
Many people misunderstand like you do. Manga is not just about pictures. It’s not just pictures? The essence of manga is in the name (story). People struggle because they enter this world thinking it’s just about the art.
Is there a good example for that story?
There were two manga adaptations of the drugstore, right?
>>1Tax version and tax evasion version.
>>16The artwork is prettier in the Gangun version, but I think the more popular one is the Sunday version.
>>20The one-volume edition is selling better than the standard edition.
The original of “Shoku no Hosomichi” and the Boichi version, etc…
Baki’s self-remake
>>3The script is different!
If there is a project where multiple authors can draw based on the same name.
Kazuhiko Shimamoto re-drew the first episode of “Kaze no Senshi Dan” according to the original story, but the content itself has also changed.
Is there a remake of Terry Man’s appearance in Kinnikuman?
Sometimes there are manga that are hard to read because of the placement of speech bubbles or panel organization, even though the art is great.
In manga and anime, like in Kamikaze Kaitou Jeanne, the lines are the same but the atmosphere is completely different, which I found amazing, but it’s the same manga.
It seems that there are few cases in the first place.
Prototype version and serialized version of the iron ball for the butt.
I was searching online because I thought Fujita Kazuhiro and his assistants were doing something, and I found it.
>>11It was a very interesting project, but…
It’s hard to tell the difference for an amateur since it’s not flashy.
When thinking in terms of a four-panel comic, it’s easy to understand that the overall structure is important.
>>12?
>>125 panels
>>15I finished the name!
You should try writing a storyboard yourself based on a masterpiece script.
Trash will accumulate.
There were two types of comic adaptations of the Biblia Koshodō no Jiken Techō, but for some reason, the Afternoon version, which adapted only the first volume of the original, was surprisingly entertaining.
The heroine’s big breasts were also prominent.
The illustrations are beautiful, but there are also dull mangas where I can’t understand what they are doing.
If you can adapt someone else’s original work into a script, you’ll never have to worry about food for the rest of your life.
Reading a version of the hunter’s demon dance story written by a different manga artist than the original is interesting.
>>24I think creating screens is a different talent of Moroboshi.
There were two types of magician Orphen.
It felt like a re-adaptation of the manga to match the new anime.
Ninja Slayer, for example, has multiple manga adaptations of the same episode.
They’re all facing completely different directions.
>>27It’s impressive that you can still show your left when told it’s no good.
>>35If my brother was editing Sam 8, it might have changed somewhat.
It’s a project like that, so it can’t be helped, but I felt that Boichi’s depiction of Zoro vs. Mihawk was a bit excessive.
>>28Oda can be a bit tedious sometimes, which makes it difficult.
It seems that “Maoyu” was also doing about three projects around the same time.
>>30Is it only Ishida Akira’s that went to completion?
It’s a similar story, but the level of interest is probably different!
I don’t remember the examples of the boring ones one by one.
The Kenji Yamamoto version of Blackjack had the same script as the Tezuka version.
There was a battle scene in the early days of World Trigger that changed quite a bit from the magazine publication to the tankobon.
One Punch Man
Toyotarou’s editing of Akira Toriyama
Adachi and Shimamura, etc.
The version for tax evasion, which is rated with much cuter illustrations than the tax evaluation version, is selling much better, so it’s definitely all about the art.
>>40I was using the original version of the anime for the directed tax evasion.
Can you stop dragging in those who haven’t messed up by calling it the tax version?
>>43In that case, with the guilty version and the not guilty version…
>>44In that case, you won’t know what you did wrong.