It was a typical/in-character topic.

Usuta has improved in drawing, but Masuda hasn’t changed much, so it seems he was already at the finished form from the beginning.

I was thinking about it the other day while taking a bath.

This person seems to really like fantasy, doesn’t he?

Ono… is probably saying “Enough!” in the bathroom.

I can’t forget the character name “Masticatory Pavilion Vomit.”

The dark attribute seems to have some intense effects.

The phenomenon where the top-ranking gag manga artists from that era suddenly become too skilled has been happening since the time of Hisashi Eguchi.

I wonder what that is…?

The people from Bobobo were getting better, and the people from Inachu and Gorilaman were also getting better.

The people at Agogen were getting better too, what was that all about?

There is no rule that a villain cannot be of light attribute.

The reason why the demon side had the holy sword is quite valid.

Hero, you…

In the final stage, the enemy tribe is unified, and a specific attribute bears the sorrow – a common trope in RPGs.

Well, a cursed dungeon is bound to have a cursed sword, right?

It’s quite a nice situation when the opponent has the holy sword and the ally has the cursed sword.

It’s quite common for equipment found in dungeons that has high attack power to look somewhat evil…

A female soldier who does not faint despite being hit in the neck.

I thought it was an old work, but it’s still ongoing…?

Everyone’s lifespan is short.

The original art style looked like scattered eraser shavings, so there’s no doubt that I’ve improved since then.

Wasn’t Usuta at an art university? When I looked it up, it turned out to be a high school art course.

The author of Bobobo can really draw beautiful girls well now…

I suddenly wondered why Matsui Yusei has always had a subtle feeling about him.

Maybe you’re not intentionally breaking it, right?

On the contrary, since there’s no fixed worldview and anything goes, I feel like the time when Gag Manga Biyori comes to an end will be when they’ve finally run out of material.

Just when you think they’ve run out of great figures to reference, new works keep coming out, and it’s truly amazing that even veterans like Taishi and Basho can still create new material.

Well, the hero uses the Sword of Destruction…

Even though I’ve been drawing delicate illustrations all this time, they’re making it into an anime for the third time in a row…

I remember that it was said somewhere before that the final episode of Hiyori was planned to be about Basho, but I wonder if that hasn’t changed.

I wonder if this is really going to end…

This person is also a talented manga artist, right?

Evil equipment and cursed gear are often found in the Demon King’s castle or the final dungeon.

Unless it’s extremely severe, I’ll keep older equipment as a collection without wasting it…

It feels like Professor Matsui is making incredibly skillful use of the assistants.

The spring of ideas never runs dry, it’s amazing…

Masuda-sensei has a subtle sense of struggling with mental issues, which occasionally seeps into their manga.

Some percentage of pure gag manga artists, who have a high focus on gags, mysteriously become quite skilled at something.

People in comedy or those with other elements often have the impression that it’s not usually the case.

Masashi Ueda has the talent to infinitely expand on simple ideas.

The Sawai and Matsui masters are both graduates of art university, so I suppose that’s why they have that kind of flair.

Just being able to draw good or beautiful pictures doesn’t necessarily make it interesting.

It would be best if the style matches the artwork and can be drawn consistently.

I have a strong impression that the character is particularly popular with female fans.

Yusei Matsui seems not to be very concerned about the skill or beauty of his illustrations.

It seems like they prioritize eye-catching fun with a focus on impact, as if they value flair… I wonder if this comes from their mentor.

There were times when I was serializing a new work alongside Gag Manga Biyori, but the sales and buzz were lackluster and it ended quickly.

As long as I’m allowed to write Gag Manga Biyori, I’ll definitely keep writing it.

Has Usuta been drawing anything recently?

I liked the Greek mythology stuff, but to be honest, I also thought it wasn’t much different from Gag Manga Biyori.

Even if the attack power is high, isn’t it the type that gets debuffed or something?

The fixed worldview of Greek mythology ended relatively quickly.

It’s interesting, but…

But it’s good because this person did this drawing.

The sword that makes the little penis go limp.

It may be rude to say this, but this kind of drawing is just right.

I have a memory of feeling oddly convinced by the impression that the handsome squad, which disappeared just as meaninglessly because it hasn’t even been turned into a series until it became interesting, was a failure of serialization for this person.

The original work was interesting, but it definitely had a different flavor.

I love handsome guy groups.

There have always been hits and misses, but it hasn’t really deteriorated over time…

I think the most amazing thing about Kosuke Masuda is his health.

That was a scary episode.

The old witch’s magic has some kind of Black Clover vibe.

I have a memory of the surreal and scary thing where the cat’s abs moved.

The scene where the demon king is watching with his finger in his mouth was really bad.

I’m glad I didn’t see you on the train tomorrow morning.

You love fallen former holy knights and nameless characters, right?

The other day, there was a mahjong episode in an anime, and it was really fun.

There are people who sometimes say that Kōsuke Masuda’s drawing skills haven’t improved at all.

Maintaining this style is really impressive.

I think the best masterpiece of fantasy is the story of a hero who gradually transforms into a monstrous being.

It’s funny, but at the same time, I feel sadness and horror.

Compared to the very early days, I have improved.

It’s a hairstyle like Mahat.

The only people who can continue for decades while maintaining the quality of their gags are this person and Akimoto-sensei, right?

The skill and beauty of manga art are separate things.

If you’re consistently producing things that match your style, then that’s skillful.

I never thought I would see a mahjong episode in an anime.

I also like the title retrieval in Hirata’s world.

The new anime is just as enjoyable as it was back then, and I highly recommend it.

It’s a mystery why they were airing the new recording of “The Narrow Road to the Deep North” along with the same one.

Huh!? You want to be a manga artist even though you’re bad at drawing!?

It’s already been accepted as a style, so if I get better from here, it would turn into a different piece…

I laughed when I heard that Kousuke Masuda is working hard to not get better at drawing.

Don’t act like a gag manga in real life.

For now, equipping cursed gear around the middle stages is definitely going to be strong, right?

Echoes were pretty good, weren’t they?

Sometimes, when there are gags with a style different from the usual, like in American comics, it shows that the artist has skill.

In terms of perfectly expressing the worldview, it’s extremely skilled at drawing.

Ride the trend and please draw a villainess next time.