Rikio finds it hard to keep up with the conversation from a certain point onwards…

Ahab → When I read it, I wonder why someone who writes such cultured works is doing something like this monkey comic.

Excuse me at Ahab.

I think it’s best to read both and ignore the rest.

It’s good with Lockup Aihab Paratafu.

Demon Slayer

Tekken comic is interesting, but 42 volumes might be long.

Dog Soldier

I quite like OVAs as well.

I’ll just read the battered volume of Ninsei.

Hehehe… Abare Bun’ya is a complete young adult comic full of erotic, grotesque, and socially-conscious themes!

Paratafu and OTON

It’s better to be a journalist.

Because it’s the masterpiece.

“Riki-Oh has been adapted into both anime and live-action, and is undoubtedly a flagship work.”

High School Iron Fist Legend Tough should be read.

It’s vulgar, but

Lock Up contains strong quirks of monkey works and convoluted goodness, making it just right for beginners.

Isn’t Aihab better right now?

I honestly understand the opinions that say they struggle with the vibe of Tekken’s story or the dirty jokes, but there are many best bouts, so I really want people to read it seriously.

The Tekken story is a masterpiece, but when I continued reading Tough, it felt like it became noticeably less interesting from the middle.

High School Iron Fist Legend has a tough beginning with its raunchy parts.

I just want to go viral with tough topics, so I’ll take my leave.

D… Poison Wolf

I think that if it’s a venomous wolf, it’s not as great a work as Lock Up, but it’s just the right amount of flair.

Rikiou often has people’s skin peeled off (physically), so it’s hard to recommend.

No electrons are coming out either (nuh).

I’m reading Ryu Tsu and it’s really interesting.

It started to get weird from the point when Kibakatsu appeared.

I really like the early works of Jinki.

I really liked you.

The Tekken series has an irresistible refreshing feeling after finishing it.

Runin and GOKUSAI are interesting, but it’s difficult to recommend them to others.

It seems like the story of “Riki-Oh” owes a lot to the original work, don’t you think?

The argument that Lockup is a masterpiece is a bit questionable because volumes 2 to 3 have some monkey-like developments.

Reading it from start to finish feels like a solid masterpiece… so I think it’s definitely for beginners.

Hehehe… Monkey Sensei’s tales of human emotions are the best!

Recommend Ahab… like Kiryu.

When Ahab appeared with a mech foot and I was laughing at the overwhelming monkey elements, I was completely overwhelmed by the intense energy right from the beginning of the next story.

Isn’t it amazing?

Personally, I like the design of Todar.

What about Oniwakamaru, who doesn’t get mentioned at all?

It’s depicted like a draw, but bringing out the mecha foot and ultimately losing stays true to the original work.

I think the Oton side story is good in terms of its coherence.

If you want to know the source of the formula, you need to read up to Ryuu Tsugi.

The wild bookshop is interesting, but the ending is…

I wonder what Tomioka-san would recommend in this flow.

Mr. Whitey, perhaps?

Learning about monkey work in Paratuff Ahab Lockup.

In a way, it’s the strongest.

Lock-Up is said to be a masterpiece, and I like it too, but…

To be honest, I feel that one can easily understand that after getting used to reading Monkey-sensei’s manga; otherwise, I wonder if things like Akio Wada or crude gags and speaking style would be distracting and make it hard to concentrate on the story.

The image in the thread is too grainy…

Using clichés is quite boring.

I believe that if the scarred Ninsei were to be released for free somewhere, it has the potential to spread rapidly.

I started reading High School Tekken Chronicles, but what happened to Kiryuu before he became Ryuu?

A monkey thief that only nibbles on the delicious parts.

It’s a mystery to mock celebrities and famous people.

Please don’t get angry, okay?

If you’re interested in Monkey-sensei’s manga now, aren’t you just someone who wants to know the Tough quotes rather than the content of the manga?

Honestly, the issue with Ryuu-Tsugu goes beyond how the characters are handled.

I want you to finish the current story before moving on to the next chapter.

Hehe… TDK is a complete meal!

Wh-What is this Hyper Battle main event?

I’m really scared that I can’t get any information about the author of “Chikaraou,” Mr. Taka.

Real monkey space dispatch is

I… couldn’t forgive.

Rare

I can’t believe that Kiba, who has only been the subject of jokes in the live shows, is such a great character…!!!

I read all of it standing up.

I’m glad I could have fun without spending any money.

Lock-up

Paratafu

Ehabs

It is considered sufficient to be tough up to TOUGH as a runner-up.

When I see “Tough,” it reflects the author’s tendencies or style.

I understand that you ruthlessly discard finished characters.

What is this?

The side streams of Nada are increasing rapidly.

In a thread for a different work, was the latest Aha Block Up compared to the previous works as “Continuing the Dragon” just to be criticized?

I read Tekken’s story, and since I have characters I really like, I was able to enjoy it quite a bit.

If you’ve read Tekken, then you should read OTON too!

The evolution of the author’s perspective as a martial arts fan, glimpsed in the comments on the back cover of the paperback, is also interesting as a subtext.

I was the one surprised that the old man got away with it, as if he was on some weird drug.

Ahab is based on the original source, Moby Dick.

It’s after quite some progress that I start to lose understanding of the story of Ryuuju, so by the time I get to that part, I’m already hooked and can’t help but keep reading.

Learning the beauty of short stories with human interest in a lockup.

Knowing that if it becomes long with wounds, it will be lost.

Considering that Debidebi, OTON, and Paratuff are hits, it seems that short spin-offs are their specialty.

It’s amazing how, despite the original creator Mr. Taka being involved, the concentration of monkeys is so high in Rikiou.

It’s unclear why Kiryuu suddenly weakened after becoming tough.

I don’t know if it’s shyness or being contrarian, but it’s disappointing that it only ends up with oddly twisted developments.

Harukusa is really strong.

I don’t really understand the uncle who acts tough in front of a stronger Kakugo.

The subtlety is so strong that only Key-kun and Taka-niisama can keep up with it.

I wonder how good Paratafu is as an introduction.

I wanted to see the showdown between Master Ryuusei Oton and the evil Kiibo too!

I don’t like that Kibo, who will inherit the dragon, isn’t that strong.

If you have mastered the art of Yugen, you should be much stronger.

The cursed technique of Tough should be mentioned more, you know.

The uncle also had moments in Tekken: The Last where he was shown mercy by a father who honestly didn’t intend to kill him.

Um… the GOKUSAI highly recommended by Teacher Saru is…

Is the cheesiness of the technique name intentional?

Obscured Fist or something like that.

The theory that those who easily praise Lock Up and Aihab as masterpieces have hardly read Tough or Bun’ya.

I think the bullet slide + phantom thrust is quite a terrible combo.

Personally, I like that Key-bo from Tough was coaching Blue.

I wonder if Yuki-chan will appear again.

They were a regular character for quite a long time.

The newspaper writer has a bit of a gory side to their violence…

Another case of parental abuse…

More yakuza…

Another sadistic guard…

Isn’t the famous homo Choshu the one causing a ruckus on that particular page?

The end of the writer’s story is probably the worst, ahhhhh!

I think GOKUSAI would have been better suited for serialization in Grand Jump or Afternoon.

Since both Tough and Bunya are long, as content recommended for beginners…

It’s pretty normal for that to happen.

I think it’s okay for a writer, who often writes short stories, to look somewhat rough around the edges.

The page on the white whale from the anime otaku wiki subtly explains that the original work is an aberrant novel while incorporating tough tropes, and then introduces Ahab at the end as a related work, stating that it actually has one of the top-level recreations of the original in history—it’s truly an intellectual’s job.

https://w.atwiki.jp/aniwotawiki/pages/57782.html

I don’t watch the Aniota wiki because the vibe is cold and it smells like a pot.

It’s an unreserved opinion about Phantom Joe and related people.

The Death Row arc of Baki and the intense boxing of Retsu are amazing with their unpredictable plot twists that keep it interesting even when boredom strikes.

I’m not praising you, but…

Ryuuki finally entered the master-disciple showdown, which was great, and the name of the technique is good too.

I’ve seen people sometimes say that it went from something elegant to crap, but to be honest, the Hyper Battle main event is worse than something elegant.

Ahab is really amazed by the teacher’s ability to structure things.

Jet vs Kibo has so many unnecessary interruptions that it’s unbelievable, I can’t concentrate at all! Ah!

For now, as long as I can eat The Hard and not die, I can probably eat just about anything.

The trendy manga format mostly originated from the manga boards in the “tsubo” (niche) community.

It may be regrettable, but there’s nothing that can be done.

Even though it was canceled, I’m really disappointed that the next chapter is starting without fighting Battle King.

I think the scene with Jet’s grave was the moment when my uncle was most enthusiastic about the Tough series.

The Yugen chapter isn’t so bad, you know.

It’s just that the enemy characters have no charm.

Mr. Monkey has a complex love-hate relationship with God.

First, gently draw in the reader with beautifully illustrated short stories, then hit them with “Don’t underestimate me, hey!”

Kiryuu used to be in a position like Yuujirou in the battle against the Yugen Four Heavenly Kings.

It turned into a biting weakling and seriously messed up the jar, isn’t that amazing?

It can be considered that it was done on purpose.

Lock-up is a great work, but to go that hard with the serious pro wrestling appeal…

It feels a bit frustrating, as if I’m making excuses for getting beaten up by Gracie…

With regard to Rikiou, there are many developments that one cannot grasp without having read the Bible quite thoroughly, so it’s understandable if you don’t get it.

It would not be a problem to read it as a modern Bible.

Isn’t it amazing that even after experiencing Tough’s later half and Ryuu Tugu, the ancestor Manemobu continued to pursue Saru-sensei?

GOKUSAI was interesting until the mother arc.

The character of Yugen is interesting because it has a personality like that of a protagonist from an otherworldly story in modern works.

Aside from the ending, which becomes somewhat unclear, I recommend Ninsei.

The tough thread itself originally probably originated from a jar.

What are you talking about now?!

Whether good or bad, Monkey Sensei does not deify the characters, so the idea that he is on par with Yujiro is just something fans expected on their own.

I didn’t find “Abare Bun’ya” very interesting because there were many episodes that felt hastily thrown together with a lot of unpleasantness, aside from the last one.

To be frank, even the Money Mob turns a blind eye to the part where Monkey-sensei tries to act socially aware.

Injured Niken ends his battle with the villain in an indescribable way, and from the revelation that her husband’s death was just an accident, it becomes unclear. The ending feels abrupt, but as a human drama, the early to mid parts are interesting.

It’s surprising how quickly the level of security in the work drops when you go from Tekken to TOUGH.

It’s often criticized when strong characters are weakened, but I honestly think it’s better than having someone like Yujiro being deified and having all the principles of this world twisted around that.