There’s too much information, and I can’t take it in!

Don’t just reduce the damage on your own.

I’ll decide whether there’s too much information for me to process or not.

It’s frustrating that there are several pages of fighting games starting from the color page.

Before explaining the situation of Sam 8, it is first necessary to understand the evaluation of Sam 8 at that time.

It will take a little longer.

I have lost my wealth.

Reading Samu 8 makes me want to eat katsudon and udon.

Can I try reading it too? Koki…

Only the hill remains.

That’s great… so… what good does that do!

Rarely, I feel like I want to reread it for the sake of confirmation, but just remembering the vague story at the beginning makes me feel frustrated.

Stop the combo.

Is this still available for purchase in stores?

Isn’t it better to browse at Book Off than to read at a manga cafe?

It’s such a waste to lose time and money at the same time.

Reading it all together is quite interesting.

At least it wasn’t a waste of time.

Sneak sneak

It’s not that there’s a lot of information, but rather that it’s convoluted and hard to grasp.

I still lack spiritual insight.

It was often found in internet cafes.

I have packed in all the know-how from Naruto.

It will provide a more intense reading experience than finishing Naruto.

If you push the works of Naoshi Kishimoto in comic cafes across the country, you can sell around 10,000 copies.

I’m curious about how the translation turned out since the meaning of “key” has so many interpretations.

Is it that this is an essential item for the GW bulletin board that pairs with Zaosaga…?

The opening scene of the first episode depicted the subplot of the cube space revealed by the final episode, as well as the △ space that ended without ever appearing.

I remembered that Taka and the others were analyzing it.

It’s a manga that packs all of Naruto’s know-how into it.

Do you really go to a net cafe just to look at this kind of manga?

Isn’t it a waste of time?

It is a manga where all of Naruto’s know-how was thrown in, and no one was there to stop it.

Are you going to die in an explosion?

It doesn’t make sense.

As rumored, it’s a good thread; I’ll follow along!

I somehow started to see the picture of the conversation.

>ｺｿｺｿ

!

What are you sneaking around doing!?

It’s frustrating to keep stumbling over the details, like the difference between samurai and bushi.

The level at which Gag’s Hibi no Yumeno Kakera is referred to as the better option.

It seems that at the same time the serialization was decided, the project for the anime adaptation was also planned.

Although the content would normally be cut off after volume 2, it continues on to volume 5 thanks to the power of a big name.

You won’t understand unless you also look at the manga report on rice balls.

The supplementary reader on onigiri can be read in electronic format anytime, which is appreciated, isn’t it?

Huh?

There are also five volumes of this.

I wish Sam 8 would be released for free like Zao Saga.

If you think you lost, then you lost.

If you’re out-argued, you lose.

If you apologize, you’ve lost.

A work with depth that regularly generates threads.

I don’t think they would have it unless it’s a relatively large place.

I don’t particularly want to read it again, though.

I wished they would at least release up to volume 8.

Is there really no chance for Okubo-kun, whom Dr. Kishimoto was pushing so hard, with just one out?

I don’t really understand at all, but let’s say about 10 volumes. They also said “around 15 volumes” for ‘NARUTO’, and look what happened, so it will probably get extended anyway (laughs).

I was a bit surprised that it felt like the final episode was just like Hamamaru-kun.

I wonder if there are katsudon dishes at the internet café.

It’s strange to release a lackluster screen for the sake of doing infinity.

If it were made into an anime, it would have become a perfect work to watch while teasing and joking.

Isn’t it hard to read manga alone?

It’s quite something to be confident that a series will be canceled by the first page.

The information is abundant, or rather, the explanations are unnecessarily lengthy and presented in bits, making it confusing.

The final episode’s jump end comments and the week before didn’t have any comments from the original author, so it became a work by Eihachi.

It’s despairing that the princess is a samurai’s cooking support, yet it’s a popular job that has a narrow entrance and specialized schools.

The women in that world seem to have a very low status.

Thanks to Samuhachi, Gintama has been re-evaluated as a science fiction work.

I know that the princess’s freckles are a bit out of place, but I like them for their rustic charm.

?

Princess ↔ Keychain

It seems that in the end, Ann was also supposed to become a samurai, so there may have been a theme of breaking away from being a cooking woman.

A work that taught me the importance of being able to correct or be a stopper in editing.

Samurai 8 was inspired by a scene of conversation among the protagonists in the anime film “AKIRA” set in a prison.

It seems that the ghost boy has been decided to be made into toys and an anime by Bandai and Toei.

Before the serialization

By the way, I remembered there was an LGBT section or something.

It seems like I want to name him Momotaro and make him look like Kintaro…

The protagonist and the heroine are too plain.

Speaking of which, I feel like the War God was endlessly preaching about what it means to be a samurai.

Isn’t he not touching on the Trinity at all?

I’m not exaggerating; it was really available in bookstores all over the country.

There was a free booklet of the first chapter included with the Jump manga volume.

The explanation barrage in the first few pages is completely reminiscent of Final Fantasy, making me laugh.

Why is a serious professional writing content that’s at the same level as a joke criticized for being overly explanatory?!

I want to say “as expected,” but it really is as expected.

When I hear someone talking about an amazing existence in a vague way, this manga comes to mind.

I think the painting is good.

It was already a time of paper shortage, and on top of that, this was being printed in large quantities, making other manga scarce, which is the worst.

If you introduce a character who seems to know everything (or almost everything), it would lead to all the answers being checked, so they can only say vague things! You see that in various works of fiction, right?

Every time, I remember Sam 8.

As a bad example manga, the quality is high.

The artwork lacks impact, the development is slow, the characters are unappealing, and the setting is hard to understand; it’s making all the mistakes that young manga creators tend to make.

Wasn’t it serialized simultaneously with Taipaku?

It really comes across that they’re doing the uninteresting parts of NARUTO just how they want to.

Since it was being heavily promoted at the station even before the serialization started, it must be a project that the editor-in-chief is really invested in.

I’m excited from the first page!

It later appeared that the princess could switch her contract with the samurai, which had no benefits for her initially.

It’s not just limited to Sam 8, but when a story lists settings and proper nouns in a row from the beginning, it often ends up being a poor work.

Because it does not consider the readers or players at all.

The madness relay begins with the end of Sam 8 and the start of Tai Paku.

I feel like I’ve been making a big fuss every week since Monday morning…

It’s a relay of Witch Protection, right? 8 Taipaku.

If Okubo-kun doesn’t have a next work, this will become his representative piece…

One of the most tumultuous periods in the history of Weekly Shonen Jump.

Standard type is

It depends on how you look at it.

and

Half of it is true, it hurts to hear.

I only know that.

It’s the manga you drew…

I remember that I reached my limit and stopped reading because something about Taipaku involved carrying a cross.

It’s the star where Inu Hachi is… I think it’s the most sadistic line in the story.

There’s no need to say it.

I guess I really like Yamato Yamamoto.

I remember well that Taipaku started around the same time as Demon Slayer.

Of all things, Tai-Pak.

I really think it’s the worst.

If you keep saying “taipaku taipaku,” you’ll forget the official name, which is “Time Paradox Ghostwriter.”

Colony…

“I like the simplicity of ‘I made it’ (or ‘I didn’t make it’).”

Taipaku is a masterpiece that allows you to enjoy the shallowness of “The World Desired by Fools.”

Despite “Demon Slayer” being a popular masterpiece, it’s amusing that the lesser works like “Roubai” and “Tono” had to take on the role of the opener.

Elites of the new era that changed history

It’s amazing that there is so much information, most of which is completely meaningless.

Sneaking

Aren’t there a lot of trashy comments?

To be honest, before reading the first volume, I thought it was just the usual internet hype and that the author of NARUTO wouldn’t make a flop of a manga.

Ah, is the reason why the jump cover with the Tai-Paku was sold at a slightly higher price because of the final episode of Demon Slayer?

I wonder if everyone loves Taipaku.

It’s rare for a manga that has reached its final episode to be featured on the cover, but it’s really interesting that the issue of Jump containing the final episode of Demon Slayer has the Taipa cover.