It didn’t increase much… the erotic drawings of Busue-chan.

It was just right to watch while eating dinner after coming home.

I think the anime adaptation was reasonably good, aside from the out-of-bounds brawl.
I still think I could have done a little better…
If you’re going to waver, then don’t do it.

It was just the right anime for casual viewing.

The episodes featuring Yamachan and Tatsu-niii can go on forever.

Bus E-chan is a bit too much for eroticism…

I truly think it was great to hear Takahashi Rie’s jaded female performance.

It was interesting that the ED was karaoke.

The original elements intertwined with other works were distracting, though.
The anime adaptation of the original work turned out to be quite to my liking, and I enjoyed it every week.

I think there was a level of agreement among everyone that if we hadn’t done that episode, it would have been understandable.

I wonder where Re:Zero came from.

I didn’t think there was any meaning in going that far for that episode, so it was fine.
If they delete Tatsu-nii, then of course I would hate that.

I thought the manga was better in episode 1, so I stopped watching.

It’s the worst to have a blemish from an offshoot commotion.

“Why did you change it?” The frequent changes were quite noisy.
In the first episode of the original work, there are parts where things are swapped around, and there are instances of senior letting Akemi-chan, who has merged with the unicorn, punch.

It was a manga about conversations with no substance, so the anime had that feeling as well, and it was nice that the karaoke was of karaoke quality.
If there were no outside brawls…

It wasn’t as bad as I was told.

It’s nice to be calm without any talk outside the ring…

To be honest, I think that “Bus E” is a topic that scores pretty high for anime adaptation.
In the first place, it’s not even a work that can be considered high quality.

The Cat Team episode is easy to understand, so it gets picked apart, but there were a lot of strange cuts in the episode where Brother Tatsu eats crepes.

I was surprised to see the reviews here because I watched the anime without knowing the original work, and I thought it had a nice atmosphere.

I wanted the episode where Akemi-chan becomes a robot.

I was surprised to find out that there was such a bothersome fan of this manga.

If you’re pushing the snack vibe, I think it was a mismatch to keep doing hero episodes all the time.
All the guest episodes were completely original.

I liked it too, but the director’s comments are too harsh, so it’s a title I can’t tell others I like.
If even some existing fans say it’s no good, then it’s honestly no good.
Expressing dissent or dissatisfaction towards such opinions will not lead to anything.

It was interesting to watch casually while drinking, but I’d only watch a second season if it happens.

A 5-minute anime is fine.

The fact that there might be comments saying it wasn’t as bad as it was said to be.
Honestly, it’s a poor result.

Well, I thought it was just passable, but I was shocked to see everyone criticizing it so harshly.
I deleted the logs and left.

I quite like karaoke endings.

I watched the previous episode, but the only one that can be said to follow the original work is the robbery arc.

What was the character from another anime that appeared?

I want to see the second season, or rather, I want to watch it regularly.

It wasn’t as bad as people say; there wasn’t any pressure to watch it either.
I think it’s 65 out of 100.

I was prepared to think that just animating it as is would not work, so I wondered if they would add or remove some elements.
I was watching it normally and found it interesting.
I didn’t really understand the Re:Zero collaboration.

The good thing about gag anime is that it can be watched casually.

Not one cool but 30 minutes.
I wanted to see it for about 4 sets of 5 minutes.

I liked finishing off with karaoke.

I said to exclude it, but of all people, it’s the one in charge of anime production.
I can’t ignore the fact that they keep messing up in real-time.

Kemono Friends 2 is definitely in a league of its own.
The simple fact is that it was poorly made as an anime, without involving any outside brawls.

I don’t think it’s the kind of work that should be done in a serious 30-minute slot.

The director’s attitude and direction are terrible, but while there are some things that fans of the original might think about the finished product, it’s not as awful as it could be.

It’s just a level where you entered a restaurant you’ve never been to and got served something disgusting, so it’s not something to be compared to when you end up with poop.

I thought the story about the tsubo ended nicely in the manga, but in the anime, it felt kind of strange.
Well, I feel like the punchlines in Bus E don’t really translate well to anime.

It’s not as bad as they say, and it seems like those anonymous critics who complain and bash it haven’t watched a single episode.

I think it was good to do it in a small way with a 5-minute anime.

Well, I understand that editing was done because reading it in the comics continues at the same pace and makes it feel overwhelming.
It’s just that it simply doesn’t taste like anything…

This isn’t a thread for fighting with you.

It was interesting to watch casually on Nico Nico and such.

To be frank, it’s a clear example of something that has been certified as okay to criticize by otaku.

If the second season comes, I’m really looking forward to it.
With an attitude of not looking outside.

I wasn’t really expecting amazing quality in the first place, so I thought this is probably about what it is.
Can you predict something like that from the director?

The fact that Busuu’s swimsuit was featured in Megami Magazine was the funniest.

It’s like being told that the whole otaku community has certified something as okay to criticize!
Usually, it’s the person who says that who is the first to criticize.

I feel like customers drifted away and it became quiet before any certification for being able to hit was established.
Well, there was some commotion before and after, but…

Well, I’ve been saying this for quite a while, but I still get mistaken for Base!

Aside from the talk about that, the anime itself is about 40 points.
I get the feeling that some people might give it a 60 out of 100.

Honestly, the tempo was too bad.
It was tough to watch regardless of the director’s turmoil.

Is it crazy to judge the quality of a work based on others’ opinions rather than the content itself?

It seems that opinions that contain even a slight negative element are being labeled as 1 or 0, while discussing the idea of 1 or 0, 100, etc.

It’s probably just someone seeking attention with a rough topic, but since I have free time, I’ll pay attention to them.

When someone raises a question or expresses a negative opinion, it’s often those who want to suppress them.
That’s really extreme…

I think the tempo was just right.
Maybe it’s because I was watching while eating or drinking.

If I were to reproduce the tempo of the manga I imagine in an anime.
I think it would be extremely tiring to watch.

I quite like Akemi’s breasts because they were erotic in the anime.

I liked that you did a parody of the next episode preview for the Abel Legend.

It’s sad to think that no one who bought it is here, regardless of the opinions in this thread.

Is “Bus E” really a work to watch at such high speed…?

It turns out it wasn’t the real thing after all.

When I entered the shop, I was shocked to see that Akemi had just killed Mama, and I really questioned the decision to change that first impactful moment, but that was about the extent of my dissatisfaction.
But I thought if you’re going to include that later, you should have just shown the murder scene from the start.

I clearly have dissatisfaction with that particular episode.
There are also complaints about the coach.
Well, I suppose that’s fine…

Well, no matter how you defend it, the fact that the anime is disappointing and the original work was canceled doesn’t change, huh? Lol

There are quite a few bad things too.
That said, if I’m told to excessively speak badly about it or that there’s nothing good to see, I feel like saying, “Hold on a minute.”
A common type of work.

I liked the ED, but I feel like there was no reason to give the overall work a damp atmosphere.
I wanted the focus to be on the gags rather than prominently featuring the snacks.

What even is something that is okay to hit?

I thought it was terrible that Akemi-chan was told repeatedly, “You’re not the kind of considerate girl who would pour alcohol into an empty glass for others!”
I understand, but…

The original work of Bus Eizou seems to have a good tempo when you only look at a few cut-out panels, but when you read the entire original work, it’s not that well-paced, right?

What do you actually think the score for Anonymous is?
I’m not failing, but I’m not good enough to be praised, so I think it’s around 40 points.

I also liked it.
The voice actors were all doing a great job.

It was funny how I was being raped of my work by someone I had made a joke about in a comic.

If it were to be done in the style of high-speed dialogue, I definitely think it would become more delicate as a 30-minute anime.
It’s fine if it’s a 10-minute anime, but…

I wonder why we chose someone who behaves problematically like that from among so many directors…

If you want the tempo of the lines to be like in Teekyu, then just watch Teekyu, right?

I still feel that it would have been nice if Director Daichi had done it, but it’s something that is already in the past.

Hanchou was also heavily criticized online, but it was funny.

But I understand that the staff is a place of refuge for them to strike.

It was an anime with a lot of strange pauses.

Mr. Takahashi:
There are some overlapping points with what was just said, but as actors, I feel we gradually grasped the “essence of Buse” from the perspective that it “wasn’t actually a high-tension gag.”
On the contrary, were there people among the anime staff who belonged to the “high tension faction”?
The Ashina clan:
No, there isn’t.
I just say, “It’s not like that,” and that’s the end of it.
All together:
(Laughs).

I was dissatisfied that they hardly featured the crazy mob characters, which were also appealing.

It’s just a desire to attack an anonymous person!!

To begin with, it’s troublesome to be told that Bus E is a guaranteed laugh-out-loud work…
Bus, huh…?

>No.1317806284You can only force a wry smile at something like this.

Gag Manga Biyori has a small number of pages, so all the jokes are properly included from the beginning to the end, which makes it easier for unnamed readers to understand.

If it had been a 15-minute anime, it probably would have been quite different.

I think it’s unhealthy to perceive the criticism that much of what is being talked about is conveyed only through posted images as a hatred towards the anonymous.

It’s better for someone without a name to become a man who can self-deprecate like Morita.

I don’t really know, but what was wrong with the director?

If anything, longer texts are more often in responses criticizing anime…

I’ve stopped buying after volume 16, so I only know the later story from this thread here.
There are probably quite a few people like that who remain nameless.

Of all things, they’re trying to animate something as obscure as Bus E, so it must be made by someone who really loves the original work! I have high hopes!
I was thinking that.
I just liked someone who simply liked buses.

The voice acting was pretty fitting, so it’s not completely terrible, which makes it a bit confusing.

To be honest, it’s just the usual crappy anime from YanJan.
By the way, I laughed at the part where you sing about believing in your dreams.

It seems like an anime that spreads the goodness of snacks and bars through Bus E.

It’s a different tempo, but it’s fine as it is; however, if the tempo is different then it can’t be good! At that point, honestly, it just becomes a discussion on parallel lines.

When Re:Zero and Douhyou came out, it was so incomprehensible that I could only laugh.

The anime was interesting.
To be honest, the original work had a lot of ups and downs.

Is the director here?

It’s not talked about at all, but I really love the opening song.

Um… Do you really intend to manage the thread properly?

I feel like I understood everything about the director’s Flash era.