I guess I like the second form after all…

I like the second form because it looks like a clown, but I understand that it shouldn’t be prolonged.

It looks stupid, right? And then the perfect form of Cell is completed!! The momentum is creeping up.

Huh…………!?

In the first place, we’re talking about the complete form being present at the stage of the first form! So even if the second form is pulled in…

So, are you saying that that guy you often see in the bulletin board thumbnails is an idiot?

Since Selmax has become the final boss, isn’t that good?

I don’t understand why absorbing handsome number 17 makes you ugly.

For some reason, it doesn’t make sense that the wings are devolved only in the second form.

It seems like there might be some obstacles.

Let’s hurry up and become complete!

Why do you like the second form so much?

Indeed, the cost-performance of the second form is too poor.

How many hours was the second form in the story’s timeframe?

I wonder what kind of opinion it is to say someone looks like a fool, but the truth is that they really do have a fool-like expression.

The sweet mask is more foolish in behavior and speech compared to the previous forms…

>>16

If I were to defend him, I would say that Cell is the bad guy, but all the developments seem foolish.

Is this edited by Mashirito?

>>19

I wrote that the part of the editing instructions was more well-received by the readers than my own ideas, and I gradually became unable to resist.

>>42

Given the masterpiece that fully showcases my ideas and sense, I wonder if that would have been better…

If you like monsters, then the first one is fine.

If it’s about coolness, then it’s fine to be in perfect form.

It seems even more foolish, doesn’t it?

I think all forms have nice designs.

That’s that, but this guy looks stupid.

Hehe… what a terrible thing to say…

A special service is better than being forcefully skipped over by Frieza’s third form.

Ehm…

……!?

I feel like I was making complaints under the guise of pointing out that it didn’t make sense even though Mashirito was already out!

Thanks to that, the final boss of the Android Saga changed repeatedly.

It’s not that it looks uncool or weak, but being called silly is just too funny.

Why did you leave that pattern after transforming twice?

>>28

I’m adding more black to my shoulders to make it a little easier!

Birds have a bad habit of making enemy bosses excessively ugly…

Make an extremely obese body type.

The lines in the cell are strangely amusing overall.

I like this second gentlemanly pose.

Because he became complete so quickly, even the arrogant Vegeta looks foolish.

Sweet mask

It’s harsh, but the design is actually dumb, ugly, and foolish, so it turned out fine in the end.

It’s impressive that Akira Toriyama can create something that doesn’t appeal to the masses but can also produce something that does when asked.

I shouldn’t have let go of the reins.

>>36

Are you saying that Goma’s design is no good, you jerk?

>>38

Rather, why do you think it’s not a problem?

However, if the second form didn’t exist, there’s a possibility that silly elements could have gotten mixed into the perfect form…

It’s impressive how someone could design this and not remove the spots while making a self-deprecating joke.

Too masochistic.

19, 20 changed to 17, 18 changed to 16; the enemies in the cells are changing too frequently, that’s for sure.

As expected of a model for Frieza and Avan from Dai, Editor Kondo is relentless.

The treatment of the second form was correct.

I mean, what were you planning to do with him after pulling him in…?

I love Toriyama-sensei’s tarako lips too much.

As a result of spanking, I can bring out the perfect form of Cell, so of course I’ll spank.

There is an unusual obsession observed towards drag queens and middle-aged men.

Even a genius like a bird can produce something useless if they’re self-absorbed.

It seems that not just with birds, but also with major hit writers, their works that they freely create after a hit usually end up failing.

When asked about Editor Kondo, Dr. Toriyama would say that he likes cool things… to that extent.

It seems that they had a supremacy of good-looking men, so the Kondo era had the most cool elements in Dragon Ball.

>>51

I heard that the trunks were designed with a heartfelt effort to keep up with the trends.

>>54

It’s amazing how they perfectly deliver such an impact and coolness that there’s hardly anyone who wouldn’t fall in love with it.

>>51

Mr. Toriyama loves Tarako (cod roe) too much.

Like Kishimoto and others.

Many great artists produce designs that are not well-received by the public unless they are supported by their surroundings.

Well, it’s amazing that someone designed this while also making self-deprecating jokes without erasing the speckles.

Too much of a masochist.

I like this second gentlemanly pose.

Let’s become complete soon.

Well, setting that aside, what kind of activities were you planning to engage in that seem so foolish?

In children’s manga, looking cool is definitely super important!

The design isn’t bad, but I think it lacks the imposing presence of a final boss in the story, like a fool.

If you like monsters, then it’s good as the first one.

It’s not that it’s uncool or looks weak; it just seems foolish.

It feels like, not only with birds, but also with hit authors, their works that they freely created how they wanted after a big hit tend to flop.

>>61

Many manga artists want to feature ugly beastmen.

It’s an intermediate design from the beginning.

It’s called pottaishi.

Akira Toriyama’s desired design may not appeal to the masses, but it’s amazing that he can produce something that does when asked.

I shouldn’t have let go of the reins.

>>63

It’s an unforgiving Kondo edition with only the models of Freeza and Dai-Dai’s Avan.

Look, who the hell designed this and didn’t remove the blemishes while making self-deprecating jokes? That’s impressive.

Too much of a masochist.

Why did you leave that pattern after transforming twice!

It’s more like I became a complete form rather than just being outsmarted to achieve it.

It feels strong that I got used to it through kindness and mistakes.

Not just with birds, it feels like hit creators, after a big hit, tend to create freely whatever they want, and it seems like they might stumble.

I like it as a standalone design.