Apostle of Love

Poor person.

Ah! I want to get my sister and my best friend together!

Someone who throws things at people can’t be a good person!

In the end, did I die at the point when I encountered Kōsaku?

It’s too much of a violation of dignity…

If it were the final Itadori, I might have been able to peel it off, but that’s an unlikely assumption.

I know that you are the ideal woman for Fushiguro.

It’s okay now.

Isn’t there a more effective way to consume?

Victim Woman A

Speaking of which, what happened to this person?

Isn’t it a more significant event that the main character’s important relative has been taken over and turned into an enemy…?

The reader has no particular attachment to the older sister.

Once Van got on, the contents were already dead, right?

Despite bringing up the same theme as love, the conclusion is too sloppy and terrible.

Even though he should be a key player for Fushiguro, he has no depiction at all and it just feels like, “Did you never think about that?” I can’t really get into it…

From Megumi’s perspective, it’s clear that it’s very important, but from the reader’s standpoint, it’s a bit lacking… There are some moments in the flashbacks, though…

There’s nothing that Fushiguro can’t handle.

The tens of thousands of characters are just the usual high-tension trash, and the techniques are boring too…

I didn’t expect it to be used so carelessly, considering there have been several descriptions of how much Megumi values it.

In cases of takeover like this, if the character after the takeover is less substantial than before, it can lead to the worst outcomes.

Why aren’t there more depictions of the factors involving Fushiguro and the final boss Sukuna!?

From the moment I woke up, I had no impression of Fushiguro’s sister because she was a completely different person.

The character is completely unrelatable and has no emotional connection for the readers, and it’s already too late because they are dead.

The actions of Sukuna, who kills only the older sister and breaks Fushiguro’s heart, feel like a “huh??” moment for the readers.

I can’t get into it at all when some unknown woman is taken over by another unknown woman and they start making faces.

The style of casually handling characters that seem deliciously cookable is the main selling point…

Ban-chan is a super important character connected to the core theme of the work, “Loneliness Due to Strength.”

I love the chain of love from Wan to Gojo to Kashimo.

It’s scary how everyone starts talking about love and loneliness as if their thoughts are being polluted.

At least one episode where the living sister meets Itadori, or else…

I like that when people like Ban or Gojou say something strange, it makes Sukuna seem more normal.

In terms of narrative, the motivation is sufficient just by wanting to suppress Fushiguro’s soul, so even without using the “man,” the murder of Tsumiki can be incorporated.

Its existence can only be described as noise because its necessity is utterly nonexistent.

“I think it’s a good theory that if you’ve risked your life to take on a fight, then that’s already love.”

I really like the expression “the strange illness that suddenly attacked Jujutsu Kaisen.”

I should have included a oh-no moment scene.

Sukkun’s “There were two opportunities” with a retro feminine silhouette from the back.

I like that everyone completely denies every theory.

The confiscation of the cursed tools of the day car feels like it was done in a rush, but it would have been better if the cursed tools became substitutes instead! Even in death, there’s still endless love!

It would have been better to dig deeper into the thread image instead of just focusing on absolute numbers.

It is done in a way that relies on the premise that readers are already familiar with similar template characters and developments from other works.

When you look at it from the perspective of jujutsu alone, the character lacks any buildup, resulting in shocking developments that carry no weight and are therefore unsuccessful.

Despite being called “building blocks,” nothing is stacked.

Love is the root of all troubles.

I don’t even know what kind of person they are, good or bad aside.

Fushiguro is just a presence for the gimmick of being a siscon.

Man is a character who somehow synchronizes his thoughts with the super popular character Gojo.

Watch your mouth.

It feels somewhat strange that hijacking is not taken into consideration.

If you had drawn the thread image properly, it would have been shocking when you died.

Maybe you could understand Fushiguro’s feelings, who was sulking that it was enough already.

Wasteful

Even if Wan is acting, I wanted them to at least be able to act together from the beginning of the extinction migration.

Is Tsumi Ki a character created because the first editor said, “Let’s give Fushiguro a reason to fight”?

I think there was a relatively nice drama regarding the Fushiguro family and Jinri-kun.

Looking back, I think I could have delved a bit deeper at the timing of my first domain expansion.

Is there zero Zenin influence here?

Even though Jujutsu Kaisen has ended, I sometimes wonder if they really accomplished everything they had planned.

It’s one thing to be taken over, but the ones doing the taking over are just so lame…

My sister is so beautiful it’s surprising.

There were many times when I felt that just diving into the final battle with half-baked character development, trying to create an emotional atmosphere, was unsatisfactory…

If the readers have no attachment, it would only mean that the way it was presented was a waste.

The author doesn’t have any attachment, so the character has truly become a mystery.

If everyone’s condition is okay, to be honest, I want to see the anime.

Was I the only one who watched that “It’s fine now” scene and thought, “Why?” and then realized, oh right, this guy’s sister has died…

Since she’s the heroine for Fushiguro, I viewed her as an important character.

The only main character who properly resolved a parent-child story in one way or another is Ogi.

If it’s going to be themed around love, then it’s even more important to properly depict sibling love.

I think showing the creepy feeling of being taken over by that Tsumiki and saying “I love you” in such a shallow way was much worse taste and more like a curse.

I still don’t understand the reason why Sukuna wanted to live ahead of time until a thousand years later…

The feeling of almost dying was intense, but the way I exited was unexpectedly creative, like the thread image.

Well, the feeling that the fan suddenly appeared and suddenly died is quite strong, but at least it did something…

I like how Sukkun seriously responds to those who fight and say incomprehensible things like “love” and “loneliness.”

For some reason, characters like Nichigura and Takaba, who suddenly appear in the final battle, are portrayed better…

The story about Itadori being a reincarnation descendant of Sukuna’s twins, which was actually done as a bonus in the manga, feels like such a waste.

If you expand on that area, I’ll talk about the parts that were on hiatus.

I think there’s no point in developing a takeover plot if the original character isn’t properly portrayed.

Three idiots who really don’t know love.

I know about love, but it’s silly, isn’t it?

I really think that the development where the mastermind and the protagonist are parent and child has such little impact on the story is something that has never happened before and probably won’t happen again.

“Someone like that is a parent…? There’s not even a hint of conflict.”

What will happen to the voice?

Even if Sukuna’s face remains as Itadori or Fushiguro, I wonder if his voice will still be Suwabe’s and if this will change too.

My most important sister has died, but I don’t really understand why we’re giving off the usual three-person vibe at the end.

Since Kōzō and Fushiguro had built up a fair amount of relationship, saying “It’s lonely without you!” had quite a bit of persuasiveness.

“It’s fine now… I guess it would have been more convincing if there had been a buildup.”

The original purpose for all the protagonists to participate in the mass extinction migration is the thread image.

Everyone is putting their lives on the line for a vague reason without any connection to Fushiguro…

I can now understand that this area was a precursor to the final boss battle, where everyone fought for no particular reason against Sukuna.

“Ita is unaware of his parents.”

My brother asked me if either of my parents had stitches on their heads, but since I have no memory of it, I couldn’t confirm.

I thought they finally made an appearance, but it turned out to be someone I don’t know.

I think it feels like Itadori remembered that his mother had stitches.

Overall, it’s easy to forget the gap between the reader’s understanding and the character’s understanding, right, Cyclopean Cat?

Characters sometimes hold information that they don’t share with the readers.

Some characters seem to know information that only the readers are aware of.

I can’t believe it ended without the completed version of Fushiguro’s domain.

All the characters’ growth outside of the month before the final battle feels weak, so Fushiguro seems to be treated poorly.

Fushiguro was earning votes in popularity contests just with his face.

Fushiguro was just dragging down the last battle with Sukuna.

It annoys me how you suddenly start resisting after saying you feel lonely along the way.

Fushiguro, it’s boring that you can’t honestly say that Toudou’s type of woman is an older sister.

Fushiguro’s soul is too strong…

Probably a level of strength where even the most idle changes have no effect.

I want it to be nicely modified in the anime, but since it’s at the foundational level, it might be difficult.

A sudden twist that escalates quickly leads to a strangely prolonged ending.

Even if you say that Tsumi and Ban were taken over without knowing the characters, I just can’t keep up.

At least one of the characters should have had their portrayal established beforehand.

It seems that the author was also aware of the mishandling, as there was a comment at the Jujutsu Exhibition saying that at the very least, it would have been good to include an event where it could meet Itadori.

Fushiguro was properly playing the role of a handsome semi-protagonist before being taken over.

That’s why I really didn’t think it would go all the way to the final stage like that…

Once Fushiguro showed Sukuna, it didn’t seem like there would be much interesting to see even if Fushiguro had grown.

Somehow, the item I entrusted was immediately confiscated…

It’s no good because the development of the story is also boring.

I thought the manga artist was good at depicting the characters’ psychological states in the beginning, you know.

The second half became all messy.

From here, it’s suddenly the flow of Sukuna’s takeover, so I couldn’t help but think that Sukuna’s plan is quite sloppy.

I thought the story surrounding the thread image and Fushiguro was one of the elements that readers were really looking forward to, so why did it end up like that?

If it’s Tsumi’s kindness and Aitsuya’s kindness, Aitsuya’s kindness is still portrayed at a higher level.

Even though no depth has been explored at all, a different person has emerged, yet the believers were trying hard to defend it as if there was plenty of depth.

You might think that the need to subjugate certain spirit familiars or the incomplete realms is just an introduction for future growth and completion, right?

There was nothing… There wasn’t even a reveal of the completed form in the after story of the final episode…

I thought Mako and Fushiguro would appear in the last battle.

It didn’t come out.

Most of the growth elements hinted at for Fushiguro have been completely devoured by Sukuna.

It’s a priority lower than the realm and Makura.

Even the scene of Makora’s exorcism was cut and not depicted.

Maybe it would have been better to write more reliable new information.

I thought there would be some cooperative battles in the final showdown, but I was surprised that Sukuna remained a strengthening tool until the very end.

What the hell are you even here for?

I thought they would dig deeper into the mystery of the protagonist’s birth, but it ended without any further exploration.

Thinking about the bones of Fushiguro’s domain is kind of silly, isn’t it?

If it were to happen, it would be interesting if Sukuna took over and was used for his own benefit when Fushiguro struggled to exorcise Mako.