I hear that many people have been captivated by this feminine girl.

Still seeing hallucinations from the period following World War II.

Right now, I was pushed to the point where I could be called “Ed abuse”, and my expression is pretty good.

I like that Envy is the more sleazy older brother here.

I really like the expression of Nii-san during the Barry fight in the TV version of the old anime.

This is what dark fantasy is all about! The protagonist is so pitiful!

I have memories of the DS games being well-made, including the mini-games.

Melissa is great, isn’t she?

I like both of L’Arc’s theme songs.

Aside from issues like the final boss being too weak and the equivalent exchange problem, as well as the overuse of stage-setting characters, it’s a good movie.

The first game also had an incredibly tough ending.

The Roma sisters are giving off great vibes again.

I like this initial humid atmosphere?

I love movie openings.

For some reason, I have a memory of it being broadcast on terrestrial television late at night.

I like Lieutenant Roy Mustang.

I should have just quietly made the automail.

I liked the idea that Al can manipulate souls, as it gives off a shonen manga privilege feeling.

It’s great that they are also incorporating ideas from the side stories and novel versions.

Nuclear stuff is dangerous, but mechanical armor is also dangerous, right?

But Arumoni’s letter has a perfect content that runs through the theme of the original work…

I think it’s the best work by Bones in TV anime.

I’ll let you hear the sin of the inst that can’t be erased!

Do your best and fight! The result won’t change, though!!

Letter from.

Is this the one where the master has passed away?

It was like the remaining Lars (from the anime) was battling the rampaging Gluttony.

Is it the material that opens the door?

You can only see 18-year-old Ed’s activities in Shambhala!

I think it’s nice to bring Dante’s name as the boss.

My dad has gone beyond being a bad dad to being a worthless human being.

The fake Al that Ogu-ryush voiced is a really good character, isn’t it?

At that time, I didn’t really understand… but after becoming an adult and studying modern history, I was like, “Oh, this is that person!” and I really enjoyed it.

The dragon that Ed called a terrible creation is actually the one used in the movie Nibelungen.

When I watch “Hyakusho Kizoku,” I can’t help but wonder how they can live like this and still do that…

This version of Nii-san gives off a mature vibe, or rather, has an impression of slightly withered acting.

I have the image of Nii-san looking troubled with a cloudy expression the whole time.

Bracha is great, isn’t it…?

I am part of the minority that likes the old anime TV series but dislikes Chamba.

I’m not satisfied with the ending where Ed pushes all the responsibilities onto the Colonel and lives in this world with Al.

The title “LINK” and the lyrics are just perfect for this movie…!

The visuals are good, but every time I see it, I think it’s so big…

This Ed has been through a lot of difficult experiences.

Before and after obtaining the national qualification, Nina and Alexander disappeared.

The period during which I could travel as a state alchemist while feeling good must have been quite short.

My sister became what you call a “fujoshi” because of this anime.

I was getting off to a poster of Ed’s mechanical armor being blasted away.

Speaking of which, it seems intentional, but Tucker’s ideology is completely different from the original work.

I was a child at the time, but it was tough to be shown “Where did Nina and Alexander go?” in the evening.

I’m really annoyed.

The BGM and character design in the first season are really good.

I was stunned at the part where they dug up the mother’s grave.

Even though I was asking the cow about the previous developments, I can’t believe how much they’ve expanded a manga that had only a few volumes out.

At the end of the Tucker episode, there’s a special effect where Ed smiles painfully.

That moment’s impact really messed with my brain too.

I just wanted my brother to come back, so I transmuted the door!

As a result, the people of the other world massacred the people of Central.

The 90% original punk kid Grimble created from blast alchemy, honorifics, and a glimpse of pigtails in the panel.

When I watched it again as an adult, I thought it was well-crafted, but as a story, it felt hopeless and I was like, “Hmm…”

Still, I like it more than the second season because the middle part is too good and the character design is nice.

The theme song and the voice actors are way more to my liking in this one.

I like the BGM of Blatcha and Amelistos.

No matter when you see it, I’ll show you the difference in quality of the first episode of the anime! The level of completion in “Kimi no Tete de” is amazing!

The voice of Tōru Ōkawa smoothly works on the Colonel, who has a chaotic and shadowy presence…

This dad seriously has everything he does backfire on him.

It doesn’t really feel like prime time; rather, it gives off the scent of late-night anime from back then.

Is it a blend of old anime fans and the vibe mixed with original content until the middle?

The story changes too much due to the gloomy thing in the latter part.

Winry is going through some tough times, but the presence of Nina, 2nd Lieutenant Maria Ross, and Sheska is stronger than in the original work, so I wonder if it was still unclear how to portray Winry during the serialization period back then.

A father who is a cool old man with the nickname “Light’s Hoenheim.”

The old version’s character voices feel more fitting after all.

Are Blood+ and Yokai-ji in the same category?

The biggest gap from the original work is probably the fact that my dad is really terrible.

The end result of a homunculus created through human transmutation is the worst answer to human endeavor… I think.

If I were to marry someone resembling Winry in this world, I would somehow make it happen.

Winry can come over here too! I love everything else.

Is it okay if I make it a little dark?

Because it was an original development.

I can really feel the strong directing power from the creators to completely mess with the viewers’ emotions.

It’s not just following the original work; there’s an emphasis on other aspects as well.

In the original work, the Ed vs. Colonel was a gag short, but it was infused with serious elements and I was genuinely moved.

It’s a Zeppelin!

It was certain that Nisan was often younger than in the original episodes.

I will never forgive Takahashi-kun who lied that Almoni wouldn’t die if we defeated the Colonel and Major within the time limit.

Armony!!!

The voice of Envy is still playing here.

Every game is well-made, yet there’s no salvation…

I have a memory of suddenly jumping to Germany during World War I, while the server of the jar was flying.

It’s funny that Ed says Einstein is suspicious.

I think it’s good overall, except for the fact that the rules of alchemy change too much in the middle, which is a bit confusing.

This Nina over here seems to be a semi-regular in the chapter, so she has a lot of appearances.

(Something erotic ED)

It’s rare for a work to have all songs be hits.

I’m a bit fuzzy on the details, but…

There was a development where Al completes the transmutation circle with Scar’s body and becomes the Philosopher’s Stone, right?

I remember feeling like “Gwaaaaaaaa!” from the story that had ironic situations for the two main characters that were like hell.

All the songs are too good.

The father, who only prepared prosthetic arms and legs, disappeared again and ended up rolling in here to Alphonse. Up until that point, he had just enough youthful energy, but since he’s somewhat smart, as he studied rockets and understood the science here, he gradually came to realize that returning to the original world was impossible, leading to a slow decline over the next two years. I’d like to see that too.

Is there no salvation or anything?

The rewrite’s opening visuals are energy-saving with a single image slide, while conveying an adult and ennui atmosphere, showcasing its artistic direction…!

At that time, it seems that a lot of fan books featuring Colonel x Nii-san came out because of this anime…

Episodes like the total petrification of residents in the village that don’t really affect the main storyline suddenly come up, don’t they?

They were also actively picking up novelizations.

The final episode of the TV anime starts with tears overflowing from that ending, so it ends on a somber note throughout.

Hurry up and live, squeeze it out!

The preview for the episode before the final story, where Ed died, was just Ed screaming, and that has become incredibly traumatic for me.

I had to go through too much hardship before arriving at Central because of the game.

During SEED, I was the producer, but the one whose name appears in the planning is Takeda Kanjii.

The Philosopher’s Stone form of Al is cool, isn’t it?

I understand that people say the character handling is… but I still think it was a really respectful adaptation of the original work.

Nana Mizuki, playing game heroines, portraying the old Lars, and taking on the role of being cut down by the second season Lars.

It’s amazing that all of them are correct and have a good reputation, even though the OPED changes four times a year.

I still think, is there really any other work like this?

At first, I thought the UNDO was subtle, but after getting used to it, I started to feel that it looks cool and fits well.

When I learned the meaning of the song title, I thought “oh.”

I thought I would die in a good way, but Greed died in an agonizing and intense manner.

Moreover, it ends with Nii-san crying out in agony.

There was someone who got caught up in Scar’s Philosopher’s Stone transmutation and had half their body taken away, right?

Is this the guy who showed up at Hess?

I feel like there was some kind of villain who was heavily mechanized on one side.

It looks rough, but it’s actually quite naïve, right?

This older brother over here.

In the old anime world, right after Nina’s incident, Nii-san bursts into “The Angel Who Could Not Fly.”

It’s been a while since a guest character appeared, and the fact that they were raped, impregnated, and gave birth was just too much.

My younger brother was basically in the heroine position, huh?

The original younger brother started to show noticeable cool traits around the time the anime ended.

The influence on future generations is enormous.

Rewriting was originally a song that wasn’t even an anime song, and Mizushima begged to use it, right?

(Am I really the brother of my brother… Alphonse Elric…?)

(This armor just has the soul of Alphonse Elric mimicked and fixed into it through alchemy…)

(I can’t… I can’t ask my brother something like this…)

While Al is being indecisive and waffling, so is Nii-san.

(A being that does not require food or sleep… it could very well be a living hell.)

(Setting the soul into the armor without the person’s consent… just my selfishness…)

(Al secretly resents me… Damn it, there’s no way I can ask that!)

It’s beautiful to be indecisive and troubled, isn’t it?

The link is nice, but the closing LOSTHEAVEN is incredibly good…

The Phantom Thief Siren is absurd, but what does it mean to continue in devotion knowing that in the end, there is nothing to return? It embodies the theme of the old Fullmetal Alchemist.

What surprised me about the FA version was that Rose wasn’t brown…

The relationships surrounding the brothers in the original work and the anime are too different.

This older brother always has a gloomy look on his face, but I really think he has a good expression.

Isn’t it great when the colonel gets really angry and says, “Aren’t you going to consult me a little?!”

I also like Havoc watching the damp match being struck with an indescribable expression in the movie.

I feel that during this time, it’s okay to do anything with Noriko Kuwashima.

Okiayu’s scar is madly in love… Miyake’s scar is leaning towards strength.

I really like Ed’s circumstances and personality in the old anime.

Isn’t it unrelated to the mechanical armor if the cannon barrel is coming out of the mouth?!

The shit father being too much of a shit father is really bad.

Winry is too pitiful.

I like all the EDs.

It’s nice on the other side of the door…

The old Envy’s voice was really cool, but considering the fate in the original work, the new one was also good.

Regarding Winry in Shamballa, by the time of the final episode of the TV series, her brother is almost treated as dead, so I think it’s a blessing that they were able to reunite.

It’s unfortunate that Al has gone to that other world.

The final form of Gantz Bresslow, a Colonel, was quite scary when I was a kid, especially the way it slowly walked and played dead, even though it seems like a gag.

Eharato-san is too good… well, Unshou-san is also good though.

I love everything about this older brother’s expression and performance when he defeats Slous.

I mean, looking at it again, that development over there is really something else.

Uncle Unsho really shows a feeling of being completely exhausted.

The sword fights in the movie featuring 17-year-old-sized mechanical armor, where they slash at each other from the front with reach and weight, while dodging and jumping around like monkeys, is even cooler because it’s changed since childhood.

I like that, by not making Scar the enemy of Winry’s parents, it allows Al and his brother to bond freely.

There is no FA.

Winry from ED3 is erotic and nice, isn’t she…?

Ed, being cornered in a dialogue with the butcher of a serial killer, left a strong impression.

There was a time when the old anime was being criticized mercilessly.

I often masturbated with Winry.

FA hasn’t had much time between the old ones, has it?

I remember being surprised that they were already doing a remake!

The change of having the master’s husband and the major’s first meeting at the end of season 2 is perplexing.