I was hit again.

Should I get a new boyfriend for the losing heroine?

Don’t use a valid argument as a pretext.

On the contrary, if I were to ruin things with the girl I like here, I think she would say “hmm?” while saying various things, and if I follow the losing heroine, she might forgive me.

As I thought, it’s Kimi no Nawa…!

So what kind of development should I have after I flirt with my junior here…?

>>8

Don’t even date in the first place.

One of them dies while protecting the protagonist from the terrorist.

I thought it was a love triangle, but it seems unlikely for another heroine to come in and take everything away.

>>13

Did everyone really agree with that?

Not based on logic, but on emotion.

>>27

She’s really a great woman, and if Shinji-kun is happy, then I guess that’s good…

>>27

I was fairly convinced.

My first impression is that it’s a lucky pervert event where someone drops down from the school roof with a parachute.

The guidance that Kaji provided during Zeruel was led by Mari.

Even with breaks or shin, Mari was coming at key points.

From Shinji’s perspective, it’s just not even a competition between Rei, who is a clone of his mother, and Asuka, who is only throwing a hysterical fit.

>>27

Huh, I always felt like it wasn’t Rey.

More than that, I was strongly feeling like “it’s finally over…” so I couldn’t focus on the coupling at all.

>>27

Shinji and Asuka are fundamentally incompatible, and Kensuke has grown up to the point where he would be too good for Asuka, so I understood.

>>11

I know about the one where the author with a completely halfway participation loaded the heroine with their fetishes and took over the protagonist.

The main heroine number 1 was taken by the handsome rival, leaving the tsundere with nowhere to go.

It’s a foul because I’m acting out against the two who came here…

It’s unfortunate that Mayumi can’t get it off.

A harem that protects all the heroines and ensures their happiness with strength and capability does not make anyone unhappy and might surprisingly be a well-rounded landing point.

I thought that was a love triangle, but a harem could easily turn into a joke.

Isn’t this the worst route where KuSubitch and Minako are insulted by the readers, the protagonist is condemned, and readers sympathize with Mayumi, leading to a huge drop in the work’s evaluation for correctly not getting involved with such scum?

Are there works where a character ends up going back to their true love after dating someone else?

>>18

My Little Sister

>>18

Maison

There is room to judge that they are not in a relationship.

>>23

We may not have had a physical relationship, but we were still dating, right?

There are more annoying readers now, aren’t there?

Ittō will be on the next page…

Let’s go with the School Days route.

It’s a light novel, but I feel like it was similar to the thread picture because it mentions something about a literary girl.

>>24

Many people got really angry and said, “Don’t joke around!”

Moreover, even after losing, they meticulously depict the side that lost, which makes the portrayal of heartbreak seem just fine…!

The terrible thing about this is

This guy is just turning his episodes with the women he’s actually dating in real life into a manga, so he’s really trash.

I can’t remember clearly, but wasn’t “Miyuki” something like this?

Well then, let’s have the losers of the heroine battle die by their bodies exploding.

Strawberry 100%… is a little different, I guess.

If you do this, you really have to do it well, or the protagonist’s likability will drop quite a bit, right?

In old manga, it’s often the case that one of the characters has to die for the story to be resolved, so they end up killing someone.

It seems that fans had memories like this atmosphere in Kimagure Orange Road.

>>35

That story obviously has no other flow than for the protagonist to get together with Ayukawa.

I felt like I didn’t know what to do because Hikaru-chan was just too good of a child…

Understood! I will complete the heroine’s separate if route!

Choosing the third heroine who comes later rather than the original two heroines makes me think of Ar Tonelico.

In a love triangle, aside from one dying or both marrying.

I wonder if there are any works that depict the correct answer.

It seems like I’ve somehow come to terms with it within myself, even though I was convinced by my emotions.

If it’s Eva, then making Kaji a lolicon and pairing him with Asuka will be fine.

It’s natural that the new Eva doesn’t pair Asuka with anyone.

It felt like this just before I started dating Komi-san…

I don’t know what it’s like now.

>>60

I stopped reading because of that.

Was that development necessary after that?

>>60

The old Eva’s Asuka is

Suika, who misinterprets her longing from a lack of paternal affection as romantic feelings.

It felt like Shinji was someone from the same generation with whom I inevitably had to be conscious of sharing my private life.

The new Evangelion has restrained that aspect quite a bit, and Mari was making moves on Shin-chan here and there.

It doesn’t feel too unreasonable.

The thread image is definitely you… based on facts… but I won’t forgive that! It’s like a gag ending, right?

I understand the reasoning, but is this actually interesting? It’s something that comes up from time to time, right?

Miyuki?

The phrase “pitiful fiction” strangely lingers in my mind.

Eva thinks that if everyone is living happily, it doesn’t matter anymore whether they get together or not.

The magician’s academy is connected not with the main character’s close relationship with the girls but with the occasional classmate who shows up.

In the end, it’s better to either make everyone happy or decisively break it off and settle things.

In other words, it’s 100 Kano and the Fluctuating Mansion.

>>59

If it were the latter, I would actually prefer “I”.

I think they are among the top five most sincere and likable romantic comedy protagonists.

If Mari comes out while Asuka and Rei aren’t doing any heroine moves at all, it’s only natural that it would be like that.

It usually doesn’t turn out this way.

Mayumi risks her life to save the protagonist and the main heroine, and dies.

Someone who can happily talk about this development actually has the qualities to draw a romance manga.

In nonfiction, that can happen!

But that’s precisely why it’s not satisfying!

Doing that in fiction leads to shame.

Even the readers are healthy until they become impatient.

People who are excitedly getting into the heroine race are crazy.

Getting together with the heroine who joined halfway.

After the series ended, if about five doujin related to the subsequent story were released, I would feel like I already understand everything.

I guess there’s no choice but to die…

Either the heroine or the protagonist…!

>>70

Let’s kill everyone.

>>70

Honestly, it seems dishonest for the author to have the remaining one stick together just because the other one died.

I totally get it, but do you really need to use a whole two-page spread to hit that point!?

>>71

It’s from Professor Shimamoto’s manga, so it’s understandable since it’s from quite a long time ago when they were much younger.

Isn’t it nearly 30 years ago?

It seems like “Kanojo, Okarishimasu” (Rent-A-Girlfriend) will turn out like this.

That’s why I’m not good at heroins in horse racing-themed romantic comedies.

After all, in the end, 90% of the heroines will end up in tears.

After this, the teacher, who was told about the real problem, hits harder.

Eva takes too long from the first time seeing each character to the conclusion, making it not helpful.

Even Makinami appeared in “Rebuild” and it took 12 years to reach the conclusion with Shin.

In other words, this is it.

But having a harem…

>>80

It’s still better.

>>80

That’s fine by me.

However, as a premise, if the protagonist is this guy, I trust that he can carry that much burden.

To be honest, I really don’t understand Mari’s setting…

It’s fine if this is a story I portray as interesting, but since it’s just a story that affirms my troubled self in reality with a happy ending, I feel like I would be criticized.

>>82

Well, at the stage when I hit them, the teacher didn’t know.

Huh? Wait! Is this a true story!? I’m confused.

In the end, it’s just that they lack the talent to create valleys and mountains in the story, so they’re resorting to introducing easy rivals.

In the case of a harem, I think the impression would change if there are titles or systems that affirm the harem within the story.

Isn’t it too big for Eva to be in a situation like this where she’s not supposed to be dealing with romance?

Since everyone was a child, it makes sense to date someone different from back then.

On top of that, hit me once more.

Don’t just give an easy answer in a manga for things you don’t even know how to handle yourself! You’ll get punched for that!

Moreover, it’s ridiculous to be scolded for having a happy ending that’s convenient for me!

It’s amazing that they got Asuka and Kensuke together, even if it’s through Shinji.

I was surprised at how easily I accepted myself without any discomfort.

>>91

It’s amazing even though we don’t have any connections.

>>92

To be honest, the grown-up Kensuke and Touji are completely different people.

It gives the impression of just being a new character that suddenly appeared and got paired up, like in a typical Final Fantasy.

I like those where there is a clearly established main wife even in a harem, and the harem situation is created by the main wife’s generosity.

40% of the reason why Maison Ikkoku feels uncomfortable is this.

I guess it’s because there’s some kind of build-up between Asuka and Kensuke, even though Shinji-kun was just left behind.

How many days were Shinji and Asuka together?

After the turmoil in Q, with Shin being introduced, everyone had lost interest in the heroine and it didn’t matter anymore…

In relation to Shin Eva, it’s significant that there aren’t any decent adults around, and that the former classmates have grown into reliable adults who care for the protagonists. Also, Asuka has probably been involved with Shin for a longer time now.

>>88

If the fact that Lunamaria is portrayed as Shin’s girlfriend in the Gundam movie had been revealed earlier, I think it would have caused a huge uproar.

Asuka and Kensuke got quite rowdy, and I feel like they would have been even rowdier if the intervals between the movies had been shorter.

Well, I don’t think it’s unnatural to get close.

>>102

Well, a man’s change of heart is natural, but the question is how it fits into the story…

>>102

Don’t leave the protagonist and the audience hanging for 10 years in the first place.

>>105

It has been 20 years since the old play…

>>102

I was confused at first when I was attacked in a town where only I was missing.

Rather, even if the discussion is about whether Asuka and Shinji get together, it doesn’t really matter…

>>104

But I can’t imagine you getting together with Mari!

I sometimes see works where a brave and dedicated heroine can’t just be paired with the protagonist, but if she is treated poorly, it makes the protagonist look bad, so they reluctantly end up killing her off…

That’s why the heroine who got rejected has started to reincarnate in another world…

Shin and Lunamaria were quite turbulent during the original broadcast.

It wasn’t so much that I disliked it or anything, but it felt like the enemy was just trying to handle things haphazardly.

Somehow, from there, the conversation expanded with things like Super Robot Wars and so on.

My position has changed, but…

>>109

In other words, Shin Luna ended up in a special pattern where the person inside got together with someone, and that’s why everyone was satisfied.

If Eva doesn’t accept Shin, a troublesome hell will continue forever.

>>111

Q was already hell, wasn’t it?

What is Q? Explain it.

>>113

There was a premise that Q would be explained next…

Whoa… the next one is taking too long…

Of course it’s a happy ending!

There have been various things.

In the end, we’ll have a 3P and hold a pregnancy festival!

Since it would cause friction if the protagonist were to do it, let the losing heroine say goodbye instead.

I feel like there was, but I can’t think of a specific example…

I think it was significant that Shikinami made Shinji feel the time they spent apart with Q.

Speaking of which, Kensuke and Toji have been apart for a longer time.

I think if Kensuke and Asuka had gotten together during the old movie, it would have turned into something even more hellish.

It’s interesting that Eva settled for a bright girl with a big chest instead of a delicate and pretty one.

It’s strangely vivid, or rather…

In erotic games, a harem is fine, but occasionally there are heroines who aren’t saved in the harem route.

I must insist on the trolley.

Well, there are parts where I think, “Oh, that’s right,” when I’m told that Asuka isn’t really a heroine or anything like that.

There are parts that are quite understandable.

A clone of my mother is not good, so I’m hesitant, but it’s got to be Asuka.

Those who carry trauma can only lick each other’s wounds.

Why is a third woman suddenly showing up?

>>121

That is not Shinji-kun’s because of the viewers’ convenience…

Mari was completely surprised because she never considered herself to be a participant in the race!

First of all, there weren’t many fans asking for an official answer on who the protagonist would be paired with in Eva, as everyone was enjoying it in their own way, and then suddenly KenAsu and ShinMari were thrown in.

The reason is that it wasn’t interesting because they were dating in a place where everyone didn’t know, and it was also unnecessary for the flow of the conversation.

With this, it’s the end of Eva! It’s over! The reason for the negative reception is that the coupling felt forcibly inserted into the flow. If only they had depicted it properly, or if people are asking who should have ended up with whom, then I’d say it would have been better not to do it from the beginning.

>>124

Wow! What a troublesome Eva otaku…!!

But I really understood that it’s neither Rei nor Asuka who can make Shin-chan happy.

That’s exactly the kind of girl who can make Shin-chan happy, someone who wasn’t in the old play.

First, if the work with a worldview prior to romance can survive, that would be happy.

What should I do if it actually turns out like the thread image?

After being turned down by Minako and Mayumi, I should grow as a man and then it would be okay to date one of them again.

>>127

Minako comforts the protagonist, who is heartbroken over Mayumi’s death in battle.

Things that I cannot do anything about within myself.

Don’t add a careless ending to the work!!

Professor Shimamoto’s manga is really good!

The one who broke up will also do fine and be happy in their own way.

Is there an original source for the image in the thread?

>>132

Embellishment of the assistant’s personal experience.

The fiery Onyu-sensei from the time of “Moeyo Pen” has quite a different direction compared to “Hoero.”

I never imagined Shinmari at all, but they really do suit each other… It’s such a strange feeling.

To be frank, I don’t think anyone really cares about who Shinji ends up with.

>>139

Since it’s content that I’ve chased after, I’m curious about the ending!

>>143

That’s not the punchline or anything…

Regardless of the outcome, I’ve done three movies by then, so in the meantime…

“You should at least make it so that it comes into consideration.”

It’s worse to continue dating when your feelings for Mayumi are no longer there.

Mari was certainly surprised, but strangely enough, she was able to accept it.

I feel like Asuka is also glad about it.

If it’s not with Sōryū, then hold on a bit, but if it’s Shikinami, then well…

In the theater, all I could think about was, “Is Eva going to end!? Is it going to end!?” so the partner Shinji ends up with felt like “Oh, okay, whatever.”

>>146

I don’t really understand the main storyline, but it’s after the part where it ends and there’s a conclusion to the story between Shinji and Gendo…

In the end, when Mari came, it was like… I’m glad for you… with that kind of vibe.

I heard that Touch is about a story like this.

>>147

Touch originally refers to the “baton touch,” so it’s a story about passing the baton after the younger brother dies; what else is there?

>>147

Everyone was just teasing, but Minami has always liked Tatsuya, and Kazuya understands that Tatsuya has been stubborn.

Shikinami’s violence is no laughing matter…

Isn’t it better to make it a parallel world?

Should I let the losing heroine die so it doesn’t become troublesome?

I feel like there’s a vibe that creators tend to avoid pairing existing characters in sequels that have a long gap.

I asked what would happen, and they said it would be a happy ending, so I guess throwing everything away is why it’s called a pathetic fiction…

It feels like there are plenty of developments like this in shoujo manga, but do boys dislike them?

>>156

There are few works in shonen manga that have love as a main theme.

>>156

In a shojo manga, there would be a scene where Mayumi is discarded, and afterward, they would probably depict a dragged-out drama.

I threw it away! Happy ending! I’m getting scolded because I’m neglecting the troublesome aftermath.

Like in Beastars, our hearts were in love with each other, but due to family circumstances, we ended up in a cold political marriage… However, the partner also accepted the arranged marriage, and although they don’t love each other, they are making efforts to build a good relationship, and their hearts are gradually starting to move… something like that feels just right.

Even if it’s fiction, it went viral with other people’s inside jokes and exposé stories in the manga.

What kind of face does the author have to draw such a manga?

>>159

When I was drawing with the burning pen, I wasn’t drawing things like that.

In novels, when it becomes a harem, it makes me sad to see all the once-attractive characters become bland.

>>164

Many times, when roles are divided evenly, the sense of self disappears.

Well, what’s the right way to handle this?

I feel like I’m being led down the path of walking alone after breaking up with both.

Is there really only a successful example of a romantic comedy centered around the duration of a relationship like “Ah! My Goddess” and “Ai Yori Aoshi”?

It would be good to write a Mayumi side story and have a positive ending.

The one you often see in magazines!

After all, magazines are no good… It’s Sunday, it’s Sunday.

>>169

Let’s increase the number of heroines in Silver Spoon and create a love triangle!

I thought it was a bit unfair that it was Kozue-chan who did the rejecting instead of Godai-kun.

>>170

Well, it definitely won’t look like a beautiful ending coming from Godai-kun…

>>170

It’s at a timing where the heroine, who hasn’t appeared for a while, has lost all connections and is practically fading away.

It felt like just a simple re-confirmation for both of us.

I thought this felt familiar.

I feel like the original Tokyo Love Story was like this.

>>171

Country folks can only accept Rika’s overwhelming love among themselves; it was a good ending where only their own child could do so.

You should definitely set up a heroine while progressing through one story, and once it reaches a certain point, just send the main character flying, exiled, or have their memory erased, and then jump to the next heroine’s location.

At this point, it really is best for everyone to die, isn’t it?

Like in School Days.

In other words, they’re getting angry because they’re not even sincerely facing the protagonist, let alone Mayumi!

Furthermore, if it becomes something that concerns me, isn’t that even worse?!

Shima Kosaku is popular.

If you want to manage a love triangle well.

Maybe it’s fine to just kill someone in a traffic accident?

>>179

It’s not an accidental death, but a death from illness, yet in April there is your lie.

Honestly, I feel that the love triangle hasn’t been fully depicted, and I can’t accept that.

>>183

That was never even a match for the other party to begin with.

Love triangles are said to be a staple of Korean dramas.

The pleasure of the depiction of hitting this time is amazing.

A powerful punch that feels this refreshing is hard to come by.

As a reader, I tend to like heroines who straightforwardly show affection for the protagonist.

As the protagonist continues to feel lost, it turns into a doubt of “Why am I in love with this loser…?”

>>184

To avoid that, the protagonist becomes insensitive and hard of hearing.

I think only the Asuka fans are still complaining about Ever.

>>187

It’s crazy that there are still otaku who talk about Rei and Asuka factions.

>>191

Among them, it’s interesting that those who identify as the Rei faction are accepting, while those who identify as the Asuka faction, including the people behind it, are getting really angry.

Come to think of it, I saw that somewhere before.

Characters popular with women are protagonists who stick to themselves at all times.

The popular characters among men are protagonists who take responsibility no matter the situation.

It might be that the influence of that aspect makes it difficult for the same love triangle to be accepted in boys’ manga and girls’ manga.

>>188

In other words, it’s Shishio Makoto.

In a love triangle, it’s not that I like that person more! It’s that I like you, but it’s not romantic! The way true tears carefully reflect on these feelings and give them names to sort them out is great.