It was like this at a relatively early volume.
It feels like they were endlessly insulting each other for nearly 50 volumes.

Since I acknowledge that if I’m going to use someone else’s plate, it would only be this person’s… it’s surprisingly quite soft.

It’s not good that Tounin-kun is too frank.

The fact that Yozan and Shirou are a similar parent and child has been evident in various places since quite early on.
If anything, even in the first volume when Yōzan first appears, Shirō is already aware of it and expresses his self-loathing.

It’s not “hee” teacher!

Mr. Tangshan’s corner
Each one has its own movement and is interesting.

Substitute… Mr. Karasuyama’s piece is cute.
I didn’t know there was such a laid-back gag cut in Oishinbo.

After this, Yamaoka will also come to enjoy the excellent tempura rice bowl wrapped in the dish.

It’s interesting how Oyama skillfully gets the other party on board like this.

But the grumpy landlord is also a gag character…

Both the parent and child are good at handling Professor Tōjin.

I understand why Mr. Tōjin would say that they should reconcile…

The person who wants to create their own world, including plates and dishes, truly wouldn’t choose a substitute unless they acknowledge it.
It’s a bit of a strange way to put it, but I’m really dependent on my master.

There aren’t many people with whom Yōzan can be so dependent.

If Yamaoka’s mother hadn’t passed away early, it seems likely that things wouldn’t have turned so sour from the beginning.

Who is this rude old man?

I think the traffic accident episode in Yoyama is fitting for the final episode.
Well, the problem was that all the members of the gourmet club were too unreliable…

Although his skills are certainly impressive, it’s amazing that young Yuuzan became a disciple.

It was my fault for not considering my family and home; before being a potter, and before being a gourmet, I was human, and I wish I could have apologized somewhere.

It’s nice how Teacher Toujin smiles and sees off Oyama, who silently leaves after being questioned about deliberately having a rematch at the end of the cabbage showdown.
I like how in the anime, Shirou and Yuuzan are in different places but looking at the same night sky, adding a sense of reconciliation.

The reason might be that Yamaoka’s mother had an unusually peculiar fetish…

It’s my fault for spending my lifespan on doing a Yuzan training RTA.

Isn’t it pretty much like this from the beginning, where gourmet food and the son aren’t really connected?
It’s mostly because Shirou is being confrontational.

Yamaoka and Yuzan both show a tendency to rely on this person.

There are suspicions that Yamaoka’s mother only sees Shirou as a work of Yuuzan…

It’s a story based on the setting, but he’s a great person because he’s a disciple of Rosanjin, isn’t he, Sensei…

Honestly, it’s too sad for Yamaoka-san to be involved in the couple’s play.

In order to create an opportunity for Shiro to realize he is saying something wrong, I provoke him after hearing his mistake.
This dad is a bit too overly enthusiastic about education.

I’ve never read it, but Yuuzan was a potter…

As Ochiyo-san mentioned, it was because Yamaoka-san had some talent that we trained Oyama as well.
In that case, it’s only natural that the sense of aiming for the same plate is passed down.

To be honest, I think it’s fine to think of it as roughly doing the same things that Rosanjin does.

First of all, there’s a part of Yuuya that seems to love Yamaoka, where he throws the ultimate menu against the supreme menu.

While I smirk at Shirou being troubled by the difficult problem thrown at him…
Yūzan, who truly feels at a loss, snaps.

Even if the sense of taste is sharp in the first place,
If I hadn’t succeeded as an artist, I probably wouldn’t be pursuing the path of gourmet food.

Most of the works before Oishinbo had hardly any gags, right?

When the uncle, who had a passion for gourmet food, obtained money, time, and authority, there was only one thing to do…

When focusing only on Yamaoka and Yūzan, both of them, despite being clumsy, are trying to soften their attitudes and broaden their perspectives in order to come closer, but there are many instances where the situation gets complicated due to the noise from the outside, starting with Kurita.

Even though it’s Ultimate vs. Supreme, Oyama is giving advice from time to time.
And so, Shirou picks up the victory or draw.

It may seem like the main focus, but the gourmet club is just an extra to my main job…

I think there are aspects that I’m really dedicated to precisely because it’s a hobby.

Well, gourmets probably can’t do it unless they stabilize some kind of main profession…

If Yamauka can bow his head and bring in Oyama, it would be a big victory, the company president was saying.
It was rather better that the profit motives were clear regarding all that before the wedding.

If outsiders irresponsibly start to stir up what someone is troubled about alone, it will surely complicate things.

When Yamaoka, who was fed up with everything, went missing, there was a sense that no one even bothered to search for him, just jokingly saying, “What a useless guy.”

If it weren’t for the food-related issues, Yamaoka could have lived a relatively peaceful life.
Talent, personal mentality, and the environment did not allow it.

“You’re expelled! Get out!”It seems like we’ve had quite a number of these exchanges.

I completely forgot that I was a potter…

I wonder why major newspapers are all putting their heart and soul into gourmet battles…

You specialized in ceramics, calligraphy, and Japanese painting, right?

After volume 90, Chiyo became very affectionate and called Hirazawa, who is much younger than Shirou, by name as if he were her own son.
Shirou’s treatment became even more rough, which was quite vivid.

It seems like they’ve forgotten the circumstances under which the war started, having long passed the point where both companies could back down.

I think it has already established itself as a popular feature that appeals to newspaper readers.

The reason why they didn’t lift the ban even though the misunderstandings were cleared up and they were seriously about to expel someone!!
Since I don’t have any proper disciples after Yōzan, I was jealous of a young talent named Ryōzō, who not only has cooking skills but also incredible pottery talents.
That’s just way too low… Toujin-kun…

This flow is seriously interesting.

It’s definitely interesting to watch the regularly held ultra-luxurious cooking battle with zero reproducibility, fully mobilizing money, connections, and skills.

Dr. Tangshan’s young wife has recently started making tomato miso soup.

It’s just a small part of the company’s overall operations since it’s a feature in the cultural section.
I feel like the company heads are getting a bit too caught up in it…

Even though Yamauka is just a regular employee at a newspaper company and a salary thief, he usually spends so much money on food like that.
It seems like they are secretly selling off Tangshan ceramics.

I want to read the detailed episodes leading up to how Yōzan established his current position.

Since the confrontation is a magazine project by a third party, if you subscribe to the East-West newspaper, you’ll only be able to read things like the prefectural taste tour.

That parent and child are really in conflict, so they’re constantly provoking each other.
Aside from that, Shirou, if it stays like this, it’s going to be super embarrassing… I guess I should give a hint… there are times like that.

At first, Ryozo was smoking behind the kitchen, but before he knew it, he became a candidate to succeed Umitaka Yozan.

Shirou, that guy… (smirking)

Wasn’t the showdown about the Weekly Time and the taste tour a matter of the East-West Graph?