Messenger of Love

A person who lives in love, globally in love.

You perverts…! It’s scary how you come back so smoothly.

This guy often becomes a topic of conversation, but…
It’s a movie that only this guy seems to be talking about.

It’s just a story about eating delicious grilled meat from start to finish…
That’s how the Crayon Shin-chan movies are meant to be…

It seems that it is quite an important work in the sense that it has shifted away from the emotional route.

What is that organization!

If unreasonable evil attacks the Nohara family, then unreasonable justice may also save the Nohara family.

Well, that was interesting! Or that was a good movie… Or instead of wondering why…
It’s a movie that leaves you with a lingering feeling of “What was that guy all about?”
If there was a role in lowering the hurdles, then that has been fulfilled.

I was wanted and got fired from my job, but I really did come back, didn’t I…?

Even though I’ve lost my memory, I’m still in Atami searching for Hiroshi…

The person I passed by in Shiri.

H-help me! I’m being finished off by the bad guys!

I saw this roller coaster in Girls und Panzer!

Rather, there are many elements to talk about throughout history, right?

Those guys casually making a reality alteration device have insane technological prowess.

No! Stop it! (Thud Bang)

Perverts!!!!!!!

The boss’s ambition that makes even Shinnosuke call him foolish.

Actually, it appears frequently in later movies as well.

Isn’t the thread image kind of like an okama position?

Get back to the sea, you idiot!!!
…Sunflower!!

The crayon game featured the prince from Cinderella.

Woohooo!
Splash…

This person is popular, right?

Black Hawk Down! Black Hawk Down!

There should be some touching scene where Shin-chan is able to ride a bicycle better than this guy.

I like blonde Shinchann.

People who want Shin-chan’s town survival.

Your Name

Get away with your family!!

Seeing Hiroshi walking away without saying a word on the way home makes me feel the essence of adulthood, which is also nice.

I wondered why Shinnosuke had blonde hair in the scene where he eats grilled meat in a dramatic manga style back then.

On the contrary, I feel like there’s a sense that even if there’s something slightly off, it’s being forgiven thanks to this guy.

I like the feeling that Manager Shimoda and Major Dougashima acknowledge each other, even though they don’t get too familiar.

The fighting style is too technical.

It’s incredibly reassuring to have someone who helps when all my acquaintances have had their memories altered and there are no allies left.

It’s shocking that it’s not a cross-dressing character but a real gay man.

Not gay.
It was just that the destined partner was Hiroshi.

People from outside Saitama probably just think, “Oh, someone is on the wanted list,” right?

I love the enemy boss’s song.
It’s a complete grudge.

My! Dad!

It’s really interesting until you get to Atami, though.
That’s where it gets tricky.

The scene where Misae says, “Stop! Don’t be violent!” and then beats up the enemy to steal the Segway is the funniest.

I’ll meet you until I go to Atami.
From there, if you are Atami, then we are Kasukabe. I really like the punch and the last scene.

I need to poop.
I want toilet paper to wipe my butt.
Who should I choose?

Not even extending a hand of salvation.
The town of Atami is left alone! WAO

The whole thing about Yakiniku Road is that it’s kind of violent.
It’s too scary to try to chop off Shin-chan with something like pruning shears.

Got it!

The first two works were touching, so if I continue along this path, it will always be like this!
I think it’s good to feel a sense of crisis, but isn’t this a bit too much of a sudden full throttle?

I don’t mind if Kazama-kun breaks it, friendship bicycles are the best.

>>65I like this tempura rice bowl.

Do you believe in fate?

In the past, I used to feel sorry for it being only called a rice ball all the time, but that thing has no hesitation at all.

Can you return to Kasukabe from that time?

I thought there wouldn’t be any more places to make me laugh, but I really like the family coming at me with incredible speed from the cable of the ropeway.

I’m confused because the enemies until the end are just too incomprehensible.

If you love Atami… then I love Kasukabe!!

I laughed so hard at the jet coaster’s backtalk.

I absolutely love the scene where they swing Hiroshi around and then sheath their sword in their shoe.

Gradually, the cross-dressing Hiroshi starts to look erotic in this bizarre work.

A guest with a subtle strength.

When I went to Atami, the scenery was just like what I saw in the movie, and I was like, “Wow!” but I definitely don’t remember seeing Sweet Boys there.

Shinnosuke’s way of threatening and his tone in Atami Psycho are far from that of a 5-year-old.

Shinnosuke’s level of holding a grudge is pretty intense, isn’t it, betrayal rice ball?

What’s with being able to turn a whole family into criminals without Saiko?

Instead of a chaotic gag battle mode at the time of reversal,
It’s a reverse structure where it starts serious early on and then settles down at the turning point.
It’s interesting but feels somewhat anticlimactic overall.

You might feel that the leader appears smaller than you expected, which could create a sense of disarray, but if someone who wreaks havoc on a family’s day has a personality that causes conflict about their treatment, then that’s definitely not good.

I hate barbecue because the Nohara family is too superhuman.

I have lost my trust in you, former section chief Nohara!

The sunglasses worn by the midfielder are cool.
I like the way she smiles when she sees Shinnosuke riding his bike.

It’s crazy that not just the neighbors, but even the Action Mask show and the police are convinced.

I should brew and drink the dirt under the nails of Kazama-kun, who lent me his bicycle even though it could break while carrying rice balls.

I also like the part where it gets a bit desperate in the final stages searching for the password after Atami.

It’s a movie that makes you want to praise it for being a full-on silly film in an atmosphere where only serious movies seem to be accepted after the adults and the Sengoku era of Crayon Shin-chan.

I feel like it’s not surprising to be a bit boosted by anger, a sense of being just a little short, and the grilled meat, considering I’ve gotten caught up in something I can’t understand.

The terrifying phrase “I suddenly have to poop.”

It feels like the movie Kawaguchi is planting trauma in Hiroshi every time.

An example of a director going overboard by inserting their own personal tastes freely.

If we hadn’t made a sudden turn with the yakiniku, it would have had a significant impact on the flow of the movie afterwards, so it’s quite a turning point.

I hope the Nohara family and the Kasukabe Defense Group continue to do their best with their abilities as ordinary citizens.
That’s why we can empathize with the effort they are putting in.
Even if it’s done without reason, it’s hard for us to get excited, and it ends up being not so great as a joke.

When I think about how there are no memories of Hiroshi when we pass by each other in ED, it feels a bit too sad.

I like to gently lift Tama-chan and return her to the river.

In the first place, both Adult Empire and Sengoku have solid gags, so even if the thread image is suddenly presented, there was no particular sense of discomfort.
Huh? It was the 3-minute Pokki Great Invasion.

The heroine’s lack of cuteness is impressive.
The pants are beige too.

The director Mizushima, who is not involved in politics, is strongly associated with Girls und Panzer, but he has been making a lot of Crayon Shin-chan movies.

I like gags about gay characters like Tamayura Brothers and Macao Joma.

Neglect from Pokkiri and the beatings from the Kasukabe Boys are both strange around that area.

When I was a kid, I really liked the short ones that had a lot of battle scenes, even if it was just three minutes long.

I recently revisited Sengoku and realized that the Nohara family has completely become a side note, and it’s not that interesting anymore.

I think the next work of the movie heroine Yakiniq is the strongest.

Since I’ve been dealing with heavy things, I need something to watch that can empty my head for a change.

Pokiri becomes a trauma similar to Parallel Journey to the West or Space Drift.
I like ED.

In just three minutes, what I think about is not a look-alike like Prince Snoke, but rather that there was another ego, a robot named Shinnosuke, that tackled amazing subjects ten years earlier.
If the seasoning were a bit better.

I feel like Pokkiri would have become quite popular if it had been a TV special series.

I learned that even as a child, I could look up information about a work by the director, all from a 3-minute gap.

I remember that each family had a realistic art style, and the scenes of them eating barbecue always excited the theater.

I watched Yakiniku Road, but what is this guy…?In this movie, they are one of the few allies of the Nohara family.
Even if the truck is destroyed, stepping in to protect the family is such a great person, isn’t it?

I really think the tense atmosphere leading up to the last battle in the 3-minute segment is great.
The crucial final battle was the worst.

It feels more like a TV special than a movie.

It’s really great that we can now create films like this again, as I was really getting tired of the overly sentimental tear-jerkers.

It’s not that the illustration is good, but it’s a work that somehow makes me want to eat grilled meat.

What kind of face should I put on when I go to work after that, Beige Aunt…?

I quite like brides.

I want to eat yakiniku! It starts with wanting to eat yakiniku and ends with eating yakiniku!
That’s just how movies are.

I think it’s amazing that it became the topic of discussion as an emotional piece in the Adult Empire, and then exceeded those expectations in Sengoku.
And after that, the thread image is really good.

The balance of inserting quite a bit of horror right after the pocking.

There are people who have a nostalgic feeling like Shin-chan.

The story of going to the Sengoku period has already been done in “Unkokusai,” and I think that one is much more entertaining.

It’s tough to watch when Yoshinaga-sensei urges someone to turn themselves in.
It’s sad not to be trusted.

The Sengoku series primarily revolves around guest characters for its stories.

When I was a kid, it was my favorite.

I remembered someone saying that if we’re going to title it “Yakiniku Road,” we have to make the enemies related to barbecue! I can’t remember if it was here or in the original.

The Assault on Adult Empire is a unique work that absolutely cannot be set in any other year than 2001, in addition to being about the Nohara family.

Kumokuro-sai is in the sci-fi genre, while the Warring States period is in the historical drama genre.