I can’t take off my gloves!

The gloves won’t come off!!

I feel like I’m going to be crushed to death by a gate that looks like a shredder.

Gloves
I can’t take it off!

I can’t take off my gloves!!!

Mr. Can’t Take Off His Gloves!
Aren’t you Mr. Can’t Take Off Your Gloves!

Looking at it again, Rolling Arms has a nice design…

These guys were weak…

I also love the magician’s marionette Aquarius, inspired by Michele Soavi’s bird-headed killer thriller film “Aquarius.”

Looking back, it’s funny, but at the time, it was really scary to be in a place like this and almost die…

Yin-Yang! Treasure Keeper! Aquarius! They’re all nice designs, but the bald guy…

I know it’s odd to say this about a thread with such a confusing structure, but it’s way too risky for it not to come off, even without considering the hell of it.

I often think that it’s a difficult arm to put strength into.

I wonder why “Mr. Can’t Take Off His Gloves” became so popular…

I was wondering if there’s any point in letting a marionette shoot guns like in Gun of the Feather.
If we’re talking about letting someone shoot a big gun that they normally couldn’t, then it’s okay, and considering the original intended enemies for the marionette, it might actually be a relatively rational design?

It’s that thing where, just when you suddenly need to poop while working, it’s hard to take off your gloves…

The term “string puppet” is really cool.
It seems to be an old way of calling a marionette.

If we think of these guys as originating from Kuroga Village, the ridiculous gimmicks might originally be for automata.

I can’t take off my gloves! Brr brr!

I remember laughing a lot at the end-of-book bonus comic where the assistants were constantly asking, “How do you move such a big doll with that thread?” “The thread is loose, isn’t it?” “Have you thought about how it moves based on how many centimeters it moves?” “What material is it?” “This is going to get tangled, right?” and I was crying from it.

Isn’t the kidnapping group overwhelmingly stronger compared to the kill group?

It’s really stupid that the wealthy are breaking all the mechanical dolls in their internal fighting…

I was thinking what kind of gimmick it is to have Aquarius summon a rabbit with fangs from a top hat to attack and fight, but it seems quite effective against automata…

When I reread it, there are quite a few puppet users from the Kill ‘Em All group who have mysteriously died…

The kidnapping group is too strong with Theogoche and Grimoldi.
There are even things like the Gun of Feather, which has a gun attack and is the size of a toy, and characters like Dakudami who decapitate puppet masters—how is that even possible?

There’s no point in cherishing a puppet and manipulation skills if you don’t know what to use them for…

Well, I suppose the fact that Ashihana-san’s Pulcinella was broken before that is a handicap, but even if one more Pulcinella is added, it doesn’t really close the gap in power, does it…

My doll is the strongest.

A scene that comes to mind every time I can’t take off my gloves.

For some reason, Nakata was locally edited and posted a lot before and after the anime adaptation, but it didn’t actually become popular!!

I don’t understand how it’s moving with those spikes on the lower body.

Grimoldi-kun, who has been endlessly complained about for being so rigid from the past to the present.

I wonder how the doll that was fighting with Dakudami fights.

Why couldn’t you take off your gloves?

– Pulcinella (fighting with Amakusa and getting humbled)
– Yin and Yang (blown up according to the user in the Theogoche)
– Treasure Keeper (Teogoché, oh… my treasure…)
– Aquarius (engaged in battle with Grimoldi under Hazama’s command but was crushed)
– Rolling Arms (the gloves don’t come off, Mr. Purgatory)
– A shabby rotating robot of the zombie type (the user of Dakudamii loses with their neck and arms cut off).
“Wasn’t it good? The puppet of the Killers.”

The doll I designed… Hehehe… is the strongest!

There should have been someone who fell into the trap in the courtyard.

In the anime version, I love “Leave it to me and Rolling Arms!”
“I can’t take off the gloves! It’s a very intense performance and I’m quite satisfied.”
By the way, he was the voice of Mitsuki in BORUTO.

I won’t let you escape, Silver!

The kidnapper’s marionette has Grimoldi, Gun of Feather, Theogoche, Dakudamii, Babyloro, and Grissel on standby, up to Spade…

Aquarius seemed like it wouldn’t be bad with the battle of nails and the surprise attack of the hat-wearing rabbit.

The assistants have made a heartfelt design to make them shine in the manga.
You break it in a clumsy way.

If only the original Pulcinella were still around…!
“The club of Pulcinella can break through concrete in one hit! It’s settled!””W-what is this marionette’s power?!””H-help— dodge it, Pulcinella!!!””Pulcinella is like a baby… the level is just too different…” with many of Ms. Ashika’s cool and iconic lines, even the first Pulcinella rushed through the battlefield…!!

I liked Grisel’s outfit; it was really lewd.
It was subtly the key to the final escape.
Because of that, I’ve developed an unusual preference for high-leg costumes with a threads-eye design that makes hands look unusually big.

I just learned about the original concept of Aquarius for the first time…

I’m glad that Pluchinella No. 2 performed so coolly in the Sahara because the first model was such a mess…

Dakudami seems not to be very useful in doll battles.

A person whose character changed because their role changed due to the sense of live action often found in manga.

You really managed to survive all the way to the final battle and have a cool last moment, Amashika-san…

My doll is the strongest.

The end of trying to resolve everything alone when just one mistake could ruin everything is indeed questionable.

Well, I think after Asihana made a really small move and then smiled wryly while quickly leaving, there was already a sense of, “Huh? This guy isn’t just a pawn, is he?” So I believe it follows the established route.
That aside, the initial match has an extraordinary sense of being minor.

There is no predetermined course for a troubled manga spanning two volumes!

In the bonus comic at the end of the volume, I had the assistants come up with ideas for dolls, saying, “If there’s a good one, I might make it active!” while doing so.
I loved how you had that wicked smile, saying “I’ll destroy everything in the story and my idea is the strongest!”

What in the world is Grimoldi, who thrives in every situation while constantly changing its user?

It’s true that everything after volume 4 is definitely added later, but Amashika has already established and is actively developed as a character within the range of the first three volumes, so it’s not a matter of character change based on live performance.

The cause of Zonah disease has also been traced back to a platinum-made ultra-small automaton.
I guess they weren’t thinking about anything at first.

Asihana-san, who ended up with a disadvantageous role to convey the greatness of Arurukan to the readers.
This person is always getting stuck with unfavorable roles…

Grimoldi has a spinning blade hat for area attack, can bind both unarmed and armed opponents with both hands free, has mobility that ignores terrain in caterpillar form, can surprise with an extendable neck for increased reach, and possesses above average sturdiness and ease of handling, yet the threads are still quite stiff…