I started reading the original after watching the anime.

I do like you, but I also think there could have been a better way to approach it.

I might say that the achievement was that they emphasized Akemi-chan’s big breasts quite a bit.

Since they can’t do a second season anyway, I should have just gone all out and done all the dangerous topics, prepared to be criticized from all directions.

It was a situation that could have ended without any waves, whether good or bad, but noise was just thrown in…

If it’s your first time seeing it, it doesn’t seem bad.

I’m not saying it’s bad even if you’ve seen it, but I feel like there’s no need to go out of your way to look at it.

It’s too chaotic and disruptive to say that lines not spoken by Morita are from the anime version.

As an anime on its own, it was somewhat met with mixed opinions.

What do you think about Menesis?

I enjoyed it normally because I watched it from the anime.

I later found out that it was in flames?

The after-talk on YouTube is the main feature of the anime.

The part about Re:Zero was too long, so I skipped a bit.

Other than that, it had a nice tempo for just lounging around.

Fukushi, you’re great at playing the old man role.

Let’s get excited by making fun of virgins instead of talking about that…

Well, that karaoke deserves more recognition.

That chill feeling.

A chill vibe really feels good, doesn’t it?

It’s great to be high-energy and speedy, but it makes you think, “Was there such an interpretation…!”

You can clearly feel the love for the original work from the very beginning.

I understand the feeling of wanting to criticize the director and the disappointment in the cat team.

I want you to separate the quality of the anime from that.

Morita’s starry sky distance was good.

I watched it on Amazon Prime on Friday night and then rewatched it while posting in the live commentary thread here on Sunday night.

I can’t agree at all with the idea that jokes need to be high-energy and delivered quickly! That’s why I found it interesting.

I hope they’ll make a second season by some mistake.

The director… I would prefer a change, if possible…

It wasn’t actually that bad.

It may be that I don’t have such a strong attachment to the original work.

For now, it seems that the director was just noticed for saying unnecessary things, and even if the cat team followed the original work, they would have been criticized for that too.

The cat team was ultimately ruled out for a name, so there’s nothing we can do.

I like the voices of women.

I don’t dislike men either.

I want the director to remember that he is neither the director nor the original creator of Re:Zero.

At that time, it wasn’t as bad as people said; in fact, I kind of liked it.

Every time I open the thread and see the director’s new statements, I feel that I don’t have the enthusiasm to go out of my way to defend him in the thread… so I just closed it.

The cat team stopped the conversation halfway through rather than their name, right!?

Just make about 20 more episodes that are only karaoke scenes.

Since we’re just chatting in Hokkaido, it makes sense to call it “dabe,” but I don’t really know.

If you’re going to call, then call the crickets, you know.

Subaru is unclear.

I thought that an anime where they just chat at a snack bar isn’t so bad.

I used to like karaoke, but I was looking forward to Morita’s fake Kansai dialect…

Connecting multiple stories or adding other members to liven things up feels natural.

I thought the advantage of having a similar story in the original work has emerged.

Is the person praising the thread image being paid by the director?

Overall it’s positive, but I can’t really defend the director’s comments and the original anime episode…

If Tairo Daitchi had been directing, it would have been something completely different.

I’m not sure if it’s correct.

Due to the hero not appearing that much in the original work, they appear with a reasonably high frequency.

It was interesting because it felt like a semi-regular.

I want the ending karaoke format to become popular.

I quite liked the Re:Zero episodes too.

The Wednesday How About It episode was a bit subtle.

There are people who have a hobby of praising the trashy anime called “Nanachara” or something like that.

I wish it had pushed the boundaries more, but it strangely became an ordinary anime instead.

Tatsu’s voice and storytelling were really good.

People who truly love the original work do not disparage the author, but anonymous individuals might not understand this because they are foolish.

I like the OP and listen to it often.

The Dodo Team, which turned out to be neither poison nor medicine, was such a waste.

The original author uploaded a video saying, “This is what I wanted!” right?

The commercial was just right for watching before bed, including how rushed it seemed.

The appeal diminishes with streaming or recording.

I like the same commercial playing repeatedly.

If choosing Fukushi-kun is the result of a rigorous audition, then that’s great.

No matter how you look at it, it’s sad for Fukushi-kun because the role seems to find interest in choosing him.

I think a 15-minute slot would have been better; that way, the pace would have improved too.

The 30-minute format is definitely too long for this original work.

What anime did the director work on after this?

If it becomes a hassle outside of anime, it turns into a work you shouldn’t touch anymore.

What caught my attention the most was the tempo.

Compared to this, the director of Aniche looks like a saint.

I feel like the tempo isn’t really that much of an issue, though?

The tempo may be a matter of preference, but I didn’t have any issues with it.

As for the tempo, it’s a snack, so I thought this is how it should be.

I disliked the mysterious collaboration that wasn’t in the original work.

I thought the first episode was a bit too relaxed, though.

I think the tempo has been proper since then.

Isn’t there a story about Morita and Akemi-chan getting together soon?

It was good that the hero was around.

An incident outside the venue…

I thought it was a subtle and clever parody to make Morita say, “Doesn’t he have a heart?”

I felt the pace was off, so I tried it at 1.5x speed and it was just right.

Jokes are just right when they flow like water on a slanted board.

There may be a certain demand for this kind of laid-back snack anime.

Stop with the preamble like “the anime itself was good” and so on.

Be confident.

It’s sad that even a bus got 30 minutes because of this, and yet it is being belittled.

The anime of the one who chickened out.

I was expecting a tempo like that of a disaster.

This guy is getting frustrated because things aren’t going as planned.

Morita’s voice acting was great.

The soul was Morita.

There’s nothing left to hit anymore.

Everyone is feeling down.

Even if we talk about the anime and the director and so on, it… makes me troubled.

I just did what I didn’t have to do and didn’t do what I should have done.

I feel like everything comes down to doing things that I shouldn’t have done.

People say it has a certain tempo, but Buzz-E is a manga right from the start.

I always think it’s not that much of a high-speed blur, right?

It was good as an anime to watch while drinking.

It felt different from the atmosphere I imagined in the original work, but it’s good in its own way.

It’s good for just watching leisurely, anime.

I love you.

The commotion that happened with ﾒ was such noise that it penetrated the work, so conversely, if you don’t know about it, you can still enjoy it.

First, the issue is that you provoke each time.

Regardless of the quality of the anime, the external director is showing too much disgrace.

When I occasionally reread manga, it’s usually around volume 1 or 2.

I want it to be animated… it’s funny to be in a vibe like “will such a work actually be made?”

I like EDs like Natsumi STEP.

The downside is that the original Kasaume-chan’s “I’m happier than the anime version!” now seems to have a different meaning.

I wonder if there are people who want to go to a snack place after seeing a bus.

The fact that Buzz E is a cold laughter type is something I just don’t understand at all.

Rather, they’re all the type that has a stubbornness about being troublesome, right?

The differences in interpretation regarding tempo are understandable, at least.

It seems like a thread where both those who enjoy anime and those who want to criticize it coexist, which I find quite accommodating.

It’s more of a non-anime-oriented impression, but it made me wonder if I was really that invested in this original work to make a statement about it…

The director was more of a simple response battler rather than a cold sarcasm type.

I felt uncomfortable when unknown old men and mysterious original characters appeared, making me think there were references outside of the original work.

It is true that I was happy it was made into an anime.

I like the feeling of a night in OP.

I switched to the mindset of doing it this way, so I was able to enjoy it normally.

I can’t help but think that Base-E would fit well with a drama or something with its original script.

I thought it would continue for many seasons like Teekyu, but I never expected them to ruin the work.

This isn’t a 30-minute anime.

I want to say that it was interesting to watch with comments on Nico Nico every week.

In the first place, the live commentary was growing normally, so I’ll just keep quiet… It seems like there are quite a few anonymous people too.

It was just the right anime to listen to while working.

I didn’t know that there was a brawl outside the ring.

I don’t dislike anything other than original anime stories that much.

I like karaoke for the ending theme.

It was interesting to believe in the dream that the hero sings about.

I laughed so much because I sang “Believe in Your Dreams” in the ED.

Sexy!!!