I really think the Demon Prince is an awesome character.

It’s impactful and can also be comedic, right?

Growing up fast, huh…

Himeji said something like he is a direct disciple of Kibo, but the time they spent together was only a very short period when Himeji was a child.

The timeline of Himeji’s connections is seriously a mess.

Especially Mr. Tashiro who commits suicide in the flashback.

You can tell that the teacher is drawing with quite a sense of live energy around Himeji.

From around Himeji, things start to get strange.

What is up with Dad not having any idea that the dojo has collapsed?

It’s strange coming from a master who trains their PC muscles, isn’t it?

What was it that we three supported Keybo?

Considering the speed of serialization, it’s not surprising at all.

Thanks to the live feeling of drawing, it seems that Mr. Saru himself is enjoying it and hardly ever misses a deadline.

The time I was drawing Ahab, the story itself was quite terrible, so it’s no big deal.

I read up to the part where Taka-ani gets defeated by Garcia, and I’m just genuinely shocked.

I like Himeji quite a bit, but I ended up in the monkey space.

But isn’t there relatively less of a sense of drop in status since Hawk is not participating?

Kuroda is too sad, isn’t he?

If we reflect on the matter of Pooh-Chin and Tora-ump, Key-bou will turn 50, so it’s better not to think too seriously about it.

I read it all at once, but Ryusei is wandering too much until he becomes Keybo’s disciple.

Isn’t it amazing?

I don’t really understand Kiba’s age, and my dad’s statements are full of contradictions.

It’s frustrating, but it can’t be helped.

If the MCU (Monkey Comic Universe) became a place where various dimensional monkey characters drifted due to the time-space criminal Kiba Katsu, it can be considered that there are no contradictions.

The fact that Kibakatsu can drive a car during Himeji’s childhood is the main source of confusion.

When I read it again, it feels like Ryuusei’s character has changed since getting his hair cut.

I prefer long hair.

After cutting my hair, my personality went back from NEO to Ki-bou.

It is thought that something like a personality resides in hair.

The timeline is all messed up, so it’s really funny to see Neo-kun cutting and growing his hair.

Tashiro-san just came back to life after hanging himself.

It’s tough to do a weekly serialization, isn’t it?

I started reading it from High School Tekken, since it was free on the app, but Ryuuki is amazing…

What is this…? I feel it rushing in almost every time in the Yugen chapter.

It’s all because the editing is sloppy.

Mr. Saru couldn’t be that attentive due to the harsh weekly serialization.

Even with something like this, I wonder if having the elusive Kawashi and the butcher knife makes me far stronger than those fighters out there.

I don’t quite remember, but I feel like the thread image was more of a healing category than super dangerous.

Ryusei and Kii-chan prefer long hair, you know.

Having a shaved head makes you look earthy and lacking in elegance, doesn’t it?

Kibakatsu is too much of a singularity.

I’m not sure how it is with Mr. Saru, but it seems like there’s no time to take a break with the weekly schedule, and there doesn’t seem to be room to confirm the settings either, does it?

I braced myself, thinking I would be mocked again in the thread.

I was relieved that you returned to the monkey space right away.

I think the contradictions in the story are being overlooked to some extent to avoid dropping the manuscript.

Is it okay for Dad to have fixed that abnormal lover?

The feeling of launching the serialization without even deciding on the purpose of the story up to around volume 5 of “Ryuu Tsugu” becomes more profound the more I read it again.

If Animal is not the son of Kiryu, then Kuroda is just too much.

In the end, what does it mean to inherit the dragon?

Mr. Tashiro is a legend in monkey developments.

Compared to this, the disappeared Kuro-chan and Yamaoka’s sweetfish are nothing.

Further mention of the Gagarcia incident is dangerous.

I’m going to stop the conversation.

I could only read part of High School Tekken and Tough during the free trial, but I’m reading Ryuu now.

Ryuu’s unique handling by special fans continues to be well-received, to put it frankly, it falls into the category of buzz.

To be honest, even without Gagarcia

It seems like there wouldn’t be any issues with the flow of the story if Kiryu teamed up with the U.S. military to target Garcia.

The depiction of the battle in the rain in the tanker chapter is amazing.

Keybo’s use of the mystical technique “mist and haze” along with reader service and strong character presentation is outstanding.

It’s true that there are some strange scenes, but there are also interesting parts.

But I was managing better than Dad and Kakugo.

In terms of development, I’ve been greatly helped by the demon prince.

There’s no way anyone would come to a remote mountain like this to learn an old-fashioned and suspicious martial art.

Dad is saying things like murder techniques are unnecessary in modern times.

It was obvious that the dojo would collapse sooner or later, wasn’t it?

Kibakatsu, Kiryu, Himeji, and the abnormal lover are really bending time and space.

I think it’s somewhat unfortunate that the Kiryuu’s son lost that brand in Himeji, as he is strong regardless of what people say.

But I don’t dislike that it seems like you’re getting along with Ryusei.

Looking back now, the Death King who built a dojo in such a remote mountain must have done it out of spite.

I’m not sure what’s going on with using the concealed explosive kick I supposedly learned from Feng three years ago against Kiyomaru from ten years ago.

The Yugen side was a debt that no one wanted to take on.

It may be frustrating, but there’s nothing that can be done.

I felt that Todar is really cute, and I thought that the teacher is quite good at making us develop an attachment to the character.

The tanker chapter is severely damaged except for the last Oton, so I can somewhat accept that Garcia was taken by the U.S. military, but I’m confused because the process that leads to this conclusion is missing.

Well, setting aside how they will deal with the dojo if it ends like that, I think it was a good ending.

It’s still scary, isn’t it?

Kibakatsu, who distorted space-time just enough to observe the fire, entered the monkey space.

Who were the people gathered when Tafu-kun set up the dojo?

It’s not a time for training, you know.

I honestly wanted to see a match between Key-kun and Kuro-chan.

Well, no matter how strong you are, the ethereal would be unpleasant, right…?

By the way, I wonder how Yumemi is doing…

What happened between Himeji and Kibo…!? It all started from that, and in the end, I have no idea what happened over the ten years since they met.

While working as a member of society, please say that the supernatural strength of the ethereal is captivating.

The dojo itself has become a ruin, and if all the students are just running a ramen shop, it’s no wonder that no one wants to continue it.

I kind of like the character design of the Four Heavenly Kings that lacks a bit of flair.

I think Harukusa is living the most enviable life.

Isn’t Takani originally at a standoff with the ugly death king of the ethereal realm?

I understand that even if you have a deep attachment to a school of thought, you don’t want to bear that burden yourself.

I like that the Death Kings feel like strong outsiders who don’t participate in competitions like hyper battles.

When my corrections are applied, it seems like Hawk brother looks stronger than my resolve.

After firing off a flurry of chunk gathering punches, it ended in a tie, so doesn’t that mean you’re technically losing in terms of skill, Respectable Brother?

It’s not that Nada is weak, but rather that the Death King is unusually strong.

As expected of the main character, Kibo is able to defeat them.

I wonder if the three brothers, Foot, can use the Illusion Charge if they train.

In the rematch, we were completely outperforming until the stalactite fell, so if we hadn’t underestimated it and had gone straight for the win, it would have been over.

When Hawk brother is cornered, his instant death technique barrage is very characteristic of him.

It seems easier to write stories from the past rather than continue the dragon, as it’s clearer where to land and easier to expand the narrative, don’t you think?

It’s an unreserved opinion.

The fighting scenes are incredible in various ways, so it’s fun to watch as they battle.

If anything else becomes the main focus, the monkey density increases.

If we say that the fallen Key-bo taught the knife hand strike and ethereal evasion, that would be fine, right?

I wonder if a past character will suddenly power up and appear like in a gal ad…

Well… I would be troubled if I were mocked again like with Kuro-chan…

I recently read up to around the White Knight Battle, and since Robo is a phantom demon, it was quite fun after breaking free.

To be honest, the series of events after the tanker is pretty much rock bottom from Gagarcia.

How far you have to go to feel better varies from person to person.

I believe that my relationship with Ryusei and Kibo has improved quite a bit, and I think things started to unravel around the time the Demon Prince appeared.

It’s deflationary, but somehow the tournament is interesting.

I think it’s over for the writer since they gave up on depicting the villain Kiichi and ultimately returned to the same character as before, showing a decline in their skills.

Aii~

It can be considered that the father’s explanation is contradictory.

While fighting, the ability to get into it with drawing skills and word sense.

It can be considered a style where one draws exactly what comes to mind in that moment, rather than being unaware of consistency.

The suggestion for Kibakatsu mentions “time and space.”

Is this okay?

The chaotic timelines and numbers, and the way characters suddenly enter a surreal space or are mocked, remind me of myths created in ancient times.

The standard sources are concentrated on Ryuuju, and it’s really impressive.

There has likely never been a work where a person who is supposed to be living in modern times dies while reminiscing.

It is considered that there will not be any from now on.

I think Ryuusei is quite interesting at the beginning.

Seamlessly immerse yourself in Monkey World and before you know it, be covered in clichés.

Mr. Monkey: “To be honest, you don’t need to read Tough.”

It’s a given that Mr. Tashiro was revived using the Nada Shin’ei-ryu method after entering a state of suspended animation.

What are you getting so worked up about?