first, I’ve set it up so we can search as soon as we get out… I won’t ask whether we can return or not. It’s better that way. Poof, whoosh! Alright, as long as we find it, it’ll be ours. Go, rumble, rumble! The control panel seems to be at the bottom. There’s nothing to fear. Hello! Sev- Vin! Surl… Dododo, dadada. What should we do, Doraemon? Shigemori-san, what are you doing? Doraemon, let’s head to Puchi! Pita, doka, bishu, end? Looks like there’s something next. That means let’s open the door!
I think the tin maze is a typical pattern that struggled with the nerf of Dorachan.
The crucial labyrinth攻略 ends too quickly, so I’m like… more like this…
>>64Because it was during the serialization, it’s time for the final episode…
Mr. F, during this time, when the long chapter comes to an end, everyone tends to wrap it up as if to say, “You’ve all seen the movie already, right?”
>>64Since he hesitated to show up, it would be more interesting if Doraemon dominated in the second half, right?
>>92I thought the same thing during the time of the three phantom swordsmen.
I quite like defeating things with the Big Light.
I had no memory of it at all, but I conquered it in such an instant…
Are you skipping pages?
Long Edition Doraemon 13: Nobita and the Tin Maze. The road in front of that house is a staircase. Sorry to bother you in a hurry, but it’s just complaints. Salmon single — salmon single! My heart is pounding! Hey, warm food! Ramen! Stove!! Warm food! Ramen! Stove!! No matter what kind of human, they die… yeah, indeed, warm food! Ramen! Stove!! If any human were to die—then—warm food! Ramen! Stove!! No matter what kind of human, if they were dying, the stars move on. The stars move on—warm food! Ramen! Stove!! Warm food! Ramen! Stove!! It’s really cold; it’s half-drunk. I’m— this is something most people, no matter who they are, would be the same! Hey! I’m going now—it’s together though—it’s together though—it’s together though—it’s together—no matter what kind of human, if they were dying—age—ah! That house in front of— that house in front of— that house in front of— that house in front of— Hawaah! Help me!! Oh no! Aah! Help me!! Help me!! Salmon single—salmon single—help me!! Woooohh! Help me!! Wooo— Woooooo! Salmon single—no matter what kind of human, if they were dying— Wooooh! Salmon single— Wooooh! Wooooh! Wooooh! Wooooh! Wooo-oh-oh-oh! Wooooh! I thought it was strange nearby. Hawaah! Salmon single—useless! Salmon single! Salmon single! I thought it was strange nearby—and I feel it, but… I thought it was strange nearby. Hawaah! Salmon single—useless! Salmon single! Salmon—salmon—salmon! Salmon! Salmon!
The perspective of the separated Gian will be included.
The labyrinth strategy is to fix the broken Doraemon, map it with this ball, and reach the destination by the shortest route to finish.
A ray gun called “evolution and devolution ray” that is guaranteed to cause an incident.
>>68Do we need a devolution function?
>>68The range of the light is so wide that it’s bound to cause an accident.
Fire a direct shot.
It felt like they mixed entertainment into the winding city.
What started as play-acting turned into something quite extraordinary, as I unknowingly became a real god and began to interfere with reality.
Up until about the middle, it felt like an educational comic, and I have a memory of it actually being distributed as an educational comic.
>>72Let’s address the environmental issues that arise using the creation set I usually distribute to everyone.
There was an auxiliary novella.
In the movie as well, there will be a depiction that closely matches this impression, so it will resonate.
Well, it’s more like a catharsis of overcoming it with secret tools…
Tin is too harsh because it will burn all the robot army including Napo-chan, who has a negotiation failure instead of being the pinnacle of drag abuse.
I don’t know how to properly use the regression function.
>>80To devolve Phoenicia to an amoeba.
>>83It’s a poor creature that was just reigning at the top of the biological hierarchy, but then the Bird Rape Doctor came and messed up the ecosystem, had it put to sleep, and sent it flying into space.
If I say something really rough, it gets mixed up with the birth of Japan and takes on various images from over there.
If Doraemon just casually appears, it creates endless possibilities in that area, and it’s a little exciting.
It’s strange that Santa exists on Chamochas Star and likes human children.
I wonder if there were originally any ideas related to Earth or something.
While drawing, in the middle of it
I guess I thought it would be nice to do mapping while blowing smoke…
Both evolution and devolution are included, yet small and big are distinctly separated…
>>87If you can do both, it overlaps with Kiteretsu’s Nyoihō.
The introduction to the Tin Maze seemed really interesting, but from there it suddenly hinted at being a terrible work with lines like, “This hotel has strange sounds!” and “The whole hotel is made of tin!” and “Does that mean this is the Tin Hotel?!” It’s really disappointing that it couldn’t recover from that.
In “Doraemon: Nobita’s Pet World,” a similar mistake is made…
Is it satisfactory if Nobita shines in a Western movie or a battle with aliens from the Galaxy Railway and includes ninja fairy tale dinosaurs as a mere essence?
>>93Wow, it’s delicious!
I guess I have to take the pocket, after all.
The most exciting part of the Galaxy Express is the element of traveling on a weekday night.
Somehow, it gets mixed up with the birth of Japan, the Genesis Diaries.
I had only watched popular movies, so I watched Genesis Diary for the first time during the Abema marathon.
The characters from Doraemon don’t really play an active role, and there’s no sense of spectacle either.
Alternate histories from different worlds are interesting, but…
It felt like a typical bland work that you often see in the late stages of a series.
If you really want to do it, this is the kind of subject matter where even after more than ten years of serialization, there won’t be enough space to cover it.
It might be true if you say it’s a story that seems like it could appear in a sci-fi short story collection serialized in Big Comic.
>>101By the way, there’s a Creation Diary.
>>101As mentioned above, the idea of playing god and insects evolving to have a faster growth cycle that surpasses humanity is all based on an original concept from a science fiction short story.
It seems that Professor F needed another ten years of life after all.
Is “Creation Diary” in its final stages?
>>103The following year it’s the Galaxy Express, and the next one is the winding-up one, so well…
>>106End of (Nobuyo Dora)
Terminal (based on F’s original work)
I feel like something is mixed in.
The Shizuka-chan chapter was completely cut.
The winding key is honestly not that impressive, so the Galaxy Express 999 that is sandwiched in between feels like it stands out in a good way.
In terms of Fujiko Fujio, it is in the late stage.
Nobuyo Ōyama’s Doraemon, about the end of the middle period?
The sense of grand adventure is weak in 90s works.
I can’t draw pictures of war because they are difficult.
It feels like the enemy just added it in, doesn’t it, Galactic Express?
By the time of the Drabian, Jaizune has usually already gone to most places… so I’m just complaining about it.
The 90s show various trials and errors.
>>114I like the feeling of a seasoned warrior over there.
From the perspective of the locals, it’s a bit strange that when insect people appear and it almost leads to a war, a god comes out saying, “Sorry, we messed up, so we’ll give you one world as compensation.”
The Doraemon movies tend to have a balance of SF and action, but since this one is heavily focused on SF, I feel it might be difficult for kids.
By the 1980s, most of the straightforward stages had already been done.
Even though it’s just a simulation, I like seeing Nobita and Dekisugi going on adventures together.
To be honest, after going through a serious illness during the Parallel Journey to the West period with Professor F, there was a slump for several years leading into the 90s…
The short stories are also stopping their publication, and honestly, the adult-oriented future memories are not that great either…
It was the period when I struggled with how to nerf Doraemon’s universal ability because I got tired of it in the lengthy episodes.
I mean, doing a regular series while also working on a lengthy epic is a bit reckless, so stumbling once or twice isn’t a big deal…
It’s not surprising if I completely collapse.
In his later years, he mostly ended up just doing long feature-length dramas.
I feel like the subjects have become more conceptual in the last three years.
>>122Since we have two consecutive guest characters who are young girls, I wonder if they’ll throw a curveball again soon…
Now that I think about it, the Doraemon gang went to the deep sea on foot…
Starting from the thread image, we’ll begin production with F-sensei, Director Shibayama, and Mugiwara Shintaro.
It feels like the weight of Professor Mugiwara has become larger.
I love the theme song the most.
I quite like Genesis Diary.
The relationship between Nobi Hide and Professor Dekimatsu is good.
I have a memory of wishing to see the episode of the witch trial that ended with just the story of Dora and Shizuka’s team going there, as depicted in the thread.
>>128People fighting wars in the name of God (religious wars) must have been a truly terrible sight.
Although there was capital from the ancestors, Nobu Hide was also exceptional for being able to grow the family business that big.
I liked going on adventures with Nobita, Shizuka, and Dekisugi, even though they aren’t the real ones in the story from another world.
Based on this year’s movie title, “A Great Adventure in the World of Pictures!”… is to be addressed at the beginning.
I had a feeling that it was quite surprising that the main focus was on countries that disappeared from the history of 13th century Europe.
The details and foreshadowing were incredibly elaborate, though.
I like the lyrics that say “like peeling an apple,” so it ranks high among my favorite works.
Looking back as an adult, it becomes incredibly frightening to think that I have created countless beings with my own hands and have produced a burden that I cannot carry.
>>135It’s been said a lot, but it’s way too risky to make it a theme for a special research project.
>>135Because it traces the history of humanity, this has also resulted in many deaths from world wars and epidemics.
>>142There must be a lot of people who have cursed God and then died…
There isn’t that thrill like adventure or spectacle.
It’s interesting, but…
There was a story in a sci-fi short story about creating a pseudo-Earth.
Over there, there were more complicated rules.
I think it’s perfectly fine to have the first half dragging on with Doraemon and his gadgets being sealed, and then turn the second half into a scene of overwhelming strength, akin to what we would now call an RTA.
The package has a large illustration of Emodoran on it.
I wanted to depict the activities of Emodoran as another Doraemon even more.
This feeling of delving into the history of stars is one of the delights of science fiction.
My first movie was “Nankai,” so I have a special attachment to that.
I still can’t put it into words.
>>143Hinano…
>>143Otter…
The line where Shizuka-chan’s religious war is described as speaking on behalf of God’s feelings without permission remains memorable.
It seems that Nankai is the most memorable for the old Dora people.
There are occasional episodes where Nobita plays god, but they all end up being superficial, so nothing serious happens.
I don’t think children should be allowed to dive into such fine details.
It’s tough even for adults.
I actually want to say that I’m very much a crybaby.
I always want to see you.
“I’m just lonely.”
I’m going to start hating the night.
Dreams alone aren’t enough.
I’m surprised at myself, someone like me.
Because of you, I need you.
Because of me, you too…
I’m sure you’ll need me.
I believe that.
“Nanakai is a work that was created shortly after Mr. F passed away.”
It’s the beginning of using celebrity voice actors in the ongoing Doraemon movies.
I was surprised by Machi Bunshu.
A bit preachy.
Then the insect president said, “Should I kneel down and worship?”
I used to think, “You should pray to Nobita!” when I was in elementary school.