
I wondered if Bijuemon has been adapted into an anime…
>>1
Don’t say something unreasonable!
If this had been released a month ago, I think the box office would have seen a bigger boost…
Bijuuemon
– Nobita’s –
The Story of Modern Art
If Bijuu-chan explained each scene, it would probably go viral.
And then found by Shogakukan.
It’s mostly classics except for the last one.
Turning classics into a parody like this itself is
Quite contemporary in art.
By the way, did the character that resembles Nobita in Bijuuemon have a name…?
At the end of the episode, Doraemon casually takes out a lemon and a light bulb.
Look, this is the Doraemon I drew.
What is that! How silly!
It will be an anime film like Dalí’s Un chien andalou.
If I greet Fujiko Pro and Shogakukan, will I be able to release a paperback, Bijuuemon?
What is that? That’s silly.
Is all of that famous artwork?
It seems like both Teacher F and Teacher A would like the ironic vibe of Bijuuemon.
I love parodies.
Tracing the history of art and arriving at the final world-famous artwork is truly emotional.
The part where the screen is split is not just a parody of that painting.
I have a feeling that there might be a Warhol parody in there.
What was that colorful square thing?
I feel like I saw it in a book or something a long time ago.
If anything, at this stage, if it’s making a profit, even more so than a single volume, I guess I might get an ‘out’ judgment.
A woman pouring Giant’s Stew.
This year’s movie was interesting, wasn’t it?
There have been no misses in the past few years.
It’s in the public domain…
A man pouring Giant’s Stew, nice…
Even the original work’s Doraemon says something like, “What the heck is that? That’s really silly.”
A woman pouring Giant’s stew.
It’s okay for this OP to be collected by art museums, considering the reception of artworks in subculture and things like that.
Hmm! Joseph voice!!
In the end, it’s the best when it resembles the original work…
Wow, that’s amazing… Shizuka-chan is too beautiful!
Aimyon’s “Cat”! Gah!!
I’m not bad at this. I’m drawing a dog this well.
Huh? Is it a cat? It’s not good at all.
Wait, wait, wait!
Isn’t Shizu-chan too erotic?
None of these are just imitations of professionals!
If F-sensei personally wants to play Niki de Saint Phalle with me, I would be honored to accept, but I’m not so sure about Fujiko Pro…
But it’s nonsense to say that Nobita’s dad, who says something really good at the end, is Bijuu’s mom! It sounds like something he’d say!
Shizuka-chan is holding her skirt down in every scene, it’s so erotic…
The Shizuka-chan of the Reiwa era has a design that allows for Shizu-Nee…
Since there is Mondrian, there is also modern art…
I heard that this year’s OP is amazing, but it’s really incredible…
After laughing at the picture of Doraemon drawn by Nobita, saying “But it’s a good picture, right?” might be the opposite of “What the heck is that! How silly!”
What’s surprising is that it’s been 7 years since they’ve played “Doraemon” in the movie to fulfill dreams.
That bastard really pulled it off while I was watching in the theater!
The main part of the movie has amusing references for those who have seen the original work and the anime, as well as Godzilla-like monster battles, so I definitely want you to watch it.
I cried in the theater.
Doraemon: Nobita and the Hot Spring Shark, huh…
I still get excited by the Doraemon movie opening.
The part where it returned to the manga is too perfect at 200 million points…
I think this year’s Shizuka-chan is especially pedophilic…
I couldn’t do it with Gōda pouring the stew.
Let’s release something like this in the first or second week to grab the headlines while it’s still fresh!!
This time the enemy was incredibly strong…
Through imitation, we arrive at the original OP.
The main story reaches graffiti at the end of a masterpiece.
The emotion aligns with the theme of the story.
This time, Gian is great, isn’t he?
I delivered a piledriver to the guest heroine, though.
Since it’s related to art, I really liked how there were a lot of lines from Dad and how the arguments were consistent.
This opening is really good…
The final panel layout of the manga.
It’s the panel layout of the first episode of the original work, isn’t it?
Even without the humor of the parody, the animation moves well and is enjoyable.
The technology and effort involved in changing the texture with each cut is astounding.
The original work is also clearly recognizable enough by the panel layout, and the level of fan service is amazing.
I thought the level of effort was amazing, but then I realized it’s the 45th anniversary of the movie… No wonder.
What! Is it okay to animate that painting with movie OP quality!?
I like that both dads and critics, as well as aspiring court painters, consistently give the same direction in their evaluations.
I recalled a crazy movie that thoroughly expressed Goppo’s life in an oil painting style.
Does that mean it will be quietly showing until the end of June?
The fluffy and cute movements that match the atmosphere inspired by dogs.
The fluttering goldfish dance and the animator are amazing.
Next year’s director is the person from Pokémon (Sun and Moon series, Coco, Everyone’s Story).
Isn’t this a remake of the Strange Rock Castle…?
I haven’t watched Doraemon in a long time, but seeing this opening somehow hit my tear ducts a bit.
The Oukyo dog is nice, isn’t it…?
The first cut of the Mucha woman from a bird’s-eye view is amazing.
It’s also clever how it ultimately concludes in a manga.
It seems like the official channel has become really active since the renewal.
You’re really able to move that cat, huh…
In this movie script, all the tools except for the combi light are ones that exist in the original work.
The little details are great in this movie.
There was dad’s favorite sake on the shelf in the living room.
The annual animated movies have been really impressive lately in terms of stability.
Everyone is saying, “Release the goods for that lousy drama after watching this movie!” and that itself reflects the value of Nobita’s drawings—it’s a nice review.