Well, the second part is completely the enemy.

It seems like Ryuk isn’t enjoying himself much in part 2, and it’s painful to see.

Can you really say that even after watching the final episode?

Once the existence of the notes is broken, it’s essentially over.

I can’t bring myself to like the back melody because it’s too lawless…

I’m disappointed by how easily the notebook was taken due to the sister’s abduction, showing a lack of strategy, and I dislike that Light is relying too much on people like Mikami, Demegawa, and Takada, making it feel like he’s not taking action himself.

I enjoyed it to some extent, but it’s kind of unnecessary.

Since it’s not ideal for a jump manga to end with Light’s victory at L’s death, the second part inevitably has to focus on how to kill Light, which makes it understandable that there’s nothing good about it.

Although it’s a low-risk stable method, if it becomes dangerous due to others’ actions, it’s just about cutting ties, and it doesn’t feel like there’s much thought put into it, making the work uninspiring.

It’s a work that relies on L, isn’t it?

If there was more charm in Neamelo, the impression might have been a bit different.

It was originally meant to end with a loss, but it was prolonged…

The reader is erotic, so change will come.

It feels like a bridge from part 2 to the final episode…

I like Nia for various reasons.
L was just too great in many ways…

In the scene where they are having a conversation during the heavy rain before L’s death, I thought, “Hmm, this is a good original animation.”
In the subsequent foot-wiping scene, I was like, “What is this?!”

The main reason for the moon’s defeat is not its susceptibility to provocation or its desire to declare victory, but the fact that it had to bring the existence of the notebook to the forefront.
Without this, Kira has endless strategies, and conversely, there are too few moves that can be played against Kira.
And if asked why I had to tear apart the notes, it’s 100% Misa and Rem’s fault.

I wonder why Deputy Kitamura was killed immediately.

Night Otter of the Tsukiyomi family… that happened.
My father is dying, my sister is going through such things, and my mother is standing by the table where the urn is placed.

I don’t remember anything about part 2 at all.
Part 1 was also just too interesting.

I like Akira’s sharp deletions in the anime.

Well, if you have resistance to provocation, then you’d be just too invincible, right, Kira?
At the point where the initial L bait was ignored, the countermeasure against Kira is doomed.

One unpleasant thing about the second part is that everyone seems to have a bad personality, as if it’s all about power and money!

In the end, I believe that Matsuda’s theory is correct.

Even if you suddenly talk about how Near and Mello could surpass L together…

Melo, are you dying at this timing!?

To be honest, I prefer the ending of the movie version.

Since both Shiro and Kuro died in Bakuman, I think that’s what it means.

The final battle of the movie was incredibly beautiful, and it felt like a clash of fate.

Well, the movie is a movie, and there are slight differences in the characters of Tsuki and L, which leads to that conclusion, so I feel like that’s a difficult point.

Actually, even if there is such a notebook, there shouldn’t be any elements that would get me caught.

The strategy to completely eliminate L, Watari, and Rem from a nearly reached suspect of Kira is too brilliant.

It seems that even if we don’t get caught up in the hype during Lind L. Taylor’s time, misa might do something that gets her caught, and the existence of the notebook could get revealed.

Giovanni will probably take about 18 pages overnight, but I think it will be tough.

There have been many blunders in the fight between the Japanese police, the KSP, and the mafia.
The fact that the moon is weak against conflicts between organizations and not very strong as a top leader may be a lacking part of its appeal.