It’s about time for a serious serialization!
>>1Let’s read Ben-Tame Jump!
I feel like I’ve unintentionally settled into an incredibly convenient position.
>>2You have too much talent for report manga.
People who draw report comics related to Jump!
Aren’t you someone who draws manga related to Jump?
But this person is good at comic reporting.
The person whose eyes aren’t smiling is the one who is coming at me with a direct report, huh?
I guess they’re trying to draw a new work as well…
But report manga is really interesting…
I wonder if the paper jump isn’t selling so well…
>>8Well, the electronic version is just too convenient…
>>10I feel like reading on paper, but the electronic version that I can read immediately at midnight is too strong.
>>8If I keep spending about 300 yen a week to read, continuing to buy a bulky stack of paper is almost like punishment…
>>8Simply bulky.
There were quite a few people in the past who would read on the train and then throw the book away when they were done.
>>161With a Jump subscription, you save the price of one volume.
I’ll have them prepare the serialized content, but since they’ll slack off and start playing games, I’ll keep them as a manga artist who can be used casually.
>>9It’s the type of person who does better work when they’re thrown a project with a really tight deadline.
…Shouldn’t it be better to have it serialized weekly?
>>98It’s a ridiculous person who can manage a two-day weekend in a weekly serialized format (back when it was post-apocalyptic, it was a three-day weekend).
Is this the appearance of a manga artist in a weekly serialization…? Is this it…?
A type of writer who is better at adding embellishments and exaggerations to reality-based stories or report comics to make them interesting rather than creating a story from scratch.
>>11There are sometimes cartoonists who flourish in essays, right?
In the past, the electronic version was delivered at 5 AM, right?
A man who has been casually transformed into a voice comic, now his voice plays in my head as Natsuki Hanae.
>>13My wife cried when I brought back a voice actor’s autograph.
Throwing away paper jump creates the effort of disposal, and if you don’t throw it away, it can lead to something awesome…
Is the digital version that offers savings with a subscription, available for immediate reading at midnight and doesn’t take up storage space really that great?!
>>15Yes…
To be honest, I was really grateful for this report because I would have thrown it away without knowing anything about it.
Where else was this campaign promoted aside from this report?
CV Natsuki Hanae, the one and only man who is a manga artist.
You want to sell paper too, huh?
I wonder if Pants Man’s new work is constantly being rejected.
It’s the Smash Bros. person!
It actually started last week when it was featured in this magazine, so for those who threw it away or missed the chance, too bad! I can’t believe they’re posting this today.
I’m reading it with Docomo’s incredible selection, but it’s a bit too much of a deal.
I might have said too much when I mentioned people like Ishizuka-san and Dogusare-sensei, but I think that style suits you.
>>25Anonymous tends to talk in the style of Dokibagu or Dragon Quest 4-panel comics, but even if I draw from scratch, Papuwa-kun will still show up…
I feel like if only the timing were a bit better, “Seishun Heiki” could have done even better…
>>27The era was too early for a comedy manga that doesn’t direct hate towards anyone.
>>185Well, isn’t that the kind of flow that was already established with something like Saiki?
I really love the serious final volume of Youth Weapon…
The fact that the digital version hasn’t increased in price for some reason is also a headwind.
The paper version is for those who have been collecting it since the first issue.
It said that you can read Tomohiro Hasegawa’s manga only in Jump! So it seems that the contract will continue.
It seems like the resurgence of records could bring about the rise of the stylish paper magazine faction.
>>33There may be quite a few people who want to collect special editions in print, but wanting to have all the weekly magazines in print is indeed unreasonable…
If it’s not paper, I can’t see the strange cosplay photos on the survey gift introduction page…
Since acquiring digital drawing, Mr. Pants has become a faster and more convenient manga artist.
Somehow, I want to maneuver skillfully and take over Ishizuka 2…
A Smash Bros player who can also draw thumbnail comics.
Hurry up and work!
Well, it might have been rejected if brought in.
>>38
All pages in full color!! “Riyal Jump” presents a seriously created educational manga magazine, Benkyotame Jump 2024 WINTER. Price: 1290 yen (excluding tax: 1173 yen). Two major features: Super Benkyotame Wonderland “Welcome to the Zoo!” & Board Games that Boost Intelligence. Featuring illustrations and Roboko’s participation. Special price! Educational manga serialization! Doctor Math. Two major features written by Boichi. Sexy Mama. Kaori. Editor: Kiku Kai. Events from Main Office YouTubers. Benkyotame original board game! Amazing! A real board game comes included! Let’s create a thrilling zoo with arranged animals! Super luxurious W special appendices! ONE PIECE CARD GAME “Tony Tony Chopper.” Exciting W Board Game! Benkyotame, the God of Dice. Paper #Yagaramako.
The weekly magazines are probably hit hard since the convenience stores stopped handling them.
>>39Moreover, I think it’s an incredible headwind because the cost of paper printing is also rising.
>>39I didn’t know that…
It seems I might be kept on a short leash as a reportage manga professional.
It’s just delicious.
It’s pretty bad to keep falling behind in the competition with the current lineup…
I thought so, but if it’s in the comedy category, the story is different again.
What, there are no magazines at the convenience store!?
>>45I put it down where it belongs, but…
There are increasingly more convenience stores that don’t even stock magazines.
>>45Convenience stores are increasingly placing different items because, despite taking up space, those items don’t sell that well.
Because I’m a close friend of the current editor-in-chief…
Hasegawa Tomohiro, you know?
It’s Kazuhiko Shimamoto, right…?
>>47Don’t say rude things.
>>48But they might actually be two people I want to introduce to each other.
>>48……..!!
(Which one is it!!?)
>>47From now on, I will be a radio personality, a Tsutaya store manager, and an executive member of the Duskin branch.
Will you sing the theme song for your own anime or appear in your own drama…?
>>80Yeah.
It’s a family business, regardless of the person’s aptitude…
It seems that the Jump editor-in-chief has been taking care of the manga artists he personally nurtured since they were starting out.
>>49The strong-willed senior mentality and junior mentality are too compatible.
As for the current gag segment, it’s somewhat a mixed bag, or maybe not…
It has become a unique and irreplaceable position.
>>51The speed at which I draw manga is ridiculously fast.
It’s okay to do things like a collision comedian.
They are good at summarizing content in a concise manner, such as in reportage manga and interviews.
A position that seems to exist but really doesn’t.
>>61Straight admission from Waseda University Affiliated to Musashino Art University, straight graduation, and immediately after graduation started serialization in Jump (Yakinobara Jin).
To be frank, this person has quite an elite background, including being in manga, so why can they handle their character so carelessly?
>>84Personal charm
>>84Because in a good way, they don’t have pride in themselves…
I can’t help but genuinely think, why can’t everyone quickly paint the background just by looking at the photo…?
>>89The speed at which I can master 3D is so insane that it’s almost breaking the project, but I love it.
>>95I can’t forget how the author of Ninja Extreme was astonished by this person’s rapid growth.
I see you’re on the right, but which one are you in charge of…?
>>53
A manga about becoming a YouTuber.
>>65The older sister is so incredibly cute that it’s surprising.
Yeah, I was able to draw quite a cute character, but I’m further brushing it up.
>>65It’s interesting… even though the project is crap…
Are you drawing a comic about astronauts in 3D?
The gag category is narrow, the competition is tough, and it’s hard to keep going for long, so it’s a position that only a few geniuses can fill.
The digital version can also automatically grant points during the subscription period, right?
Why aren’t you doing it?
>>60It’s an incentive for those who bought paper.
I want to sell paper.
I also no longer buy manga magazines at the convenience store.
Sometimes I buy gadget magazines, puzzle books with contests, and books about health or cooking.
Seriously, I can’t sleep with my feet facing toward Sato-san… Pants…
We can infer from the previous two works that the editorial department is aware of the volume of the collected works.
Keeping you as a convenient manga artist for reports is indeed the optimal solution…
It’s great to be skilled at manga reportage, but is that ability really necessary for the important Jump series?
>>67So I got off the boat.
>>67That’s why the new series isn’t getting approved…!
>>67Shueisha often holds events like Jump Festa, so I think it’s a space that we want to always have at least one person secured.
It’s convenient with electronic transitions, so I don’t really understand why they want to sell paper, but why?
Are you asking about printing companies? I seriously have no knowledge, so please teach me.
>>69It’s not just a simple courtesy call; Shueisha is also making capital investments, so if the printing company goes under, wouldn’t it result in a mutual collapse?
>>93I remember there was a talk about the onigiri side having exclusive printing equipment for Jump.
I wonder if I can live off just regular reportage comics…
Are you being kept like a pet by the editor-in-chief?
Is the completed form of this lineage going to be Yuuko Ishizuka 2?
I might buy paper if there’s a store nearby selling it in advance.
I’ll make a living with oil paintings, reportage, and Super Smash Bros.
(Shocked by the character’s actions)
(Why is the character behaving like this aaaaaaa)
It’s a repetition, but it’s still interesting.
>>78The problem is that Pants Man can apply this format just by depicting his own life.
Ben Tame Jump was a regular publication…
Perhaps I won’t draw manga unless I set deadlines or due dates…?
I think the most interesting manga will come from demoting Mr. Saito to editor so that Hasegawa can draw the manga.
>>82The surrounding damage is too severe.
Let’s make him the editor-in-chief and the editor in charge of Hasegawa.
It’s too convenient to review past logs with an electronic subscription.
I think things like, “You can’t do that on paper,” or “Isn’t this single volume unnecessary?”
Could it be that this Pants Man can do just about anything other than being serialized in Jump…!?
>>86It was serialized three times, and one of them had a popularity poll, so to be honest, as a manga artist, it stands out above the rest.
It’s interesting when it’s interesting, but reportage manga is particularly interesting.
A character that gets teased needs to have a good sense of balance, or it won’t work.
When reading manga about art universities, there are many stories of people suffering and struggling, but this person graduated straight from one of the top five art universities, which makes my brain go haywire.
Since there hasn’t been a continuation of the series after Saito-san’s departure, it seems that we need the power to push boundaries in a way that just barely avoids harassment…
It’s one thing to only have paper benefits, but at least let us know before you start! I kept hearing that…
You’re really good at succinctly explaining the subject while moderately putting yourself and the editorial team down…
It’s terrible that I’ve been told it’s boring to use digital technology with brute force just because I have foundational skills.
>>101I don’t really understand the ruler tool, so I’m going to just put a ruler on my pen tablet and do it…
An abnormal person who has increased the quality while also raising the drawing speed normally.
>>105There are other people doing this as well…
>>108For straight lines where I want to add variation to the thickness and curves like those made with a cloud ruler, this method is faster.
>>105I never thought that buying the biggest and most expensive tablet because I didn’t understand would be useful in a situation like this.
>>111The biggest one might be good → It’s too big to handle! → Somehow I managed to handle it.
>>113Not only could I not master it, but I couldn’t even connect or start it, so I ended up escaping into watching special effects films, which is terrible.
>>111✖️ Bought
Bought with the money earned through the hard work of the people at Shueisha.
>>105It was also important that the editorial department was able to buy a huge, expensive graphics tablet that allowed me to draw at the original manuscript size.
I’ve heard that a large part of the current print publishing is related to manga, so it must be tough…
I think there might have been glimpses of the interesting backstory behind the comic, but Saito’s sharp insults are just amazing.
Since I’m better at essays than fiction, I think this is fine as it is.
Being able to portray oneself as a clown is quite a rare talent.
A man who didn’t know how to connect the wiring and hated the world was able to draw it the following week.
A few years later, being able to master digital art… the way of adding a punchline with actual drawing is too genius of a punchline.
Isn’t it enough to just make a living from Smash Bros while occasionally drawing a report manga?
I like the beautiful endings of the three serialized works, even if they are like this.
>>119You’re really good at getting everything done.
It makes me think you can’t possibly be serious about drawing manga because you’re so good at summarizing.
The main character! The editor! The chief editor! If they are fixed as characters, it certainly resembles Dogusare-sensei… Why not do a game report?
>>120I want them to take on the challenge of how to make a crappy game based on Jump feel like an interesting game.
>>130Stop the friendly fire that makes no one happy.
You can get jobs through BenTame Jump, but it’s a delicate position not being assigned to Saikyo Jump.
Stop pretending to be someone who has nothing!
If I get married and have children, it would be better to have a stable job…
>>124Aren’t you supposed to be helping?
Mr. Saito and Fukuda couldn’t keep up with the conversation at all, but the man who is starting to be able to use Unreal Engine to a certain extent is on the verge of ruining the project.
Wouldn’t it be good to send it to a screening or something for a movie or stage related to Shueisha…?
>>129BLEACH and Me
>>131It’s nice that the live-action Rukia was properly depicted as unattractive.
What I realized through the liquid tablet manga is the madness of doing all the background illustrations that seem to be processed in color like those in “Seishun Heiki” completely analog.
“`
USB A USB C HDMI Display port
② Calmly connect The ends of the cables come in various shapes Check carefully and make the connection I will not forgive this world
③ There is no connection No signal If I break the screen here, everything will end I want you to stay calm
“`
I can’t make fun of this Pants Man…
>>133If all you need to do is connect the game console to the TV, you only need to know about HDMI.
If three were added suddenly, that would certainly be confusing…
>>140That said, if it’s the Super Smash Bros. god class, you should know that there are three options other than DP on the Switch console…
The manga reporting is too good, so I guess the projects are in high demand…
It seems like they could come up with interesting report comics even if they collaborate on hobbies or experiences.
Don’t put Zangetsu on the tablet.
If I serialize it now, it seems like it will continue.
It doesn’t look like there’s enough content to make a living off just manga reports, but I wonder if they usually do assistant work or something.
>>141Being able to do it digitally is useful here.
I thought I had read it before, and it turned out to be the one that was published last month.
In manga reports, royalties don’t come in, you know.
>>143Even though it’s digital-only, we’re also releasing a paperback version of the comic report.
>>154Additionally, there are beneficial words from Mr. Saito specifically for Mr. Hasegawa.
You don’t have to create character designs for serialization.
It’s unfair that all the characters are like something out of a manga!
>>145That’s because that’s how the character is portrayed…
I want to see report manga featuring interviews with manga artists who are currently serializing.
>>147That’s something other writers are already doing… It’s not good to take away someone else’s work…
>>151Well, since multiple people are doing it, isn’t it not really stealing?
+ Even just that, Tsumeaka and Onigiri are doing it, and other people also occasionally appear in magazines or fan books.
Speaking of which, is there a difference between report manga and reportage manga, even though they are mixed here?
>>150The report is in English and the reportage is in French.
Putting that aside, the report can be seen more as research results, while the reportage has a somewhat journalistic connotation.
It often happens that either option is fine.
>>150Strictly speaking, it’s different, but there are many aspects that overlap, so there are a lot of nuances.
A report manga is a report manga, so the main focus is on presenting the research content.
Report comics are reportage comics, so the main focus is on reporting what one has personally seen and heard.
The Jump digital edition is not bulky, and it’s cheap for a subscription, plus it comes with full-color packs and Jump GIGA as subscription perks…
The art style is easy to read and suitable for a report.
It’s not about the number of copies issued, but rather, it’s the actual sales royalties for the digital version.
A cartoonist who is reasonably good at both drawing and gags, and doesn’t create any discomfort, is a rare find.
I should be receiving an exclusive contract fee as well.
Starting at 1 million yen per year, with experience in serialization, two works canceled, one continued for two years, based on contract years and the favorite points of the deputy editor.
Well, you’re probably getting a decent amount.
Draw a Super Smash Bros. comic.
It’s tough to buy four books a month.
>>163I didn’t mind buying it every issue, but…
It’s a hassle to tie it up with string when throwing out the garbage, so I just thought, “I’ll go with electronic!”
I’m not subscribed to this magazine, but I have a regular subscription to V-Jump in print.
If there were no bonus advantages, digital would definitely be more convenient.
>>166I think it’s good that V-Jump can be delivered instead of having to go out to buy it.
>>178I see, I had forgotten, but this magazine doesn’t have a paper subscription…
What are the advantages of paper on the issuing side?
>>167If you’re a manga artist, it’s easy to understand that royalties make a difference, but I don’t really get the benefits for the publisher.
>>167Transactions with the printing company will occur.
The fact that you can read the electronic version at midnight is too great…
>>168It’s easy to browse through back issues, isn’t it?
I can only think of e-magazines now.
Paper is easier on the eyes because magazine size is generally larger than most tablets, so I think that’s good…
Can you revisit the past anytime, as many times as you want?
That’s definitely an electronic choice…
Spring bread festival…? I wonder what it is…
I’m sure that publishers also value the warmth of ink and paper from printing.
When I was a child, they stacked up like a wall until I threw them away.
>I want to repay my kindness.Stop that Menagawa-like direction!
Jump subscriptions come with both Giga and Silent!
I thought it was nice that it starts from the month of purchase instead of the day of purchase in the electronic version.
After reading a whole book, my hand muscles hurt.
…The tablet doesn’t really change much either.
I’m a slave to Shueisha since I’m also subscribed to SQ and Ulja.
Please make it possible to open it with one button from the bottom menu like in Jump.
V Jump disappears from stores when it comes with extras like Yu-Gi-Oh cards…
I feel like there have been a lot of interactions between you and Honda-san lately, Hasegawa-sensei.
I hope you come in the next revision.
The wireless-bound jump is still quite manageable.
The saddle-stitched youth magazines are incredibly difficult to store, and buying them on paper was truly a struggle.
I personally felt that the youth weapon has the potential to sell as a mascot.
Ya
Were you really scamming?
It’s really interesting around here, isn’t it?
It’s a hassle to take out the trash when a substantial booklet increases every week…
![[Manga] The magic trick that everyone tried to master as kids but couldn’t is trending, lol.](https://otaku-reviews.net/wp-content/uploads/2025/06/bf53dd2f.jpg)
![[Manga Time Kirara] Tell me your favorite couple in Kirara.](https://otaku-reviews.net/wp-content/uploads/2025/06/7f363a8b.jpg)
![[Gundam GQuuuuuuX] Even though you’re a Newtype, you’re so insensitive, Egusabe-kun.](https://otaku-reviews.net/wp-content/uploads/2025/06/b96ae33d.jpg)
![[Rune Factory] I’m sorry, but I live behind the general shrine.](https://otaku-reviews.net/wp-content/uploads/2025/06/af0f4933.jpg)
![[Fullmetal Alchemist] I have no certainty, but I feel like Envy is the weakest among the homunculi.](https://otaku-reviews.net/wp-content/uploads/2025/06/da613d5c.png)
![[Thunder thunder thunder] I thought this cover was sexy… so I bought it, and it turned out to be more interesting than I expected.](https://otaku-reviews.net/wp-content/uploads/2025/06/d303d5fc.jpg)