Well, calm down.

Don’t let it become a blast to your heart.

I am Blast, but who are you?

Two months later, there will normally be a blast, right?

Replies are blocked.

ONE is retweeting…

If you’re going to take a break after wrapping things up so roughly, then…
I wanted it to resume after a break earlier.

I seriously didn’t expect a two-month hiatus, so this is really enjoyable.

Well, I guess it’s fine.
Even if it’s serialized, it’s still as if it never happened.

I wonder where we’ll restart next.
I wish you would start over now that you’ve entered Shinzan.

I wonder if they are discussing various things as they start the Amami chapter.

In the Amaai chapter, Blast will be very active, so keep an eye out!

Are there really readers who seriously believe that Blast will disappear just because it’s being redrawn now?

Well, it’s almost certain that Blast will appear in the Amaimon arc.

If there’s a blast, then maybe the blue arc will be completely replaced with a different episode, like in Murata’s version.

It seems that all the parts I added on my own are becoming an issue…

Well, calm down.

I was only thinking about where to start redrawing, but now that I think about it, I had finished the village arc, and it was a good stopping point.

We don’t need to see this guy after the Garou Arc anymore…

The Blast arc is about to begin, right?

In the end, tell me what Duu came out for.

How are you? It starts again from here.

I wonder what Garou will do.
In the Young Jump version, there might be a sense of discomfort with accepting unreasonable scolding after being beaten without resistance, and the lines when the robot arrives might feel off too.

Oh
O

I want you to do the fourth 240 episodes.

It would be lonely if it got canceled, no matter what.

(Since we’ve finally finished the Blast Loop Hell, hurry up and draw the Amami arc already!)

I wonder how many hundreds more times I’ll reset.

Draw it as it is in the original work.

I didn’t know because I haven’t bought the standalone book, but it seems that Zero Pan still doesn’t have a save feature.
Well then, let’s go back that far.

It would have been enough to illustrate the original work with Murata’s drawings while skillfully incorporating something like King-san’s Raging Inferno Unmatched Wave Cannon.
The fact that the skillful feeling is not executed well is simply not good.

If you reread the beginning, you’ll understand that it’s really following the original closely.
Incredibly interesting.

It’s not that the original development is bad.
I just don’t want them to do original developments when they lack sense.

If you just take the character’s surface value at face value and draw, it will lead to contradictions later when it turns out to be something else.
From here on, some people are hopeless, right?

It’s a manga as if it were drawn by an anonymous artist.

I wonder how Amami will support Saitama.

It would have been better to just draw Blast as I wanted while sticking to the original work.

In the scene where Saitama says to Amaai, “You’re cool,” it also intervenes by agreeing with what Saitama-kun says.
I can bet the soul of Blast.

Who is this guy?

If I have to start over from when Tenjin appeared, I’m going to lose my mind.

Well, the fact that they’re just using characters that haven’t been explored deeply in the original work to create hype is already a bit much.
The way it’s served is brought straight from the American comics that Murata loves! It’s so over the top that it lacks charm.

By the way, once I start to be concerned about it, I can’t really think of Murata Saitama as Saitama anymore.
Last time’s “Oh no! I’ve had enough of this!” was the turning point.

It’s interesting, but the drawback of the ONE version was that the art was poor, and now by the latest chapters, it has become quite good.
The strengths of the Murata version are gradually diminishing.

To be honest, Blast seems like a character with a timing for appearance that would be quite challenging in the main story.

When I compared it to the original work, I really thought that the person who wrote this uncle probably had bad grades in Japanese.
Why do I get this kind of impression when reading this? It happens frequently, especially around Garou.

The character design in the original work isn’t erotic, but Murata’s version is erotic.
This place is big.

There’s still a possibility that ONE is submitting manuscripts, so I’m going around to “see.”
Being an anti must be tough.

I think this is a reasonable preparation period whether we rewrite from here or start a new chapter.
No matter how many times I redrew it, it ended up being a story that felt like it was drawn with a live sense, so I probably need to take some time to determine the direction of the story to some extent.

It’s rare to see such wandering creativity.
Having the physical strength and persistence to redraw is indeed an impressive thing, but…

If Saitama starts saying “Just do it already!” in the original work, I’ll completely believe the theory that ONE is still drawing the name.

It seems that the theory that ONE handed Murata the less interesting manuscript while moving forward with his own interesting work is, in a way, more plausible.

It’s a good opportunity, so just pretend it never happened with Zeropan.

I can’t say for sure that it’s being drawn without permission, so no comment.

Since it was already hinted that Amami is a monster with the scent of village bread, it has been passed by and smelled.
I can no longer expect the flavor of the original.

As expected, I stopped reading after the second blast.

I wonder if I was getting along well with Inagaki back in the days of Eyeshield.

Isn’t it enough already? Let’s just end it…

I only read the original work, so I don’t know what kind of character this old man is.
I know about the stuff that seems to transcend time and space because I saw it on the thread.

Is it possible that Mr. Murata is skilled at drawing but not good at drawing manga?

I think the fourth ninja chapter will start after the break.
Blast and Void are stationary.

Before the release of the Murata version, there is a possibility that ONE had reserved ideas that they were going to use, so if you want to purely enjoy the ONE version, it can be obstructed by the fact that it heavily anticipates those ideas.
But is the reverse import of Suiryuu something that can only be appreciated by reading the Murata version?

It’s not that all the future developments in the original work are foreshadowing; they’re just being revealed ahead of time.
I wonder if people who only read the village bread had no shocking developments while reading…
If it’s a fan-created manga, it’s fine to do whatever you want with the premise of spoilers, like alternate scenarios or anything else…

I wonder if the relationship between Kami and Blast was something they intended to use in the ONE version in the future.

A misaligned cannon also misaligns the way it reflects.
I thought that perhaps it would be better to charge ahead without reflecting at all, as it might result in less damage.
There will probably be fans who think, “This is that way, but it’s still good…”

(Come on, get along already)

The art is skillful, but I feel that it lacks tension and release as a manga and seems flat.

I felt that there were many rough and strange moments in the latter part of Aishi that made it somewhat disappointing.
Could it be that what happened wasn’t actually the fault of Richiro?
I couldn’t see it in Dr. STONE.

I really feel lonely without you, Blast.

You can say that as an illustrator, they are top-notch.

The single image I drew is amazing, but sometimes I feel that the action is a bit lacking.

After a year and a half, I finally thought the conversation was progressing, but it’s amazing that it’s still on hold.

The lines are neat and the artwork is beautiful in Murata’s version, but in terms of movement and the pacing of the manga, ONE’s version is quite engaging.

The most anticipated development in the Murata original was the chabudai.

If I use the white-boned manga artist WARN as a joke, the Murata version won’t progress.

Is ONE causing trouble for Mr. Murata again…?
Murata-sensei doesn’t need to do one-punch anymore, so let’s throw away ONE and draw other works.

It feels shallow that characters often have a sad past or reasons attached to them right away.

There were parts of the Garou arc that I found a bit lacking in the original, so I was able to accept the strange changes in Murata’s version, well… it’s just my personal opinion.
I started to think that Murata might be in trouble for resetting the ninja chapter over and over again.

It’s meaningless to give a preparation period to think about what to do with the Amami arc during the hiatus, since it’ll just be filled with blasts anyway.

Well, I really like “Calm Down.”

If we don’t categorize ONE as a bad guy, then it would just mean that Murata-sensei is making others’ manga boring by inserting original characters.

The postponement of the update disregards both the layer that has turned to seeking out terrible manga and the fans who genuinely support Murapan.
It would be amazing if it were a strategy.

Blast sacrificed the ninja arc and returned to his post (withdrew), so please don’t bring him out anymore.

I feel like the limit is approaching with the flood of prickly words in X’s reply section.

If you’re going to do it with the feeling that maybe the three revisions didn’t align with the original intent… then I could still understand it.
What is really going on with the fact that Sonifura’s opportunities are getting thinner as we change things?
Don’t play games about how to screw in the blast.

Since I’m going to redraw it anyway, it doesn’t matter whether I publish it or take a break.

I definitely think you enjoy mounting the flash every time it comes out.
How many times did you do it?

Are you planning to rewrite the ninja arc, or have you decided to properly revise the sweet arc?

The foreigners, who should be more reliable than the Japanese, are now more critical.

Even if the blast doesn’t come out, the recent character portrayals have diverged too much from the original work and it’s become terrible, so we need to take the time to review them again.

It has probably been said over 10,000 times, but I wonder what they are thinking by introducing Blast, which has been portrayed as a mystery from the very beginning in the original work, in such an incomplete manner.

The moment it was clearly stated that it would be rewritten at Mr. Murata’s intention, the power was already established…

The original work is really noisy, isn’t it…? I’ve seen quite a few people start reading the original work because of that, so in that sense, it might have had an effect.

Even the fans of the Murata version are giving up after repeated do-overs.

This is interesting! It’s like you’re completely betrayed by the emotions you felt, so for fans, the redo must be tough.

That’s enough, Murata.
Let’s go back to episode 240.

Isn’t it just that you’re simply leaving everything up to someone else?
No matter how you think about it, ONE is busy.

What if the thread image actually captures that exchange between Amai and Saitama?

If you increase characters that aren’t in the original work, there will inevitably be distortions.
It’s one thing if it’s completely original, but they are also adding two more characters to the original story.

Finally, Murata got fired, huh?

It seems like I’m in a state of fighting against not fans, but rather against anti-fans…
There should be a really simple way to make the haters quiet, though…

Before getting into whose intentions or what the outcome is,
I think that normally a redo would be quite tough on the person, but what’s most frightening is that I don’t sense that atmosphere at all.

To be frank, I want the person who did the animation for Versus to also work on One Punch.

Whether fans feel betrayed or not is quite irrelevant.
Simply rewinding means that I can see the future developments more slowly…

No matter how hard you try to defend it, you end up looking foolish with “Sorry, but let’s not do this after all, lol” three times.
The defense I see now is mostly along the lines of “Even though Mr. Murata has redrawn it multiple times, the antis are…”

With the original character version of Blast, the original character Void, the original character Anti-Demon Ninja, and the apparently killed Amahare girl Yuta, it’s hard to tell if this is still One Punch Man.

At least if there was a word like “I’ll try again for this reason…”

At least don’t get tired of the depiction of Flash and Sonic.
They are the main characters in this story.

It’s quite something to be criticized even in replies and quotes…

Rewriting is not allowed.
Alterations to the original work are not allowed.
Original characters overpowered is no good.
Simply being uninteresting is not good.
The emphasis on this area tends to vary quite a bit from person to person.

I only know of this and the “Yariman” manga from YanMaga for rewrites, but is there anything else?

Personally, I viewed it as completely different from the original work, so whether it has additions or if it deviates from what was written in the original is fine by me.
It’s simply too much rewriting for me to keep up, and the trust in the work as a whole has completely broken down.

If you’re going to redraw it, then make sure you properly go through the whole story.
Why are we developing the story based on the premise that something half-assed never happened?

After three redraws, I can only defend those who seem to want to be contrary and get attention with yet another postponement.

There is no benefit to the readers by doing it over and over again.

The deepening elements that were only done in the discarded world line are also carried over to the current run.
I seriously feel like I’m at my limit.

I was looking forward to Mr. Murata’s public o***y…

If it’s erased twice and the same chapter is drawn again for the third time, then…
I feel like there’s a mix of indifference, as if it’s just a “whatever, it’s a haphazard character setting I came up with.”

If I clumsily say, “This change has this kind of meaning!” and then get rolled back, it would be a huge embarrassment.
It seems that there are many people who have already experienced such situations multiple times.

It’s not surprising that the original creator ONE has become the concept creator ONE, given the discrepancies in the setting.

You’re not approaching your limit; you’re already at your limit.

Start by erasing this fake with a zero pan and go from there.

People who are following “Village Bread” without knowing the original work would definitely think, “Why are they rebooting this story for years…?” after looping through the ninja arc three times.

Neither fans, nor haters, nor the creator have gained anything in this past year.

Opinions from outside are not that unified.
It is necessary for Mr. Murata to have friends with very ordinary sensibilities, like friends of ten years who can casually show him their names.

The blast is standing out negatively, but the real turning point is the ending of the Garou arc…

As long as they show powerful art that speaks through their drawing skills while following the original work, that’s all that matters…