How are you going to broadcast without sponsors?

*Already broadcast in America.

A television station that inexplicably continues to broadcast without cancellation.

I’ll post what I like.

“This is the true Gaiking LOD, which can only be appreciated when it’s canceled, so I’ll forgive it…”

At that time, I was disappointed and didn’t watch it because all the blood was cut out.

Since it was popular, we re-recorded the turtle rap and were able to do April Fool’s Day on the second day too…

I knew I should have gone with the internal Magnum after all.

It’s too scary that it won’t stop even if the sponsors are gone.

What made you feel so attached to Bobobo?

Since Takashi and the original work’s “it’s just a vulgar joke” had their high impact changed…

Even Sazae-san had a period without sponsors, so I guess Bo-bobo could do about one cour without sponsors too.

However, it seems difficult to re-animate it…

There are quite a few depictions and characters that would likely get a negative response if presented now…

It seems that it was a good experience for the person behind Beauty-san…

There are many changes in the Kanto Vegetable Alliance by episode 1.

I only understand about 70% of this anime.

I thought that in manga, the jokes and the responses are in the same panel, but in anime, the timing is off, which might make the pacing worse.

Since parents have stopped letting their children watch it, I really don’t know for whom this anime was broadcasted.

Wasn’t it a hellish relay from Crayon Shin-chan to Bobobo?

My father, who was watching with me, had no reaction, but suddenly burst out laughing at the scene where Bobobo said, “Bring on the Bon Festival and New Year!”

The mystery original content before the OP was a flop.

I like the story where Onosaka said he doesn’t need a script because he’s too much like the leader Patch.

I think I’ll go with either nose hair or dance for the next comic.

Since Matsui Yuusei had no experience as an assistant, he didn’t know what he should be doing and was endlessly made to draw the trees in the background.

Due to this backlash, Mr. Sawai has completely withered away.

Teacher Sawai says he was a dropout at art school, but if it were Jump, he would be a top ace. I think it’s amazing that he created the Bobobo-bo Bo-bobo genre.

When Gag Manga Biyori became popular, there were people who started to imitate Gag Manga Biyori, but it seems that they said it was impossible to imitate Bobobo.

If it were now, I guess they would normally get sponsors.

The existence that the author of “Dengeralus Jii-san” feared the most.

When I look at it now, the voice cast is too luxurious.

I was watching it in front of the TV, gritting my teeth because it was so much more interesting in the manga!

I feel like I’m giving the author work as an apology for having let it wither away, with the current revival development.

The stage version of Bobobo was really good.

Chagecha might have taken off if it had a break of about 2 or 3 years before continuing the serialization.

That’s impossible!

It’s impressive that some kind of power is still supporting the development.

It feels like pouring everything in without thinking ahead, just like Gon-san.

I dislike Bobobo Theater.

In the anime, the scene with the panty thief leader Patch made me laugh out loud.

While crappy games tend to become a topic of discussion, people are still having fun at the festival…

If there are no sponsors, why not do it on NHK?

At first glance, it’s GLAY’s Sawai-kun!

I love the cheerful BGM used mainly in the opening, “Tette-te-re Tette-re!”

I was really moved and ended up crying when I went to visit a child who is battling an illness…

Bobobo uses the same concept as Kabuki, and since that essay won a gold prize, it is likely also highly compatible with dance…

The dedication to the theme song is impressive, isn’t it?

I wonder if the composer has read it…

The Ulfuls have been singing “Baka Survivor” all along.

I’m regretting that I couldn’t go see the play.

They were incorporating rock-paper-scissors and aiming for a national anime.

It’s a little scary that there exists a former dancer and anime screenwriter who is known for making food talk in a very pinpoint manner.

I’m frustrated with myself for reacting to the bouncing breasts of the character in the OP.

I was helped by Bobobo when I was feeling lonely and recording while home alone during the flu.

I think it was a good match for the state of my head being foggy.

A few years ago, Mr. Sawai’s one-shot really captured the feeling of the time, and I hope he doesn’t lose this spark.

But don’t push yourself too hard…

Anime that keeps making me laugh like this is really appreciated.

No matter what changes are made, it’s still Bobobo, and I think that’s because of the depth of the content.

It’s easy to forget due to its outrageous developments, but basically, it’s a story of good triumphing over evil, isn’t it, Bobobo?

If Koyasu-kun and Young weren’t here, we wouldn’t be able to keep the conversation going.

When you read the finer details properly, you’ll be surprised that the unexpected developments are actually quite logical.

Forever happy~

That’s disappointing.

Even with all those chances, you can’t leave a mark?

I quit being a voice actor.

If we catch some rich people from Dubai now, couldn’t we make a PG-12 version?

Jump during the time of Bobobo was so intense it made my stomach hurt…

Urasawa’s script is still amazing in Conan, as it breaks the mold…

I am being told by Conan fans not to do it with Conan.

It’s a work that truly reflects the readers’ votes.

The pickles that won first place in the voting are making a comeback…

The tempo was off, so I couldn’t get into it.

Yoshio Urasawa is first and foremost a burst list.

Isn’t it more interesting to talk about the hot pot than to watch an actor’s passionate performance? That’s the kind of dangerous person he is…

Gather, those who want to make a fuss!

Bobobo-bo Bo-bobo theater was too adult-oriented.

I wonder when the re-anime adaptation that focuses on the original work will be done.

But there are a lot of current events topics…

Is it a dog?

Matsui’s paintings also appear quite a bit, don’t they?

Matsui almost drew the part about tofu tennis.

Ai Nonaka, who is in her third year of voice acting debut, is thrown into a situation where veterans are doing whatever they please.

I love the Game Boy pig drawn by Matsui.

I wonder if dream girls exist in this work as well.

It’s as if heaven’s help isn’t food.

If it’s now, it can be made for adults in a late-night slot, so I wonder if they could make it.

An Indian person said, “At first, I didn’t really understand Bobobo, but once I got it, I started to find it interesting.”

I’m really glad to have been born in the same hometown as the author…

Is it true that the veterans were scouting other veterans, saying, “This site is interesting!”?

In anime, a tsukkomi isn’t essential.

I personally discovered that the tempo gets worse.

In sketches or stand-up comedy, people often speak over each other, but here we properly wait until the punchline is delivered before speaking.

The next part where this guy is the hostage seriously made me laugh so hard.

Sawai appearing as a bonus in Takeshi’s book.

Matsui appearing as a bonus in the “Bobobo-bo Bo-bobo” manga volume.

Even just the visualization of the turtle rap is worth it.

The momentum of OVER War is seriously amazing.

I love the Dark Emperor arc the most, but it’s not adapted into the anime, so it’s tough not having merchandise for it.

The flow of the Three Great Civilizations Over Torpedo hit me too hard.

I will be eaten by the anpan!

Was it my fault for underestimating the Anpan?!

No!! Anpan is a sweet thing!

Glory to the Anpan!!

I can still remember the episode of Hakata that was recorded on a video tape…

Aomori mikan~~

It’s that kind of era.

We cannot be stopped.

Who did this to you!?

Bobobo-bo Bo-bobo

Evidence destruction!!

The tempo is too good, or something like that.

I love ED’s Mani☆Raba.

It’s a shame that the part where he coughs up blood every time he’s hit was removed.

Checkmate from the very beginning!

Are you high on meth or something, you turtle rap?

I honestly think the pacing was somewhat poor for an anime.

Both the staff and the cast, as well as TV Asahi, seem to be loved since they regularly get involved with it.

I wonder if Bou-Bou would be accepted in today’s world?

I regret not watching it because it sounds really interesting when I hear about the stage play.

Is it Doraemon? Or is it Shin-chan?

Did Shueisha pull out as a sponsor? Even though it’s their own work.

If they were to reanimate it, it would probably start around the point of the canceled New Emperor Deciding Battle.

The Wild Challenger and the Foolish Survivor fit the work too well…

Give it to me! Give it to me!

Even if it’s an anime that hits you with high speed, the scenes that resonate with you will also flow by at high speed.

I can’t move on to the next panel after bursting into laughter at the part that hits me like a comic.

I don’t care about the somen hermit; it was a one-shot gag character, but Takeo Aono’s voice was surprisingly luxurious.

The Dark Emperor arc features many past characters, so continuing directly from the anime would confuse new viewers, which is a drawback.

I feel like there was a collaboration with my house on a special program.

Bobobo was calling his mother, “What is this old hag?!”