>>2

Well, Fujita is quite popular and gets a lot of cover colors, you know?

>>110

I don’t know when it was, but if it happened after the middle of the moonlight, I think, “What a lie!”

>>114

It’s truly something to lose the representative work Ushitora…

It’s been how many years since Shimamoto serialized in the Sunday magazine?

>>5

About 30 years?

If it’s these two, I honestly think they could continue even if the survey results are bad.

>>6

I understand Jubilo, but does Shimamoto really get such good treatment?

I think Shimamoto has Aoi Honoo, so it might not be a short series.

Is Ushitora a major signboard manga?

In that moment, is it alright to present this to fight in the series, Tezuka-sensei…?

Has Sunday become thick again?

When I saw it before, it was just thicker than V Jump, but I wonder if they have the luxury to cancel it.

The mechanism hit more than the “Ushtora” in pachislot…

>>17

The girl I follow on my adult account who is a pachinko addict is seriously obsessed with the mechanics, and it’s funny.

>>17

I was surprised to hear that Demon Lord Narumi doesn’t appear in the original work.

There are really only a few manga artists who can reliably hit the mark with such a flashy atmosphere.

I couldn’t help but think that the mechanical doll is better than the ox and tiger, right?

I see, it was the image from pachinko…

But these two don’t really have a sense of rivalry.

>>27

I feel that Tezuka-sensei is superior in terms of career history and social success.

>>27

How about that?

In the sense of constantly doing something, both are amazing.

Shimada’s work is quite scattered, and there are places where it can be compared to a designer’s work…

>>33

Well, the difference in stature is just too great, isn’t it?

Did anyone know what I was doing from “The Transferring Student of Flame” to “Howl’s Pen”?

>>43

Anime shop manager and various character designs.

Did you really want to play Vampire so badly in a row?

Be stoic and learn your lesson.

I became a demon, but it’s really unclear where the demon king came from…

>>29

If a third party says something, there are troublesome aspects where both sides come to preach while nodding at each other…

Does the mechanical pachinko do something like a “Zonaha disease onset reach”?

>>31

Demon King Narumi

Isn’t Shimamoto a short-term series?

It’s just my assumption, but this doesn’t seem like a concept aimed for a long-running series.

The face looks scary, but are the two children the protagonists?

It looks smaller than Katsu and quite challenging.

It gives the impression that Sunday is not that popular but allows things to run for a long time anyway.

>>37

Although we couldn’t get feedback from the questionnaire, we were able to continue because the volumes were selling well.

>>37

Well, it seems like there is something like a merit-based slot.

The big manga about seafood at Kusaba wasn’t selling at all, but it had been running for a long time.

>>74

Isn’t it just about whether there’s anyone willing to submit a survey around here?

The author is still getting surveys for “Strawberry and Dragon,” but they’re joking about it being cut due to poor sales of the volumes.

If there is a slot for contributors, they wouldn’t be sent to Fukuchi WEB.

>>82

It is already clear at this point that Parashoppers is making good use of the reflections on Gorusupa.

Professor Shimamoto has a lot of cancellations.

The number of simultaneous serializations is impressive as well.

>>39

It’s like Osamu Tezuka.

The original “Fate’s Strike” was really cool, right?

Dr. Tezuka is the president, after all…

>>41

Wasn’t it the vice president?

I thought that rather than Howling Pen, Aoi Honoo would be the most popular, but it turns out that Gekkyuu Nine is actually the most popular.

Unlike Jump and Magazine, the serialized lineup has turned into a retirement home for renowned old-timers, for better or worse.

I was focused on my role as president, Ishimoto.

Vampidol, huh… it seems like there are a lot of silly jokes, which is nice.

>>50

What do you think of the stoic vampire?

>>51

I haven’t read it, but…

It seems that Jubilo has sold a total of about 50 million copies.

It is said that Shimamoto has sold around several million copies in total.

I don’t think anyone denies that Dr. Tezuka is a manga artist and a celebrity.

>>53

I’ll forgive you because you’re drawing manga, but…

There are quite a few people who know about the character designs of Live A Live!

Aoi Honoo hit it, didn’t it?

The person’s character is so funny that they often get uplifted.

There are quite a few terrible ones in Shimamoto’s comics…

Aoyama-sensei and Takahashi-sensei won’t join in, right?

A new series by the author of Asuka Future Form and the author of Moonlight Regulation, huh?

Isn’t it better to have a writer who can attract more younger readers, even though we both like them?

While Shimamoto is being elevated, Fujita has a somewhat easy-to-doubt atmosphere.

>>61

Even when looking at social media, I can really sense how Mr. Fujita always has a humble attitude and comes across as a genuinely good person…

>>61

Well, before whether Fujita will lick or not…

In a weekly series, there are many people who think that if it ends well, then that’s it, and it’s okay.

>>61

I often wrestle with Fujita and Anno.

If I say too much, it will turn into a cruel story…

>>84

On the contrary, there are aspects where the gap in ability is so large that it ends up being comical, like with Mr. Shimamoto.

>>62

It’s hard to tell whether Fujita’s work is interesting or not just by looking at it.

>>72

I feel a bit uncertain… the overall vibe seems a bit off… and before I knew it, I’m imagining a work that’s naturally getting exciting.

>>72

It says something like children who were taken by tengu to a paradise and came back are aiming for the pinnacle of martial arts.

>>123

I have no idea if it’s interesting or not!

>>126

I think it’s interesting because it feels like everything Fujita is good at has been packed in.

It feels like Shimamoto’s work is indeed a short-term serialization.

Thanks to Conan, Sunday has a distinct impression of Conan and everything else.

What’s the content of Jubilo’s new work? Climbing?

>>68

I am

It’s garbage.

Didn’t you draw something similar? Shimamoto.

I feel like I have seen a vampire appear, maybe in a one-shot.

>>69

It seems like a serialized version of Stoic Vampire.

Aoi Honoo still hasn’t reported breaking 1 million copies yet.

In the beginning, I was wondering where this work was headed, even with Soubootou.

I think it will definitely become explosively interesting at some point this time as well.

Shimamoto is probably his usual Shimamoto style.

Shimamoto is long, about four volumes or so.

I’m not the type to come up with multiple ideas later.

Shimamoto’s painting has a certain allure…

Even though I’ve already passed 60…

As for the manga “Shimamoto,” well… aside from autobiographical manga, it’s mostly original, I suppose…

The activities span a wide range, including media mix such as G Gundam and Rider, anime shop managers, and game design, and there is also media exposure through radio and other channels.

On the other hand, Jubilo will always stick to their mantis fist and their single-minded focus on manga, but it seems that their manga is strong enough to even be performed in a Takarazuka show.

Kazuhiko Shimamoto is usually amazing, but comparing him to Jubilo is unfair…

Shimamoto is interesting himself, but the manga isn’t very interesting.

There are not many people who praise Shimamoto’s manga aside from its long history.

The very fact that it’s not a cut-up work by Kazuhiko Shimamoto gives me a bad feeling.

Jubilo is a manga.

Shimamoto draws manga as a hobby.

I really like “The Fire Transfer Student”!

It’s called “Honoo”…

Mr. Shimamoto is a big shot at Daskin in Hokkaido, and he writes manga as a side job, so it’s fine for him to have that style.

I see that you gave up due to physical exhaustion rather than popularity.

I understand that he’s amazing as a manga artist, but I wonder if Shimamoto can draw a manga that would be popular in today’s shonen magazines.

It was thought that the later stages of the ongoing series Kochikame were in a protected zone (but it seems they were actually receiving proper survey responses).

Even the works of veteran writers who people think are done for are still getting fans and survey votes, right?

Sunday is not as much of a popularity contest as Jump, so it might also take into account things like media mix prospects.

Isn’t Kumeda, Jimoto, Fujita, Takahashi, and Aoyama the lineup from about 30 years ago?

By the way, I’m a bit unsure whether Silver Mountain is an idea from the editor or the author…

I was surprised that a famous quote from Faceless became a feature in pachinko.

What are these old guys who can still continue a weekly serialized publication at their age, regardless of whether it hits or not…?

Well, Rumiko Takahashi, Gosho Aoyama, and Mitsuta are quite something too.

>>103

Mr. Aoyama is saying that it’s becoming tough soon.

>>108

Then hurry up and finish Conan…

>>111

The story itself is progressing quite properly.

The problem might be the number of publications… Since YAIBA and MAJI KAI took work from me last year, I should be featured somewhat this year…

It’s been 33 years since Shimamoto returned to the magazine…

If we’re using 104 pages between the two of us, the Sunday edition is going to be thicker for the first time in a while.

I like Shimamoto, but the fans are annoying.

The person is just doing it as a gag and is humble, but the fans actually think they stand alongside Anno and Jubilo…

>>106

Honestly, I’m not sure if those guys read Shimamoto’s manga.

Especially from the period when I was expelled from Sunday, or something like that.

>>117

Is this about the people who take the howling pen seriously?

Shimamoto’s title is subtle.

I love Adversity Nine, but?

Shimamoto would be interesting if he tweeted about the origins of support screenings, wrote lyrics, or did something other than manga.

The winter mountains drawn by a manga artist from Hokkaido look terrifying…

What are some interesting story comics by Shimamoto that aren’t parody gags?

>>115

When it comes to the story, hmm, it’s Wonder Bit.

It was Genex, but there wasn’t much of a feeling of being protected like with Asuka from the future.

Works by Mr. Shimamoto that don’t stray too far from grounded reality are more interesting…

To be honest, the real person is more interesting than the manga they’re drawing…

I think it depends quite a bit on the timing, to be honest…

Like Takashi Shiina.

Conan is clearly taking a break and slowing down the pace so that it won’t be finished.

>>127

Consider the author’s age.

Originally, after suffering from a serious illness, it has been a style of publishing episodes compiled together, followed by a period of hiatus.

Jubilo’s works are not blessed with media mix.

>>128

I don’t think the anime was that bad, considering what you’ve said.

It was just too short to be done in an anime, but it was really well made.

It’s just too short to be done in an anime…

Also, pachinko and pachislot are strong too…

>>128

On the contrary, Shimamoto is quite fortunate with media mixes.

When I was doing karakuri, everyone around me was incredibly strong, so it couldn’t be helped.

That said, I think it was just a single sign.

Based on past performance, it’s on the level of hubris for Shimamoto to challenge a manga hero.

>>133

Are you the kind of person who stops picking fights just because you can’t win?

Sure, they are definitely someone who runs away, but I don’t think they would quit.

When you pack in everything you are good at,

Isn’t the brother position more popular than the children battling?

Compared to the depths a few years ago, Frieren has become a pillar next to Conan (please don’t go on hiatus).

I think there are also the Demon King’s Castle and strawberries with dragons, and they have become quite improved and well-rounded.

But apart from Conan and Frieren, there still feels like a lot of minor characters.

>>104

I think “The Transferee of Fire” is rolling around at the very edge of the mainstream.

It has been going on for quite a while in the Sunday magazine at that time.

In other words, the best effort on that side is that.

Jubilo is currently known for Ghost and Lady the most.

>>139

As expected, media mixing has a huge impact when it succeeds.

I was following Shimamoto for a while, but I can’t help but feel like there are fans who deify him…

If you try to read everything, you’ll realize that outside of some famous works, the hit rate is just low…

Jubilo manga is thick and long, but I have trauma from splitting it…

It feels like a rivalry, but come to think of it, I’m not that into Shimamoto’s manga personally.

I was reading Aoi Honoo up to a certain point, but it was too long, and I ended up fading out of it somehow.

I wonder why I’m not receiving moonlight.

I love settings the most, though.

>>143

Isn’t that when I had no choice but to change the settings halfway through?

>>143

Setting aside the context, it has a strong feeling of being something borrowed and given a Jubilo flavor.

It feels like it should be done in a doujinshi…

>>153

Well, saying that, Soubootei is also borrowed from various places… and the name of the original homage isn’t even mentioned.

>>157

It might actually be bad if my name comes up.

>>161

I might have been scolded for sure, I was shameless.

>>153

The most important thing was that I couldn’t use the crying red ogre.

>>153

That’s what makes it good… it’s like Fate or League of Legends.

>>167

No, the choice and seasoning don’t match.

>>173

Cinderella, Little Red Riding Hood, and Sinbad are quite different from their original images, to be honest.

>>167

It’s the same as other redo types! Even if you say that now, it’s not going to be funny anymore.

“Mastering martial arts, I wonder if it will lead to a child protagonist in the realm of fighting techniques.”

Will it become a fantasy battle that includes yokai and such?

>>144

If you take the editorial introduction seriously, it might make you wonder what strength really is.

The power difference is about the same as between Fujiko A and Terra.

>>145

Actually, Shimamoto is older.

>>145

As expected, I didn’t bring F.

>>145

As expected, I’m better at maneuvering than Tera-san.

I think Shimamoto generally puts out good standalone stories.

When it becomes a long-term serialization, the story tends to get pulled in a completely different direction…

Personally, I don’t really like the way the Moonlight Act concludes.

I can’t say anything bad because I cried so much at the cat’s final moments.

I think “If the pheasant doesn’t cry, it won’t be shot” is the most impactful in Fujita’s manga.

Well, back then, Tera was really popular, with works that were even adapted into dramas.

>>150

Shimamoto’s manga has a similar feeling since it was also adapted into a drama.

Is it not Shimamoto but rather Hono?

Shimamoto has effectively adapted it into a movie and a drama…

Perhaps the Moonlight Ordinance is considered to be the least highly regarded among Fujita’s works.

Reading it all at once in a paperback is quite doable.

The moonlight, well… it’s the editor’s fault for not confirming with the blue ogre.

The moonlight was setting up an incredible foreshadowing for the demon, but it’s such a waste.

Is Shimamoto okay?

The works of Jubilo that sprint through a short period of time are amazing.

>>166

The evil eye flies to the lunar ring, and Springald is truly a masterpiece.

>>166

The preparation period for Jubilo is really boring…

Professor Shimamoto is often praised for their analytical skills, but…

I actually think I’m the type to take things quite roughly.

I wonder if they couldn’t use a character close to the crying red ogre, even if it was forced.

Shimamoto’s one-shot about vampires was interesting.

It was a strange manga, but

1st place “Detective Conan” Volume 107, 270 million copies.

2nd place “Touch” all 26 volumes 100 million copies

3rd place “H2” 34 volumes 55 million copies

3rd place “MAJOR” Total of 98 volumes 55 million copies

Rank 3: “Ranma 1/2” – 38 volumes, 55 million copies.

Rank 6 “Inuyasha” Total 56 volumes 50 million copies

Rank 7 “Today, I Am!!” Total of 38 volumes 40 million copies

8th place: “Urusei Yatsura” all 34 volumes, 35 million copies.

9th place “Ushio and Tora” All 33 volumes 30 million copies

Rank 10: “Flame of Recca” Total 33 volumes, 25 million copies.

11th place “Freesia” Volume 14, 24 million copies

12th place “Zatch Bell!!” Total of 33 volumes, 22 million copies sold.

Rank 13: “Hayate no Gotoku” 52 volumes, 20 million copies.

14th place “Silver Spoon” 15 volumes, 17 million copies.

Rank 15 “Karakuri Circus” all 43 volumes 15 million copies

>>175

Touch is this amazing…

>>175

So Hayate was selling this well…

When Moonlight asked Shimamoto how Fujita was doing, he gave a very cautious and vague comment, to the point where Fujita was hurt by it.

>>176

It seems that the damage from being considerate is greater.

Because we’re both delicate old men with that…

When I look online, there are many passionate fixed fans, but the ups and downs of popularity during the serialization are quite intense for Jubilo.

From today, it’s obvious but I’m really selling well…

>>179

For some reason, a drama that I did much later also became a hit.

The masterpiece of the short series is the masked boxer.

When it’s said that Shimamoto is a great writer alongside Takahashi Aoyama and Jubilo, one might be like, “Hmm…?”

Isn’t it a bit low to be called an intermediate writer or a second-rate author?

>>181

Rather, if you only consider it from the perspective of manga, even mid-level authors seem questionable.

There isn’t a single work that has exceeded one million copies.

>>181

No…

Jubilo has not yet lined up with Takahashi Aoyama, and of course, Shimamoto is…

I like the Moonlight Regulation, but there are many parts that I find lacking.

Sou Boutai may have utilized the reflection of moonlight.

It’s probably going to be something indescribable, like a fiery women’s pro wrestling of Shimamoto.

Magazines featuring Gosho Aoyama, Rumiko Takahashi, Kazuhiko Fujita, and Kazuhiko Shimamoto have zero sense of the Reiwa era.