Catchphrase…?

>>3

Well, calm down.

I feel like it’s not very good to show favoritism if it’s a completely original character.

Blast is an original character, so it’s okay to treat him well no matter what…!!

The youkai apartment taught me that excellent people attract excellent talent.

In the original work, I’m not even present in this scene.

It’s not such a weird shoulder, is it?

Well, it wasn’t bad just here.

>>11

Despite having strength enough to easily eliminate enemies above dragon level, like Boros and Garou…

>>16

I think that’s not good.

It seems like if we have Blast, we can manage even against a god.

Saitama’s value of existence seems to be diminishing, doesn’t it?

>>19

Complaints are made that it is not as strong as I thought.

Being told that it’s no good to be strong enough to manage even against a god…

>>21

If it’s interesting, those little details don’t matter.

It’s not interesting.

Murata’s Ideal Gay Porn Hero.

Those sunglasses are uncool.

>>14

Well, calm down.

I’m also rereading it, and up until the climax of Garou, it’s pretty well done in terms of the simultaneous hero and villain battles that ONE was also doing, feeling seamless and genuinely interesting.

It’s probably because I couldn’t keep up since we started digging deeper into the hero statue after this.

>>20

Did you feel fate?

I really hate characters that take this kind of mount on the ally side multiple times, but does Murata think it’s cool and draw it that way?

>>26

It’s fine, but Tatsumaki really takes a lot of shots.

Well, calm down.

>>29

Well, calm down.

It seems like I’ll be favored if social games or fighting games come out again.

>>32

Above God

Around the time just after the publication of the Strange Person Association, the original heroes and original monsters were pretty good, you know.

I want a strange yet impressive naming sense like “black sperm” or “overgrown Pochi.”

I don’t think it can be said that the creative freedom in animation is running wild without any restraint.

“Is it okay to move the blast in a different way?” I wonder if this reckless behavior was properly approved by ONE?

Could it be that those sunglasses are inspired by the shadow of this face…?

I can feel a temperature comparable to that of another protagonist.

Blast is like the pillar of heroes in One Punch Universe, similar to Superman.

Even though they are a hero that has influenced many heroes, they are somehow not appearing now when the Earth is in trouble.

The reasons for not coming out and the personality that is still completely obscured.

I think such a difficult character can only be handled by ONE themselves, so why is that?

I miss the days when there were various speculations like the Future Cape theory.

I want them to hurry up and release Blast in the original work and then rewind it back here.

Looking back, I felt that it’s strange for Atomic Samurai to be ranked 4th in S-Class.

Oh, it feels like a distant memory that they said they were going to release Blast, yet nothing has progressed and I’m starting to lose my mind.

>>48

Well, I think it will be released normally.

It’s a stance of “I don’t care about the parts I’ve drawn on my own,” isn’t it, Ryumon?

>>48

The original work is drawn freely, so that’s not the case.

It would be enough if they just wrote it according to the original work… I wonder if no one can stop them.

If you’re going to pile it up, do it properly.

It’s kind of ambiguous, including how to make an impact.

There is no editor.

I felt it was fate because my first assistant job was for the manga “GARO,” where I was heavily involved in drawing Garou.

>>52

I really hate the feeling that it only makes sense to this person.

>>52

It seems like there might be something behind the fact that the Phoenix Men battle was heavily promoted.

Why did Mr. Murata, who is supposed to be a veteran professional, do something so foolish…?

>>54

Narcissism

The one who cut off the interaction with Sonifura, the leading character of beauty transformation, must have already forgotten their own strengths.

It seems like there’s a complex because I’ve never been praised for my storytelling…

>>59

“The reality is that the series of ‘You have no talent for that (topic)…’ is being spread all over the world…”

>>76

Those replying with “X” are just the people who are cheering, so the person himself is probably satisfied.

When I see things like the Amami massacre or Ryumon, please provide a detailed list of things that absolutely should not be done.

I think if I don’t tell them all the upcoming developments, they’ll end up drawing various things on their own in an original way.

>>60

…Shouldn’t the person drawing originally ask the original author, “I would like to depict this and that development, but is the setting okay?”…

>>61

It’s not surprising that you can’t swallow it.

>>61

There’s not much of a response that would encourage “Well, calm down” like that…

I’m really worried if Garou returning to Silver Fang’s place is from the same timeline as the One Punch Man I read.

If I tell them the upcoming developments, I think they will act on their own based on that.

Below, calm down is prohibited.

>>65

I’m not fighting alone.

>>65

Have I strayed too far from my post…?

Uncommunicated settings = Parts that can be freely embellished.

That kind of recognition is not normal.

By using the S-rank as a stepping stone, they’re trying to showcase their strength and gain Saitama’s trust to elevate their status.

>>68

Why does everything I do give off such a strong sense of self-importance?

I saw someone say that it was a problem because if I revealed the future developments, they would smugly hint at it on their own.

>>72

Too much of an incompetent worker.

What is up with Japanese comic book-loving creators’ understanding of American comics being stuck before the MCU?

Murata’s unauthorized additions to the story are all just speculation, but the discomfort is so overwhelming that it can’t be helped…

>>77

“I think I can only depict Suiryuu’s ‘Someone help me!’ in ONE.”

Actually, I understand that part because you showed me a bit of ONE’s name.

The feeling around the blast is definitely not ONE.

If you really want to depict Blast in a cool and active way, it would be impossible with Murata, so you should attach another original author in charge of the adaptation.

Templates are strong, right?

I didn’t dislike the previous development’s blast that much…

Was there any point in doing this again?

If you want to show off, it’s strange that you were beaten up by the god Garou.

>>82

I am one of the top-ranked powerhouses in the story, but my strength is somewhat restrained, falling just short of being the strongest character…

I guess Aiichi mistook himself for a top-tier manga artist after getting involved with One Punch Man and other manga.

Fubuki is cute.

Even as a manga, it’s gotten worse.

To begin with, it’s strange for a manga to attempt a punch in a double-page spread and miss.

If there were no do-overs, I could still read it, or rather, there weren’t as many anti-fans back then.

I don’t feel like reading because I keep having to redo things, and everywhere I go there are always haters.

It’s fine to talk about Blast separately, but leaving aside the fact that it’s boring, I really wonder what they’re thinking when they quit and bring out something else over and over again.

It’s fine that the content is boring this time.

The utterly annoying move of silently redoing things without any sense of sincerity is just infuriating.

Gravity Something Blow!!

It’s like a multiverse of American comics.

It seems like you are thinking lightly about it.

Editing that does not control the art is also bad.

It’s a product for sale.

>>98

I think it’s difficult because the person brought it up and the manuscript fee is zero.

>>98

It’s a contract where editors don’t intervene, so there’s nothing that can be done.

I can tell that you’re doing it over because it’s kind of boring.

>>99

It got worse!

I watched the latest episode, but isn’t the font for Gigagravity Blow a bit strange?

Why is it so shabby?

A redo might be allowed just once… although whether that’s the case or not can be set aside, I was able to treat it as a joke.

If you redraw the same spot two or three times, that’s no good anymore.

It feels like I might have to start over again…

Somehow, the simple cleverness of his abilities doesn’t feel like a strong character typically drawn by ONE, does it? Blast.

>>108

Elaborately designed characters can end up being weak, while truly strong characters have enormous raw power without any logical reasoning, that’s the pattern.

Bald guys, background characters, and the old man from the demon world all felt that way.

>>149

Basically, there aren’t any characters with complex abilities, right?

Basically simple.

>>161

So what is with the extremely elaborate character design in Versus?

But there is a concern that if I don’t earn here, I might fall behind…

>>109

Once you catch up, it would be great to do a Blast spin-off in a different series.

I think there’s no deep thought like pointing out Neo Heroes while black sperm is eating with Pochi.

Isn’t it strange that we fixed this so much, yet Garou’s ending is just the same?

Is Teacher ONE not getting angry?

>>119

One Punch Man is also serialized irregularly on its own site!

>>112

I’m continuing my own One Punch Man as the original version.

Thanks to the hit of Village Bread Man, my life has improved, and it led to further work opportunities.

Isn’t there really anything that would make you lose your temper?

If you’re going to do something as nonsensical as transforming the ninja arc into the blast arc by any means necessary, you might as well just create the blast arc from scratch.

Among the people drawing, the most important rivalry between Blast and Void is something created from nothing anyway, so it doesn’t have to specifically be that person from the ninja arc.

>>117

It’s just like how an original character story can go completely off the rails but ultimately can only follow the original work.

You cannot create something from completely nothing.

The timing of rewriting overlapping with the timing of the blast’s appearance is not good.

Not knowing Saitama’s true power, thinking he’s just the strongest character, is nothing but foolishness. Isn’t that a bit stupid?

In the first place, it really shows a lack of sense to not do it as a comedy when it already functions as one.

No matter how you fix it, if you don’t eliminate the blast-related elements and keep it true to the original, everything after that will fall apart or the impression of the blast will only get worse. So it’s already certain that a rewrite is necessary once the blast is introduced.

Is “Void” a name only from the Murata version?

Did the original work mention the name?

>>123

Wasn’t it consistent in the original work to end with that way of calling that person?

>>123

Finish as that person.

>>123

Murata Original

In the original work, that person.

>>123

I can’t remember the name, so Sonic and Flash can only refer to that person as “that person” until the end, which is a gag.

>>123

In the ONE version, there was a setting that “that person has been asleep since fighting Blast in the past.”

It is believed that Murata embellished it greatly based on that.

It was cool when Garou and Saitama fought according to the original story.

That battle’s evaluation plummeted due to growth, sneezes, and farts.

I feel like the reason Blast’s popularity isn’t exploding is that the way it’s portrayed is bad, and it’s just being endlessly fixed.

The story we’re currently working on is supposed to be mainly about Flash and Sonic, yet they are being placed in a supporting role…

But the ONE version has not been officially translated…

For foreigners who love One Punch Man, the Murata version that has been translated, published in Jump, and made into an anime is the original.

>>132

Foreigners reading the ONE version are not fond of the Murata version.

>>133

Before it turns into a complicated long story that can’t be easily resolved, let’s have Saitama do something that feels true to One Punch Man… that’s the positioning of the discussion.

Editing a high-quality original work freely without any interference and making many changes, and when it feels a bit off, redoing it over and over again.

Calling this skillful, responsibility-free doodler an artist is an insult to all other artists.

Well, it doesn’t feel that strange that the top of that cringeworthy-named ninja village has a cringeworthy name.

It would have been creepier if God were empowering the homeless around there to create dragon monsters.

>>138

It’s definitely better not to know what someone’s thinking.

You’re becoming the evil mastermind who keeps failing at everything you try, aren’t you, Murata version?

Did personal feelings for Blast and Garou get mixed in…?

How did it come to this, when the only setting is that Blast once destroyed the ninja village?

There isn’t a single part in this adaptation that was more interesting than the original, so releasing it won’t cause any uproar.

>>141

I think the doujin-like original developments around Fubuki are a result of Murata’s changes, but I’m not sure.

Isn’t this area quite popular?

>>143

Oh! Did you manage to depict it according to the original work… Hey hey, a one-punch that just lets smoke leak out…

The original character from that work seems to have a stronger presence than the Murata version of Void.

>>145

Speaking of which, when will the ninja village be established in the Murata version?

Please tell me the quotes from Blast.

Since we followed the original work and caught up, we’re going to do the Blast arc! Well, I guess that’s just how it is.

In the first place, even though it’s being treated as a hole in the floor, it’s not over, so it’s denying the one-punch.

I think that even if everything is an instruction from ONE, if it’s boring, it’s still boring.

The art is at a professional level. The story just seems to mock manga.

>>154

The illustration is good, but isn’t the panel layout and composition rather careless?

Is this design of Blast a complete original by Murata?

Unstylish

Make sure to properly shape that person into a human form to reassure them, and then beyond that, block the dragon.

This will completely tear apart the readers’ brains.

It might not be good for Murata to continue being criticized based on speculation, so I think it would be better to explain things properly…

>>158

It’s just going to be explained as “It’s Murata.”

As expected, they look completely different and are almost like original characters…

The biggest issue is that while things have changed, there are still parts that feel like they haven’t changed enough to warrant going back and rewriting them.

The part where the depiction of the hostage killing by Amami was completely disregarded will have repercussions in the future, and it felt like there was no helping it…

Void → Void → I thought it was that person… and then the face split open, Void!

The flow comes around full circle to be humorously funny.

Do you like Void that much…?

Even if I generously overlook that Byakkogenbu is quite obstructed by the blast, I’m still willing to concede about five hundred steps.

I wish they would stop bringing Void back immediately after getting purified and being fine, when I thought they had finally been defeated according to the original story.

There were rumors that that person has lived for hundreds of years and feels almost non-human.

Whether ONE is giving directions, Murata is drawing by himself, it follows the original story, or it’s completely different from the original.

As long as the manga is interesting now, it’s all good, even if Blast is going all out and completely contradicting the original work.

It’s boring right now, so everything is bad.

>>165

I think having the strong point of great artwork is important.

The design of Blast is just too cheesy.

I won’t name anyone in particular, but there is a tendency to underestimate the conversation when someone has outstanding artistic skills.

Because the roles overlap between the strongest Saitama and the one who is thought to be the strongest, Blast.

It’s better to definitely choose one side, or rather, isn’t the original work not featuring Blast out of consideration?

Actually, it’s fine to elaborate on that person’s story, because I do want to read about Flash and Sonic.

What the hell, Blast, you are…

>>171

Blast and Void are precious, aren’t they?

>>177

If the conversation is progressing properly, I could give it some credit, but it’s already been reset twice because it turned out to be nothing…

Why not just change the title to Blast & Void?

It’s embarrassing for a manga artist to redo something that has already been released, so don’t keep repeating it…

Don’t underestimate foreign manga otaku.

Those people are more serious than Japanese otaku.

The readers who saw the face split open and revealed the true face.

So it’s you again this time~~~~!

I feel that it’s interesting in a way.

>>176

In a way, Void has already become the top joke, hasn’t it?

When the bald guy is at the scene, everything has to be ruined for it to be okay.

Let’s stop with the silly speculation just because the one-shot has the same name.

The original part by Murata is just really boring.

That’s fine, isn’t it?

Mr. Murata doesn’t want to do this, yet he is being forced to do endless retakes without any pay…!

>>181

Then get off.

The original Blast might possibly be on par with Saitama, right? There are various possibilities to imagine, which makes it enjoyable.

This time, when I saw Void’s face, I couldn’t help but let out a strange laugh while reading.

I have become increasingly anxious thinking that the Void generated from the void might actually have an original concept, according to Murata.

There are mixed opinions, but with so many threads, this character is popular.

I hate it.

The Garou arc became the strongest Garou arc I had in mind from midway through.

The Ninja Village arc is no longer even the Ninja Village arc; it’s trying to do the Blast arc.

I’ve faced setbacks many times, but I keep retaking it without getting discouraged.

Isn’t Sonifura boring?

Look at Bravo.

Why do they want to add more character development to someone who was just defeated in one punch as a gag?

>>191

It feels more like replacing it with another original character rather than just enhancing the setting.

>>191

It says that they have continued that for a year.

The depiction of wanting to use blast is quite explicit.

It seems like it’s a superior performance by taking advantage of the flash in the thread image.

The hero who makes the speed-of-light hero sweat and depicts him in a dominating way is the hero that Murata wants to draw.

It seems like something unthinkable is happening, where despite completely redoing it, there isn’t much change, so I think the behind-the-scenes of the production must also be quite confusing.